This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Beautiful work from Charles Lloyd – a set of compelling originals mixed with standards, both old and new, performed in a laidback style that really makes the most of his wonderful tone! Lloyd was a player who was great from the start – but in recent years, he seems to have even ... CD
The nine to get ready here are the members of Roscoe's Note Factory nonet – an ensemble that includes George Lewis on trombone, Hugh Ragin on trumpet, Matthew Shipp on piano, William Parker on bass, and Tani Tabbal on drums and percussion. The sound here is spare and textural – very ... CD
A live performance from pianist Keith Jarrett, recorded at Suntory Hall in Tokyo – but one that's a bit different than some of the solo sets that came earlier in his career, as it's got both a different sound and different style overall! The tracks here aren't side-long improvisations, and ... CD
Crucial late work from Duke – as modern as The Whitney itself! The material was recorded live in performance at the Whitney Museum of American Art in 1972 – with Duke on piano, Joe Benjamin on bass, and Rufus Jones on drums – and it's got that angular, spare, fragile approach of ... CD