Nothing childish here – as the album's a beautiful set of short, spare numbers from Chick Corea – a perfect reminder that he could still maintain a subtle approach to his music, even after years of more dramatic electric sides! The bulk of the album features short "Children's Songs", numbered 1 to 20 – played by Chick in spare, swirling ways that are mighty nice – a much more sensitive Chick Corea than we remember, dancing a nice balance between lyricism and sentimentality, yet without any of the too-popular trappings of some of his 80s contemporaries in the solo piano mode. The CD also features one slightly longer track – "Addendum" – which has Corea's piano with violin and cello. CD

Piano duets by Chick Corea and Stefano Bollani. CD

Drummer Andrew Cyrille is a musician who's always demonstrated his musical independence – from early work with Walt Dickerson, through a stretch of important avant albums as a leader – yet his sound also gets a strong new showcase here, in a very fresh setting for his first album on ECM! The music is maybe a bit more textured than some of Cyrille's earlier work – but no less unbridled, and instead just shaped a bit differently, thanks to the presence of Bill Frisell on guitar, who makes a surprising inclusion for a record issued under Andrew's name! In fact, Cyrille gives Frisell plenty of room to open up with his famous sense of tone – and the group also features Richard Teitelbaum on keyboards and Ben Street on bass. Titles include "Coltrane Time", "Sanctuary", "Kaddish", "Herky Jerky", "Manfred", and "Song For Andrew No 1". CD

Evocative work from Jan Garbarek – a wonderful progression of modes he first began for ECM many years before, stretched out nicely in this more recent session. The album's significant in featuring some early work from Bugge Wessltoft on synthesizer – playing here before his later fame on the Jazzland label, on a date that makes a great bridge between the groundbreaking European forces of that label, and ECM. Other musicians include Rainer Bruninghaus on piano, Eberhard Weber on bass, Manu Katche on drums, and Nana Vasconcelos on percussion – and Ingor Antte Ailu Gaup sings just a bit on the record. Titles include "I Took Up The Runes", "Molde Canticle", "Buena Hora Buenos Vientos", "Rahkki Sruvvis", and "His Eyes Were Suns". CD

Features Jan Garbarek on tenor and soprano sax – plus a bit of keyboards –accompanied on viola by Kim Kashkashian and Manu Katche on drums! CD

Jan Garbarek on soprano and tenor saxophone – with David James on countertenor, Rogers Covey-Crump on tenor, Stephen Harrold on tenor, and Gordon Jones on baritone. CD

Subtle sounds, in a beautiful space – the well-matched soprano and tenor sax of Jan Garbarek and bass of Miroslav Vitous – given a slight extra punch from the drums of Peter Erskine! Garbarek and Vitous always sound great together – and the record gives them plenty of room to really open up and explore in the best ECM tradition – while Erskine's work on the drums is nicely loose, too – and often almost seems to follow the impulses of the two other players, particularly Miroslav's warm, round basslines. Titles include "Lamenting", "Jumper", "Star", "Anthem", "Roses For You", "Clouds In The Mountain", and "The Music Of My People". CD

Features John Abercrombie on guitar, Dave Holland on bass, and Jack DeJohnette on drums and piano. CD

Giovanni Guidi on piano, Thomas Morgan on double bass, and Joao Lobo on drums. CD

Features Tord Gustavsen on piano, Harald Johnsen on bass, and Jarle Vespestad on drums! CD

With Steve Wilson on alto and soprano sax, Robin Eubanks on trombone, Steve Nelson on vibraphone and marimba, and Billy Kilson on drums. CD

A large group session led by Dave Holland – with Antonio Hart on alto and flute, Gary Smulyan on baritone sax, Duane Eubanks on guitar, and Steve Nelson on vibes. CD

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Beautiful late life improvisations from Keith Jarrett – a concert from 2016 that shows that the format he unleashed in the 70s was still amazingly alive and well – yet also nicely matured a bit too! Instead of one album-length track, the set features a number of shorter passages, 13 in all – all still improvised by Jarrett with that instant creativity he can bring to the piano, but operating maybe more as a set of smaller poems than one epic work – really beautiful sounds that are masterpieces in subtle emotion – the kind of pianistic work that just about nobody else on the planet can do this well, especially after all the many years that Jarrett has had to perfect his craft! We're huge fans of the pianist in this format, and own just about every other album of solo improvisation he ever recorded – but take it from us, there's still something very unique and special about this set – a bittersweet farewell to one of the piano greats of our time. CD

Beautiful late life improvisations from Keith Jarrett – a concert from 2016 that shows that the format he unleashed in the 70s was still amazingly alive and well – yet also nicely matured a bit too! Instead of one album-length track, the set features a number of shorter passages, 13 in all – all still improvised by Jarrett with that instant creativity he can bring to the piano, but operating maybe more as a set of smaller poems than one epic work – really beautiful sounds that are masterpieces in subtle emotion – the kind of pianistic work that just about nobody else on the planet can do this well, especially after all the many years that Jarrett has had to perfect his craft! We're huge fans of the pianist in this format, and own just about every other album of solo improvisation he ever recorded – but take it from us, there's still something very unique and special about this set – a bittersweet farewell to one of the piano greats of our time. LP, Vinyl record album

A great live set – with a long, multi-part improvisation at the start, then a few shorter encores – all solo! CD

One of Keith Jarrett's pieces for a larger orchestra – done with the Syracuse Symphony, conducted by Christopher Keene – but still with Jarrett's piano in the lead! LP, Vinyl record album

A live performance from pianist Keith Jarrett, recorded at Suntory Hall in Tokyo – but one that's a bit different than some of the solo sets that came earlier in his career, as it's got both a different sound and different style overall! The tracks here aren't side-long improvisations, and instead are shorter tunes that offer up a compressed version of the freewheeling Jarrett style on the piano – still with a sense of openness that really sets Keith apart from the rest, but maybe with more pronounced melodies – although many of those are as dark as you might guess from the title! Tracks include "Fire Dance", "Ritual Prayer", "Hymn", "Americana", "Parallels", and "Entrance". LP, Vinyl record album

Keith Jarrett hits some of the styles of his later ECM years – working here on both piano, soprano sax, and percussion – in a quartet with Dewey Redman on tenor sax and percussion, Charlie Haden on bass, and Paul Motian on drums and percussion. The first half features the long "Eyes Of The Heart" – followed by a long encore performance – as the set was recorded live! LP, Vinyl record album

A very unusual record – one that has Keith Jarrett playing some solo organ – and a baroque organ at that – but in ways that are quite different than you might expect! The sounds here are amazing – almost noisy at points, as Jarrett really works the instrument in an exploration of textures and tones, less in a pursuit of melody – so what might initially look like one of Jarrett's neo-classical recordings is instead one of his most experimental – especially as the set moves on! "Hymn Of Remembrance" initiates the album – with a slightly sentimental quality – but Keith then shifts into his nine-part "Spheres" suite – which is full of amazing textures and sounds! LP, Vinyl record album

Keith Jarrett on piano, soprano sax, bass recorder, celeste, and drums – with Dewey Redman on tenor sax and percussion, Charlie Haden on bass, and Paul Motion on drums and percussion. LP, Vinyl record album

A beautiful large-concept album from Keith Jarrett – one that features his piano, the bass of Charlie Haden, and the tenor and soprano sax of Jan Garbarek as the main solo instruments over larger string orchestrations! There's a sense of excitement to the record right from the start – well, not excitement that you'd get in other jazz-based styles – but kind of a sense of hope, drama, and unfolding that really shades the record nicely – and gives it a different flavor from some of Jarrett's other larger form projects of the time – possibly creating the first really unified, extended musical vision he brought to a record like this in the 70s. Beautiful sounds throughout – with titles that include "Runes", "Solara March", and "Mirrors". LP, Vinyl record album

The best Keith Jarrett spirit of the 70s – those long, exploratory lines he virtually invented on solo piano – performed here by pianist Dennis Russell Davies! The set's one of the warmest we've ever heard from Davies – as he spins out on two side-long interpretations of this composition by Jarrett – a piece that clearly allows a lot of room for personal introspection, in a way that makes it very much a blending of the two individuals. The work is less freewheeling than some of Keith's long improvisations, but has a very similar spirit – and stands nicely next to those solo piano classics on ECM. The set features one long piece – "Ritual" – over both sides of the record. LP, Vinyl record album

Anders Jormin on bass – withFredrik Ljungkvist on reeds, Jon Falt on drums, and Mariam Wallentin and Erika Angell on vocals. CD

"Time and Again" features Gidon Kremer on violin and Oleg Maisenberg on piano. "V&V" features Kremer with the string ensemble Kremerata Baltica. "Piano Quartet" performed by the Bridge Ensemble. CD

One of the darkest Steve Kuhn albums we've ever heard – a record of introspective piano lines, set amidst contemplative orchestrations from Carlos Franzetti! The style is incredibly moving – bringing a depth to Kuhn's work that we haven't heard in years – an approach that has him acting more like a painter in sound than the highly rhythmic pianist of earlier records. There's a quality here that's almost soundtrack-oriented at times, and Kuhn's dark tones are the highlight of the set – moving slowly in space to really find their own kind of sound – as Franzetti is very careful never to overdo things with the arrangements. Titles include "Adagio", "Promises Kept", "Life's Backward Glance", "Trance", "Morning Day", and "Pastorale". CD

Steve Kuhn on piano, David Finck bass, and Joey Barron on drums. CD

Steve Kuhn on piano with David Finck on double-bass and Joey Baron on drums. CD

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A standout moment from pianist Art Lande – maybe his best-remembered date for the ECM label – in part because the record features wonderful work from Jan Garbarek on flute, soprano, and bass saxophone! The simple duet mode is a bit different here than on other ECM dates – as Lande can sometimes have a fuller approach to the keyboard, which is best echoed by Garbarek on flute – which he blows with a tone that is lean, but surprisingly biting, even when melodic. And although Jan blows other horns on the date, the record seems to be an especially great showcase for his flute – on titles that include "Waltz For A", "Quintennaisance", "Awakening Midweek", "Miss Fortune", and "Cherifen Dream Of Renate". LP, Vinyl record album

Charles Lloyd on saxophone, flute and Chinese oboe, Bob Stenson on piano, Anders Jormin on double bass, and Billy Hart on drums. CD

Quite a bit different than the famous Charles Lloyd work of the 60s – but a nicely introspective session that showcases his quieter sounds of later years! The date was recorded in Oslo, with a relatively laidback feel – by a quartet that features Lloyd on tenor, Bobo Stenson on piano, Anders Jorman on bass, and Billy Hart on drums – all players who really get some of their own space and time for expression on the record, working with Lloyd more in the sense of a small cadre of co-mingled players, rather than the structure of a traditional combo. Titles include "Imke", "Song", "Dwija", "Glimpse", "Nocturne", and "The Blessing". CD

Charles Lloyd on tenor saxophone and taragato, with Billy Higgins on drums and percussion – joined by John Abercrombie on guitar, Larry Grenadier on double bass, and Brad Mehldau on piano. CD

Charles Lloyd on tenor saxophone, flute, and tarogato, John Abercrombie on guitar, Geri Allen on piano, Larry Grenadier and Marc Johnson on double bass, and Billy Hart on drums. CD

Charles Lloyd on tenor saxophone, Bob Stenson on piano, Anders Jormin on bass, and Ralph Peterson on drums. CD

Charles Lloyd on tenor saxophone, alto flute, and tarogato, Jason Moran on piano, Reuben Rogers on double bass, and Eric Harland on drums and percussion. CD

Features Charles Lloyd on reeds, flutes, piano, and percussion – with additional percussion from Zakir Hussain and Eric Harland. CD

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Nicolas Masson on tenor and soprano saxophone and clarinet, Colin Vallon on piano, Patrice Moret on double bass, and Lionel Friedli on drums. CD

A brilliantly evocative album from Pat Metheny – one that's got a quietly epic feel, as Pat and group soar out across the American landscape in a set of tunes that subtly explore space and sound while still remaining wonderfully fluid. There's nothing forced here, and nothing too slick – just a magical blend of acoustic and electric sounds, touched with those mystical notes that seem to flow effortlessly from the hands of keyboardist Lyle Mays. Titles include "The Epic", "American Garage", "Cross The Heartland", "Airstream", and "The Search". CD

A brilliantly evocative album from Pat Metheny – one that's got a quietly epic feel, as Pat and group soar out across the American landscape in a set of tunes that subtly explore space and sound while still remaining wonderfully fluid. There's nothing forced here, and nothing too slick – just a magical blend of acoustic and electric sounds, touched with those mystical notes that seem to flow effortlessly from the hands of keyboardist Lyle Mays. Titles include "The Epic", "American Garage", "Cross The Heartland", "Airstream", and "The Search". LP, Vinyl record album

Arguably the last great album to come from the classic Pat Metheny collaboration with Lyle Mays – a record that's tightened up considerably from some of the group's earlier efforts, but which gives as its reward some wonderfully compelling tunes! Pat's still very much influenced here by a Brazilian fusion style – but he takes that approach, dismantles it, pulls out the best elements – and extrapolates them into a sound that's uniquely his own. Wordless vocals slide out on a few numbers, while guitar and keys sing alongside earthier percussion – in a style that's extremely evocative, and shows that even riding the top of his own success, Metheny was still more than willing to bring in new modes. Titles include "If I Could", "Forward March", "Yolanda, You Learn", "End Of The Game", and "Mas Alla". LP, Vinyl record album

A really wonderful little record from Pat Metheny – quite possibly our favorite by the man, thanks to some really inventive sounds that still resonate strongly in the groove scene today! Pat's skirting nicely here between the sound-based quality of earlier records, and some of the more fluid and Brazilian-influenced song structures that were emerging in his work – using the percussion of Nana Vasconcelos to give the tracks a nice earthy undercurrent, but still also managing to slide around wonderfully in that fluid groove he was building with keyboardist Lyle Mayes. Includes the great cut "Are You Going With Me?", plus "The Bat", "James", "Barcarole", and "Eighteen". CD

A really wonderful little record from Pat Metheny – quite possibly our favorite by the man, thanks to some really inventive sounds that still resonate strongly in the groove scene today! Pat's skirting nicely here between the sound-based quality of earlier records, and some of the more fluid and Brazilian-influenced song structures that were emerging in his work – using the percussion of Nana Vasconcelos to give the tracks a nice earthy undercurrent, but still also managing to slide around wonderfully in that fluid groove he was building with keyboardist Lyle Mayes. Includes the great cut "Are You Going With Me?", plus "The Bat", "James", "Barcarole", and "Eighteen". LP, Vinyl record album

A near-legendary album from Pat Metheny – the real birth of the "Metheny sound" on record, and a perfect example of the magically fluid groove that he crafted with keyboardist Lyle Mays! The sound here is hard to describe – and even harder when you try to pick out the individual keyboard and guitar bits – because the overall feel of the record is so well wrapped up and lyrically together, yet manages to do so without falling into any too-slick styles or cliched approaches to fusion. We're stunned at how much this one still delights us over the years, and the record still stands as a landmark in its field. Titles include "San Lorenzo", "Phase Dance", "Jaco", "Aprilwind", "Lonejack", and "Apriljoy". LP, Vinyl record album

Pat Metheny on guitars with Lyle Mays on keyboards, Mark Egan, Steve Rodby and Charlie Haden on bass, Dan Gottlieb on drums, and Nana Vasconcelos on percussion. CD

The nine to get ready here are the members of Roscoe's Note Factory nonet – an ensemble that includes George Lewis on trombone, Hugh Ragin on trumpet, Matthew Shipp on piano, William Parker on bass, and Tani Tabbal on drums and percussion. The sound here is spare and textural – very much in the ECM mode, and often surprisingly spare, despite the largeness of the group. Mitchell's on soprano, alto, tenor, and flute – stepping slowly alongside more tightly arranged horn passages for most of the set. Titles include "Leola", "Dream & Response", "Nine To Get Ready", "Move Toward The Light", "Big Red Peaches", and "Bessie Harris". CD

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One of the better Meredith Monk albums for ECM, and a beautiful spare record of voice and tuned percussion. Meredith makes music like nobody else we can describe – but we can definitely describe this one as beautiful and haunting! Includes "Gotham Lullaby", "Travelling", "The Tale", "Biography" and "Dolmen Music". CD

One of the better Meredith Monk albums for ECM, and a beautiful spare record of voice and tuned percussion. Meredith makes music like nobody else we can describe – but we can definitely describe this one as beautiful and haunting! Includes "Gotham Lullaby", "Travelling", "The Tale", "Biography" and "Dolmen Music". CD

An amazing record from Meredith Monk – one that completely defies description – and which puts her right up there in the highest company of important contemporaries like Philip Glass or Steve Reich! The sound of the record is amazing – not just Monk's own vocal experiments, but mixed with other singers, and blended with piano, mini moog, and casio from the lady herself – plus work on organs from Julius Eastman and Collin Walcott – the latter of whom also plays some didjeridoo! CD

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A strong duo set by double bassist Gary Peacock and pianist Marilyn Crispell for ECM! While Peacock and Crispell have a bit of a history playing together, Azure is the first time they've recorded in the studio as a duo. It seems like that should happened already, but better late than never – Azure's gotta be one of our favorite ECM albums of the preceding couple of years! It has 11 tracks – 4 with a compositional credit to Crispell, 4 to Peacock, and 3 together – and they're so intuitive, it's not easy to guess who penned which ones. Crispell's numbers have melodic, even pretty piano at the core, but their spaciousness allows enough room for Peacock to make it his own, while Peacock's pieces are often pretty enough that you'd be forgiven to think the piano player penned them. Their joint tracks have a looser, slightly more improvisational feel. Those are great, too! Titles include "Patterns", "Goodbye", Puppets", "Blue", "The Lea", "Waltz After David M", "Leapfrog", "Azure" and more. CD

A very different setting than some of the more spacious Barre Phillips albums of the 70s – as this set has him working in a mixed electric/acoustic mode – with a core quartet that features John Surman on baritone, soprano, and bass clarinet – plus Stu Martin on drums and Dieter Feichtner on electronics – a trio that really gets going when Martin and Surman also play some electronics as well! The mode is maybe more like some of Surman's albums that mix reed lines with electronics – although the presence of Phillips is still often felt in the deeper, darker corners of the record and the album features a long suite of "Mountainscapes", with an appearance from guitarist John Abercrombie on the final passage. LP, Vinyl record album

Trumpeter Enrico Rava was a man of bold sounds in his youth – but as the years have gone on, he's definitely become one of those players who's really learned that less is more – serving up well-chosen, well-pointed moments on his horn that can make a record like this so great! Pianist Fred Hersch is in relatively familiar territory – especially on some of the darker, moodier passages on the set – but he also seems set free a bit from his conventions at times by Rava, as the pair work more in sound painting territory than some overly musical pursuit on some of the album's best tracks – definitely in the best ECM tradition, but very strongly flavored by the individuality of the two improvisers. Titles include "Child's Song", "The Trial", "Improvisation", "Retrato Em Branco E Preto", "The Song Is You", and "Misterioso". LP, Vinyl record album

John Scofield's a musician who's changed up his sound wonderfully over the decades – and yet, throughout it all, he's never stopped to give us an album of solo guitar – something he does here in a wonderfully fresh way – mixing up a surprising array of songs alongside his own work on guitar, which is sometimes augmented by loops! Scofield mixes in his own compositions with a few traditional tunes, numbers by Hank Williams and Buddy Holly, and a few standards as well – all to deliver a surprisingly personal record, and one that never lets the looping effects get in the way of the sensitive sounds on the guitar. Titles include "Elder Dance", "Since You Asked", "Not Fade Away", "My Old Flame", "You Win Again", "Trance De Jour", "Junco Partner", and "Coral". CD

John Scofield's a musician who's changed up his sound wonderfully over the decades – and yet, throughout it all, he's never stopped to give us an album of solo guitar – something he does here in a wonderfully fresh way – mixing up a surprising array of songs alongside his own work on guitar, which is sometimes augmented by loops! Scofield mixes in his own compositions with a few traditional tunes, numbers by Hank Williams and Buddy Holly, and a few standards as well – all to deliver a surprisingly personal record, and one that never lets the looping effects get in the way of the sensitive sounds on the guitar. Titles include "Elder Dance", "Since You Asked", "Not Fade Away", "My Old Flame", "You Win Again", "Trance De Jour", "Junco Partner", and "Coral". LP, Vinyl record album

A great selection of tracks that includes work with Gary Peacock, Bobo Stenson, John Surman, Dino Saluzzi, Juhani Aaltonen, and Jan Garbarek. CD

Some of the richest sounds we've heard from trumpeter Tomasz Stanko in years – played by his New York Quartet on a double-length record that really shines with some wonderful colors! Some tunes have the moody, atmospheric quality of other Stanko records on ECM – but others are a bit more straighforward and swinging – and balance things out nicely, in ways that really make us appreciate all the extra room in the 2CD set. Group members include David Virelles on piano, Thomas Morgan on bass, and Gerald Cleaver on drums – and titles include "Assassins", "Dernier Cri", "Mikrokosmos", "Song For H", "April Story", and "Faces". CD

Features Bobo Stenson on piano, Anders Jormin on bass, and Jon Falt on drums. CD

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Steve Swallow on bass, Adam Nussbaum on drums, Mick Goodrick on guitar, Chris Potter on tenor saxophone, and Barry Ries on trumpet. CD

Ralph Towner is solo, but showing off his many talents here – not just playing 12 string and classical guitar – but also piano, keyboards, French horn, cornet, and percussion! LP, Vinyl record album

A beautifully personal album from Ralph Towner – a set that's maybe got more going on than just a diary – as the whole thing has a very poetic approach to the sound, one that's really in keeping with the new modes of expression that Towner helped bring to ECM! There's a bit of overdub at times – so that Ralph also adds in a bit of piano and gong next to his more familiar work on 12-string and classical guitar – both instruments used in ways that are very different than the new acoustic underground that emerged in the 60s, and than most other jazz uses of the instruments too. It's almost as if Towner were learning lessons from Derek Bailey about unusual ways to approach the instrument – but then went off in more tuneful, melodic pursuits – on titles that include "Icarus", "Mon Enfant", "Dark Spirit", "Entry In A Diary", "Erg", and "The Silence Of A Candle". LP, Vinyl record album

Moody musings from guitarist Ralph Towner – recorded here on 12-string and classical guitar, plus a bit of piano – and working with a quartet that includes Jan Garbarek on sax and flute, Eberhard Weber on bass and cello, and Jon Christensen on drums and percussion. The group do a nice job of mixing up sweeter Towner moments with numbers that have a darker, almost noisier edge at times – and Garbarek's work on soprano sax gives the record some of its best moments. Early genius on ECM! Titles include the slightly funky "Piscean Dance", plus "Sand", "Red & Black", "Oceanus", "Visitation", and "Drifting Petals". LP, Vinyl record album

Essentially an Oregon record – given that the set also features oboe from Paul McCandless and tabla from Collin Walcott. LP, Vinyl record album

Jack DeJohnette on drums, Larry Goldings on Hammond organ and electric piano, and John Scofield on guitar – recorded live in London. CD

Italian reedman Gianluigi Trovesi partners with the Filarmonica Mousike to perform works by Monteverdi, Rossini, Verdi, Puccini, and Mascagni – nicely interwoven with brand new, original compositions by Trovesi himself. CD

Gianluigi Trovesi on alto saxophone, piccolo & alto clarinets, Marco Remondini on cello & electronics, Roberto Bonati on double bass, Marco Micheli on double & electric bass, Vittorio Marinoni on drums, Fulvio Maras on percussion & electronics, Beppe Caruso on trombone, and Massimo Greco on trumpet & electronics. CD

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With Kenny Wheeler on trumpet and flugelhorn, Jan Garbarek on tenor and soprano sax, John Abercrombie on guitar, Dave Hollad on bass, Jack DeJohnette on drums, and Ralph Towner on 12-string guitar. LP, Vinyl record album

Denny Zeitlin on piano and Charlie Haden on bass. CD

With Mark Feldman on violin, Kenny Wheeler on trumpet and flugelhorn, Joe Lovano on tenor saxophone, Dan Wall on organ, and Adam Nussbaum on drums. CD

A really compelling trio session – the guitar of John Abercrombie mixed with drums from Jack DeJohnette, and work from Jan Hammer on organ, piano, and keyboards – all at a level that's much hipper than his later music! CD

The second effort from this trio – with Dave Holland on bass, Jack DeJohnette on piano and drums, and John Abercrombie on electric and acoustic guitars, and electric mandolin too! CD

A great mix of shadow and noise from Tim Berne's Snakeoil group – one of the best projects he's created in recent years, and a group who really set a new sort of fire to Berne's imagination! There's a wonderful blend of texture, tension, and individual expression going on here – modes that are initially familiar to an ECM setting, but which often break free with the sort of energy that Tim brought to his music years back – especially when his alto sax takes off in some searing solo moments. The group features Matt Mitchell on some especially great piano – very spaced, but very powerful – plus Oscar Noriega on clarinet and bass clarinet, and Ches Smith on drums, vibes, and percussion. Titles include "Static", "Psalm", "OC/DC", "Socket", "Cornered Duck", and "Son Of Not So Sure". CD

Marilyn Crispell on piano, Gary Peacock on double bass, and Paul Motian on drums. CD

Jack DeJohnette on drums and percussion, Michael Cain on piano and keyboards, and Steve Gorn on bansuri flute, soprano saxophone, and clarinet. CD

Features Jack DeJohnette on drums, Jerome Harris on electric guitar and bass, Michael Cain on piano, and Don Alias on percussion! CD