A wonderful late album from Coleman Hawkins – recorded in 1956 with the orchestra of Billy Byers, including soloists Zoot Sims, Al Cohn, and Hank Jones. Coleman's the main blower, though – and the arrangements have a solid base that lets him open up in that exploratory tone he was crafting during the time. And although tracks are short, there's a heck of a lot of soul packed into them – recorded with impeccable quality, much more so than earlier sides. Titles include "I Never Knew", "Bean Stalks Again", "The Essence of You", "Have You Met Miss Jones", "Dinner For One Please, James", and "I'm Shooting High". CD

A fierce full-on blend of rock and soul from The Heavy – not to be confused with Heavy, the more soul-based combo from a decade back! These guys are determined to cross over big, with a sound that really fits their look on the cover – a tight, sometimes tuff, blend of guitar, bass, and drums – often topped by a bit of horns to underscore some of the more soulful elements in the music. Titles include "The Thief", "Better As One", "Put The Hurt On Me", "Simple Things", "Fighting For The Same Thing", "A Whole Lot Of Love", "What Don't Kill You", and "Burn Bright". CD

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A second great set of standards from Keith Jarrett – and like the first one, a great reminder to many that the pianist was still very strongly schooled in jazz! Although Keith really opened up ways for pianists to stretch out in the 70s, his move to material like this in the early 80s was a great one – as it moved Jarrett away from some territory that was a bit overly-trod, and managed to bring a new sort of sensitivity to his music! Of course, the whole trio here is really part of the success – bass from Gary Peacock and drums from Jack DeJohnette – both, like Jarrett, players who'd more than had their chance to stretch out, explore new modes, and were bringing all that freedom and experience to play here in a setting that's outwardly conventional, but still plenty darn fresh. Titles include "I Fall In Love Too Easily", "Never Let Me Go", "So Tender", and "Moon & Sand". CD

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An excellent Jon Lucien compilation that's way way better than the one that came out on Razor & Tie! This one features only work from Jon's RCA years – which were easily his best-ever. Plus, it's also got 4 previously unissued tracks that were recorded during the early 70s – but never issued until now. These are titled "Time For Me To Fly", "Child Of Love", "Black Flower", and "Follow Your Heart" – and they're all great! Of course, the other stuff's fantastic, too – and is some of the most godlike jazzy soul ever recorded on this planet. Titles include "Lady Love", "Who Will Buy?", "Adoration", "So Little Time", "Listen Love", "The Pleasure Of Your Garden", and the wonderful groover "Would You Believe In Me". 20 cuts in all! CD

Need we really say anything about Billy – the smooth soul hit-maker of the 80s? Titles include "Get Outta My Dreams Get Into My Car", "Here's To You", "Love Zone", "I Sleep Much Better In Someone Else's Bed", "The Colour Of Love", "License To Chill", "When The Going Gets Tough The Tough Get Going", and "Suddenly". CD

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The incredible first album from Popul Vuh – some of the coolest, moogiest work to come from the German scene in the early 70s – and a record that's filled with loads of wonderful analogue electronics – spun out over these long, spacey extrapolations – and magically mixed with a host of acoustic elements too! The group is one of the most organic to ever approach this formula – and the sound here is beyond compare – hugely influential on many acts to come, but never handled this right – with such a perfect balance of simple elements and sophisticated ideas. Titles include "Affenstunde" and the three-part dream sequence "Ich Mache Einen Spiegel". CD features the bonus track "Train Through". CD

A leaner lineup of Popul Vuh – mostly guitar and piano or keyboard lines, mixed with percussion – but a record that also has some of the group's most tuneful moments of the early 70s – and a sound that really shows them moving forward with a new sort of energy! Most of the tracks are short, and never overindulgent – yet they also show a growing skill with guitar solos, which helps bring out a rockish quality the group never had this strongly before – even though most of the record has an instrumental approach. Djong Yun sings a bit on the set, often in a moody, lyric-less way – and tracks include the side-long title cut, plus "Kleiner Krieger", "Gutes Land", "Morgengruss", "King Minos", and "Wurfelspiel". CD features bonus tracks – "Wo Bist Du" and "King Minos II". CD

A fantastic package – featuring the first five albums from this legendary group – all pressed on 180 gram vinyl in a big box set! First up is Affenstunde – some of the coolest, moogiest work to come from the German scene in the early 70s – and a record that's filled with loads of wonderful analogue electronics – spun out over these long, spacey extrapolations – and magically mixed with a host of acoustic elements too! The group is one of the most organic to ever approach this formula – and the sound here is beyond compare – hugely influential on many acts to come, but never handled this right – with such a perfect balance of simple elements and sophisticated ideas. Titles include "Affenstunde" and the three-part dream sequence "Ich Mache Einen Spiegel". Hosianna Mantra is next – a set that's still filled with all the amazing electronics of the group's previous records, but which also has even more focus and tunefulness too – yet all in a way that's still pretty darn far out overall! The album's got a slightly spiritual bent, as you might guess from the title – and the instrumentation is slightly expanded, so that there's more guitar and reed work than ever before, yet still used in a way that's pretty darn electronic. The tracks are all instrumental, and have a really beautiful sound – and titles include "Abschied", "Andact", "Nict Hoch Im Himmel", "Andacht", "Ah", and "Hosianna Mantra". Next is Eisjager & Siebenjager – a record that also has some of the group's most tuneful moments of the early 70s – and a sound that really shows them moving forward with a new sort of energy! Most of the tracks are short, and never overindulgent – yet they also show a growing skill with guitar solos, which helps bring out a rockish quality the group never had this strongly before – even though most of the record has an instrumental approach. Djong Yun sings a bit on the set, often in a moody, lyric-less way – and tracks include the side-long title cut, plus "Kleiner Krieger", "Gutes Land", "Morgengruss", "King Minos", and "Wurfelspiel". The Aguirre album is next – a set based on their initial soundtrack material for the Werner Herzog film of the same name, but one that also stretches out in a lot of new directions, too – with longer songs that really open up, although always strongly in the spirit of the original music! The sounds are from the trio of Florian Fricke on piano and keyboards, Daniel Fichelscher on guitars and percussion, and Djong Yun on a bit of vocals – all elements that are layered and processed, but at a very organic level that's very cool – so that nothing ever feels too forced, or too cold – that definite warmer side of the spectrum that Popol Vuh brought to the German scene of the 70s – and left as their legacy with great records like this! Some tracks are quite long – including the 16 minute "Vergegenwaertigung" – and titles include "Aguirre I", "Morgengruss II", "Agnus Dei", and "Aguirre II". The set finishes with a double-length version of the spooky soundtrack to Werner Herzog's remake of Nosferatu from the late 70s – featuring a spare, moody score that's quite different than some of Popul Vuh's other work. The music almost seems to bubble out of the ground like Nosferatu himself coming out of his coffin in the minutes after dusk – using light electronics to set a tone, but also employing a bit of what seems to be flute, plus occasional acoustic guitar, which has a very striking effect in this setting. Titles include "Mantra", "Die Nacht Derhimmel", "Through Pains To Heaven II", "On The Way", and "Venus Principal". LP, Vinyl record album

A great step forward for Popul Vuh – a set that's still filled with all the amazing electronics of the group's previous records, but which also has even more focus and tunefulness too – yet all in a way that's still pretty darn far out overall! The album's got a slightly spiritual bent, as you might guess from the title – and the instrumentation is slightly expanded, so that there's more guitar and reed work than ever before, yet still used in a way that's pretty darn electronic. The tracks are all instrumental, and have a really beautiful sound – and titles include "Abschied", "Andact", "Nict Hoch Im Himmel", "Andacht", "Ah", and "Hosianna Mantra". CD features the bonus track "Maria". CD

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A rare early European jazz moment – and a very cool combo! The group is led by the mighty Fats Sadi on vibes – later of Clarke/Boland fame – and the group features Maurice Vander on piano, Roger Guerin on trumpet, and Bobby Jaspar on tenor! LP, Vinyl record album

A heavy collection of work from the legendary Flying Dutchman years of Gil Scott-Heron – arguably some of the most hard-hitting music that Gil ever recorded! The tunes here are a mix of spoken word tracks, with rhythms – and other tunes that have a bit more of a song-based approach – the soulful use of jazz vocals that Scott-Heron would move into more strongly in his Arista years. Gil's work at this point in his career is dead on the money – totally righteous, filled with soul, and coming across with a power that still holds up beautifully these many decades later. Titles include "Whitey On The Moon", "Free Will", "Evolution", "The Vulture", "Small Talk At 125th & Lenox", "Get Out Of The Ghetto Blues", "The Revolution Will Not Be Televised", "Home Is Where The Hatred Is", "Enough", "No Knock", "Who'll Pay Reparations On My Soul", and "Billy Green Is Dead". CD

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Dark and sophisticated vocals from Lee Wiley – cut with a slightly more traditional feel than some of her other albums from the time, partly because the backings are handled by Billy Butterfield! Yet despite a slightly traddish bent, there's also a slightly modern feel too – a nice melding of modes that's very much in the best 50s RCA spirit – fresh and sultry enough to live up to the streetwise image on the cover. Arrangements are by Al Cohn and Bill Finegan, and titles include "Blues In My Heart", "The Memphis Blues", "From The Land Of Sky Blue Water", "A Hundred Years From Today", "Make Believe", "A Touch Of The Blues", and "I Don't Want To Walk Without You". CD

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The Bamboos really take the "special arrangement" here seriously – as the record has the group moving way past their funk combo roots, to work in a set of large orchestral arrangements that really transform their sound! If anything, the record's a lot more soulful than recent releases – as the larger charts are used to flesh out the vocals in this wonderful way – evoking the complexity of classic soul recordings on Atlantic and Chess by the likes of Arif Mardin or Charles Stepney – while also keeping things fresh and contemporary, partly thanks to a range of singers who include the group's frequent partner Kylie Auldist, plus Dan Sultan, Washington, and Tim Rogers. Ross Irwin arranged the whole thing – and is clearly a key force in the group's sound here – and titles are a mix of covers and remakes of older Bamboos classics – titles that include "The Truth", "Keep Me In Mind", "I Got Burned", "I Don't Wanna Stop", "Stranded", "Strong", and "Eliza". CD

A late 90s effort from this west coast singer, on the cusp of the NuSoul movement, and with a nice nod in that direction, betraying her jazzy pedigree. With some great production courtesy Dred Scott, who had released a nice hip hop LP a few years earlier, that was largely slept on, this Lp has a sound that definitely touches of some of the finer moments of 70s sophisticated soul, a breath of fresh air when it came out and still sounding great today. Titles include "Swimming", "In The Sun", "Love Is All Around", "Heaven", "Hey Brother", "Trippin", "I'll Be There", "Love Me", "Seein Is Believin", and "Reality". CD

A true masterpiece of late 60s pop – music originally recorded for a TV special in 1969 – and one of the Kinks' greatest albums ever! The semi-concept album traces the woes, worries, and hopes of a British family, as one half is on the verge of emigration to Australia. The work comes out of the sort of songwriting that Ray Davies had been perfecting on albums like Village Green and Something Else – but the overall style is more sophisticated, yet not nearly as self-indulgent as some of the 70s concept clunkers. Instead, the songs are brilliantly tight, and stand on their own well past the concept of the original album. Titles include "Victoria", "Brainwashed", "Australia", "Shangri-La", "Mr Churchill Says", and "Yes Sir No Sir". CD version comes in a great book-styled cover, with very detailed notes – and CD2 features the Great Lost Dave Davies album – with titles that include "This Man He Weeps Tonight", "Mindless Child Of Motherhood", "Mr Shoemaker's Daughter", "Lincoln County", "Do You Wish To Be A Man", "Creeping Jean", and "Mr Reporter". Also features bonus tracks – "Plastic Man (stereo)", "Kign Kong (mono)", "Drivin (mono)", "Australia (Australian mono single edit)", "Lincoln County (mono single edit)", "Creeping Jean (mono single edit)", and "Hold My Hand (mono)". CD

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A short set, but a great one too – filled with some of the best-remembered numbers from the early years of The Main Ingredient – all recorded during that early 70s stretch when they were one of the hottest groups going! The mix of falsetto lead and deeper harmonies here is great – and the production is often stark and simple, although a bit more polished than the indie styles that were often the group's main competition – yet never in ways that marred the fragile emotion of the trio. Titles include "Make It With You", "I'm So Proud", "Spinning Around", "Everybody Plays The Fool", "You've Got To Take It", "Girl Blue", "The Girl I Left Behind", "Just Don't Want To Be Lonely", and their amazing cover of "Where Where You When I Needed You". CD

Includes the amazing "Still Shinin" which would end up on the Hell On Earth LP, featuring one of the best verses ever by P! 12-inch, Vinyl record

A strong second set by Angie Stone – with production work by Ali Shaheed Muhammad, Raphael Saadiq, Rufus Blaq, and others – warmly wrapped up in a NuSoul orgy of beats, smooth instrumentation, and gutsy soul vocals. Titles include "The Ingredients Of Love" with Musiq Soulchild, "Snowflakes", "Soul Insurance", "Brotha", "Pissed Off", "More Than A Woman" with Calvin, "Brotha Part 2", "Time Of The Month", and "Wish I Didn't Miss You". CD

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The Bamboos really take the "special arrangement" here seriously – as the record has the group moving way past their funk combo roots, to work in a set of large orchestral arrangements that really transform their sound! If anything, the record's a lot more soulful than recent releases – as the larger charts are used to flesh out the vocals in this wonderful way – evoking the complexity of classic soul recordings on Atlantic and Chess by the likes of Arif Mardin or Charles Stepney – while also keeping things fresh and contemporary, partly thanks to a range of singers who include the group's frequent partner Kylie Auldist, plus Dan Sultan, Washington, and Tim Rogers. Ross Irwin arranged the whole thing – and is clearly a key force in the group's sound here – and titles are a mix of covers and remakes of older Bamboos classics – titles that include "The Truth", "Keep Me In Mind", "I Got Burned", "I Don't Wanna Stop", "Stranded", "Strong", and "Eliza". LP, Vinyl record album

A very famous moment from Dizzy Gillespie – tracks from his famous concert at Salle Pleyel, in Paris, from 1953! Gillespie's in fine form throughout – working in a great mix of bop and modern elements, with a few occasional playful touches to please the crowd – but never in a way that cuts into the integrity of his music at all! Players include Bill Graham on alto and tenor, Wade Legge on piano, Lou Hackney on bass, and Al Jones on drums – and Joe Carroll sings guest vocals on a number of tracks. Titles include "Tin Tin Deo", "The Champ", "The Bluest Blues", "Birk's Works", "Mon Homme", "Ooh Shoo Be Doo Be", "School Days", "Swing Low Sweet Chariot", and "Good Bait". CD

A great collection of classic work from Phyllis Hyman – 10 tracks from that amazing period when she was starting to set a whole new standard for female soul! The set's heavy on the mellow and midtempo numbers that really made Phyllis great – those tunes that were soulful, yet sophisticated – a wonderful extension of 70s modes by singers like Marlena Shaw or Jean Carn, taken to a whole new level by Hyman. Titles include "Your Move My Heart", "Somewhere In My Lifetime", "Betcha By Golly Wow", "Loving You Losing You", "Under Your Spell", "The Love Too Good To Last", "Goddess Of Love", "This Feeling Must Be Love", and "Don't Tell Me Tell Her". CD

A true masterpiece of late 60s pop – music originally recorded for a TV special in 1969 – and one of the Kinks' greatest albums ever! The semi-concept album traces the woes, worries, and hopes of a British family, as one half is on the verge of emigration to Australia. The work comes out of the sort of songwriting that Ray Davies had been perfecting on albums like Village Green and Something Else – but the overall style is more sophisticated, yet not nearly as self-indulgent as some of the 70s concept clunkers. Instead, the songs are brilliantly tight, and stand on their own well past the concept of the original album. Titles include "Victoria", "Brainwashed", "Australia", "Shangri-La", "Mr Churchill Says", and "Yes Sir No Sir". 2LP version features bonus tracks – "Hold My Hand", "Creeping Jean", "Plastic Man", "King Kong", "Lincoln County", "There Is No Life Without Love", "Mindless Child Of Motherhood", "This Man He Weeps Tonight", and "Groovy Movies" – plus original BBC mixes of "Arthur", "Mr Churchill Says", and "Victoria". LP, Vinyl record album

A true masterpiece of late 60s pop – music originally recorded for a TV special in 1969 – and one of the Kinks' greatest albums ever! The semi-concept album traces the woes, worries, and hopes of a British family, as one half is on the verge of emigration to Australia. The work comes out of the sort of songwriting that Ray Davies had been perfecting on albums like Village Green and Something Else – but the overall style is more sophisticated, yet not nearly as self-indulgent as some of the 70s concept clunkers. Instead, the songs are brilliantly tight, and stand on their own well past the concept of the original album. Titles include "Victoria", "Brainwashed", "Australia", "Shangri-La", "Mr Churchill Says", and "Yes Sir, No Sir". 4CD set features a huge amount of extra material – the original album in mono, and in stereo, plus the Great Lost Dave Davies album – and lots of bonus tracks too, including "Lincoln County", "Hold My Hand", "Creeping Jean", "Groovy Movies", "Mr Shoemaker's Daughter", "This Man He Weeps Tonight", "Mindless Child Of Motherhood", "Mr Reporter", "Plastic Man", and "King Kong" – and lots of unusual mixes and alternates of album tracks too! CD4 features demos, rehearsals, and BBC mixes of the tracks – plus theatrical and "doo wop" takes! Also features a bonus large book with new essays and interviews, a special Kinks button, reproductions of vintage memorabilia, and reproductions of four vintage 7" singles – "Drivin', "Shangri La", "Victoria", and "Hold My Hand". CD

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Frankie, Frankie – OW! Take a broken-down synth, some crazy vocals, and a rich sense of imagination – and you've got one of the seminal groups of the New York scene of the early punk years. Suicide were a key bridge between earlier prog underground sounds and the art-rock punk styles that were coming out of New York in the late 70s – and one that was in a space that was completely their own – and still is, after all the decades since the release of this record! With this one landmark album, the band completely dismantled the cold German prog synth of groups like Kraftwerk, La Dusseldorf, and Tangerine Dream – and created a wild sound of spare anguish that brought a whole new dimension to punk rock. The album has got to be one of the top 50 "must have" rock records of all time – and titles include the cuts "Ghost Rider", "Rocket USA", "Johnny", "Frankie Teardrop", "Che", and "Cheree". LP, Vinyl record album

A really great side of work from the great Hank Williams – one that not only adds to the too-small catalog of studio recordings he made before his early death, but which also shows just how much the young Hank lived in the everyday lives of his fans! Williams sold plenty of records back in the day – but almost equally important were his appearances on radio, where he'd greet his fans on a regular basis, and give them performances that were maybe even more personal, and also peppered with the sort of charms he brought to his live recordings. The Health & Happiness shows had Hank coming into the homes of thousands during the month of October, 1949 – introducing material, collaborating with others, and doing a hell of a job on tunes that include "I'm A Long Gone Daddy", "Bill Cheatham", "You're Gonna Change", "Lovesick Blues", "Wedding Bells", "Lost Highway", "Wagner", "The Prodigal Son", "Thy Burdens Are Greater Than Mine", "I Can't Get You Off My Mind", "I've Just Told Mama Goodbye", "Pan American", "I Saw The Light", "When God Comes & Gathers His Jewels", and "A Mansion On The Hill". LP, Vinyl record album

A fierce full-on blend of rock and soul from The Heavy – not to be confused with Heavy, the more soul-based combo from a decade back! These guys are determined to cross over big, with a sound that really fits their look on the cover – a tight, sometimes tuff, blend of guitar, bass, and drums – often topped by a bit of horns to underscore some of the more soulful elements in the music. Titles include "The Thief", "Better As One", "Put The Hurt On Me", "Simple Things", "Fighting For The Same Thing", "A Whole Lot Of Love", "What Don't Kill You", and "Burn Bright". LP, Vinyl record album

A wonderful album from Popol Vuh – a set based on their initial soundtrack material for the Werner Herzog film of the same name, but one that also stretches out in a lot of new directions, too – with longer songs that really open up, although always strongly in the spirit of the original music! The sounds are from the trio of Florian Fricke on piano and keyboards, Daniel Fichelscher on guitars and percussion, and Djong Yun on a bit of vocals – all elements that are layered and processed, but at a very organic level that's very cool – so that nothing ever feels too forced, or too cold – that definite warmer side of the spectrum that Popol Vuh brought to the German scene of the 70s – and left as their legacy with great records like this! Some tracks are quite long – including the 16 minute "Vergegenwaertigung" – and titles include "Aguirre I", "Morgengruss II", "Agnus Dei", and "Aguirre II". CD features the bonus track "Aguirre III". CD

A really great side of work from the great Hank Williams – one that not only adds to the too-small catalog of studio recordings he made before his early death, but which also shows just how much the young Hank lived in the everyday lives of his fans! Williams sold plenty of records back in the day – but almost equally important were his appearances on radio, where he'd greet his fans on a regular basis, and give them performances that were maybe even more personal, and also peppered with the sort of charms he brought to his live recordings. The Health & Happiness shows had Hank coming into the homes of thousands during the month of October, 1949 – introducing material, collaborating with others, and doing a hell of a job on tunes that include "I'm A Long Gone Daddy", "Bill Cheatham", "You're Gonna Change", "Lovesick Blues", "Wedding Bells", "Lost Highway", "Wagner", "The Prodigal Son", "Thy Burdens Are Greater Than Mine", "I Can't Get You Off My Mind", "I've Just Told Mama Goodbye", "Pan American", "I Saw The Light", "When God Comes & Gathers His Jewels", and "A Mansion On The Hill". CD

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Brilliant stuff – all 3 of Jon Lucien's landmark RCA albums on one 2CD set! Lucien cut his best work for RCA – but sadly, the albums were under-discovered for years, and are only now recently getting credit as the soul jazz landmarks they've come to be! On these albums, Jon's style is a haunting mix of soul, jazz, and Latiny rhythms, blended together with beautiful arrangements, and airy, souful production. All 3 albums are great, and all different in their own way, shifting Lucien's unique musical vision through a host of different songs pulled from obscure sources, or written by Lucien himself. There's a total of 32 titles on the 2CD set – and tunes include "Would You Believe in Me", the spacey "Lady Love", and the tracks "Kuenda", "Satan", "Love Everlasting", "Ghetto Song", "Soul Chant", "When the Morning Comes", "Dindi", "Love For Sale", "Who Will Buy?", and "Prayer for Peace". CD

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Music from UTFO, Run DMC, the Fat Boys, Poor Righteous Teachers, Sweet G, Kurtis Blow, the Cold Crush Brothers, Dana Dane, the Boogie Boys, Spoonie Gee & more . CD

A long overdue testament to the live genius of the mighty John Coltrane Quartet – captured at the legendary Half Note club in NYC – disc 1 recorded on a date in March 1965 and disc 2 on a date in early May of the same year! The set finds Coltrane plus McCoy Tyner on piano, Jimmy Garrison on bass and Elvin Jones on the kit working in a far more adventurous guise than many of the 60s studio sessions – stretching out incredibly on the half hour epic workout "One Up, One Down" and a beautifully loose run of "Afro Blue". The stylistic themes are carried through similarly on the second disc's long grooving "Song Of Praise" and an amazing "My Favorite Things", but stretching near or past the 20 minute mark. These long bootlegged recordings are now available on CD officially for the first time ever – complete with the original radio introductions and announcements! CD

A bold early statement from a young John Coltrane – and an album that really has him expanding his talents as a tenor soloist! Coltrane's working here in open-ended quartet format – with backing from the Red Garland trio that includes Paul Chambers and Art Taylor – on a set of longer tunes that really let the young Trane stretch out on his solos, unobstructed by any other horns in the lineup. There's a nice mix of hardbop ideals, gentle ballads, and personal soul to the set – and titles include Coltrane's classic reading of Tadd Dameron's "Good Bait", plus "I Want To Talk About You", "Russian Lullaby", and "Theme For Ernie". CD

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Excellent early hardbop work by Miles – recorded in 1952 and 1954, and some of his best early sides as a leader! Tunes are shorter, and perhaps more boppish, than you might expect from some of Miles' other 50s work – but in a way that still allows for many moments of lyrical beauty, and that brilliantly cool sound of his which forever changed the sound of jazz trumpet. The CD features remastered versions of the material, sparkling with the talents of Rudy Van Gelder – and the sessions feature JJ Johnson, Gil Coggins, Art Blakey, Kenny Clarke, Jackie McLean, and Oscar Pettiford. Titles include "Weirdo", "Woody N You", "Dear Old Stockholm", "Chance It", "Donna", "Yesterdays", and "The Leap". CD

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Their double-live classic from the 70s – with "Smoke On The Water", "The Mule", "Child In Time", "Strange Kind Of Woman", "Lazy", and the jamming "Space Truckin". CD

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