This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
One of our favorite Dexter Gordon sessions for Blue Note – and a unique album that's one of the first to illustrate his growing role in the European jazz scene! The group's a quartet – which let's Dex stand out front with plenty of space for marvelous tenor work – and it features ... CD
A seminal 50s session from the mighty Dexter Gordon – one of his few full albums from the decade, and one of the only ones to really capture him at the heart of his original LA scene! The set's got a nice bite, and a strong sense of focus – shorter tracks that step off strongly from ... CD
Don't take the cover the wrong way – because this isn't one of those "phoned in" sessions that seem to turn up way too much in contemporary jazz! The album's a real classic from Dexter's first big "comeback" period – and represents the strength of his Blue Note ... CD
A seminal set of work from the Blue Note scene of the 60s – a record that's not just noteworthy for its role in helping return tenorist Dexter Gordon to the spotlight, but also for the fantastic work of pianist Sonny Clark in the quartet! Sonny's in wonderful form throughout – and ... CD
A really unusual album for Dexter Gordon – one that has him working in a quintet with vibes by Bobby Hutcherson! Hutcherson's sound really transforms the session, giving it a shimmering middleground that disperses the dominance that Gordon's tenor usually has – and creating a warm, ... CD
Rare Blue Note work from Dexter Gordon – an album that was recorded during Gordon's legendary run for the label in the 60s, but not issued until a brief vinyl pressing nearly 15 years later! The record's got Gordon vamping in tight hardbop formation – a sound that's strongly 60s Blue ... CD
Not as striking as the word "Monster" in the title might make you think – but a nicely laidback European session, one that has Dexter blowing freely, with only bass and drum accompaniment. Tracks are mostly pretty long, and titles include "Tanya", "Born To Be ... CD
A seminal set of work from the Blue Note scene of the 60s – a record that's not just noteworthy for its role in helping return tenorist Dexter Gordon to the spotlight, but also for the fantastic work of pianist Sonny Clark in the quartet! Sonny's in wonderful form throughout – and ... CD
An unusual set for both Dexter and Blue Note – first, because the set was recorded in Europe (not at Rudy Van Gelder's), and second because the tracks are all quite long! The album was recorded in Paris – and is cut in an open-ended format that's very much in the mode that Gordon would ... CD
One of the key classics from the hardbop years of Blue Note – the kind of album that really set the label apart from the rest at the time! Soul Station is a deceptively simple album that has tenor giant Hank Mobley playing standards and originals in a quartet with Wynton Kelly on piano, Paul ... CD
A bold return to Blue Note for pianist Andrew Hill – his first record for the label in over 15 years, and a record that echoes with the modern tones of Hill's legendary Blue Note run in the 60s! The sound here is a bit more starkly modern and obtuse – done with more of a sense of space ... CD