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Doin' What We Wanna

LP (Item 5435) Atlantic, 1970 — Condition: Very Good+
$24.99 ...

LP, Vinyl record album

(€22.72 || £16.12 || ¥3041) (approx.)
5.00 5

A landmark album from this legendary Chicago soul jazz combo – and a record that helped set the tone for changes to come in funky jazz for the 70s! Tenorist Clarence Wheeler heads up the group – and they've got an amazing organ/bass sound that's made them a legend with funk fans for years – a groove that's filled with complicated riffing and changes, almost the "next level" of soul jazz beyond the already hip Jack McDuff groove of the Prestige years – taken into a lot more righteous territory! The grooves are totally infectious, and they echo with some of the best styles of the group's contemporaries on the Chicago scene – particularly the electric Eddie Harris combo, or the best work going down over at Cadet Records! The album features a wonderful extended version of "Hey Jude", with a million jazzy changes and loads of nice riffs (which is probably why it's been heavily sampled) – plus groovy groovy versions of Eddie Harris' "Sham Time" and Jack McDuff's "Theme From The Electric Surfboard". And all that's only on side one! Side two's got even more great stuff – like "Doin What I Wanna", "Dream Bossa Nova", and "Right On" – and the whole record's a gem! (Cover has some light wear and a small cutout mark, but this is a nice copy overall.)  © 1996-2015, Dusty Groove, Inc.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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