CD, LP, Vinyl record album cover art
View larger image       Image note

Doin' What We Wanna

LP (Item 5435) Atlantic, 1970 — Condition: Very Good
$24.99 ...

LP

(€22.12 || £19.22 || ¥2508) (approx.)

A landmark album from this legendary Chicago soul jazz combo – and a record that helped set the tone for changes to come in funky jazz for the 70s! Tenorist Clarence Wheeler heads up the group – and they've got an amazing organ/bass sound that's made them a legend with funk fans for years – a groove that's filled with complicated riffing and changes, almost the "next level" of soul jazz beyond the already hip Jack McDuff groove of the Prestige years – taken into a lot more righteous territory! The grooves are totally infectious, and they echo with some of the best styles of the group's contemporaries on the Chicago scene – particularly the electric Eddie Harris combo, or the best work going down over at Cadet Records! The album features a wonderful extended version of "Hey Jude", with a million jazzy changes and loads of nice riffs (which is probably why it's been heavily sampled) – plus groovy groovy versions of Eddie Harris' "Sham Time" and Jack McDuff's "Theme From The Electric Surfboard". And all that's only on side one! Side two's got even more great stuff – like "Doin What I Wanna", "Dream Bossa Nova", and "Right On" – and the whole record's a gem! (Cover has some wear.)  © 1996-2016, Dusty Groove, Inc.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



You might be interested


CD, LP, Vinyl record album cover art
Blues & Roots
Atlantic, 1960. Very Good+
One of Mingus' classic sessions from the middle period – a legendary blending of jazz with bluesy gospel touches, in a mode that seemed to move away from the politics of some of the late 50s years, and open up his work to a whole new audience! The band is an all-star ensemble all the way ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
With Sound Reason
Atlantic, 1979. Very Good+
We love Sonny Fortune – because he always plays so great! Sonny started as more of an acoustic soul jazz player – but by the time of this session, he's working with a lot of electric backing, in a fusiony mode that should dampen his enthusiasm, but which only seems to spur him onto new ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Jazz Modes
Atlantic, 1959. Near Mint-
One of the rarest albums by this fantastic combo from the late 50s! The band features the very strange mix of French horn, tenor, and soulful piano – played by Julius Watkins, Charlie Rouse, and Gildo Mahones, respectively. The sound shouldn't work, but it does, and beautifully – ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
After Hours
Atlantic, 1966. Very Good+
After Hours is the time when Crawford really hits his stride – playing lean and mellow in that easy soulful way that always seemed to work better than any of his other approaches to jazz. This album's got him blowing alto and even playing a bit of piano, in middle-sized groups that include ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Live At The Lighthouse
Atlantic, 1967. Near Mint-
An overlooked later gem from the Modern Jazz Quartet on Atlantic – a live set recorded at the Lighthouse, and one with a funkier tone than some of the group's earlier work for the label! Milt Jackson seems to be a bit more in charge of the sound on this set – as the tracks have that ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Last Concert
Atlantic, 1974. Near Mint- 2LP Gatefold
Not really the last concert ever from the Modern Jazz Quartet – but a set that seemed so at the time, given that the group went their separate ways for a number of years! The record's got the combo in really top form – very much back to the basics of their early time on Atlantic ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Modern Jazz Quartet (Atlantic)
Atlantic, 1957. Near Mint-
One of the first MJQ albums on Atlantic – and a bit fresher than some of their later outings, when it seemed like they were churning records out at the drop of a hat! Titles include an extended medley of standards, all given the MJQ touch – plus the drum-heavy "La Ronde", and ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Atlantic, 1960. Very Good+ Gatefold
One of Mingus' classic sessions from the middle period – a legendary blending of jazz with bluesy gospel touches, in a mode that seemed to move away from the politics of some of the late 50s years, and open up his work to a whole new audience! The band is an all-star ensemble all the way ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Soul Experiment
Atlantic, 1969. Very Good-
A wonderful session of hip soul jazz tracks from Freddie Hubbard – mostly short tight and groovy, but played with a sophisticated style that points the way towards the soul jazz sound of the 70s. Soul Experiment is a fitting title – as Freddie works hard with hip players like Billy ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Tribute To Courage
Atlantic, 1968. Very Good
Brilliant work by one of the most unusual jazz talents of the 60s! Rufus Harley's best known for his use of bagpipes in jazz music – a re-cooption of the instrument from Scottish styles, taking it back to its roots in northern Africa. A number of Harley's other albums from the time are a ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Electric Byrd
Blue Note, 1970. Very Good
Donald Byrd in a sweet electric mode – as you'd guess from the title! The set was recorded right before Byrd's legendary run with Larry Mizell in the early 70s – and the electric approach is a bit different here – a style that blends Byrd's wonderful trumpet lines with the larger ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Strange Ladies
MCA, 1977. Very Good
A great little groover from David Axelrod – cut years after his more famous work at Captiol, and more of a funky fusion record, but still pretty darn great! The record's got lots of nice keyboards, and is sort of an extension of the style he begun on the Heavy Axe album from the mid 70s. ... LP, Vinyl record album
 



⇑ Top