A stone cold live date from Charles Earland – recorded in Newark, at just the sort of club where he got his start! The tracks are quite long and openly grooving – even more so than Charles' killer studio sets from the time – and there's a bit of a harder edge here too, thanks partly to the live setting – and to the amazing young tenor work of Grover Washington Jr, who really sounds incredible here – much harder than in his later Kudu years! Other members of the group include trumpeter Gary Chandler – playing with a sound that's right up there with his landmark date on Eastbound Records – plus Maynard Parker on guitar, Jesse Kilpatrick on drums, and Buddy Caldwell on congas. As usual, Charles doesn't need a bassist to help him find a nice chunky bottom on the tunes – and he really sails out majestically throughout, with those famous long-running solo lines of his on the Hammond! Titles include "Killer Joe", "Milestones", and "Key Club Cookout". (Purple label pressing. Cover has light wear.) © 1996-2015, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.