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Exact matches: 9
Exact matches1
CD, LP, Vinyl record album cover art
Charles EarlandBlack Talk! ... CD
OJC, 1970. Used ... $6.99
A pivotal album in the development of the use of the Hammond organ in jazz – and Charles Earland's first exposure to a large audience! Durign the 60s, Charles was bumping around the Philly scene quite a bit – and recorded some small group indie sides that first gave a glimpse of his unique sound on the organ. But with this record, Earland really broke out wide – and hit a huge audience that made him one of the most in-demand players of the early 70s! The Earland touch is summed up perfectly here – a really fluid approach to the keys that shakes loose the clunkier styles of older Hammond players, and goes for a tightened-up groove that puts equal emphasis on rhythm and melodic improvisation – in a way that's always made Charles' records some of the best jazz dancers to come out of Prestige. Earland has an amazing way of completely transforming a tune – taking a familiar melody, but riffing on it extensively – slowly expanding it through almost modal progressions – until the tune opens up into a long extended jazzy groove! Proof of this is the album's sublime 11 minute version of "More Today Than Yesterday" – a solid stepper that never gets old – and other tunes include "Black Talk", "The Mighty Burner", "Here Comes Charlie", and "Aquarius". Oh, and players include Virgil Jones, Houston Person, Melvin Sparks, and Idris Muhammed – an all-star lineup, but tightly guided by Charles as if they were his own working group! CD

Exact matches2
CD, LP, Vinyl record album cover art
Charles EarlandCharles Earland In Concert Live At The Lighthouse/Kharma ... CD
Prestige, 1972/1974. New Copy ... $13.99 14.98
A great set that brings together 2 live albums from organist Charles Earland! Live At The Lighthouse is a real killer – with that tight jazzy groove that Earland had on his first few albums for Prestige, a mix of jazz funk and soul jazz, handled with an incredible touch on the organ! The band includes lesser known players like trumpeter Elmer Coles, alto player James Vass, and conga player Kenneth Nash – but they all groove very tightly, and provide a perfect foil for Earland's soaring solos. Includes a great version of "Moontrane", plus the groovers "Spinky", "Smiling", and "Black Gun". Kharma is a spiritual live set recorded at the 1974 Montreux festival, and one that has Earland opening into the freer sound that dominated his playing during the mid 70's – with lots of modal grooves, and those long soulful leaps that made his solos always so great! Jon Faddis, Clifford Adams, and Dave Hubbard are in the lineup, and tracks include "Morgan", "Kharma", and his "Suite for Martin Luther King". 11 tracks in all! CD

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Charles EarlandGreat Pyramid ... LP
Mercury, 1976. Very Good+ ... $16.99
One of the most spiritual, soulful albums ever from the great Charles Earland – a set that's almost his answer to the keyboard styles of Lonnie Liston Smith in the 70s – and done with a very spiritual vibe! We love Earland on Hammond – but here he also plays Fender Rhodes, clavinet, moog, and Arp – never to excess – blended with the sort of full, soaring arrangements you might get from someone like Larry Mizell or Skip Scarbrough at the time! Many numbers feature vocals in the mix, but also showcase lots of keyboard solos too – again like Smith – and the album's got a sense of style, power, and ambition that really make us respect Earland even more – especially given that he handled most of the writing, arranging, and production. Titles include "Upper Atlantis", "In The Land Of Mu", "Drifting", "Mona Lisa", and "The Great Pyramid". LP, Vinyl record album
(Cover has light surface wear and initials in marker, but is nice overall.)

Exact matches4
CD, LP, Vinyl record album cover art
Charles EarlandIntensity (plus bonus tracks) ... CD
Prestige/OJC, 1972. Used ... $8.99
A wonderfully-named session – as Charles Earland plays here with an intensity that's undeniable! The album marks a key shift for Earland – one away from the more standard soul jazz mode, into a realm of looser, freer rhythms that really take off from the start – knowing no end on the longer tunes, and really letting Charles run to the skies on the keys of the Hammond! The group on the set is a larger than usual one – with a trumpet section that includes Lee Morgan and Virgil Jones; reed players that include Billy Harper and Hubert Laws; and a double-edged rhythm line forged through the drums of Billy Cobham and the conga of Sonny Morgan – often working alongside each other to really widen the groove! The sound is remarkable – tight, but never slick – and in a sophisticated groove that could hardly be hinted at from Earland's earlier work. All tracks are long, and titles include "Will You Still Love Me Tomorrow", "Morgan", "Cause I Love Her", and "Happy Cause I'm Going Home". CD also brings in 2 more bonus tracks – both in a similar mode, from the album Charles III – "Lowdown" and "Speedball". CD
Also available Intensity (plus bonus tracks) ... CD 13.99

Exact matches5
CD, LP, Vinyl record album cover art
Charles EarlandIntensity (plus bonus tracks) ... CD
Prestige/OJC, 1972. New Copy ... $13.99 14.98
A wonderfully-named session – as Charles Earland plays here with an intensity that's undeniable! The album marks a key shift for Earland – one away from the more standard soul jazz mode, into a realm of looser, freer rhythms that really take off from the start – knowing no end on the longer tunes, and really letting Charles run to the skies on the keys of the Hammond! The group on the set is a larger than usual one – with a trumpet section that includes Lee Morgan and Virgil Jones; reed players that include Billy Harper and Hubert Laws; and a double-edged rhythm line forged through the drums of Billy Cobham and the conga of Sonny Morgan – often working alongside each other to really widen the groove! The sound is remarkable – tight, but never slick – and in a sophisticated groove that could hardly be hinted at from Earland's earlier work. All tracks are long, and titles include "Will You Still Love Me Tomorrow", "Morgan", "Cause I Love Her", and "Happy Cause I'm Going Home". CD also brings in 2 more bonus tracks – both in a similar mode, from the album Charles III – "Lowdown" and "Speedball". CD
Also available Intensity (plus bonus tracks) ... CD 8.99

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Charles EarlandBlack Drops ... LP
Prestige, 1970. Very Good+ ... Temporarily Out Of Stock
A monster – and Charles Earland's second album for Prestige, the follow-up to his groundbreaking Black Talk album! This set's as great as that classic set – a tight batch of groovers that features Earland's Hammond work right out front, grooving away in a soaring, exploratory style that blew away most other jazz organ players at the time. Here, Earland's got an amazing talent for really stretching out, yet never losing the groove – infusing tunes with incredible soulfulness, and making them dance out nicely, even at the farthest reaches of his solos. The band's great, too – with Maynard Parker on guitar, Jimmy Heath on tenor and soprano, and Virgil Jones on trumpet – and all tracks are great, with titles that include "Sing A Simple Song", "Lazy Bird", "Letha", "Buck Green", and a great cover of "Raindrops Keep Falling on My Head"! LP, Vinyl record album
(Purple label pressing with Van Gelder stamp. Cover has light wear and staining, half-split top and bottom seams and a cut corner.)

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Charles EarlandBlack Talk! ... LP
Prestige/OJC, 1970. New Copy (reissue)... Temporarily Out Of Stock
A pivotal album in the development of the use of the Hammond organ in jazz – and Charles Earland's first exposure to a large audience! During the 60s, Charles was bumping around the Philly scene quite a bit – and recorded some small group indie sides that first gave a glimpse of his unique sound on the organ. But with this record, Earland really broke out wide – and hit a huge audience that made him one of the most in-demand players of the early 70s! The Earland touch is summed up perfectly here – a really fluid approach to the keys that shakes loose the clunkier styles of older Hammond players, and goes for a tightened-up groove that puts equal emphasis on rhythm and melodic improvisation – in a way that's always made Charles' records some of the best jazz dancers to come out of Prestige. Earland has an amazing way of completely transforming a tune – taking a familiar melody, but riffing on it extensively – slowly expanding it through almost modal progressions – until the tune opens up into a long extended jazzy groove! Proof of this is the album's sublime 11 minute version of "More Today Than Yesterday" – a solid stepper that never gets old – and other tunes include "Black Talk", "The Mighty Burner", "Here Comes Charlie", and "Aquarius". Oh, and players include Virgil Jones, Houston Person, Melvin Sparks, and Idris Muhammed – an all-star lineup, but tightly guided by Charles as if they were his own working group! LP, Vinyl record album
Also available Black Talk! ... CD 6.99

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Charles EarlandSmokin' ... LP
Muse, 1977. Very Good+ ... Temporarily Out Of Stock
Killer work by Charles Earland – a back to basics set of grooving tunes that are cut in the best soul jazz mode of earlier years! Earland heads a great group that includes Jimmy Ponder on guitar, George Coleman on tenor, and Walter Perkins on drums – and the set swings high, wide, and mightily with that tight groove that Charles always has on these straight soul jazz sets. With a very hot version of "Milestones", plus "Penn Relays", "Soon It's Gonna Rain", and an excellent uptempo take on "Strangers In The Night". LP, Vinyl record album

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Charles EarlandBlack Talk! ... LP
Prestige, 1970. Sealed ... Out Of Stock
A pivotal album in the development of the use of the Hammond organ in jazz – and Charles Earland's first exposure to a large audience! Durign the 60s, Charles was bumping around the Philly scene quite a bit – and recorded some small group indie sides that first gave a glimpse of his unique sound on the organ. But with this record, Earland really broke out wide – and hit a huge audience that made him one of the most in-demand players of the early 70s! The Earland touch is summed up perfectly here – a really fluid approach to the keys that shakes loose the clunkier styles of older Hammond players, and goes for a tightened-up groove that puts equal emphasis on rhythm and melodic improvisation – in a way that's always made Charles' records some of the best jazz dancers to come out of Prestige. Earland has an amazing way of completely transforming a tune – taking a familiar melody, but riffing on it extensively – slowly expanding it through almost modal progressions – until the tune opens up into a long extended jazzy groove! Proof of this is the album's sublime 11 minute version of "More Today Than Yesterday" – a solid stepper that never gets old – and other tunes include "Black Talk", "The Mighty Burner", "Here Comes Charlie", and "Aquarius". Oh, and players include Virgil Jones, Houston Person, Melvin Sparks, and Idris Muhammed – an all-star lineup, but tightly guided by Charles as if they were his own working group! LP, Vinyl record album
(Still sealed, most likely a green label pressing, in the blue tinted cover. Shrinkwrap has some sticker remnants on front.)
Also available Black Talk! ... CD 6.99
 
Possible matches: 17
Possible matches10
CD, LP, Vinyl record album cover art
Patrick GleesonBeyond The Sun – An Electronic Portrait Of Holst's The Planets ... LP
Mercury, 1976. Near Mint- ... $4.99
One of the most ambitious records ever made by electronic wizard Patrick Gleeson – a huge talent on the moog and Arp, whose work was featured on key 70s jazz albums by Charles Earland, Joe Henderson, Bennie Maupin, and Herbie Hancock – and that's saying a lot, given that Herbie already played plenty of keyboards himself! This set's a reworking of "The Planets" – the symphonic suite by the composer Gustav Holtz – whose spacey structures are perfect for Pat's other-worldly work on the keys. Trombonist Julian Priester plays on the record – adding a few analog moments next to Pat's work on the EMU Polyphonic Synthesizer – and titles include "Saturn The Bringer Of Old Age", "Neptune The Mystic", "Uranus, The Magician", "Mars The Bringer Of War", and "Mercury The Winged Messenger". LP, Vinyl record album

Possible matches11
CD, LP, Vinyl record album cover art
✨✧ Richard Groove HolmesOnsaya Joy ... LP
Flying Dutchman, 1975. Very Good+ Gatefold ... $49.99
Maybe one of the greatest albums ever cut by organist Richard Groove Holmes – and a set that's worth it alone for the massive title track! Groove soars right out of the gate on that one – taking up most of side one with help from a vamping trio of guitar and drums – while he delivers this stretched-out, hard-burning solo that almost seems to take a page out of the book of the younger Charles Earland – but also stands as a great reminder of the fresh, soulful genius that Holmes brought to the Hammond in the 60s! In addition to "Onsaya Joy", other tracks are a bit more straightforward, but no less soulful – and titles include "On Green Dolphin Street", "Song For My Father", and a remake of "Misty". LP, Vinyl record album
(Gatefold cover has a small seam split on the bottom, edge wear, a 'records are a sound purchase' sticker, and a name in marker on front, inner, and labels.)

Possible matches12
CD, LP, Vinyl record album cover art
Willis JacksonBar Wars ... CD
Muse, 1977. Used ... $11.99
The title's a bit hokey – an obvious play on the Star Wars film that was running in theaters at the time of the record – but the sound is classic Willis Jackson at his finest, recorded in a style that's right up there with his best 60s work for Prestige! The group here is a quintet – with Willis on tenor, Charles Earland on organ, Pat Martino on guitar, Idris Muhammad on drums, and Buddy Caldwell on congas – and as on Earland's best soul jazz sides for Muse from the time, there's a real back-to-basics approach here, one that really gets away from Modes that Willis used on other labels in the 70s. Titles include "The Goose Is Loose", "Bar Wars", "Blue & Sentimental", "Later", and "It's All Right With Me". CD
(Out of print, small sticker on case spine.)
Also available Bar Wars ... LP 7.99

Possible matches13
CD, LP, Vinyl record album cover art
Willis JacksonBar Wars ... LP
Muse, 1977. Very Good ... $7.99
The title's a bit hokey – an obvious play on the Star Wars film that was running in theaters at the time of the record – but the sound is classic Willis Jackson at his finest, recorded in a style that's right up there with his best 60s work for Prestige! The group here is a quintet – with Willis on tenor, Charles Earland on organ, Pat Martino on guitar, Idris Muhammad on drums, and Buddy Caldwell on congas – and as on Earland's best soul jazz sides for Muse from the time, there's a real back-to-basics approach here, one that really gets away from Modes that Willis used on other labels in the 70s. Titles include "The Goose Is Loose", "Bar Wars", "Blue & Sentimental", "Later", and "It's All Right With Me". LP, Vinyl record album
(Cover has masking tape along top and bottom seams, a small center split in the top seam and some pen on the back and labels.)
Also available Bar Wars ... CD 11.99

Possible matches14
CD, LP, Vinyl record album cover art
✨✧ Boogaloo Joe JonesRight On Brother (RVG remaster edition – with bonus tracks) ... CD
Prestige, 1970. New Copy ... Just Sold Out!
A fantastic album of funky jazz guitar – by one of the best players in the genre! This is Ivan's first truly sublime album – a set that showed the world that he was easily one of the greatest jazz guitarists of his generation – able to spin out single-note jams with a speed and dexterity that few others could match! The groove here is totally great and very righteous – heavy drums from Bernard Purdie, wailing organ from Charles Earland, and saxophone from Rusty Bryant – all cooking together in the best early 70s Prestige jazz funk mode! Titles include "Right On", "Brown Bag", "Things Ain't What They Used To Be", and "Poppin". CD also features 2 bonus tracks – 45 single versions of "Right On" and "Someday We'll Be Together Again". CD

Possible matches15
CD, LP, Vinyl record album cover art
Leon SpencerBad Walking Woman ... LP
Prestige, 1972. New Copy (reissue)... $13.99
Supremely heavy work from organist Leon Spencer – one of his classic jazz funk sessions for Prestige Records, and a record that shows him opening up his sound a bit more than before! The album has Spencer working in a few different lineups – some with small groups that feature Melvin Sparks on guitar and Idris Muhammad on drums – others with some slightly larger instrumentation and even a bit of strings, used in a sophisticatedly soulful style that reminds us a bit of CTI or Kudu backings of the time! Billy Ver Planck handles the larger arrangements, but even on these Leon's organ is right out front in the mix – really dominating the tunes, and soaring over the top with a newly fluid style that reminds us of Charles Earland at his own best during this time. Titles include the killer funky title cut – "Bad Walking Woman" – plus "When My Love Has Gone", "In Search Of Love", "Down On Dowling Street", "Hip Shaker", and "Bad Walking Woman". Cool cover, too, with a huge collage of photos of the backsides of exactly 99 "bad walking women"! LP, Vinyl record album

Possible matches16
CD, LP, Vinyl record album cover art
✨✧ Grover Washington JrAll The King's Horses ... LP
Kudu, 1972. Near Mint- ... $19.99
One of Grover Washington's first albums as a leader – cut hot on the heels of some great work as a sideman, including some key funky dates with Charles Earland on Prestige! The sound here is a bit looser than some of Groover's smoother sides to come – a nice blend of his earthy jazz funk roots with the warmer sounds of the CTI/Kudu world – arranged and produced beautifully by keyboardist Bob James, who also plays both electric piano and harpsichord on the album! The cuts are a bit shorter than later on, but still totally tremendous – a sly, subtle approach to jazz funk that really took the keyboard/tenor mode into bold new territory for the 70s – a real genre-starting record that still sounds sublime all these many years later. Grover plays tenor and alto – no soprano sax yet – and other players include Richard Tee on organ, Billy Cobham or Bernard Purdie on drums, and Eric Gale or Cornell Dupree on guitar. Titles include "All The King's Horses", "Body & Soul", "Lean On Me", "Lover Man", "Love Song 1700", and "No Tears In The End". LP, Vinyl record album
(White label promo with Van Gelder stamp. Cover has a cutout hole, light edge wear, and a small sticker spot.)

Possible matches17
CD, LP, Vinyl record album cover art
Clarence Wheeler & the EnforcersLove I've Been Looking For ... LP
Atlantic, 1971. Very Good+ ... $8.99
The second fantastic album from Chicago saxophonist Clarence Wheeler and his hard-hitting Enforcers combo – a group who were one of the brightest lights in soul jazz at the start of the 70s, really helping to keep the genre fresh and exciting! The groove here is in the tenor/organ mode first popularized in the 60s – but the overall sound is a lot more expansive, and filled with unusual time changes, complicated rhythms, and inventive solo work that go way beyond more familiar albums of this nature on Prestige or Blue Note! Sonny Burke is the organist in the group, and he's got a touch on the keys that's a lot like Jack McDuff at his best – filled with great sounds and unusual notes that always keep things interesting. Added to that is trumpet from Sonny Covington, guitar from Eric Gale, and tenor from Wheeler – all vamping and grooving in an amazing way! There's a bit of the Charles Earland sound from the same period going on here – and like Earland, the group have a great way of keeping things slightly funky, even when mellow! Titles include a great version of "Broasted or Fried", Charles Earland's "Mighty Burner", Jack McDuff's "The Heebie Jeebie Dance", plus "We've Only Just Begun" and "The Love I've Been Looking For". LP, Vinyl record album
(Cover has some surface wear, aging, two small stickers, some clear tape on the spine and a small cutout notch.)
Also available Love I've Been Looking For (Japanese paper sleeve edition) ... CD 19.99

Possible matches18
CD, LP, Vinyl record album cover art
Clarence Wheeler & the EnforcersLove I've Been Looking For (Japanese paper sleeve edition) ... CD
Atlantic/Bomba (Japan), 1971. Used ... $19.99
The second fantastic album from Chicago saxophonist Clarence Wheeler and his hard-hitting Enforcers combo – a group who were one of the brightest lights in soul jazz at the start of the 70s, really helping to keep the genre fresh and exciting! The groove here is in the tenor/organ mode first popularized in the 60s – but the overall sound is a lot more expansive, and filled with unusual time changes, complicated rhythms, and inventive solo work that go way beyond more familiar albums of this nature on Prestige or Blue Note! Sonny Burke is the organist in the group, and he's got a touch on the keys that's a lot like Jack McDuff at his best – filled with great sounds and unusual notes that always keep things interesting. Added to that is trumpet from Sonny Covington, guitar from Eric Gale, and tenor from Wheeler – all vamping and grooving in an amazing way! There's a bit of the Charles Earland sound from the same period going on here – and like Earland, the group have a great way of keeping things slightly funky, even when mellow! Titles include a great version of "Broasted or Fried", Charles Earland's "Mighty Burner", Jack McDuff's "The Heebie Jeebie Dance", plus "We've Only Just Begun" and "The Love I've Been Looking For". CD
(Out of print. Includes obi!)
Also available Love I've Been Looking For ... LP 8.99

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Lou DonaldsonHot Dog ... CD
Blue Note, 1969. Used ... Temporarily Out Of Stock
From the title, to the cover, to the gritty grooves way down in the wax – this has got to be one of the funkiest Blue Note albums ever – a real landmark from the legendary Lou Donaldson! The set kicks off with a hard and heavy groove from the very first note – thanks to some super-tight drumming by a young Idris Muhammad – still billed under his birth name of Leo Morris on the sleeve, but already hitting the kit with that snapping post-Popcorn style that would revolutionize funky jazz in years to come! Donaldson's plenty smoking himself on electrified alto sax – played with that great mix of flatness and echo that you'd hear in Eddie Harris' albums of the same time – and the rest of the lineup is equally cooking, with Melvin Sparks on guitar, Charles Earland on organ, and Ed Williams blasting away on funky trumpet! Titles include killer remakes of "It's Your Thing" and "Who's Making Love" – plus Donaldson originals "Hot Dog" and "Turtle Walk" – all nice and long, and with a really raw sound! CD
(Out of print.)

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ Webster LewisLive In Norway – The Club 7 Live Tapes ... LP
Plastic Strip Press (Norway), 1971. Near Mint- 2LP Gatefold ... Temporarily Out Of Stock
The earliest work we've ever heard from keyboardist Webster Lewis – and a set that's quite different than his late 70s groovers for Columbia Records! The music here is equal parts jazz, soul, and funk – spun out of over a set of long tracks recorded in Oslo at the start of the 70s – and done in a very righteous mode overall! Even at this early age, Lewis is a tremendous talent on the keys – hitting the Hammond and electric piano with a groove that's somewhere in between Doug Carn or Charles Earland at the time – and always with a free-flowing, very exploratory sound that's wonderfully recorded throughout – and which almost makes the record feel like an American classic on the Black Jazz label! The drums on the set are by Jimmy Hopps – who brings in some funky beats at just the right moments – and other musicians include Bobby Greene on alto and Stan Strickland on tenor – plus Judd Watkins on vocals, who sings on some of the best songs with a deep-voiced quality that's really great! This double-length reissue really expands past the previous version on Counterpoint – and the 2LP set features 7 tracks that include "Do You Believe (alt version)", "It's Your Thing (alt version)", "Intermezzo", "Club 7 Latin", "Up On The Roof", "For Arne", and "Silent Lights". All tracks on the vinyl version are taken from the "unreleased" disc on the CD set. LP, Vinyl record album
(Ciover has some light wear, but is very nice overall.)

Possible matches21
CD, LP, Vinyl record album cover art
✨✧ Funk IncFunk Inc ... LP
Fantasy/BGP (UK), 1971. New Copy (reissue)... Out Of Stock
A killer instrumental album of hard organ grooves and funky basslines! This was the album that broke Funk Inc out of their Indianapolis scene, and made them a force to be forever reckoned with in the history of funky jazz. The album grooves hard in the same sound as some of the classic work by Prestige jazz funk giants like Rusty Bryant, Charles Earland, or Ivan Boogaloo Jones – but it's almost even tighter than their work, because the Funk Inc combo as a tightly woven group of players who'd been together for a number of years. The record's filled with monster cuts that you'll recognize immediately, like the group's famous "Kool is Back", which has a monster sample on the intro, and hard heavy Kool & The Gang grooves throughout. Other tracks include "Sister Janie", "The Whipper", and "Bowlegs". LP, Vinyl record album

Possible matches22
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockMagic Windows (with bonus track) ... CD
Columbia/PTG (Netherlands), 1981. New Copy ... Out Of Stock
A great little soul album from Herbie Hancock – but one that's often lost in the valleys between his bigger hits of the time! The record was cut in the space right before Herbie's big "Rockit" success – and it's a sweet bit of funky fusion that has a good dose of R&B in the mix – similar to other records from Hancock's Columbia label keyboardist contemporaries – like Rodney Franklin, Webster Lewis, or Charles Earland! All orchestrations are performed by Herbie on a host of keyboards and synthesizers, and just about every cut has vocals – from singers who include Sylvester, Gavin Christopher, and The Waters. But even with this soul component, Herbie still keeps things jazzy – using a good bit of keyboards to open up the tunes in the middle, and hitting hard on all numbers with that classic Hancock approach to funk! Titles include "Magic Number", "Tonight's The Night", "Everybody's Broke", "Help Yourself", and "Satisfied With Love". CD also features the bonus "Magic Number (disco mix)". CD

Possible matches23
CD, LP, Vinyl record album cover art
✨✧ Rufus HarleyRe-Creation Of The Gods ... LP
Ankh, 1972. Near Mint- ... Out Of Stock
One of the most legendary albums of jazz funk ever recorded! Rufus Harley was a saxophone player who also picked up the bagpipes for a few excellent 60s albums for Atlantic Records – and although those records are great, this 1972 independent album is a real mind blower! By the time of this set, Rufus had really stretched out – both creatively and spiritually – working his standard bagpipe jazz groove into a much trippier sound, one that explored the tonal and modal properties of the instrument. Not only that, Rufus got a lot funkier than ever before – working here with organist Bill Mason, a sonic contemporary of Leon Spencer and Charles Earland – and the resultant mix of organ and bagpipes creates a monstrous sound that's unlike anything we can describe! The album's a mixture of Sufi and Biblical statements – fused into long funky jazz tracks, stretching out into some incredible grooves. Includes the classic "Malika", plus the cuts "Etymology", "Hypothesis", and "Nobody Knows The Trouble I've Seen", done in a great heavy version! LP, Vinyl record album
(Scorpio reissue.)

Possible matches24
CD, LP, Vinyl record album cover art
✨✧ VariousAin't It Funky Now! – Flat Out Funk From The Jazz Brotherhood ... CD
BGP (UK), 1960s/Early 70s. New Copy ... Out Of Stock
Jazzy 45s galore – and a huge dip into the vaults of Prestige Records! This tasty set brings together 18 classics recorded in the heyday of the jazz funk years at Prestige – the late 60s and early 70s, a time when the soul jazz sounds of previous years were being forged into a leaner, meaner, harder-hitting groove. And although the LP was the growing format during these days, there was actually a heck of a lot of great work issued on 45s – still spinning strong with the jukebox crowds in the clubs and tap rooms, and still getting major play on radio stations, where the single was still king. The set features many 45 mixes of funky classics that you might know from LPs – and intersperses them with some other more obscure numbers pulled from full albums – making for an all-solid, all-funky set of tracks from one of the hippest jazz labels ever! Titles include "Fire Eater" by Rusty Bryant, "Don't Knock My Love" by Idris Muhammad, "Jungle Strut" by Gene Ammons, "Express Yourself" by Idris Muhammad, "Right On" by Boogaloo Joe Jones, "Who's Gonna Take The Weight" by Melvin Sparks, "Sing A Simple Song" by Charles Earland, "Son Of Man" by Houston Person, "Listen Here (part 1)" by Freddie McCoy, "Black Talk (part 1)" by Charles Earland, "Message From The Meters" by Leon Spencer, "Reelin With The Feeling" by Charles Kynard, "I Want You Back" by Harold Mabern, and "Thank You (part 1)" by Melvin Sparks. CD

Possible matches25
CD, LP, Vinyl record album cover art
✨✧ VariousAin't It Funky Now! – Flat Out Funk From The Jazz Brotherhood ... LP
BGP (UK), 1960s/Early 70s. New Copy 2LP ... Out Of Stock
Jazzy 45s galore – and a huge dip into the vaults of Prestige Records! This tasty set brings together 18 classics recorded in the heyday of the jazz funk years at Prestige – the late 60s and early 70s, a time when the soul jazz sounds of previous years were being forged into a leaner, meaner, harder-hitting groove. And although the LP was the growing format during these days, there was actually a heck of a lot of great work issued on 45s – still spinning strong with the jukebox crowds in the clubs and tap rooms, and still getting major play on radio stations, where the single was still king. The set features many 45 mixes of funky classics that you might know from LPs – and intersperses them with some other more obscure numbers pulled from full albums – making for an all-solid, all-funky set of tracks from one of the hippest jazz labels ever! Titles include "Fire Eater" by Rusty Bryant, "Don't Knock My Love" by Idris Muhammad, "Jungle Strut" by Gene Ammons, "Express Yourself" by Idris Muhammad, "Right On" by Boogaloo Joe Jones, "Who's Gonna Take The Weight" by Melvin Sparks, "Sing A Simple Song" by Charles Earland, "Son Of Man" by Houston Person, "Listen Here (part 1)" by Freddie McCoy, "Black Talk (part 1)" by Charles Earland, "Message From The Meters" by Leon Spencer, "Reelin With The Feeling" by Charles Kynard, "I Want You Back" by Harold Mabern, and "Thank You (part 1)" by Melvin Sparks. LP, Vinyl record album

Possible matches26
CD, LP, Vinyl record album cover art
✨✧ Vince AndrewsLove, Oh Love (with bonus track) ... CD
Gerard/P-Vine (Japan), 1983. New Copy ... Out Of Stock
A great little batch of jazzy soul by Vince Andrews – a vocalist and sax player from Columbus, Ohio – which is where he recorded this obscure early 80s set, a record with a vibe that's maybe more 70s overall! The record has a great little groove – kind of that Charles Earland stepping vibe that we love on his late 70s Muse recordings – supported by some sweet organ work from Bobby Floyd, a player we don't know at all, but who really shines here! Most of the cuts just feature a trio – with Matt Wagner on drums, and Vince on alto, tenor, soprano sax, and flute – working through mostly original material that includes "Love Oh Love", "Akila", "The One Who Needs You", "Being With You", and "Vibrating With Vince". CD features a bonus alternate take of "Love Oh Love". CD
 
 
 



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