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Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A brilliant album – and real turning point for Herbie Hancock! After first coming onto the scene as the soul jazz hero between Blue Note funky classics like "Watermelon Man" or "Blind Man, Blind Man" – Herbie emerges here as a concerned modernist with a strand of ... LP, Vinyl record album
A killer session from Horace's famous quintet that included Blue Mitchell, Junior Cook, Gene Taylor, and Louis Hayes – one of the group's earliest recordings for Blue Note – and also one of their best! The band had a unique mix of rootsy soul jazz playing and more exotic approaches to ... LP, Vinyl record album
An incredible album from Charles Lloyd – one that seems to return him to his spiritual flowering of the 60s – maybe just because the set begins with a searing long take of his classic "Dream Weaver"! But there's also a richness here that we don't always hear from Lloyd – ... LP, Vinyl record album
Very cool session recorded in the 60's, and also issued under the title Dimensions & Extensions. Herbie Hancock and Paul Chambers team up with Latin percussionists Willie Bobo and Osvaldo "Chihuahau" Martinez for a set of long improvised tracks in which Herbie states a basic line, ... LP, Vinyl record album
An album that's smoother than some of Ronnie's earlier work, and perhaps without the same dark edge – but still a nice batch of soulful fusion tunes, with production by Wayne Henderson, in his classic 70s At-Home Productions mode! By that, we mean that a number of the tracks have a good ... LP, Vinyl record album
An excellent 70s album from Horace Silver – one that's often overlooked, but which yields of listening joy, once you open it up! The set's got some wonderful modal/spiritual numbers – in a mode that would make the record highly prized if it were issued on Strata East, and which is ... LP, Vinyl record album
One more amazing chapter in the mighty development of drummer Chico Hamilton – a killer 70s session for Blue Note – and a record that goes way beyond his earlier experiments of the 50s, modal grooves of the 60s, and funk work for the Flying Dutchman label! The style here is fusion, but ... LP, Vinyl record album
A great collection of early work from this legendary large ensemble – all pulled from their seminal late 60s sides on Blue Note and Solid State – with Thad Jones on flugelhorn and Mel Davis on drums – plus work from Richard Williams and Marvin Stamm on trumpets, Jimmy Knepper and ... LP, Vinyl record album
A sublime bit of Miles Davis electric funk – one of the best-remembered electric sets from the 70s, and for good reason too! The tracks are long, the jams are hard, and the whole thing has a lot more funk than some of the noise you'd get on other Miles albums of the time – thanks to ... LP, Vinyl record album