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Frank Foster Edit search Phrase match

 
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Exact matches: 11
Exact matches1
CD, LP, Vinyl record album cover art
Gene Ammons, Nat Adderley, Frank Foster & OthersJuggin' Around (Affinity pressing) ... LP
Vee Jay/Affinity (Spain), Early 60s. Near Mint- ... $4.99
A hard-hitting blowing session, cut very much in the mode of Gene's late 50s sides for Prestige – and with a very accomplished group of soul jazzers that includes Nat Adderley, Frank Foster, Bennie Green, and Frank Wess. The groove has a nice raw late night sound – and tracks are pretty long and open-ended. Titles include "Litty Ditty", "Sermonette", "Juggin Around", and "Jim Dog". LP, Vinyl record album
(80s Spanish pressing.)

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ Frank FosterFrank Foster Live – Blues Ain't Nothing But A Trip ... LP
Bingow (France), 1979. Near Mint- ... $19.99
During the 1970s – in the years between Frank Foster's departure and return to the Basie Band – the soulful tenorist cut some fantastic material that had a sound that was a lot more in the spiritual 70s soul jazz vein than any of his earlier or later work. This album is one of those great sessions – and was recorded live with a tight quintet that includes Ted Dunbar on guitar, Mickey Tucker on piano, Earl May on bass, and Billy Hart on drums. Not as full-on righteous as The Loud Minority, but still a great record of long spiralling spiritual jazz tunes – played by a group that's very much in agreement with each other. Titles include "Simone", "Giant Steps", and "Jane Huck". LP, Vinyl record album

Exact matches3
CD, LP, Vinyl record album cover art
Frank FosterHere & Now ... LP
Catalyst, 1976. Near Mint- ... $7.99
Very different work than usual from Frank Foster – and pretty darn great! The album was put together by arranger Billy Mitchell – with a warm and sunny take on soul jazz that's every bit the best side of the Catalyst Records sound – kind of a sweeter, slightly electric take on the genre that's different from the styles going down at some of the other indies during the other part of the decade. Foster's tone is in full force here – but his overall playing is reigned in a bit from his more frenetic recordings with Elvin Jones – a good thing by us, as the record allows him to explore sound in much different ways. The rest of the group is equally great – with players that include Art Webb on flute, Harold Mabern on piano, Roland Prince on guitar, Freddie Waits on drums, and Richard Williams on trumpet. Tunes have an arranged feel that's got some slight sweetness to it – but they're also long, and with plenty of room for solos. Titles include "Shunga", "Sweet Mirage", "Square Knights Of The Round Table", and "Been Here & Gone". LP, Vinyl record album
(Recent reissue.)

Exact matches4
CD, LP, Vinyl record album cover art
Frank FosterHouse That Love Built ... CD
Steeplechase/Think (Japan), 1982. Used ... $18.99
Brilliant work from a great player who never stopped growing! After a 70s career laced with some free and spiritual playing, Foster moves back to basics here by teaming up with pianist Horace Parlan and some European rhythm accompaniment – in a set that concentrates on tone, sound, and color! Foster's tenor solos alone seem to carry the album on some tremendously strong and soulful shoulders – and the set's filled with great original compositions that include "John R & Garfield", "The House That Love Built", "Dunbar's Delight", and "Lightly Stroking". CD features an unissued bonus track – Kenny Dorham's "Scandia Skies". CD
(Includes obi.)

Exact matches5
CD, LP, Vinyl record album cover art
Frank FosterSoul Outing! ... CD
Prestige/OJC, 1966. Used ... $9.99
Stormin! Tenorist Frank Foster is best known to the world for his years and years of work with Count Basie, but take it from us – his solo albums from the late 60's are waaaay better than his Basie work, and they're also some of our favorite jazz sides of all time! This rare album features Foster with a groovy group that includes Virgil Jones on trumpet, Pat Rebillot on piano, Billy Butler on guitar, and the great Alan Dawson on drums and congas. The tracks are all nice and long, and they have a sinister dirty funky groove that sounds very very tasty on CD! Titles include "Skankaroony", "Show The Good Side", "While The City Sleeps", and "Chiquito Loco". One that you'll almost never see on vinyl, and nicely priced on CD! CD
(Out of print.)
Also available Soul Outing! ... LP 19.99

Exact matches6
CD, LP, Vinyl record album cover art
Frank FosterSoul Outing! ... LP
Prestige, 1966. Very Good- ... $19.99
Stormin! Tenorist Frank Foster is best known to the world for his years and years of work with Count Basie, but take it from us: his solo albums from the late 60's are waaaay better than his Basie work, and they're also some of our fave jazz sides of all time! This rare album features Foster with a groovy group that includes Virgil Jones on trumpet, Pat Rebillot on piano, Billy Butler on guitar, and the great Alan Dawson on drums and congas. The tracks are all nice and long, and they have a sinister dirty funky groove! Titles include "Skankaroony", "Show The Good Side", "While The City Sleeps", and "Chiquito Loco". LP, Vinyl record album
(Blue trident label pressing with Van Gelder stamp. Cover has a lightly bent corner with a small stain.)
Also available Soul Outing! ... CD 9.99

Exact matches7
CD, LP, Vinyl record album cover art
Frank Foster & Frank WessFrankly Speaking ... CD
Concord (Japan), 1984. Used ... $11.99
... CD
(Out of print.)

Exact matches8
CD, LP, Vinyl record album cover art
Frank Foster Non-Electric CompanyChiquito Loco – Live At The N'Hita Jazz Club ... LP
Bingow (France), 1979. Near Mint- ... $19.99
Excellent 70s work from Frank Foster – a bit straighter than his progressive sessions, like The Loud Minority, but still a top-level bit of jazz, with an edginess that was missing from his earlier Basie-esque work, or his later sides during the 80s. Frank's group is quite hip – with Ted Dunbar on guitar, Mickey Tucker on piano, Earl May on bass, and Billy Hart on drums – and the quintet perform 4 long tracks that are a perfect vehicle for Foster's searching soulful solos. Includes the Latiny groover "Chiquito Loco", plus "Joy Spring" and "Theme For Ernie". LP, Vinyl record album
(A nice copy!)

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Frank FosterFearless Frank Foster ... CD
Prestige/OJC, 1965. Used ... Temporarily Out Of Stock
An incredible album from tenor giant Frank Foster – one of his best records ever, with an impeccable soul jazz groove that's light years beyond his earlier work! The record has a bit of the feel of Frank's album with Richard Davis for Impulse, but takes off in a slightly different direction – tightly grooving, with a bit of a searching feel that points towards Foster's Coltrane-inspired later years. Frank's on tenor, and the rest of the group includes Virgil Jones on trumpet, Al Dailey on piano, Bob Cunningham on bass, and Alan Dawson on drums. The rhythmic component of the session is tremendous, and titles include "Disapproachment", "Baby Ann", "Janie Huk", and a great version of his "Raunchy Rita". CD
(Out of print.)

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Frank FosterLoud Minority ... CD
Mainstream/BGP (UK), 1971. Used ... Temporarily Out Of Stock
One of the most amazing albums ever from Frank Foster – a totally righteous set that's light years ahead of his earlier work with the Basie Band! The format here is right up there with the best on Strata East at the time – a large-group session that's filled with some of the hippest players of the early 70s – all coming together with a joyous, spiritual sense of power! Foster's in the lead on tenor and soprano sax, but other players include Cecil Bridgewater and Hannibal Marvin Peterson on trumpets, Harold Mabern on keyboards, Elvin Jones on drums, Dick Griffin on trombone, Stanley Clarke on bass, Airto on percussion, and even Dee Dee Bridgewater on vocals! Tracks are all quite long and flowing – spiritual expressions of jazz that rival the greatness of anything recorded for Impulse – and titles include "The Loud Minority", "Requiem For Dusty", "JP's Thing", and "EW – Beautiful People". CD

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Frank FosterLoud Minority ... CD
Mainstream/Ultra Vybe (Japan), 1972. New Copy ... Out Of Stock
One of the most amazing albums ever from Frank Foster – a totally righteous set that's light years ahead of his earlier work with the Basie Band! The format here is right up there with the best on Strata East at the time – a large-group session that's filled with some of the hippest players of the early 70s – all coming together with a joyous, spiritual sense of power! Foster's in the lead on tenor and soprano sax, but other players include Cecil Bridgewater and Hannibal Marvin Peterson on trumpets, Harold Mabern on keyboards, Elvin Jones on drums, Dick Griffin on trombone, Stanley Clarke on bass, Airto on percussion, and even Dee Dee Bridgewater on vocals! Tracks are all quite long and flowing – spiritual expressions of jazz that rival the greatness of anything recorded for Impulse – and titles include "The Loud Minority", "Requiem For Dusty", "JP's Thing", and "EW – Beautiful People". CD
(Part of the Mainstream Records Master Collection!)
 
Possible matches: 42
Possible matches12
CD, LP, Vinyl record album cover art
✨✧ Frank MorganYardbird Suite ... CD
Contemporary/OJC, 1988. Used ... Temporarily Out Of Stock
One of Frank Morgan's great comeback records from later years – featuring the leader on alto, with Mulgrew Miller on piano, Ron Carter on bass, and Al Foster on drums! CD
(Small cutout notch through spine.)

Possible matches13
CD, LP, Vinyl record album cover art
✨✧ Frank Morgan AllstarsReflections ... LP
Contemporary, 1988. Sealed ... Out Of Stock
Excellent later work from Frank Morgan – the legendary LA altoist who first burned brightly in the bop generation, then came back to make really rich recordings like this! The set's got Frank in some really great company – a hip sextet that features Joe Henderson on tenor, Bobby Hutcherson on vibes, Mulgrew Miller on piano, Ron Carter on bass, and Al Foster on drums – a sweet modern jazz lineup that ensures that the record's filled with sharp changes and deep colors – arguably a lot more so than some of Morgan's later revival sessions – with a vibe that's much more like some of Hutcherson or Henderson's best from the 80s. Titles include "Old Bowl New Grits", "Starting Over", "Reflections", "OK", and "Black Narcissus". LP, Vinyl record album

Possible matches14
CD, LP, Vinyl record album cover art
Count BasieApril In Paris ... LP
Verve, 1955. Sealed ... $14.99
One of Basie's biggest albums – but still a work of pure genius! "April In Paris" is one of the darkest jazz standards ever written, and it never sounded better than in this original version, which features that great ending in which Basie and the band stop, then start, then stop – leaving you completely unresolved at the finish. The group's a strong one – with Frank Foster, Frank Wess, Freddie Green, Sonny Payne, Marshall Royal, Henry Coker, Joe Newman, and Thad Jones – and tracks include "Shiny Stockings", "Midgets", "Mambo Inn", "Sweety Cakes", and "Corner Pocket". LP, Vinyl record album
(80s Japanese pressing on Polydor, with obi!)

Possible matches15
CD, LP, Vinyl record album cover art
Count BasieCount Basie & The Kansas City Seven ... LP
Impulse, 1962. Near Mint- Gatefold ... $69.99
Stripped-down Count Basie from the start of the 60s – a great little set that has the Count working with some of the best players from his larger group, in a session of even more intimate small combo material! The sounds here echo the Basie groove of the earlier years, but the overall presentation is a fair bit more modern – nicely syncopated with that sense of space discovered by Basie in the 50s – and perfectly interpreted by players who include Thad Jones on trumpet, Frank Wess on flute, Frank Foster on tenor, Freddie Green on guitar, Eric Dixon on flute, and Basie himself on both piano and organ – the latter of which is quite a treat! Titles include "Secrets", "Count's Place", "I Want A Little Girl", "Tally Ho Mr Basie", "Senator Whitehead", "Whatcha Talkin", and "Shoe Shine Boy". LP, Vinyl record album
(Mono orange & black label pressing, with Van Gelder stamp and LW etch. Cover has some aging inside the gatefold and some light wear.)

Possible matches16
CD, LP, Vinyl record album cover art
✨✧ Count BasieSwiss Radio Days Vol 20 – Basel 1956 – Part 2 ... CD
TCB (Switzerland), 1956. New Copy ... Just Sold Out!
Count Basie cooks things up nicely here – really taking off in a live setting with that renewed energy that made his work of the 50s some of his best! The group here is large, but can swing with effortless ease, and stop and turn on a dime – tremendous accomplishments from a lineup that features Thad Jones and Joe Newman on trumpets, Henry Coker and Benny Powell on trombones, and Frank Foster, Frank Wess, Marshal Royal, and Bill Graham on reeds – all driven strongly by Basie's piano, the guitar of Freddie Green, bass of Eddie Jones, and thunderous drums of Sonny Payne! Joe Williams sings on a handful of tracks – and titles include "The Comeback", "Teach Me Tonight", "Alright Ok You Win", "Dinner With Friends", "Plymouth Rock", and "Smack Dab In The Middle". CD

Possible matches17
CD, LP, Vinyl record album cover art
George BensonBody Talk ... CD
CTI/Vocalion (UK), 1973. New Copy ... $13.99
A sweet funky classic from guitar genius George Benson – and a record that features some surprising soul arrangements from Pee Wee Ellis – also known for his classic work with the James Brown Band of the late 60s! Pee Wee's got a tighter groove here than on some of George's earlier CTI albums – but still keeps things open enough, so that Benson gets plenty of room to solo – a bit like the vibe of some of his late 60s albums for Verve and A&M. George is the main soloist – but the group is super-hip, with Harold Mabern on electric piano, Frank Foster on tenor, and a little bit of extra guitar from Earl Klugh. George is pulling no punches on this one – really hitting hard on his solos with a freer approach than he used on most of his other records from the time. Titles include "Dance", "Plum", "Body Talk", and "Top Of The World" – and most tracks are looong! CD
(Hybrid Super Audio CD pressing – also works on standard CD players!)
Also available Body Talk ... LP 11.99

Possible matches18
CD, LP, Vinyl record album cover art
George BensonBody Talk ... LP
CTI, 1973. Sealed Gatefold ... $11.99
A sweet funky classic from guitar genius George Benson – and a record that features some surprising soul arrangements from Pee Wee Ellis – also known for his classic work with the James Brown Band of the late 60s! Pee Wee's got a tighter groove here than on some of George's earlier CTI albums – but still keeps things open enough, so that Benson gets plenty of room to solo – a bit like the vibe of some of his late 60s albums for Verve and A&M. George is the main soloist – but the group is super-hip, with Harold Mabern on electric piano, Frank Foster on tenor, and a little bit of extra guitar from Earl Klugh. George is pulling no punches on this one – really hitting hard on his solos with a freer approach than he used on most of his other records from the time. Titles include "Dance", "Plum", "Body Talk", and "Top Of The World" – and most tracks are looong! LP, Vinyl record album
Also available Body Talk ... CD 13.99

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Kenny BurrellAll Day Long (Japanese pressing – with bonus track) ... CD
Prestige/Universal (Japan), 1957. Used ... $18.99
One of the best blowing sessions on Prestige – and proof that Kenny Burrell could hit a nice groove when he wanted to! The record is a very open-ended set, and players include Burrell, Donald Byrd, Frank Foster, Tommy Flanagan, Doug Watkins, and Art Taylor. Side one features a great long track called "All Day Long", with loads of space and plenty of great soloing – a cut that is quite possibly THE blowing session tune from Prestige – as it's a perfect example of the label's work in that style, and one of the longest ever recorded in that format. Side two features shorter cuts "Slim Jim", "Say Listen", and "AT" – all a bit tighter, and still very nice – plus the bonus track "CPW". CD
(Out of print, 2014 SHM-CD pressing – includes obi!)
Also available All Day Long (photo cover) ... LP 89.99

Possible matches20
CD, LP, Vinyl record album cover art
Kenny BurrellAll Day Long (photo cover) ... LP
Prestige, 1957. Good+ ... $89.99
One of the best blowing sessions on Prestige – and proof that Kenny Burrell could hit a nice groove when he wanted to! The record is a very open-ended set, and players include Burrell, Donald Byrd, Frank Foster, Tommy Flanagan, Doug Watkins, and Art Taylor. Side one features a great long track called "All Day Long", with loads of space and plenty of great soloing – a cut that is quite possibly THE blowing session tune from Prestige – as it's a perfect example of the label's work in that style, and one of the longest ever recorded in that format. Side two features shorter cuts "Slim Jim", "Say Listen", and "AT" – all a bit tighter, and still very nice! LP, Vinyl record album
(Yellow & black label 50th St NYC pressing, with deep groove and RVG/AB etch. Vinyl plays with some crackles, mostly on Side B. Cover has center splits in the spine and bottom seam, with some small stains on back at the top and along the spine.)
Also available All Day Long (Japanese pressing – with bonus track) ... CD 18.99

Possible matches21
CD, LP, Vinyl record album cover art
Donald ByrdElectric Byrd ... CD
Blue Note, 1970. Used ... $19.99
Donald Byrd in a sweet electric mode – as you'd guess from the title! The set was recorded right before Byrd's legendary run with Larry Mizell in the early 70s – and the electric approach is a bit different here – a style that blends Byrd's wonderful trumpet lines with the larger ensemble mode Blue Note sometimes used in the late 60s, but with a spacey, stretched-out feel that's mighty nice! The album's somewhat similar to Byrd's Kofi set – but possibly a bit more open overall – and players here include Duke Pearson on electric piano, Jerry Dodgion on alto and sopranos ax, Frank Foster on tenor, Pepper Adams on baritone, Hermeto Pascoal on flute, Wally Richardson on guitar, Ron Carter on bass, Mickey Roker on drums, and Airto on percussion. Pearson produced, and probably arranged too – given a slight Brazilian undercurrent to the grooves – and titles include "Estavanico", "Essence", "The Dude", and "Xibaba". CD
(Out of print.)

Possible matches22
CD, LP, Vinyl record album cover art
✨✧ Donald ByrdFancy Free ... CD
Blue Note (Japan), 1969. Used ... Just Sold Out!
One of the coolest, grooviest 60s albums from trumpeter Donald Byrd – one that has him really reaching out for a hip new sound, but in ways that are different than most of his other material at the time! Key on the date is the placement of electric piano from Duke Pearson – played in this open, flowing style that has all the best hallmarks of Pearson's own work on the instrument for his sessions – yet balanced nicely with the bolder punch of Byrd's trumpet as well. Donald's quite far from any Miles Davis cliches on this one – no too-dark electric modes at all – and instead, the album's got this sense of lyrical soulfulness that we've maybe never heard this strongly again on any of Byrd's other albums. Other players include Frank Foster on tenor, Jerry Dodgion and Lew Tabackin on flute, Julian Priester on trombone, Jimmy Ponder on guitar, and either Idris Muhammad or Joe Chambers on drums. All tracks are nice and long, and very fresh – and include "Weasil", "I Love the Girl", "Fancy Free", and "The Uptowner". CD
(Out of print SHMCD pressing, includes obi.)

Possible matches23
CD, LP, Vinyl record album cover art
Donald ByrdFancy Free ... LP
Blue Note, 1969. Sealed ... $39.99
One of the coolest, grooviest 60s albums from trumpeter Donald Byrd – one that has him really reaching out for a hip new sound, but in ways that are different than most of his other material at the time! Key on the date is the placement of electric piano from Duke Pearson – played in this open, flowing style that has all the best hallmarks of Pearson's own work on the instrument for his sessions – yet balanced nicely with the bolder punch of Byrd's trumpet as well. Donald's quite far from any Miles Davis cliches on this one – no too-dark electric modes at all – and instead, the album's got this sense of lyrical soulfulness that we've maybe never heard this strongly again on any of Byrd's other albums. Other players include Frank Foster on tenor, Jerry Dodgion and Lew Tabackin on flute, Julian Priester on trombone, Jimmy Ponder on guitar, and either Idris Muhammad or Joe Chambers on drums. All tracks are nice and long, and very fresh – and include "Weasil", "I Love the Girl", "Fancy Free", and "The Uptowner". LP, Vinyl record album
(90s pressing. Cover has three cutout holes through the barcode.)

Possible matches24
CD, LP, Vinyl record album cover art
Milt JacksonPlenty, Plenty Soul ... CD
Atlantic, 1957. Used ... $3.99
Plenty plenty soul here – as Milt Jackson's moving away from the Modern Jazz Quartet, and working with a great group of players that really expand his sound! The session's a bit like some of Milt's soul jazz work for Riverside and other labels – in that it's got rhythms, timings, and solos that all are much more gutbuckety than you'd expect from the other side of his career – a real nod towards the nascent soul jazz sound in the late 50s, served up with lots of undercurrents from R&B and gospel in the mix. Side one features players that include Ronnie Peters on alto sax, Frank Foster on tenor, and Sahib Shihab on baritone – plus Horace Silver on piano – and Silver makes a return appearance on side two, alongside a group that includes Lucky Thompson on tenor and Joe Newman on trumpet. Titles include "Plenty, Plenty Soul", "Boogity Boogity", "Heartstrings", "Sermonette", "The Spirit Feel", "Ignunt Oil", and "Blues At Twilight". CD

Possible matches25
CD, LP, Vinyl record album cover art
✨✧ Elvin JonesElvin Jones Live At The Town Hall ... CD
PM/Ultra Vybe (Japan), 1975. New Copy ... $16.99
A fantastic live performance from drummer Elvin Jones – done in 1971 as part of a John Coltrane Memorial Concert – and a record that maybe shows just how much Jones had grown as a leader in the few short years after Coltrane's death! The album features two long, very freewheeling tracks – "Shinjitu" and "Simone" – certainly inspired by the freedoms allowed by the Coltrane Quartet of the 60s, but taken in really dynamic directions that not only come from the drums of Elvin, but also the bold, rich work of Gene Perla on bass – as the pair really drive things from the bottom, really encouraging some great sounds from Chick Corea on piano, Frank Foster on tenor and soprano, and Joe Farrell on tenor and flute. CD
(Part of the Modern Jazz Connection series!)

Possible matches26
CD, LP, Vinyl record album cover art
✨✧ Elvin JonesGenesis ... CD
Blue Note (Japan), 1971. Used ... $16.99
Elvin Jones rose to fame in the company of one of the greatest saxophone players ever – the mighty John Coltrane – and his post-Coltrane work like this really continues a keen respect for the role of the reeds in jazz – and really does a lot to push it forward as well! There's a compelling edge to the record that's light years from Elvin's work with Coltrane – a completely new sensibility that can be spacious one minute, extremely powerful the next – and quite possibly realized to its fullest potential here, thanks to the mindblowing contributions of Dave Liebman on tenor and soprano sax, Frank Foster on tenor and flute, and Joe Farrell on alto and soprano sax. All three players work together on each track – and all shift reeds throughout the session – opening up majestically with inspiration from Elvin's drums, and some wonderful work from Gene Perla on bass. The sound is beyond easy categorization or simple style – and the record's filled with wonderful titles that include "PP Phoenix", "For All The Other Times", "Three Card Monty", and "Cecilia Is Love". CD
(SHM-CD pressing, includes obi.)

Possible matches27
CD, LP, Vinyl record album cover art
✨✧ Elvin JonesLive In Japan 1978 – Dear John C (Storyville pressing) ... CD
Storyville (Japan), 1978. Used ... Just Sold Out!
A smoking live set from Elvin Jones' Jazz Machine group – a very powerful quintet that's driven by a two-saxophone engine! The reeds here are handled by Frank Foster and Pat Labarbera – both of whom help Jones work out some post-Coltrane energy – but not in a way that seeks to just copy The Great One! Instead, the combo build wonderfully on the spirit left behind by the late Trane – playing long tracks that stretch out with searing solos from both saxophonists, build on piano-less rhythm from Roland Prince's guitar and the bass of Andy McCloud. The set was recorded live, but with wonderful clarity – and titles include Foster's great "House That Love Built", plus "EJ Blues" and a take on "Love Supreme". CD
(Out of print.)

Possible matches28
CD, LP, Vinyl record album cover art
Elvin Jones & McCoy TynerLove & Peace ... CD
Evidence, 1982. Used ... $12.99
A wonderful later album from these two Coltrane bandmembers – reunited here in the early 80s, working in a mode that's very much in keeping with their rich spiritual jazz legacy! The group on the album's a quintet – with Pharoah Sanders on tenor, Richard Davis on bass, and Jean-Paul Bourelly on electric guitar. Sanders' majestic tenor solos really make the album sparkle – as he's blowing in a mode that feels a lot like Coltrane, circa 1963, touched with some of his own raspy soul, which makes for a different edge. Titles include "Little Rock's Blues", 'Hip Jones", "For Tomorrow", "Korina", and "Origin". CD also features the bonus track "House That Love Built", recorded in 1978, by a lineup that includes Jones and Frank Foster. CD
(Out of print.)

Possible matches29
CD, LP, Vinyl record album cover art
Thelonious MonkThelonious Monk Quintet (Japanese paper sleeve edition) ... CD
Prestige (Japan), 1953/1954. Used ... $19.99
A full length LP that brings together 2 earlier sessions by Thelonious Monk! The main part of the album is a legendary Monk quintet recording, done at a time when Thelonious was mostly pretty trio-heavy in the studio – and a set that features some great tenor by Frank Foster, alongside trumpet by Ray Copeland, bass by Curley Russell, and drums by Art Blakey! Tracks are longish, and although they have some Monkish moments, especially on the ballads, there's also some looser bop-style solo work from the horns. Titles include "Locomotive", "Hackensack", "We See", and "Smoke Gets In Your Eyes". Added to these tracks are 3 more by another quintet – one that features Sonny Rollins on tenor, Julius Watkins on French Horn, Percy Heath on bass, and Willie Jones on drums. Titles include 2 takes of "Think Of One", plus "Let's Call This". CD
(Out of print. Includes obi, and still sealed!)

Possible matches30
CD, LP, Vinyl record album cover art
Joe NewmanJoe Newman & The Boys In The Band (10 inch LP) ... LP
Storyville, 1954. Very Good- ... $34.99
An obscure 50s 10" session from Joe Newman – but a great one too, and a record that really has him swinging nicely with other members of the Count Basie group! There's a great small combo feel to the set – and alongside Newman's work on trumpet, the date also features Frank Foster and Frank Wess on tenor, Freddie Green on guitar, and Henry Coker on trombone – plus the mysterious "Bill Bailey" on piano and organ, who may well be Basie himself! The feel is a bit like some of the Verve sessions of the time, but nicely a bit more rough-edged at times – and titles include "Confessin", "Ingin The Ooh", "These Foolish Things", "Peter Pan", and "In Case You Didn't Know". LP, Vinyl record album
(Cover has light wear, and a bit of splitting on the bottom seam.)

Possible matches31
CD, LP, Vinyl record album cover art
✨✧ Duke PearsonI Don't Care Who Knows It (180 gram pressing) ... LP
Blue Note/Wallen Bink (UK), 1968/1969/1970. New Copy 2LP Gatefold (reissue)... Just Sold Out!
One of the greatest albums ever from pianist Duke Pearson – recorded at a time when the musician was taking a bigger role at the Blue Note label, and started exploring some great musical territory in the process! The tracks here were all recorded in the late 60s – but not issued by the label until decades later, when they were pulled together in this fantastic double-length set – a record that comes as a real revelation. The work's quite different than Pearson's big band recordings, or his earlier soul jazz ones – and is a brilliant mix of Brazilian styles, electric instrumentation, complicated arrangements, and some of the more head-oriented jazz that was cropping up on Blue Note at the time – particularly some of the United States Of The Mind albums by Horace Silver! Silver's musical partner Andy Bey sings on the album's title cut – and other musicians include Frank Foster on tenor, Bobby Hutcherson on vibes, Wally Richardson on guitar, Jerry Dodgion on flute, Ralph Towner on acoustic guitar, and a young Airto on percussion. Titles include the fantastic "I Don't Care Who Knows It", a great version of "Canto De Ossanha", and the tracks "Bloos", "I Don't Know", "Captain Bacardi", "Rosemary's Baby", "Dialogo", "Upa Neguinho", and "Xibaba". LP, Vinyl record album
(Limited to 1000 double vinyl copies.)

Possible matches32
CD, LP, Vinyl record album cover art
Duke PearsonNow Hear This ... CD
Blue Note (Japan), 1968. New Copy ... $16.99
Duke Pearson knocks it out of the park with this one – perfectly summing up all the new ideas in jazz arranging and large ensemble work he'd been exploring at Blue Note – and pushing things way way past his previous small group material as well! The album's quite different than most other 60s iterations of big band jazz – as Pearson's got a way of making all instruments come together on the rhythms, then exploding with subtle colors and soulful tones – yet all at a level that's never forced or gimmicky at all. It helps that he's got a tremendous lineup of players here – both Lew Tabackin and Frank Foster on tenor (the latter of whom does some arranging for the record) – plus Pepper Adams on baritone, Marvin Stamm and Randy Brecker on trumpets, Garnett Brown and Jimmy Cleveland on trombones, Jerry Dodgion and Al Gibbons on alto, and the rhythm team of Bob Cranshaw on bass and Mickey Roker on drums. Duke plays superb piano with a really sophisticated touch, but it's really his strength as an arranger that makes the whole thing come together beautifully. Andy Bey sings on a version of "I'm Tired Cryin Over You" – and other titles include "Amanda", "Tones For Joan's Bones", "Dad Digs Mom", "Disapproachment", and "Make It Good". CD
(SHM-CD pressing!)

Possible matches33
CD, LP, Vinyl record album cover art
✨✧ Sonny Rollins/Thad JonesSonny Rollins Plays/Thad Jones & His Ensemble ... CD
Fresh Sound, 1957/1958. Used ... $9.99
A legendary split album from the hardbop underground of the 50s – two different sides by two different artists – both of them great! Side one features stunning work from Sonny Rollins – blowing at a level that matches his early gems for Blue Note, with that razor-sharp tone and sense of timing – and a style that's already beginning to move away from some of the more familiar conventions of bop. Sonny's tracks only include three numbers – but all are worth the price of admission – and feature Rollins on tenor with Jimmy Cleveland on trombone, Gil Coggins on piano, Wendell Marshall on bass, and Kenny Dennis on drums – on the titles "Like Someone In Love", "Sonnymoon For Two", and "Theme From Pathetique Symphony". Thad Jones really shines on side two – an early demonstration of his conception for a larger group, but done at a level that's looser than some of his big band recordings with Mel Lewis. The group features tremendous tenor from Frank Foster on two tracks that also have piano by Jimmy Jones – and one longer number features Frank Wess instead on tenor, with Henry Coker on trombone and Tommy Flanagan on piano. This lineup performs a longer "Ballad Medley" – while Foster blows on "Lust For Life" and "I Got It Thad & That Ain't Bad". CD
(Out of print.)

Possible matches34
CD, LP, Vinyl record album cover art
Vanessa RubinDream Is You – Vanessa Rubin Sings Tadd Dameron ... CD
Nibur, 2019. New Copy ... $13.99
One of the best albums in years from jazz singer Vanessa Rubin – a very hip set dedicated to the music of Tadd Dameron, which makes for a collection of tunes that go way past the usual! Plus, in addition to a great set of songs, the album also features direction from Cecil Bridgewater – and arrangements by Jimmy Heath, Bobby Watson, Frank Foster, and Benny Golson – really giving things a soulful swing that's just right for Vanessa's vocals! The whole thing's got all the best charm of her early work, but maybe an even hipper edge – and players include Eddie Allen on trumpet, Clifton Anderson on trombone, Patience Higgins on tenor, Bruce Williams on alto, John Cowherd on piano, and Carl Allen on drums. Many tracks are nice along, with room enough for instrumental solos too – and titles include "Kitchenette Across The Hall", "Ladybird", "Whatever Possessed Me", "I Think I'll Go Away", "Weekend", "On A Misty Night", and "Good Bait". CD

Possible matches35
CD, LP, Vinyl record album cover art
Buddy TerryAwareness ... LP
Mainstream, 1971. Very Good- Gatefold ... $4.99
A surprisingly soulful session from saxophonist Buddy Terry – a really righteous little record that reminds us a lot of work from the Strata East or Black Jazz labels! Buddy's working here with a relatively large group, but in a way that's really free and spontaneous – not nearly as tightly arranged as other records on the Mainstream label – and almost in the spirit of some righteous larger jazz ensemble. Players include Cecil Bridgewater on trumpet, Stanley Cowell on piano and Fender Rhodes, Buster Williams on bass, Mtume on percussion, and Roland Prince on guitar – all working together at a really organic, soulfully searching level that rivals the great Frank Foster album on Mainstream from the same stretch. Terry himself plays soprano, tenor, flute, and percussion – and titles include "Stealin Gold", "Abscretions", "Kamili", "Sodom & Gomorrah", and the extended "Awareness" suite. LP, Vinyl record album
(Cover has edge wear and partially unglued seams.)

Possible matches36
CD, LP, Vinyl record album cover art
McCoy Tyner13th House ... CD
Milestone/OJC, 1980. Used ... Just Sold Out!
A really majestic set of tracks from McCoy Tyner – recorded at the end of the 70s, but easily one of his best records of that fruitful decade! The group's a large ensemble – and the feel is in that perfect searching spiritual soul jazz mode that Tyner focused on as the 70s wore on – longer tracks that have a powerful, bold sort of energy – really pulsating with rhythmic inspiration on the bottom, as strong solos stretch out nicely over the top! The group includes Hubert Laws, Frank Foster, and Ricky Ford on reeds – plus Oscar Brashear on trumpet, Ron Carter on bass, Jack DeJohnette on drums, and Airto on percussion. Titles include "Love Samba", "Short Suite", "13th House", and "Leo Rising". CD
(Out of print.)

Possible matches37
CD, LP, Vinyl record album cover art
Sarah VaughanNo Count Sarah ... LP
Mercury, 1958. Very Good+ ... Just Sold Out!
The title's a bit of a joke – because the record features a batch sidemen from the Count Basie band – Thad Jones, Joe Newman, Freddy Green, Billy Mitchell, Frank Foster, and others – all working with Sarah, but the Count's name is missing, due to contractual obligations! Despite that lack, though, the grooves are very much in the best Basie mode – full of soul and searing horn lines – at a level that makes the album one of Sarah's liveliest from the time! Players include Thad Jones and Joe Newman on trumpet, Al Grey on trombone, Frank Foster and Frank Wess on tenor, and Freddie Green on guitar – and Ronnell Bright handles the piano, instead of Basie. Titles include "Darn That Dream", "Smoke Gets In Your Eyes", "Doodlin", "Just One Of Those Things", "No Count Blues", and "Missing You". LP, Vinyl record album
(Black label mono pressing with deep groove.)

Possible matches38
CD, LP, Vinyl record album cover art
Eddie Cleanhead VinsonBack In Town ... LP
Bethlehem/Charly (UK), 1957. Near Mint- ... $4.99
Classic King R&B material from Vinson, featuring some great backing by a surprising amount of jazz players! The album includes playing by Frank Foster, Joe Newman, Charlie Rouse, Ed Thigpen, Freddie Green, Paul Quinichette, and Nat Pierce – and the sound owes a lot to Joe Turner's work with Basie. Titles include "Cherry Red", "That's The Way To Treat Your Woman", "Kidney Stew", "Hold It Right There", and "Your Baby Ain't Sweet Like Mine". LP, Vinyl record album
(80s UK pressing.)

Possible matches39
CD, LP, Vinyl record album cover art
✨✧ Lorez AlexandriaEarly in the Morning/Deep Roots (plus bonus tracks) ... CD
Lonehill (Spain), 1960/1962. Used ... Temporarily Out Of Stock
Early In The Morning, a gem – right up there with her best work ever! An excellent early album by one of the greatest jazz vocalists of all time! The session's a very hip affair – recorded with the Ramsey Lewis Trio backing her up on one side, and a group led by Frank Foster on another – both playing in a tight soul jazz mode that works perfectly for Lorez's great voice, and which takes her way past the straighter style of the King recordings. Includes a version of Louis Jordan's "Early In The Morning", plus "So Long", "Don't Explain", "Baby Don't You Cry", and "Rocks In My Bed". The groove's very deep, like hearing Lorez in a smoky club on the south side of Chicago! Deep Roots is a perfect summation of her rich talents as a singer! Backing is by a small Chicago trio that includes John Young on piano, Vernel Fournier on drums, and George Eskridge on bass – but the arrangements of the tracks, and Lorez's unique interpretations drive the tunes into territory that's surprisingly advanced for the 1962 date of the session. You'll recognize most of the tunes – but as the old adage goes, it's not the song, but the singer – and you'll hear Lorez crafting a rich tapestry of sound and emotion from titles like "No Moon At All", "I Was A Fool", "Detour Ahead", "Travlin Light", and "I Want To Talk About You". CD
(Out of print, traycard artwork is wrinkled from some light water damage.)

Possible matches40
CD, LP, Vinyl record album cover art
✨✧ Count BasieBasie In London ... LP
Verve, 1956. Very Good+ ... Temporarily Out Of Stock
Basie was getting all over the place during the 50s – and this set's a great little concert recorded in London! The album's classic Basie for Verve – with Joe Williams on vocals on 3 tracks, and a tight group that includes Thad Jones, Joe Newman, Benny Powell, Matthew Gee, and Frank Foster. Titles include "Flute Juice", "Nails", "Blues Backstage", "Corner Pocket", "Roll Em Pete", and "Well All Right Okay You Win". LP, Vinyl record album
(Verve Inc pressing, with trumpeter logo and deep groove.)

Possible matches41
CD, LP, Vinyl record album cover art
✨✧ Count Basie & His OrchestraNot Now I'll Tell You When ... LP
Roulette, 1958. Very Good ... Temporarily Out Of Stock
A great title for this classic Count Basie album – as it really gets at the tight, focused direction that makes Basie so great at this point in his career – his way of singling out each and every instrumentalist, and perfectly timing their performances! The sense of rhythm is what makes the Basie group so different from so many other large ensembles – not big band swing, not tonal modern, but this rootsy, soulful style at the bottom – even when the instrumentation is impeccable – that undeniable groove that makes a record like this swing from the start, then keep on going strongly, even when lots of colors and tones come into the mix. The whole lineup's great – and players include Frank Wess on flute, Frank Foster on tenor, Thad Jones on trumpet, and Freddie Green on guitar – and the album features a lot of sweet originals that really keep things interesting – including "The Daly Jump", "Not Now I'll Tell You When", "Rare Butterfly", "Back To The Apple", "Blue On Blue", and "Swingin At The Waldorf". LP, Vinyl record album
(Orange label pressing.)

Possible matches42
CD, LP, Vinyl record album cover art
✨✧ Les DeMerleSpectrum ... LP
United Artists, 1970. Near Mint- ... Temporarily Out Of Stock
One of the few albums ever cut by Les DeMerle, one of the hippest drummers of his time – made legendary thanks to legions of samplers and beatheads in the 90s! The album is one of Les' best records – a tight batch of funky big band tracks, with lots of nice grooves, and a very hip lineup that includes Frank Foster, Joe Beck, Chris Woods, Arnie Lawrence, and Charles Sullivan – all coming together in some great tunes that have very unusual rhythms, and a great format that puts the drums in line with the hip playing in the reed section! The album includes Les' famous version of "A Day in the Life", which begins with a monster funky intro – plus the cuts "Fusion – Pro & Con", "Underground", "Deflections 1, 2, 3, & 4", and "Aquarius". LP, Vinyl record album
(Original pressing in fantastic shape!)

Possible matches43
CD, LP, Vinyl record album cover art
✨✧ Elmo HopeIntroducing The Elmo Hope Trio/Elmo Hope Quintet (plus bonus tracks) ... CD
Blue Note, 1953/1954/1957. Used ... Temporarily Out Of Stock
A pretty great little set that combines both of the rare early Elmo Hope 10" LPs for Blue Note – plus some additional material! Introducing The Elmo Hope Trio is seminal early work from Hope – and one of the 10" LP releases that was part of Blue Note's "New Faces – New Sounds" series during the early 50s. Hope's working here with Percy Heath and Philly Joe Jones – and the trio go to town on numbers that include complicated bop tunes like "Carving The Rock" and "Hot Sauce", plus more melodic tunes like "Freffie" and "Mo Is On". As always, Hope proves himself to be one of the greatest pianists in jazz history – right up there with Monk, Herbie Nichols, and Bud Powell, bristling with excitement that few of his contemporaries (save those three) could match! The Elmo Hope Quintet session has Hope grooving in a very modernist approach to bop, working perfectly with a tight little quintet. Frank Foster wails on tenor, Freeman Lee soars on trumpet, and Percy Heath and Art Blakey keep the whole thing going on rhythm – while Hope plays madly on piano, adding in rich tones and colors to a set that might have otherwise been a straighter bop outing. Titles include "Chips", "Crazy", "Abdullah", and "Low Tide". The CD also adds in 2 tracks from the 40 Years Of Jazz collection in 1979 – "It's A Lovely Day Today" and "Crazy (alternate)" – plus 3 from the Art Blakey/Elmo Hope album – "So Nice", "St Elmo's Fire", and "Vaun Ex". CD
(Out of print.)

Possible matches44
CD, LP, Vinyl record album cover art
✨✧ Elvin JonesElvin! ... CD
Riverside/OJC, 1961. Used ... Temporarily Out Of Stock
A very interesting early session for Elvin, and one that's filled with lots of warm lyrical moments – nicely laid down by Thad Jones, Frank Wess, Hank Jones, and Frank Foster. These four came together often during the late 50s on some sessions, but the addition of Elvin opens things up nicely, and creates a rhythm sound that's a bit freer than some of those old Savoy sessions or Prestige blowing sides. Titles include "Ray El", "Lady Luck", "Pretty Brown", "Shadowland", and "Buzz-at". CD

Possible matches45
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✨✧ Elvin JonesMain Force ... CD
Vanguard/Wounded Bird, 1976. New Copy ... Temporarily Out Of Stock
Drummer Elvin Jones is listed as the main force on the cover – but as with all of his 70s albums, the whole outing is very much a strong group affair – thanks to a killer core quartet that features Ryo Kawasaki on guitar, Pat LaBarbera on reeds and Dave Williams on bass – working with a great blend of sax and guitar that really helps refine the Elvin Jones sound of the 70s! As with other records by Elvin, there's some great guest work too – reeds from a shifting lineup that includes Dave Liebman, Frank Foster, and Steve Grossman – providing that wailing intensity that Elvin sought after the passing of Coltrane, but in a fresh new way – and Albert Dailey also adds in some sweet keyboards as well. Titles include "Salty Iron", "Sweet Mama", "Mini Modes", "Philomene", and "Song Of Rejoicing After Returning From A Hunt". CD

Possible matches46
CD, LP, Vinyl record album cover art
✨✧ Elvin JonesNew Agenda ... CD
Vanguard/Wounded Bird, 1975. New Copy ... Temporarily Out Of Stock
The mighty drummer Elvin Jones is working here with a very hip group – in a mode that's maybe a nice extension of his Blue Note material at the start of the 70s, in a style that shows that he definitely still has all of his groove! As with those records, there's a key reedman in place here – the young Steve Grossman, whose sharp lines are balanced with round basswork from David Williams, and excellent guitar from Roland Prince – who almost sets these chromatic fires along the way! There's also plenty of strong guest help – reeds from Frank Foster, Joe Farrell, and Azar Lawrence, piano from Kenny Barron, and percussion from the great Candido. Titles include "Haresah", "Someone's Rocking My Jazzboat", "Agenda", "Anti Calypso", and "My Lover". CD

Possible matches47
CD, LP, Vinyl record album cover art
✨✧ Joe NewmanI Feel Like A Newman ... CD
Storyville/Black Lion (Germany), 1956. Used ... Temporarily Out Of Stock
Brilliant work from Joe Newman – arguably our favorite session of his from the 50s, and a freshly crafted batch of tracks that actually has some nice modern touches! Joe's playing here with 2 different groups – one with John Lewis on piano, Gene Quill on alto, Frank Foster on tenor, and Freddie Green on guitar; and one with Frank Wess on tenor and flute, Ed Jones on bass, and Sir Charles Thompson on piano. The Quill sides are especially nice – very tightly arranged with a good sense of counterpoint, but also enough relaxed soloing to bring in the Newman that we know and love. Titles include "Midgets", "Diffugalty", "I Feel Like A Newman", "King Size", "East Of The Sun", and "Sweetie Cake". CD
(Out of print.)

Possible matches48
CD, LP, Vinyl record album cover art
✨✧ George Wallington/Hank MobleyGeorge Wallington Showcase/Hank Mobley Quartet ... LP
Blue Note (Japan), Early 50s. Near Mint- ... Temporarily Out Of Stock
A great Blue Note reissue from Japan, and one that brings together 2 impossibly rare 10" recordings from the early LP days of the label! One side of the album features work by the legendary George Wallington – a killer bop player from the early days, and one who soon faded into obscurity. The record features Wallington in a lesser-recorded setting – with a larger group that includes firey horn players like Dave Burns, Frank Foster, and Jimmy Cleveland. Titles on that one include "Baby Grand", "Bumpkins", "Festival", and "Christina". The other side of the album features some stellar early work from Hank Mobley – caught in a tight bop quartet session, with Horace Silver, Doug Watkins, and Art Blakey. Tracks on that one include "My Sin", "Hank's Prank", and "Just Coolin". Prime material from the rare 10" LP years at Blue Note! LP, Vinyl record album
(80s Japanese King pressing, with obi and insert.)

Possible matches49
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✨✧ Donald ByrdFancy Free ... CD
Blue Note (Japan), 1969. New Copy ... Out Of Stock
One of the coolest, grooviest 60s albums from trumpeter Donald Byrd – one that has him really reaching out for a hip new sound, but in ways that are different than most of his other material at the time! Key on the date is the placement of electric piano from Duke Pearson – played in this open, flowing style that has all the best hallmarks of Pearson's own work on the instrument for his sessions – yet balanced nicely with the bolder punch of Byrd's trumpet as well. Donald's quite far from any Miles Davis cliches on this one – no too-dark electric modes at all – and instead, the album's got this sense of lyrical soulfulness that we've maybe never heard this strongly again on any of Byrd's other albums. Other players include Frank Foster on tenor, Jerry Dodgion and Lew Tabackin on flute, Julian Priester on trombone, Jimmy Ponder on guitar, and either Idris Muhammad or Joe Chambers on drums. All tracks are nice and long, and very fresh – and include "Weasil", "I Love the Girl", "Fancy Free", and "The Uptowner". CD
(Part of the "Blue Note 80 – The 80 Works" series! Ultimate HQ CD pressing.)

Possible matches50
CD, LP, Vinyl record album cover art
✨✧ Elmo HopeAll Star Sessions (Informal Jazz/Homecoming) ... CD
Prestige/Riverside/Milestone, 1956/1961. Used ... Out Of Stock
2 of the few sessions that pianist Elmo Hope cut as a leader in groups with horn players – back to back on one CD, with great notes! First up is Informal Jazz – a 1956 blowing session with Hope on the keys, and a great group that includes Donald Byrd, John Coltrane, and Hank Mobley – plus Paul Chambers on bass and Philly Joe Jones on drums. The 4 tracks from that session are all nice and long, with plenty of solo space – and titles include "Weeja", "Polka Dots & Moonbeams", "On It", and "Avalon". Next is material from the album Homecoming – a great little album that Hope made upon his return to the east coast in the early 60s, not too long before he passed away. Half the tunes are cut with a sextet that features Blue Mitchell, Frank Foster, and Jimmy Heath – and the other are cut with a trio that features Hope, Percy Heath, and Philly Joe Jones, who provide the rhythm for the sextet tunes. The mix of settings is about half and half – and titles include "Moe Jr", "La Berthe", "Eyes So Beautiful", and "One Mo Blues". It's great to hear Hope back with horns, after cutting so many trio sides during this point in his life – and his unique style on the keys is still matched nicely with the larger group of players. CD

Possible matches51
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✨✧ Elvin JonesTime Capsule ... CD
Vanguard/Wounded Bird, 1977. New Copy ... Out Of Stock
A real standout in the 70s catalog of Elvin Jones – for a number of key reasons! First up, the set's got more of an electric vibe than usual – thanks to Fender Rhodes from Kenny Barron and guitar from Ryo Kawasaki, who really help shape the sound of the set! Second, production is by Ed Bland – who does a masterful job of blending soul, spirit, and harder-edged jazz modes – on tunes that often have a nice modal vibe at the core! The group also features excellent alto work from Bunky Green – who really sparkles strongly throughout, and who also wrote more than half the material on the album. Guests include Frank Wess on flute, Frank Foster on soprano, and George Coleman on tenor – and titles include "Frost Bite", "Digital Display", "Moon Dance", "Time Capsule", and "Spacing". CD

Possible matches52
CD, LP, Vinyl record album cover art
✨✧ Tony ScottComplete Tony Scott ... LP
RCA, 1957. Near Mint- ... Out Of Stock
A real standout set from Tony Scott's 50s catalog – an album that features his sweetly fluid clarinet lines backed by a larger orchestra that includes Gigi Gryce, Sahib Shihab, Zoot Sims, Frank Wess, Thad Jones, and Frank Foster! The format's less bop-oriented than some of Tony's other records from the time, but the expansive sound of the larger group is really great – and brings a sense of drama to the record that seems to push Tony a bit more than usual. Some tracks feature incredible solo work that has Scott really stretching the instrument, almost in a way that foreshadows stronger 60s use of soprano saxophone – and arrangements from Bill Evans, John Carisi, Nat Pierce, and Sonny Truitt help to keep the overall sound of the album fresh throughout. Titles include "The Lady Is A Tramp", "Skylark", "I'll Remember April", "Walkin", "Under A Blanket Of Blue", and 2 very nice extended numbers – "Finger Poppin Blues" and "Time To Go". LP, Vinyl record album
(Mono pressing with deep groove.)

Possible matches53
CD, LP, Vinyl record album cover art
✨✧ Sunny Murray's Untouchable FactorApple Cores ... LP
Philly Jazz, 1978. New Copy (reissue)... Out Of Stock
One of the hippest, tightest sessions ever recorded by drummer Sunny Murray – a large group set recorded with his Untouchable Factor group – a great ensemble that includes Frank Foster on soprano sax, Oliver Lake and Arthur Blythe on alto saxes, Hamiet Bluiett on baritone, Don Pullen on piano, and Cecil McBee and Fred Hopkins on bass! The sound is somewhat straighter than Murray's free jazz of a few years before – almost in the mode that Foster was exploring with some of his large ensembles of the 70s – a platform for righteous jazz expression, but in a way that's still tied together strongly with a sense of rhythm. Other players on the group include the enigmatic Youseff Yancy on a host of instruments, including theremin – plus the under-recorded Monette Sudler on guitar. Some tracks are a bit more outside than others – and titles include "Past Perfect Tense", "One Down & One Up", "Applebluff", "Apple Cores", and "New York Maze". LP, Vinyl record album
 
 
 



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