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Blue Train
LP (Item 21907) Blue Note, 1957 — Condition: Very Good
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John Coltrane — Blue Train – The Complete Masters (2LP 180 gram stereo pressing – with bonus tracks) ... LP 30.99
John Coltrane — Blue Train (180 gram mono pressing) ... LP 36.99
John Coltrane — Blue Train (with bonus tracks) ... CD 2.99
John Coltrane — Blue Train – The Complete Masters (2LP 180 gram stereo pressing – with bonus tracks) ... LP 30.99
John Coltrane — Blue Train (180 gram mono pressing) ... LP 36.99
John Coltrane — Blue Train (with bonus tracks) ... CD 2.99
John Coltrane's classic – and only – recording as a leader for Blue Note! The album's no throwaway date, though – as it stands strongly with both Coltrane's other label work of the time, and with the best of the late 50s Blue Note scene – a time when the label was really cooking at full strength! The groove here is a bit harder, heavier, and hardbop-inflected than some of Trane's late 50s sides with Red Garland – thanks to a lineup that features Lee Morgan on trumpet, Curtis Fuller on trombone, Kenny Drew on piano, Paul Chambers on bass, and Philly Joe Jones on drums. There's a crisp modern edge to the record that really holds up beautifully – even after years of play – and titles include "Blue Train, "Locomotion", "Moment's Notice", and "Lazy Bird". © 1996-2023, Dusty Groove, Inc.
(70s black b label pressing. Cover has a cut corner, ring & edge wear, half split spine.)
(70s black b label pressing. Cover has a cut corner, ring & edge wear, half split spine.)
Very Good
- Vinyl can have some dirt, but nothing major.
- May not shine under light, but should still be pretty clean, and not too dirty.
- May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
- May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
- This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
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