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They are updated every day based on currency rates quoted to us by our bank — but understand that the final rate charged to you by your bank may differ.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Far and away the rarest album by soul jazz organ legend Trudy Pitts – and that's saying a lot for someone whose albums are all totally rare to begin with! This is a set that captures Trudy as she really existed back in the day – playing live in the jazz lounge scene of the Mid-Atlantic ... LP, Vinyl record album
A very tight early session by the great organist Larry Young! The album's quite different than Young's later Blue Note work – more in-the-pocket soul jazz, but filled with the expansive sensibility that would later have him take off for the heavens. The biggest example of this tendency is ... LP, Vinyl record album
A great album by Johnny Hammond, and one that doesn't turn up that often! The album features a quartet with Grady Tate, Houston Person, and John Abercrombie – who plays here in a surprisingly funky style, with none of the overindulgent flourishes of later recordings. The album's got a great ... LP, Vinyl record album