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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A wonderful album of breezy jazzy soul from the sweet voiced Sheree Brown! The record is one of two that Brown cut for Capitol, and it was produced by Richard Rudolph – husband and collaborator of the late Minnie Riperton – in the immediate years after Minnie's death, leading us to ... LP, Vinyl record album
An overlooked debut from singer Bert Robinson – an artist who was part of the large Al Hudson/One Way collective from Detroit, but who really comes into his own in this sweet little set! Robinson's got a very rich, deep vocal approach – almost a nod back to the pre-soul generation of ... LP, Vinyl record album
One of the best albums that Lou Rawls cut with the team of HB Barnum and David Axelrod – that incredible duo who made some of his 60s Capitol albums so great! The style here is wonderful – upbeat grooves from Barnum – who brings more soul into Lou's music than before – ... LP, Vinyl record album
The first of John Anderson's albums recorded under his alter ego of Kasandra – and quite possibly the best! The set is almost more tripped-out than his work on Stax/Respect – arranged and conducted by Shorty Rogers with a style that's late 60s Capitol hip at its best – almost in ... LP, Vinyl record album
Easily our favorite album ever by Ann Peebles – not just for the beathead title track, but also because it seems to be the one record where she brings a bit something extra to the studio! The sound is certainly in the classic Hi Records mode here – thanks to production by Willie ... LP, Vinyl record album
A great little album from The Emotions – largely because it sounds a lot like prime mid 70s Earth Wind & Fire, with female vocals added over the top – ultimately, pulling away with a soulful charm all its own! Maurice White produced the whole set, and it's got a soaring spacey ... LP, Vinyl record album
Dark disco from Kano – lots of electronic drums and keyboards, with a sound that's almost equally post-punk as it is early 80s club. Tracks include the monstrous "I'm Ready", "It's A War", "Now Baby Now", "Cosmic Voyager", and "Super Extra Sexy ... LP, Vinyl record album
Rich, proud work from Randy Crawford – sung with the mature mix of jazz and soul that made her one of the more sophisticated mainstream singers of her generation! The album's heavy on mellower cuts, but it's never too sleepy – thanks to a slow-burning sensibility that Randy uses to ... LP, Vinyl record album