This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
With Mark Egan on bass, keyboards, and programming, Danny Gottlieb on drums and percussion, Bill Evans on sax, Clifford Carter on keyboards, Steve Khan on guitar, and Stan Samole on guitar. LP, Vinyl record album
Rod Levitt led one of the hippest large groups of the 60's, and although his work was barely recognized at the time, and all but forgotten now, these RCA records of his stand as a constant tribute to his brilliant skills as an arranger and leader. These cuts are short and quirky, with ensemble ... LP, Vinyl record album
A standout classic from Gary Burton – the kind of fresh-voiced and angularly modern session that showed why his sound on the vibes was one of the most revolutionary in jazz at the time! The session features a quartet with Larry Coryell on guitar, Steve Swallow on bass, and Bob Moses on drums ... LP, Vinyl record album
Crackling live energy from Buddy Rich – recorded at Ronnie Scott's nightclub in London, and with a sound that recalls some of Buddy's best from the 60s! The group is plenty great – and the attraction here goes way beyond just Buddy's famous work as a leader. As with other Rich albums ... LP, Vinyl record album
A great set, and one of the few obscure sides of west coast jazz from Jack Montrose (not to be confused with east coast player JR Montrose). Shorty Rogers supervised the session, and the album features some open-ended tracks done in quintet format that are similar to some of Shorty's best work for ... LP, Vinyl record album
Totally groovy work from John Dankworth – a 70s album that features slightly electrified versions of some of his older film and TV themes! The approach is quite different than the originals at times – with horn passages that are even quirkier, and some cool use of electric piano by ... LP, Vinyl record album
Soaring organ work from Brian Auger's Oblivion Express – and arguably the greatest album he ever cut with this post-Trinity group! The sound here is clean and lean – with Brian himself on a mix of organ, piano, and moog – really hitting a nice jazz funk mode that drops some of ... LP, Vinyl record album
A nice live cooker from Wild Bill Davis! This album was recorded at Grace's Little Belmont, a club in Atlantic City in 1967, a place where organist Davis had played almost every summer for over twenty years. He is joined by Clayton Robert Brown on tenor sax, James "Dickie" Thompson on ... LP, Vinyl record album
Swing session with small group backing by Billy Strayhorn, Jimmy Woode, Sonny Greer, and Clark Terry – and which features Johnny's warm tones soloing nicely on comfortable standards. All of side one is a "ballad medley", with a very Creamy sound, and titles that include "But ... LP, Vinyl record album
Donald Byrd's last Blue Note album with fusion genius Larry Mizell – and a doozy! The record builds off the style of previous Byrd/Mizell outings – like Places & Spaces, Street Lady, and Black Byrd – mixing together a similar blend of heavy rhythms, keyboards, and sweet funky ... LP, Vinyl record album