Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art

These Are The Good Times -- The Complete Capitol Recordings (Beach Blanket Bingo/singles)

CD (Item 693851) Capitol/Now Sounds, 1964–1966 
Out Of Stock

CD

...

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


El (UK), 1960s/Early 70s. New Copy 2CD
Jess Conrad looks a bit more straight-laced than the usual British rocker of the 60s – and he sounds a bit more here, too – in a set of completely charming tracks that had their birth at the moment when the UK labels weren't above bringing a huge production force to bear on the talents ... CD
GM/RPM (UK), 1970s/Early 80s. New Copy 3CD
The second and final chapter of work from England's Lesley Duncan – a really great singer/songwriter who opened the doors for many others, but often never fully got her due! The tracks here are after Lesley's bigger years on RCA, and especially CBS – three albums recorded for the GM ... CD

Tear Gas

Piggy Go Getter
Paramount/Esoteric (UK), 1970. New Copy
An overlooked gem from Tear Gas – a Scottish group who never got the same sort of credit as some of their UK contemporaries at the start of the 70s – but who really made a few great records on their own! This set's got a strange mix of California currents with some of the post-psyche ... CD
Reprise/Now Sounds (UK), 1968. New Copy
One of the weirdest albums of the 60s, and a surprisingly big hit for the legendary Tiny Tim – a character then know to TV audiences for his appearances on Laugh-In and other shows – but an artist who sounds surprisingly culture-counter all these years later! The album's got some ... CD
Cherry Red (UK), Late 80s. New Copy 3CD
Psychedelia first boomed big on the American scene of the late 60s – but the music had a huge second life on the UK scene in the second half of the 80s – where it took many different forms, all of which are contained in this heavy-duty set! The work here isn't slavishly tied to the ... CD
RPM (UK), Late 60s/Early 70s. New Copy 2CD
Groovy Brit girl pop from Twinkle – a singer who shone briefly for a stretch in the 60s, which is when most folks know her songs – but who also recorded some more obscure material in the 70s – which gets included here on a nicely expanded set! Twinkle's got a style that's maybe a ... CD
Capitol/Bear Family (Germany), Mid 40s/1963. New Copy
A pair of classic albums from Merle Travis – recorded almost 20 years apart, but sounding wonderful together! Folk Songs Of The Hills is a fantastic early album from Merle – one that brings together some of his initial postwar recordings for Capitol Records, but with more voice between ... CD
Reprise/Now Sounds (UK), 1967/1968. New Copy
CD...$3.99 14.99
Glittering sunshine pop throughout! MC Squared has a name that may sound like a weak late 80s crossover rapper, but the group's a killer harmony act from late 60s Reprise Records – produced to perfection by Lenny Waronoker, and given the same mix of tight studio and hip undercurrents that ... CD
Mustang/Now Sounds (UK), Mid 60s. New Copy
Tremendous work from the great Bobby Fuller – not the early Texas tapes that have recently been the stuff of much interest on the market – but instead the well-crafted singles he cut in Los Angeles – working at the Mustang label with pop maestro Bob Keane! These tunes are still ... CD
Capitol (Czech Republic), Late 70s/Early 80s. New Copy 6CD
Overlooked later work from America – not the huge AM radio hits from the time when the group was a trio, and produced by George Martin – but instead, material from a point when they'd trimmed down to a duo, and really found a great way to move their music forward! The approach here ... CD

Glen Campbell

Glen Sings For The King
Capitol, Late 60s. New Copy
A fantastic lost slice of work from Glen Campbell – recorded in the studio during the years of his big initial fame in the 60s – but never issued to the public at all! Instead, these tracks were recorded for "The King" – that is, Elvis Presley – a bit like demos ... CD
Capitol, 1972. New Copy 2CD
A mindblowing debut from Roxy Music – a record that took the world by storm in the 70s, and which is still pretty darn revolutionary all these many years later! Sure, the cover looks a bit cheesy and trashy, but the core of the music is amazing – this blistering array of guitars, ... CD
 



⇑ Top