A very hip album that mixes gospel and jazz – recorded in 1968 as a tribute to Martin Luther King, but a set that more than stands on its own – at a level that's way different than the usual King tribute records! The album was put together by Jesse Jackson's Operation Breadbasket operation – but it really features a bunch of Chicago jazz and studio players, including Phil Upchurch, Charles Stepney, Morris Jennings, Burgess Gardner, and Ben Branch himself, whose tenor takes the lead on most tracks. The core of most tracks is moody soul jazz – but some cuts have vocals, with solos by Clay Evans and Sammy Lewis, and group vocals by the Breadbasket Choir. Titles include "Hard Times", "My Heavenly Father", "We Shall Overcome", and "If I Could Help Somebody". (70s pressing in a slightly different cover.) © 1996-2016, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.