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We use the all-encompassing grade "Used CD" for non-new CDs because we only buy and offer used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can
request a return
for a full refund.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or packaging details,
or an oddity that is the only wrong thing about the CD.
This might include, but isn't limited to, scratches, tracks that skip,
case/insert damage or wear, or strictly cosmetic flaws.
A great slice from Jackie McLean's rare unissued 60s sessions for Blue Note – a rollingly soulful session that stands in stark contrast to some of his more modern sides of the time! The set's got Jackie working with a group that includes Lee Morgan on trumpet and Harold Mabern on piano ... CD
Fantastic lost material from Jackie McLean! The set was recorded right before his "new thing" era – in the same period as the amazing Fickle Sonance album. And like that one, this features Jackie edging out towards modernist ideas, yet still swinging hard and fierce, with a firey ... CD
A modernist classic from 60s Blue Note! The album's one of Jackie McLean's greatest from the time – and one of his seminal "new thing" sessions cut with young modernists Grachan Moncur III on trombone and Bobby Hutcherson on vibes – both young players who were really finding ... CD
One of Jackie McLean's last "new thing" albums for Blue Note – and a very unique record that features Ornette Coleman on trumpet! The sound here is stark and hard – slight hints of the soulfulness that the "gospel" in the title might imply, mixed with the angular ... CD
It certainly was time – time for Jackie McLean to break out of his older bop mode, and hit a whole new level of playing with a tight group of "new thing" compatriots like Herbie Hancock on piano, Cecil McBee on bass, and Charles Tolliver on trumpet! The record isn't as totally ... CD
A triple-action classic from alto genius Jackie McLean – and one of those key records from the years when he stunned the world by moving from hardbop into the more experimental modes of the "new thing" generation! The approach here is very formative – not just for some of ... CD
Great stuff, and one of Jackie McLean's best for Blue Note from the "new thing" period! The album features Jackie working out a wealth of new ideas, in a quartet that includes Larry Willis on piano, Bob Cranshaw on bass, and Clifford Jarvis on drums. Jackie holds down the frontline ... CD
Stunning! This is one of Jackie McLean's best-ever albums, and it's a haunting mix of hard bop and some of the more modernist tendencies that would inform his "new thing" period. Butch Warren plays bass, and he drives the set with an intensity that reminds us of Mingus – and which ... CD
A great little session by Jackie McLean – recorded in 1962 by Blue Note, but not issued until years later, only initially in Japan! The album's one of Jackie's last pure hardbop sides – recorded in the pivotal year of 1962, when he was just beginning to dip his toe into modernist ideas ... CD
A real classic by alto giant Jackie McLean – a record that's pulled from two different sessions, but which stands out with a strikingly unified feel! The album was cut during the height of Jackie's bop years for Blue Note – with material from one 1959 session that features Donald Byrd ... CD
Bobby Hutcherson breaks it down in two different ways – solo on the first half of the record, and in a quartet on the rest! The set begins in a very spare way – Bobby playing vibes, marimba, xylophone, and bells – often a bit overdubbed, so that although alone, Hutcherson fills ... CD
With Harold Vick and Teddy Edwards on tenor saxes, Blue Mitchell on trumpet, Gene Edwards and Pat Martino on guitar, Paul Chambers on bass, and Billy Higgins, Freddie Waits or George Randall on drums. CD