Pepper Adams —
Encounter! ... CD Prestige/OJC, 1968. Used ...
Out Of Stock
Late 60s greatness from Pepper Adams – an overlooked session that's easily one of his most standout sides of the decade! There's an easygoing swing to the record that's simply wonderful – a well-blown sound that's never too overthought or academic – just pure proof of the sort of ... (Jazz) read moreCD
One of the greatest Cannonball Adderley albums from the Riverside years – a completely smoking live date recorded in San Francisco, often with long tracks that really let the group open up and do their thing! The lineup here is that classic one that first grabbed attention – the group ... (Jazz) read moreCD
Rock-solid live material from the classic Cannonball Adderley Sextet – a combo who could usually groove even better on a concert date then they could in the studio! The album's one of a number of key live sides from Cannon in the 60s – and although it pre-dates his work on Capitol, it's ... (Jazz) read moreCD
(Out of print.)
Cannonball Adderley —
Inside Straight ... CD Fantasy/OJC, 1973. Used ...
Temporarily Out Of Stock
One of Cannonball Adderley's late funky sessions for Fantasy – and a record that still features some mighty heavy production from David Axelrod! The album's got that core groove that Axe and Cannon first crafted together at Capitol in the 60s – but the sound here has some definite 70s ... (Jazz) read moreCD
Beautiful early work from Cannonball Adderley – and a record that's quite different than most of his better known sets from the time! The album's more spare and stripped-down than usual – with Cannon's alto in a quartet alongside Bill Evans on piano, Percy Heath on bass, and Connie Kay ... (Jazz) read moreCD
A swingin' Japanese concert by one of Cannonball's best groups from the 60's. Joe Zawinul's on piano, brother Nat's on cornet, Sam Jones is on bass, and Louis Hayes is on drums. But the real treat here is Yusef Lateef, who does some excellent reed work on tenor, flute, and oboe – and who's ... (Jazz) read moreCD
A jazzy portrait of Cannonball Adderley in his early soul jazz prime – oddly one that doesn't feature his regular quintet lineup, but which more than makes up for that lack with a batch of players that includes Blue Mitchell on trumpet, Bill Evans on piano, Sam Jones on bass, and Philly Joe ... (Jazz) read moreCD
A jazzy portrait of Cannonball Adderley in his early soul jazz prime – oddly one that doesn't feature his regular quintet lineup, but which more than makes up for that lack with a batch of players that includes Blue Mitchell on trumpet, Bill Evans on piano, Sam Jones on bass, and Philly Joe ... (Jazz) read moreCD
An album that definitely lives up to its title – given the great change and evolution in the style of Cannonball Adderley's music – definitely pointed towards the soul jazz fame to come in the 60s! The group here has Adderley's alto in the company of some all-stars who may not be his ... (Jazz) read moreCD
Nat Adderley —
In The Bag ... CD Jazzland/OJC, 1962. Used ...
Out Of Stock
An excellent early Nat Adderley record that has the funky trumpet player groovin' in the company of a number of bright young players from New Orleans, including Nat Perrilliat on tenor, Ellis Marsalis (yes, that one) on piano, and James Black on drums. Sam Jones plays funky bass, and brother ... (Jazz) read moreCD
Nat Adderley —
Naturally! ... CD Jazzland/OJC, 1961. Used ...
Out Of Stock
A strong showcase for young Nat Adderley's talents on cornet – and an album that's got a different feel that his work with his more famous brother's combo at the same time! The style here is simple – Nat blowing with 2 different quartets – one with Joe Zawinul on piano, Sam Jones ... (Jazz) read moreCD
(OJC pressing. Cutout hole through case and tray card.)
Nat Adderley —
Work Song ... CD Riverside/OJC, 1960. Used ...
$5.99
When it comes to soul jazz, you can't get any more classic than this! The title was one of the biggest jazz hits of the 60s – covered by countless other artists, but presented here in all its original brilliance in a group led by its composer, a young Nat Adderley! At the time of the record ... (Jazz) read moreCD
(OJC pressing.)
Nat Adderley —
Work Song ... CD Riverside/OJC, 1960. Used ...
Out Of Stock
When it comes to soul jazz, you can't get any more classic than this! The title was one of the biggest jazz hits of the 60s – covered by countless other artists, but presented here in all its original brilliance in a group led by its composer, a young Nat Adderley! At the time of the record ... (Jazz) read moreCD
Nat Adderley & The Three Sounds —
Branching Out ... CD Riverside/OJC, 1958. Used ...
Out Of Stock
Nat and Johnny Griffin front The Three Sounds in this easy-going soul jazz session with a nice rolling groove. The set's got a couple of originals – "Sister Caroline" and "Branching Out" – plus versions of "Well You Needn't" and "I've Got Plenty Of ... (Jazz) read moreCD
Monty Alexander 7 —
Jamento ... CD Pablo/OJC, 1978. Used ...
Out Of Stock
Nice mellow fusion from Monty, recorded in LA with a group that includes Ernest Ranglin on guitar, plus Andy Simpkins on bass, and added drums and percussion from 4 other players. There's a bit of steel drums on the record, in the style that Alexander was using on other MPS sides from the time ... (Jazz) read moreCD
(Out of print.)
Mose Allison —
Greatest Hits ... LP Prestige/OJC, Late 50s. Near Mint- ...
$14.99
Great early classics – including "Seventh Son", "Eyesight To The Blind", "Parchman Farm", and lots more! (Vocalists) LP, Vinyl record album
Gene Ammons —
Angel Eyes ... CD Prestige/OJC, 1965. Used ...
Out Of Stock
A stone classic from Gene Ammons – and a record that introduced his talents to a whole new audience in the 60s! The album's a more laidback one than some of Jug's more hard-blown honkers – as you might guess from his hit rendition of the ballad in the title – and the ... (Jazz) read moreCD
A soul jazz classic from Gene Ammons – the kind of session that easy made him "boss" on tenor – with a tone and conception that few other players could touch! The set is done in a style that's laidback, but never too loose – bouncing along in that "with conga" ... (Jazz) read moreCD
A classic album from Gene Ammons – one that features the tenor legend at his prime, working in two different settings! The first batch has Ammons "battling" Sonny Stitt in a set of stuff that features hard twin tenors in the frontline, with the kind of cutting contests the two of ... (Jazz) read moreCD
Ahhhh . . . The Jam Session years of Gene Ammons! This album was one of a number that Jug cut for Prestige during the mid 50s, all excellent examples of how perfectly the label's "blowing session" style could work when it wanted to. The set takes Ammons' tenor, and groups it with an ... (Jazz) read moreCD
Not to be confused with the Jammin' With Gene LP, this set was later reissued as The Twister. Classic blowing session material from Jug – with 4 long tracks that are all a superb example of how great Prestige could be when they wanted to! The group is filled with great players – ... (Jazz) read moreCD
Killer live work from Jug – recorded during the early 60s in Chicago, with just an organ-based trio, and very much in the feeling of the best small-group lounge jazz shows of the day! The material is issued here in a 1967 version, its first release – but the grooves were recorded at ... (Jazz) read moreCD
Gene Ammons —
Preachin ... CD Prestige/OJC, 1963. Used ...
Out Of Stock
Kind of an obscure session by Ammons – most likely recorded in that jumble of contracts and conflicting label arrangements in the early 60s – a time when Jug actually did some of his best work! There's no players listed on the notes – which is sometimes typical for these early ... (Jazz) read moreCD
(1993 OJC pressing, still sealed!)
Gene Ammons & His All Stars —
Groove Blues ... CD Prestige/OJC, Late 50s. Used ...
Temporarily Out Of Stock
One of the tasty blowing session albums that Jug cut for Prestige – remarkable in the quality of the players (Coltrane, Mal Waldron, Pepper Adams, and others), and in the relaxed easy groove of the solid soulful tracks. There's 4 long cuts, and they all swing nicely nicely nicely! Titles ... (Jazz) read moreCD
Nothing fancy – but some great straight-ahead blowing from Stitt and Jug! The album's a quintet session, with John Houston piano, Buster Williams bass, and George Brown drums providing all the rhythm. But the real focus is on the twin-sax frontline – with Sitt taking up the alto on a ... (Jazz) read moreCD
(OJC pressing.)
Mildred Anderson —
Person To Person ... CD Prestige/Bluesville/OJC, 1960. Used ...
Out Of Stock
An obscure vocal gem from Prestige – featuring the lesser-known singer Mildred Anderson, working in a mixture of jazz and blues, with backing from the classic Eddie Lockjaw Davis combo! Mildred's got a laidback and bluesy approach that's a few more shades towards the blues than the work of ... (Vocalists) read moreCD
One of a handful of late 50s albums that Chet Baker recorded for Riverside – all of which are some of his last great 50s work in the studio, before a shift in the 60s to a wider-ranging approach to his music! The style here is definitely in the "classic" Baker mode set down for ... (Jazz) read moreCD
One of a handful of late 50s albums that Chet Baker recorded for Riverside – all of which are some of his last great 50s work in the studio, before a shift in the 60s to a wider-ranging approach to his music! The style here is definitely in the "classic" Baker mode set down for ... (Jazz) read moreCD
Quite a great session for Chet Baker – one that has him recording in New York, with a hip lineup that includes some incredibly soulful players! The tunes on the set feature Chet in either quartet or quintet formation – working with Johnny Griffin on tenor, Al Haig on piano, Paul ... (Jazz) read moreCD
One of Chet Baker's most classic albums of the 50s – a record that features both vocals and strong trumpet solos – all from a time when Baker was one of the hottest things going in jazz! The album's different from records from previous years, in that it moves Baker from LA to New York ... (Jazz) read moreCD
Count Basie on piano with Benny Carter on alto sax, Eddie Lockjaw Davis on tenor sax, Clark Terry on trumpet, Al Grey on trombone, Joe Pass on guitar, John Heard on bass, and Louis Bellson on drums. (Jazz) CD
Featuring Count Basie on piano with Al Grey on trombone, Waymon Reed on trumpet, Jimmy Forrest on saxophone, Freddie Green on guitar, John Duke on bass, and Butch Miles on drums. (Jazz) CD
Count Basie and Barbecue – words together that are bound to make us love this CD! The set's got an easygoing swing that takes us right back to Basie's best for Roulette Records – a reference the title seems to imply – and although the band's a later one, they've got that perfect ... (Jazz) read moreCD
With Roy Eldridge on trumpet, Benny Carter on alto, Zoot Sims on tenor, Vic Dickenson and Al Grey on trombone, Ray Brown on bass, and Jimmie Smith on drums. (Jazz) CD
(Out of print.)
Count Basie & Joe Turner —
Bosses ... CD Pablo/OJC, 1973. Used ...
Temporarily Out Of Stock
Joe Turner on vocals and Count Basie on piano and organ – with Eddie Davis and Zoot Sims on tenor, Harry Edison on trumpet, JJ Johnson on trombone, Ray Brown on bass, Irving Ashby on guitar, and Louis Bellson on drums. (Vocalists) CD
If you've ever doubted the real jazz sensibility of Tony Bennett, then this is an album to change your mind – because Tony's working here in a marvelously unadorned setting – with only the piano of Bill Evans to back him up! The record's a rare gem from years after Bennett was cracking ... (Vocalists) read moreCD
The first album ever cut by George Benson as a leader – a cooker of a soul jazz set, recorded back when George was the guitarist in Jack McDuff's classic 60s quartet! The album's almost a McDuff Quartet one – since Jack's on Hammond and Red Holloway is on tenor – but the group's ... (Jazz) read moreLP, Vinyl record album
The first album ever cut by George Benson as a leader – a cooker of a soul jazz set, recorded back when George was the guitarist in Jack McDuff's classic 60s quartet! The album's almost a McDuff Quartet one – since Jack's on Hammond and Red Holloway is on tenor – but the group's ... (Jazz) read moreCD
One of Art Blakey's best non-Blue Note albums of the 60s – a hard-wailing live set that fully exploits the best talents of the six-piece version of the Jazz Messengers! The group here is that tremendous sextet that featured Freddie Hubbard on trumpet, Curtis Fuller on trombone, Wayne Shorter ... (Jazz) read moreCD
One of Art Blakey's best non-Blue Note albums of the 60s – a hard-wailing live set that fully exploits the best talents of the six-piece version of the Jazz Messengers! The group here is that tremendous sextet that featured Freddie Hubbard on trumpet, Curtis Fuller on trombone, Wayne Shorter ... (Jazz) read moreCD
Bob Brookmeyer's got a dual role here – not just working in two different groups, but also on two different instruments as well! The record's a wonderful early example of the sense of space and timing that instantly made Brookmeyer one of the freshest talents of his generation – ... (Jazz) read moreCD
John Benson Brooks with Cannonball Adderley —
Alabama Concerto ... CD Riverside/OJC, 1958. Used ...
Out Of Stock
A groundbreaking album – not only for Cannonball Adderley, but for the jazz concerto format, used to strong effect here in this excellent modernist composition by John Benson Brooks! The album's based on a number of historical and mythical southern themes – and although it gets a bit ... (Jazz) read moreCD
Hard to get work by Clifford Brown – 1953 recordings originally done in Europe for the Vogue label! Brown's working here in front of a Parisian trio that features Henri Renaud, Pierre Michelot, and Benny Bennett. There's 12 tracks in all, with multiple takes of "I Can Dream, Can't I?&qu ... (Jazz) read moreCD
Hard to get work by Clifford Brown – 1953 recordings originally done in Europe for the Vogue label! Brown's working here with Gigi Gryce in front of a Parisian quartet that features Henri Renaud, Pierre Michelot, and Benny Bennett. There's 12 tracks in all, including 2 takes each of "Al ... (Jazz) read moreCD
The Lester in the title here is Lester Koenig, the legendary owner of Contemporary Records – for whom Ray Brown made this rare session as a leader shortly before his death! Ray had recorded often for Koenig in the 50s – probably most famously in the Poll Winners trio – but this ... (Jazz) read moreCD
A full LP that combines early work by Dave Brubeck – pulled together from a few 10" LPs, and packaged in a nice cartoony cover. The record features the work of his octet – a group that gives a rare opportunity to hear Brubeck in a large group setting, and one that also features ... (Jazz) read moreCD
A classic album from San Francisco pianist Dave Brubeck – recorded at Oberlin College, the mid-Ohio haven of bohemiana, and a growing hotbed of jazz activity centered around students in the college's conservatory of music at the time of the recording! Dave and crew made the trip at the ... (Jazz) read moreCD
Classic early live material from the Dave Brubeck Quartet – already humming along nicely with some great alto sax from Paul Desmond! The group's in fine form here – a bit more relaxed and open than on their Columbia recordings – with plenty of creative piano lines from Dave, ... (Jazz) read moreCD
Ralph Burns —
Bijou ... CD Period/OJC, 1955. Used ...
$4.99
Amazing small group work from Ralph Burns – a real standout, given the amount of his larger ensemble sessions in the 50s! The album features Burns on piano – overdubbed on some tracks – working with a combo that includes Jimmy Raney on guitar, Clyde Lombardi on bass, and Osie ... (Jazz) read moreCD
A really legendary meeting between two young jazz giants – guitarist Kenny Burrell and tenor legend John Coltrane – the latter of whom plays here in a rare session with a guitar! The album was done at a time when Coltrane's star was really rising, and the Prestige label was letting him ... (Jazz) read moreCD
A really legendary meeting between two young jazz giants – guitarist Kenny Burrell and tenor legend John Coltrane – the latter of whom plays here in a rare session with a guitar! The album was done at a time when Coltrane's star was really rising, and the Prestige label was letting him ... (Jazz) read moreCD
Kenny Burrell with Coleman Hawkins —
Bluesy Burrell ... CD Moodsville/OJC, 1962. Used ...
Out Of Stock
A great little album from Kenny Burrell – one that has Ray Barretto's congas on most cuts, giving the album a similar Latiny feel to Kenny's classic Midnight Blue album on Blue Note! The Latin undercurrent hits both New York and bossa-styled modes – a great setting for Burrell's thin, ... (Jazz) read moreCD
(Out of print.)
Kenny Burrell, Al Cohn, Art Farmer, et al —
Earthy ... CD Prestige/OJC, 1957. Used ...
$32.99
A well-named LP, as this hard-grooving blowing session is one of Kenny Burrell's earthiest performances – a no-nonsense, stripped-down batch of hardbop tunes that really lets him let loose! The format here is in the best late 50s Prestige blowing session mode – with rhythm from the ... (Jazz) read moreCD
(Out of print and sealed.)
Kenny Burrell, Thad Jones & Others —
After Hours ... CD Prestige/OJC, 1957. Used ...
$14.99
After Hours jamming the way it should be – recorded in a very relaxed, open-ended setting! The album's a classic Prestige Records jam session from the late 50s – one that features Kenny Burrell on guitar, Thad Jones on trumpet, Frank Wess on tenor and flute, Mal Waldron on piano, Paul ... (Jazz) read moreCD
(Out of print 1991 OJC pressing.)
Jaki Byard —
Here's Jaki ... CD Prestige/OJC, 1961. Used ...
Out Of Stock
Important early work from Jaki Byard – one of his first records as a leader, and a wonderful set of quirky piano trio tunes! Jaki's working here with Ron Carter on bass and Roy Haynes on drums – in a format that's similar to other trio records of the time, but which is really pushed to ... (Jazz) read moreCD
An amazing (and often forgotten!) quartet session that brings together the enigmatic pianist Jaki Byard and the mind-blowing multi-reed player Roland Kirk! Kirk and Byard had played together previously – most notably on some of Kirk's Mercury recordings – and they fit together ... (Jazz) read moreCD
Charlie Byrd —
Byrd's Word ... CD Riverside/OJC, Early 60s. Used ...
Out Of Stock
Nicely different than some of the small combo work of Charlie Byrd – as the set features the great Buck Hill on tenor, and Bobby Felder on valve trombone! (Jazz) CD
Artistry is a word that's not used lightly here – as the album gives Charlie Byrd plenty of space to show off his deepest talents on the acoustic guitar – in a spare trio setting with Keter Betts on bass and the lesser-known Buddy Deppenschmidt on drums! The format is one that was rare ... (Jazz) read moreCD
Benny Carter —
Jazz Giant ... CD Contemporary/OJC, 1958. Used ...
$5.99
A well-titled album from the great Benny Carter – already a giant in jazz, thanks to countless years blowing the alto sax as a leader and sideman in other groups – really opening up a fresh chapter of his career in a great run of smaller combo work in the second half of the 50s! This ... (Jazz) read moreCD
Benny Carter swings material from the 20s – but the results are a lot better than you might expect! We'll be honest in saying that the cover and theme of this one always made us figure the record was some sort of "old timey" affair – but Benny's surprisingly cool on the ... (Jazz) read moreCD
A great example of why the Swingville label was such a great idea – a perfect setting for older players to have a chance to relax in the studio and really do their thing – hitting the sort of notes they might reach in a late-nite set at a club, without all the pressures to try for a ... (Jazz) read moreCD
Ron Carter —
Peg Leg ... CD Milestone/OJC, 1978. Used ...
Out Of Stock
A great step in the evolution of Ron Carter from brilliant bassist to even more brilliant leader! The album's cut at a time when Carter was really moving his instrument from the back to the front – playing piccolo bass more than usual, and plucking with a pronounced groove, even in the ... (Jazz) read moreCD
Ron Carter with Eric Dolphy & Mal Waldron —
Where? ... CD New Jazz/OJC, 1961. Used ...
Out Of Stock
A haunting and unusual batch of tracks from bassist Ron Carter – working here with a group that includes spiritual modernists Eric Dolphy on reeds and Mal Waldron on piano – both players who really add a lot to the set! In a way, the album's more like Dolphy's own work as a leader from ... (Jazz) read moreCD
Al Casey —
Swingville ... CD Swingville/OJC, 1960. Used ...
Out Of Stock
Al Casey on guitar, Rudy Powell on alto saxophone and clarinet, Herman Foster on piano, Jimmy Lewis on bass, and Belton Evans on drums. (Jazz) CD
Teddy Charles —
Coolin' ... CD New Jazz/OJC, 1957. Used ...
Out Of Stock
A moody session led by vibist Teddy Charles – in an amazing style that mixes up some of the hardbop styles of the Prestige blowing sessions with Charles' own modernist love of tone and color! The album's got a dark sensibility that really sets it apart from a lot of other Prestige albums of ... (Jazz) read moreCD
Teddy Charles —
Evolution ... CD Prestige/OJC, 1953/1955. Used ...
Out Of Stock
A full 12" LP that combines two earlier sessions by Teddy Charles – some of his best early 50s modernist work, proof that he was one of the standout talents of the postwar years on vibes! The first session features two long tracks – "Evolution" and "Free" ... (Jazz) read moreCD
Teddy Charles —
New Directions ... CD Prestige/OJC, Early 50s. Used ...
Out Of Stock
Fantastic material from one of the few through-and-through modernists in bebop! Teddy Charles always marched to a completely different drummer – even in these early 10" recordings, 3 of which are compiled on this long-overdue disc! We'd put him in a bop-era experimentalist camp, along ... (Jazz) read moreCD
An excellent session from vibist Teddy Charles – cut here under the name of the Prestige Jazz Quartet, an ensemble that featured Mal Waldron on piano, Addison Farmer on bass, and Jerry Segal on drums. Like most of Charles' important modernist work from the mid and late 50s, this set's got a ... (Jazz) read moreCD
Great vibes from the legendary Teddy Charles – a set that brings together some of his best early moments for Prestige Records! This full set combines two earlier 10" sessions recorded by Charles – both done in LA in 1953, in small group formations with Shorty Rogers on trumpet, ... (Jazz) read moreCD
(Out of print and sealed.)
Charlie Christian/Dizzy Gillespie —
After Hours ... CD Esoteric/OJC, Early 40s. Used ...
$7.99
The roots of bebop! During the early 40s, sets held in Harlem nightclubs, especially the famous Minton's, were seminal to the development of bebop – and you'll hear exactly what we mean on this long overdue CD reissue. The set features material recorded by Jerry Newman at Minton's and ... (Jazz) read moreCD
One of the most revelatory albums ever cut by reedman James Clay – a player who's often lumped into the "hard blowing" camp because of his Texas roots, but one who emerges here with a great deal of sensitivity and imagination! The record features Clay playing both tenor and flute ... (Jazz) read moreCD
(OJC pressing. Sealed.)
Buck Clayton & Buddy Tate —
Buck & Buddy ... CD Swingville/OJC, 1960. Used ...
Out Of Stock
Beautiful blowing from Buck Clayton and Buddy Tate – captured here in the relaxed, easy-going setting of the Swingville label! The album's got a lot more charm than some of Clayton's sides for Columbia – a bit more mellow, with the kind of after hours feel that lets players like these ... (Jazz) read moreCD
A romping little session from Buck Clayton and Buddy Tate – served up in a looser, more relaxed setting than the former's albums for Columbia, and a slightly more swing-based mode than the latter's dates for Chess! Both horn players get plenty of room to solo in the open-ended Swingville ... (Jazz) read moreCD
It's always Party Time when Arnett Cobb's around – given the strength of his tenor sound, and the overall lively groove of his albums for Prestige! This one's a great follow-up to the first Party Time album – and like that one, it's got some great use of conga at the bottom of an ... (Jazz) read moreCD
A mighty big party from tenor giant Arnett Cobb – a player who always blew strongly in other settings, but really hit his height on these albums for Prestige! The record is a perfect mix of Cobb's bluesy roots and a more sophisticated modern jazz setting – with support from a crack ... (Jazz) read moreCD
One of the few Cobb sides for Prestige to feature an organist, in this case the obscure player Austin Mitchell. The record's got a pretty deep gutbuckety groove, thanks to trombonist Buster Cooper, the other main soloist on the album. Cobb's rich Texas tenor is firmly in place – and titles ... (Jazz) read moreCD
A trad-revival set recorded on Chicago's south side in the early 60s – part of an excellent series on Riverside, seeking to re-discover some older jazz and blues greats who were languishing in the Windy City at the time! Junie C Cobb plays mostly piano on the date, but also sings on one ... (Jazz) read moreCD
(Sealed!)
Ornette Coleman —
Something Else!!!! ... CD Contemporary/OJC, 1958. Used ...
Temporarily Out Of Stock
Pre-Atlantic work from Ornette Coleman – one of his first recorded statements in jazz – and one of his boldest! At some level, the complete Coleman sound isn't entirely in place here – as there's a bit of a trace of hardbop in the mix – not entirely, but just a bit. But at ... (Jazz) read moreCD
Tomorrow may be the question, but the record screams "today!" – and even this many years after its recording, this early set by Ornette Coleman has an energy and presence that cannot be denied! The sound here is kind of a rougher take on the mode that would gel more strongly on ... (Jazz) read moreCD
Tomorrow may be the question, but the record screams "today!" – and even this many years after its recording, this early set by Ornette Coleman has an energy and presence that cannot be denied! The sound here is kind of a rougher take on the mode that would gel more strongly on ... (Jazz) read moreCD
A hip little album from Buddy Collette – one that's ostensibly based around the then-popular idea of a set of Paris-inspired tunes – but which comes off with a sound that's a lot deeper than you might expect! David Axelrod produced the set – it was one of his early projects for ... (Jazz) read moreCD
John Coltrane —
Bahia ... CD Prestige/OJC, Late 50s. Used ...
$6.99
An album issued in the years after John Coltrane left the Prestige Records label – but a set that includes some very compelling sounds from the early years, really showing the tenorist in a strongly spiritual transition! Coltrane plays tenor throughout, and the record also features the Red ... (Jazz) read moreCD
John Coltrane live – in a setting that really shows the tenorist starting to stretch out a lot – almost hitting some of the freer modes of a few years later, but still keeping things swinging throughout! The rhythm section is superb – that legendary lineup of Jimmy Garrison on ... (Jazz) read moreCD
A great meeting of tenor sax talents old and young – as the up-and-coming John Coltrane plays alongside Paul "Vice Pres" Quinichette – in a classic Prestige session of well-blown saxophone work! The rhythm section on the album features Mal Waldron on piano, Julian Euell on ... (Jazz) read moreCD
Classic early John Coltrane for Prestige – less a bold statement as a leader than a strong batch of blowing session-styled tracks that show how well Coltrane could hold his own with more established players! The groups on the set vary from track to track – and feature players that ... (Jazz) read moreLP, Vinyl record album
John Coltrane —
Lush Life ... CD Prestige/OJC, 1957/1958. Used ...
$1.99
A beautiful little album from the young John Coltrane, and one that hides its strong sense of depth behind a familiar jazz standard used as a title! In some way, the record is almost experimental for the time – as side one features the tenor of Coltrane alongside just the bass of Earl May ... (Jazz) read moreCD
(OJC pressing. Back of booklet has a bit of marker.)
John Coltrane —
Lush Life ... LP Prestige/OJC, 1957/1958. New Copy (reissue)...
Out Of Stock
A beautiful little album from the young John Coltrane, and one that hides its strong sense of depth behind a familiar jazz standard used as a title! In some way, the record is almost experimental for the time – as side one features the tenor of Coltrane alongside just the bass of Earl May ... (Jazz) read moreLP, Vinyl record album
John Coltrane —
Soultrane ... CD Prestige/OJC, 1958. Used ...
$4.99
A bold early statement from a young John Coltrane – and an album that really has him expanding his talents as a tenor soloist! Coltrane's working here in open-ended quartet format – with backing from the Red Garland trio that includes Paul Chambers and Art Taylor – on a set of ... (Jazz) read moreCD
John Coltrane —
Soultrane ... LP Prestige/OJC, 1958. New Copy (reissue)...
Out Of Stock
A bold early statement from a young John Coltrane – and an album that really has him expanding his talents as a tenor soloist! Coltrane's working here in open-ended quartet format – with backing from the Red Garland trio that includes Paul Chambers and Art Taylor – on a set of ... (Jazz) read moreLP, Vinyl record album
The title may say "standard", but with Coltrane at the helm, the record is anything but! Sure, the tunes are all familiar ones, but the presentation here is a far cry from mainstream piano jazz of the 50s – as John's working in a group with the Red Garland trio for rhythm, as well ... (Jazz) read moreCD
John Coltrane —
Traneing In ... CD Prestige/OJC, 1957. Used ...
Out Of Stock
A beautiful album that more than lives up to its evocative title – an early session from John Coltrane, filled with long tracks that slide along brilliantly! As with many other classic Prestige albums from Trane, backing is by the trio of Red Garland piano, Paul Chambers bass, and Art Taylor ... (Jazz) read moreCD
John Coltrane & Hank Mobley —
Tenor Conclave ... CD Prestige/OJC, 1956. Used ...
$4.99
Tenors can't get any more conclaved than this – as the record brings together 4 players on the instrument in a great match from 2 of the best sides of 50s jazz! John Coltrane and Hank Mobley represent the more open, soulful side of the spectrum – and Al Cohn and Zoot Sims the tighter, ... (Jazz) read moreCD
(BMG Direct pressing.)
John Coltrane/Frank Wess/Paul Quinichette —
Wheelin' & Dealin' ... CD Prestige/OJC, Late 50s. Used ...
Out Of Stock
A classic all-star set from Prestige Records – cut during that late 50s stretch when they took key players to Rudy Van Gelder's, and really let them open up in the studio! The set features three great talents on tenor – John Coltrane, Paul Quinichette, and Frank Wess – the last ... (Jazz) read moreCD
Junior's definitely cooking on this session – working with trumpeter Blue Mitchell at a time when both players were members of the Horace Silver Quintet – but in a groove that's somewhat different than the Silver sound overall! Junior Cook's tenor really is tremendous on the record ... (Jazz) read moreCD
Features Louis Cottrell on clarinet, Emanuel Sayles on guitar, and McNeal Breaux on bass. Tracks include "Sheik Of Araby", "Yellow Dog Blues", "Bourbon Street Parade", "Blues For Dixie", and "Perdido". (Jazz) CD