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Jackie McLean Edit search Phrase match

 
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Exact matches: 19
Exact matches1
CD, LP, Vinyl record album cover art
Jackie McLeanBest of Jackie Mclean ... CD
Prestige, Late 50s. Used ... $1.99
Jackie McLean joined by Doug Watkins, Hank Mobley, Donald Byrd, Gil Coggins, Louis Hayes, Elmo Hope, John Jenkins, Arthur Phipps, Arthur Taylor, Mal Waldeon, Webster Young & Bill Hardman. CD
(Out of print, punch through barcode & promotional stamp on CD.)

Exact matches2
CD, LP, Vinyl record album cover art
Jackie McLeanBluesnik ... CD
Blue Note, 1960. Used ... $6.99
A crackling date from Jackie McLean – a set that's much more hardbop than some of his other Blue Note work – filled with fire, far from the 50s – and really pointing the way towards his new directions to come! There's a hint of modernism in the mix, mostly on the tone from McLean's alto sax – but most numbers are forward-thinking, and played with a sense of perfection that's pure Blue Note all the way through. Group members include Freddie Hubbard on trumpet, Kenny Drew on piano, Doug Watkins on bass, and Pete LaRoca on drums – and titles include "Cool Green", "Torchin", "Bluesnik", "Drew's Blues", and "Blues Function". Great cover, too – and the CD reissue includes 2 non-LP bonus cuts! CD
(Out of print.)

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Jackie McLeanCapuchin Swing (RVG edition) ... CD
Blue Note, 1960. Used ... $11.99
A tremendous set from Jackie McLean – perfectly poised between his hardbop and modern years, with a set of compositions that are as great as the performances! The lineup on this one's a bit unusual – with Walter Bishop on piano, Blue Mitchell on trumpet, Paul Chambers on bass, and Art Taylor on drums – but that mix of players makes for a really unusual sound – as the rhythm section's often straight ahead, Blue Mitchell's notes are bold and sparkling, and Jackie's own solos are reaching for the darker corners of the spectrum! There's a great sense of tension here that heralds the genius of later McLean sides of the 60s – and original titles include "Francisco", "Condition Blue", "On The Lion", and "Capuchin Swing". CD
(Tray card has a thin cutout notch.)

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ Jackie McLeanFickle Sonance (RVG remaster edition) ... CD
Blue Note, 1961. Used ... $14.99
Stunning! This is one of Jackie McLean's best-ever albums, and it's a haunting mix of hard bop and some of the more modernist tendencies that would inform his "new thing" period. Butch Warren plays bass, and he drives the set with an intensity that reminds us of Mingus – and which fits perfectly with Jackie's writing, which is influenced here clearly by the time he spent with Mingus. The title cut is one of the best tracks you'll ever hear on Blue Note, and both Jackie's alto and Tommy Turrentine's trumpet play fantastic solos all the way through. Sonny Clark's on piano, compin' hard and loud, and the whole LP rolls along with a fantastic sense of urgency that you don't always hear on Blue Note. Bass is by Butch Warren, drums by Billy Higgins, and titles include "Enitnerrut", "Lost", "Five Will Get You Ten", "A Fickle Sonance", and "Sundu". CD
(Out of print. Mark through barcode, disc has a promo stamp.)

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Jackie McLeanLet Freedom Ring (LP sleeve edition) ... CD
Blue Note/Culture Factory, 1962. New Copy ... $11.99 12.98
A young Jackie McLean at the height of his powers – really stretching out here, but never going too far out – a perfect balance between his modern bop of previous records, and his groundbreaking "new thing" jazz to come! The group is a relatively straight ahead one – with Walter Davis on piano, Herbie Lewis on bass, and Billy Higgins on drums – but the tracks are all quite long, and have this really arch sensibility on Jackie's horn – this edge, this cry he didn't have a few years before – easily one of the freshest voices in alto sax at the time, yearning here to break free with new ideas and new modes of expression. The vibe is perfectly balanced – like McLean's classic A Fickle Sonance – and titles include the classic "Melody For Melonae", plus "Rene", "I'll Keep Loving You", and "Omega". CD
(Collectors edition in a LP sleeve – limited to 1000!)

Exact matches6
CD, LP, Vinyl record album cover art
Jackie McLeanNew & Old Gospel ... CD
Blue Note, 1967. Used ... $8.99
One of Jackie McLean's last "new thing" albums for Blue Note – and a very unique record that features Ornette Coleman on trumpet! The sound here is stark and hard – slight hints of the soulfulness that the "gospel" in the title might imply, mixed with the angular exploratory sound that McLean had been forging at Blue Note during the mid 60s. The album's easily one of the most "out" that McLean ever recorded, and the group also includes Lamont Johnson, Scott Holt and Billy Higgins. Tracks include the extended "Lifeline" suite, which takes up all of side one – plus "Old Gospel" and "Strange As It Seems". CD
(Out of print. Tray card is lightly creased.)

Exact matches7
CD, LP, Vinyl record album cover art
Jackie McLean SeptetFire & Love ... CD
Blue Note, 1997. Used ... $4.99
With Rene McLean on tenor sax, Raymond Williams on trumpet, Steve Davis on trombone, Alan Jay Palmer on piano, Phil Bowler on bass & Eric McPherson on drums. CD
(Out of print. Spine has a thin cutout notch.)

Exact matches8
CD, LP, Vinyl record album cover art
McCoy Tyner & Jackie McLeanIt's About Time ... CD
Blue Note, 1985. Used ... Just Sold Out!
The leaders are sporting some serious 80s fashions on the cover – but the record's got a really solid sort of sound – and an approach that strongly shows the growth in both players since their earlier years at Blue Note! Tyner's a musician who really took off in strides during the 70s – and his free sense of energy and life really seems to set McLean's horn on fire – at least on the tracks that feature Jackie on board. Part of the album just has Tyner's piano in a group with Ron Carter or Marcus Miller on bass, and Al Foster on drums and Steve Thornton on percussion – but other numbers bring in McLean for some soaring lines on alto, plus a bit of trumpet from Jon Faddis too. Titles include "You Taught My Heart To Sing", "Hip Toe", "Spur Of The Moment", "It's About Time", and "No Flowers Please". CD
(Out of print.)

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Jackie McLeanConsequence ... LP
Blue Note, 1965/1979. Very Good ... Temporarily Out Of Stock
A great slice from Jackie McLean's rare unissued 60s sessions for Blue Note – a rollingly soulful session that stands in stark contrast to some of his more modern sides of the time! The set's got Jackie working with a group that includes Lee Morgan on trumpet and Harold Mabern on piano – in a vamping, soaring vibe that's similar to the feel of contemporaneous Morgan sessions like The Gigolo or Tom Cat – but which has a slight bit of McLean's more modernist edge from time to time. Mabern's piano work is tremendous – filled with life and joy that soar the album effortlessly along – and the lyrical drum work of Billy Higgins and basslines from Herbie Lewis are also very much a key part of this groove. The set was originally recorded in 1965, but only made a first appearance on record in 1979 – and even then, only briefly! Titles include "Vernestune", "Slumber", "Bluesanova", "Consequence", and "Tolypso". LP, Vinyl record album

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Jackie McLeanFat Jazz ... CD
Jubilee/Fresh Sound (Spain), Late 50s. Used ... Temporarily Out Of Stock
Early pre-Blue Note hardbop by Jackie McLean – and one of the few recordings to feature his sextet with Ray Draper! Draper was a real legend in late 50s jazz – a tuba (?) player, believe it or not, with a sound that was dark, brooding, and very modern – very unlike you'd expect from the instrument. This album has the same rich quality as the session Draper recorded with Coltrane in the same period – and it also features 2 of his amazing compositions, "Filide" and "Two Sons". As for the rest of the group, Webster Young plays coronet, Gil Coggins plays piano, and George Tucker's on drums – and other titles include "Millie's Pad", "Tune Up", and "What Good Am I Without You". CD
(Out of print.)

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Jackie McLeanFickle Sonance (180 gram pressing) ... LP
Blue Note, 1961. New Copy (reissue)... Temporarily Out Of Stock
Stunning! This is one of Jackie McLean's best-ever albums, and it's a haunting mix of hard bop and some of the more modernist tendencies that would inform his "new thing" period. Butch Warren plays bass, and he drives the set with an intensity that reminds us of Mingus – and which fits perfectly with Jackie's writing, which is influenced here clearly by the time he spent with Mingus. The title cut is one of the best tracks you'll ever hear on Blue Note, and both Jackie's alto and Tommy Turrentine's trumpet play fantastic solos all the way through. Sonny Clark's on piano, compin' hard and loud, and the whole LP rolls along with a fantastic sense of urgency that you don't always hear on Blue Note. Bass is by Butch Warren, drums by Billy Higgins, and titles include "Enitnerrut", "Lost", "Five Will Get You Ten", "A Fickle Sonance", and "Sundu". LP, Vinyl record album
Also available Fickle Sonance (RVG remaster edition) ... CD 14.99

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ Jackie McLeanJackie's Bag ... CD
Blue Note, 1959/1960. Used ... Temporarily Out Of Stock
A real classic by Jackie McLean – a record that's pulled from 2 different sessions, but which stands out with a strikingly unified feel! The album was cut during the height of Jackie's bop years for Blue Note – with one 1959 session that featured Donald Byrd and Sonny Clark, and another from 1960 that featured Blue Mitchell, Kenny Drew, and the great Tina Brooks on tenor. Brooks' appearance on the album is especially great, as the tracks which feature him and McLean together crackle with some of the first modernist energy to show up on one of Jackie's albums – really hitting hard on original compositions that include "A Ballad For Doll", "Appointment in Ghana", and "Isle of Java". One of McLean's best-ever – and filled with great original tracks! CD also features 3 bonus tracks from the Brooks session – "Medina", "Melonae's Dance", and "Street Singer". CD
(Out of print first pressing.)

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Jackie McLeanMcLean's Scene (Japanese paper sleeve edition) ... CD
New Jazz (Japan), Late 50s. Used ... Temporarily Out Of Stock
McLean's Scene is a strong one – as the young Jackie is really coming into his own at the time of the session, blowing and growing with a soulful command of the alto sax that would emerge even more strongly in the 60s. The album's got McLean working in a slightly open-ended way – almost a blowing session, but a bit more controlled – yet in that relaxed style that always seemed to get the most sharpness out of Jackie's horn at the time. Other players include Bill Hardman on trumpet, Mal Waldron or Red Garland on piano, Paul Chambers or Arthur Phipps on bass, and Art Taylor on drums. Titles include "Gone With the Wind", "Our Love Is Here to Stay", "Old Folks", "Outburst", "Mean To Me", and "McLean's Scene". CD
(Out of print. Includes obi.)

Exact matches14
CD, LP, Vinyl record album cover art
✨✧ Jackie McLeanNew Soil (with bonus track) ... CD
Blue Note, 1959. Used ... Temporarily Out Of Stock
If you ever needed a record to re-remind you of the genius of Jackie McLean, this Blue Note classic may well be it! At first glance, the session appears to be the usual sort of date – a quintet outing, with help from Donald Byrd on trumpet, Walter Davis on piano, Paul Chambers on bass, and Pete LaRoca on drums – yet as with all of McLean's best moments on records, the album explodes with freshly creative energy from the start – getting way past any easy expectation in the way it sets up the groove and delivers the sound! Jackie's tone is amazing – very modern at times, yet with all the soul of hardbop – and although the rhythms are relatively straight, there's always a slight setting-free at points – that pre-new thing groove that McLean further explored on records like Capuchin Swing or Fickle Sonance. The sound is amazing throughout – and titles are all originals by McLean and Davis – great gems that include "Davis Cup", "Sweet Cakes", "Hip Strut", "Minor Apprehension", and "Greasy". Plus, this CD reissue has one extra bonus track – the unreleased "Formidable", written by Walter Davis. CD
(Out of print. BMG club pressing.)

Exact matches15
CD, LP, Vinyl record album cover art
✨✧ Jackie McLeanRight Now (with bonus track) ... CD
Blue Note, 1965. Used ... Temporarily Out Of Stock
Great stuff, and one of Jackie McLean's best for Blue Note from the "new thing" period! The album features Jackie working out a wealth of new ideas, in a quartet that includes Larry Willis on piano, Bob Cranshaw on bass, and Clifford Jarvis on drums. Jackie holds down the frontline himself on alto, and the tracks are nice and long, with one composition by Jackie, and two by Willis – all in the exploratory mode of work on records like One Step Beyond. Tracks include "Eco", "Poor Eric", "Christel's Time", and "Right Now". Plus, the CD also features a bonus alternate take of "Right Now". CD
(Out of print, non-RVG pressing. Back cover of booklet has a small date in pen.)

Exact matches16
CD, LP, Vinyl record album cover art
✨✧ Jackie McLeanIt's Time! (180 gram pressing) ... LP
Blue Note, 1964. New Copy Gatefold (reissue)... Out Of Stock
It certainly was time – time for Jackie McLean to break out of his older bop mode, and hit a whole new level of playing with a tight group of "new thing" compatriots like Herbie Hancock on piano, Cecil McBee on bass, and Charles Tolliver on trumpet! The record isn't as totally "out there" as some of his other ones from this period, but it's a seminal release in Jackie's modernist period – and it's one of the hardest to find from the era. Filled with warmly wonderful original compositions like "Revillot", "Snuff", "Truth", and "Das Dat" – the record is unpacked and remodeled nicely by the trio of young players, aided by Jackie's moody alto, and given a great spin by Roy Haynes on drums. Striking cover, too – with a huge field of exclamation points! LP, Vinyl record album
(Part of the Blue Note Tone Poet series!)

Exact matches17
CD, LP, Vinyl record album cover art
✨✧ Jackie McLeanDynasty ... CD
Triloka, 1988. Used ... Out Of Stock
Featuring Jackie McLean on alto, Rene McLean on tenor, soprano, and flute, Hotep Idris Galeta on piano, Nat Reeves on bass, and Carl Allen on drums. CD
(Out of print, BMG Direct pressing. Inner pages of the booklet have some notes in pen.)

Exact matches18
CD, LP, Vinyl record album cover art
✨✧ Jackie McLeanMonuments ... LP
RCA, 1979. Very Good+ ... Out Of Stock
A rare electric outing from legendary altoist Jackie McLean – and one that comes off surprisingly well, given that the move was quite a shift for the reedman! The album's got a spiritual current that McLean developed in some of his earlier 70s material – like his gems for the Steeplechase label – but also mixes in some funky fusion elements too, in a blend that almost puts Jackie in the territory that Gary Bartz hit with his Music Is My Sanctuary album – another musician who made a similar shift at the time! Production is by Mitch Farber, who also wrote most tracks – and Jackie really holds his own in the setting! Titles include the classic funk numbers "On the Slick Side" and "Long Time Lover" – plus "Gotta Get A Piece Of Your Soul", "The Molimo", and "Dr Jeckyll & Mr Funk". LP, Vinyl record album
(Original pressing, including the printed inner sleeve.)

Exact matches19
CD, LP, Vinyl record album cover art
✨✧ Mal Waldron & Jackie McLeanLeft Alone '86 ... CD
Evidence, 1986. Used ... Out Of Stock
Not a duet session as you might guess from the title – as the piano of Mal Waldron and alto of Jackie McLean are joined by the bass of Herbie Lewis and drums of Eddie Moore! Titles include "Lover Man", "Minor Pulsation", "Left Alone", "Cat Walk", and "Good Morning Heartache". CD
 
Possible matches: 39
Possible matches20
CD, LP, Vinyl record album cover art
Art BlakeyArt Blakey & The Jazz Messengers (Savoy) (Japanese paper sleeve edition) ... CD
Savoy (Japan), 1957. Used ... $14.99
During the late 50s – after an initial burst of recordings with Blue Note, and before a later successful run for the label – Art Blakey recorded on a number of labels with a lesser-known version of The Jazz Messengers. This album's from that stretch – and like others from the period it's a darn nice batch of tracks, and while it lacks some of the polished tightness of the later Blue Notes it crackles with the energy that's been the Jazz Messengers trademark from day one. The group features Bill Hardman on trumpet, Jackie McLean on alto, and Sam Dockery on piano – and the set's a loose batch of hardbop numbers like "Casino", "Ugh!", "Mirage", "The Biddie Griddies", "Potpourri" and "Reflections Of Buhania". CD
(Out of print. Includes obi.)

Possible matches21
CD, LP, Vinyl record album cover art
Art Blakey & The Jazz MessengersBest Of The Columbia & RCA/Vik Years 1956 to 1959 ... CD
Sony/Real Gone, Late 50s. New Copy 2CD ... $18.99 19.99
A nice collection of overlooked work from Art Blakey & The Jazz Messengers – not the oft-reissued material from the group's years at Blue Note, but instead some slightly more obscure sides recorded for Columbia and RCA! The work here also represents a time when Blakey was experimenting a bit more with the group – a stretch right before he settled into some of the more-recorded groups with Wayne Shorter, Lee Morgan, and Bobby Timmons – but still had a great ear for important younger talent! Players here include Bill Hardman, Donald Byrd, and Lee Morgan on trumpets; Jackie McLean on alto; Johnny Griffin, Hank Mobley, and Benny Golson on tenor; and Horace Silver and Sam Dockery on piano! The set includes material from the albums Hard Bop, Drum Suite, Jazz Messengers, Night In Tunisia, and some of the French-only live recordings that Blakey did for RCA in the late 50s – and the set features 16 tracks that include "Nica's Dream", "Evidence", "Blues March For Europe No 1", "Along Came Manon", "Lester Left Town", "Night In Tunisia (live)", "Moanin With Hazel", "Night In Tunisia (take 3)", "Ecaroh", "Cubano Chant", "Almost Like Being In Love", "The Sacrifie", and "Couldn't It Be You (take 4)". CD

Possible matches22
CD, LP, Vinyl record album cover art
✨✧ Donald ByrdByrd In Flight (180 gram pressing) ... LP
Blue Note, 1960. New Copy Gatefold (reissue)... $28.99 34.99
A wonderfully lyrical session from trumpeter Donald Byrd – yet for some reason, the album's one of his most overlooked from the 60s! The session features material by 2 different groups – one that includes Byrd, Hank Mobley, and Duke Pearson; and another which features Byrd, alongside Jackie McLean and Pearson. Donald's playing is really opening up here – hitting some sweeter, more drifting notes, yet still referencing the heavier style of his hardbop years from time to time – and in a way, the record's almost a hint of the solo style that Byrd would take up on 70s recordings with Larry Mizell – still in a deep groove, but with a newfound ability to sail over the top with some nice light notes. Mobley and McLean are superb, as always, and Pearson plays nice and hard – with more of an edge than on his own recordings of the time. Tracks include "Ghana", "Lex", "My Girl Shirl", and "Bo". LP, Vinyl record album
(Part of the Blue Note Tone Poet series!)
Also available Byrd In Flight (Japanese pressing) ... CD 14.99

Possible matches23
CD, LP, Vinyl record album cover art
Donald ByrdByrd In Flight (Japanese pressing) ... CD
Blue Note (Japan), 1960. Used ... $14.99
A wonderfully lyrical session from trumpeter Donald Byrd – yet for some reason, the album's one of his most overlooked from the 60s! The session features material by 2 different groups – one that includes Byrd, Hank Mobley, and Duke Pearson; and another which features Byrd, alongside Jackie McLean and Pearson. Donald's playing is really opening up here – hitting some sweeter, more drifting notes, yet still referencing the heavier style of his hardbop years from time to time – and in a way, the record's almost a hint of the solo style that Byrd would take up on 70s recordings with Larry Mizell – still in a deep groove, but with a newfound ability to sail over the top with some nice light notes. Mobley and McLean are superb, as always, and Pearson plays nice and hard – with more of an edge than on his own recordings of the time. Tracks include "Ghana", "Lex", "My Girl Shirl", and "Bo". CD
(Out of print.)
Also available Byrd In Flight (180 gram pressing) ... LP 28.99

Possible matches24
CD, LP, Vinyl record album cover art
✨✧ Miles DavisDig ... LP
Prestige/OJC, 1951. New Copy (reissue)... Just Sold Out!
A key early appearance on record by Sonny Rollins – recorded here with Miles Davis and Jackie McLean in the landmark Dig session! The album's the stuff that 50s bop dreams are made of – a session that has up-and-coming modernists working in the new freedom of the long playing record, in a way that allows them to break past the shorter, more urgent sound of the 78rpm single! Rollins is young, but a surprisingly strong voice on the set – and Jackie McLean's alto is incredibly sharp at this point, with strong hints of the genius to come later in the decade. The rest of the lineup includes Walter Bishop on piano, Tommy Potter on bass, and Art Blakey on drums – and tracks include Miles' classic version of "It's Only A Paper Moon", plus "Denial", "Out Of The Blue", "Dig", and "Bluing". LP, Vinyl record album

Possible matches25
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis All Star Sextet/Quintet (aka Miles Davis & Milt Jackson Quintet/Sextet) (Japanese paper sleeve edition) ... CD
Prestige (Japan), 1955. Used ... Just Sold Out!
One of the nicest moments from Milt Jackson in the 50s – an open-ended blowing session cut with Miles Davis, in a mode that's even better than Jackson's work for Savoy at the time! The style is very much in the key Davis mode on Prestige – with Jackie McLean in the group on alto sax, Ray Bryant on piano, Percy Heath on bass, and Art Taylor on drums. But the presence of Jackson's vibes bring out some new tones and chromes from Miles' horn – in a way that's subtle, but magical – unfolding nicely over the course of the album's 4 extended tracks! Titles include "Dr Jackle", "Bitty Ditty", "Changes", and "Minor March". CD
(Out of print. Includes obi, and still sealed.)

Possible matches26
CD, LP, Vinyl record album cover art
Eric DolphyOut To Lunch ... CD
Blue Note, 1964. Used ... $5.99
One of Eric Dolphy's lasting classics – and possibly the ultimate album of "new thing" jazz from the mid 60s! The record's got an even sharper edge than previous Dolphy recordings for Prestige – a really unique combination of instrumentation that includes Freddie Hubbard on trumpet, Bobby Hutcherson on vibes, Richard Davis on bass, and Tony Williams on drums – plus Dolphy on alto sax, flute, and bass clarinet. Although Dolphy's reed playing is as amazing as you'd expect, the real surprise here is Hutcherson, whose vibes ring out with this cold harsh tone that give a perfect edge to the set – bold and metallic, quite different than any work on vibes from previous players. Despite a large number of later recordings, Hutcherson almost never hit this sound again – except perhaps on a few Jackie McLean recordings – and it's his playing that gives the set such a unique sound. Titles include "Straight Up & Down", "Gazzelloni", "Hat & Bread", "Out To Lunch" and "Something Sweet Something Tender". CD
(Out of print, Columbia House pressing.)

Possible matches27
CD, LP, Vinyl record album cover art
Kenny DorhamMatador (Douglas pressing) ... LP
United Artists, 1962. Sealed ... $19.99
A brilliant album from Kenny Dorham – one of his more far-reaching efforts, with the expansive compositional style that he started bringing to some of his Blue Note work of the early 60s. The record features a group with Jackie McLean on alto, Bobby Timmons on piano, Teddy Smith on bass, and JC Moses on drums – all working with Kenny in a slightly Latin tinged mode that features some really shimmering trumpet work! The record features a stunning 3 part reading of McLean's haunting tune "Melanie" (done under his name on the album A Fickle Sonance) – plus the tracks "Prelude", "El Matador", "Smile", and "There Goes My Heart". LP, Vinyl record album
(Cover has a cut corner.)

Possible matches28
CD, LP, Vinyl record album cover art
Vincent Herring/Bobby Watson/Gary BartzBird At 100 ... CD
Smoke Sessions, 2019. New Copy ... $13.99 17.98
A tribute to the music of Charlie Parker – but a set that sparkles more from the individual inspiration of the three alto giants in the lead – a great lineup that features Gary Bartz, Bobby Watson, and Vincent Herring! The tracks are long, with great lead passages that have all three horns soaring together, then individual solos from each player – and although the songs include a number of classics from the Charlie Parker songbook, the album also features original tunes by Herring and Watson, and another by Jackie McLean – maybe marking the whole thing as being very much in the spirit of its title – a look back at a century that's felt the influence of Bird, with all the alto sax changes that have taken place in the time since his passing. The rhythm trio is excellent too – David Kikoski on piano, Yasushi Nakamura on bass, and Carl Allen on drums – and titles include "Bird-Ish", "Klactoveedsedstene", "The Hymn", "Folklore", "Bird Lives", and "Yardbird Suite". CD

Possible matches29
CD, LP, Vinyl record album cover art
Bobby HutchersonDialogue (non-RVG remaster edition) ... CD
Blue Note, 1965. Used ... $7.99
One of Bobby Hutcherson's most important albums ever – and an essential piece of "new thing" jazz that ranks up there with such key Blue note sessions of the genre as Tony Williams' album Life Time, Dolphy's Out To Lunch, and Jackie McLean's One Step Beyond! Hutcherson's sound on the vibes is amazing – metallic, yet melodic – in a sublime blend of the modern and the soulful, all wrapped up in tones and colors that few other players have ever managed to get from the instrument! All the other players on the session really rise to the occasion too – and the album features tremendous work from Sam Rivers, Freddie Hubbard, Andrew Hill, and Joe Chambers. Titles include "Ghetto Lights", "Catta", and "Idle While". CD also features the bonus track "Jasper" – not on the original LP! CD
(Out of print. BMG club pressing.)
Also available Dialogue (RVG remaster edition) ... CD 9.99

Possible matches30
CD, LP, Vinyl record album cover art
Bobby HutchersonDialogue (RVG remaster edition) ... CD
Blue Note, 1965. New Copy ... $9.99
One of Bobby Hutcherson's most important albums ever – and an essential piece of "new thing" jazz that ranks up there with such key Blue note sessions of the genre as Tony Williams' album Life Time, Dolphy's Out To Lunch, and Jackie McLean's One Step Beyond! Hutcherson's sound on the vibes is amazing – metallic, yet melodic – in a sublime blend of the modern and the soulful, all wrapped up in tones and colors that few other players have ever managed to get from the instrument! All the other players on the session really rise to the occasion too – and the album features tremendous work from Sam Rivers, Freddie Hubbard, Andrew Hill, and Joe Chambers. Titles include "Ghetto Lights", "Catta", and "Idle While". CD also features the bonus track "Jasper" – not on the original LP! CD
Also available Dialogue (non-RVG remaster edition) ... CD 7.99

Possible matches31
CD, LP, Vinyl record album cover art
✨✧ Charles MingusPithecanthropus Erectus (Japanese pressing) ... LP
Atlantic (Japan), 1957. New Copy (reissue)... About February 1, 2021
An amazing record – quite possibly one of the greatest jazz albums of all time, and a session that has Charles Mingus stepping boldly forward in a whole new direction! The album shakes loose the sometimes too-academic modern tones of Mingus albums from the previous year or two – and unleashes the bold, raw emotion that would drive him firmly into the 60s – a new sense of freedom in music, filled with poetry, anger, joy, and life! The tracks are all quite long – and played by a sharp quintet with Mingus on bass, Jackie McLean on alto sax, JR Monterose on tenor, Mal Waldron on piano, and Willie Jones on drums. Titles include "Pithecantrhopus Erectus", "A Foggy Day", "Love Chant", and "Profile of Jackie". The whole thing bubbles over with an anger and intensity that you hardly find in other Mingus albums, and if you've ever heard a weak Mingus album, and wondered what all the fuss was about, you owe it to yourself to own this one! We promise that it will never ever let you down. LP, Vinyl record album

Possible matches32
CD, LP, Vinyl record album cover art
Grachan Moncur IIISome Other Stuff (RVG remaster edition) ... CD
Blue Note, 1964. New Copy ... $9.99 11.98
A wonderful, wonderful, wonderful "new thing" jazz session from Blue Note – and proof that the avant garde in the 60s didn't necessarily have to resort to blowing their heads off to make fantastic music! Trombonist Grachan Moncur III organized the session – but like other key Blue Note dates of this type, including work from Tony Williams and Jackie McLean, the album's a very evenly-weighted date that features equal contributions from all members involved! The lineup's a dream – and features Wayne Shorter on tenor, Herbie Hancock on piano, Cecil McBee on bass, and Tony Williams on drums – and the set's very much in the vein of Williams' Life Time album for Blue Note – with lots of dark, moody, and extremely complex compositions – and beautifully restrained modern solos. Moncur wrote all the tracks, and titles include "The Twins", "Nomadic", "Gnostic", and "Thandiwa". CD

Possible matches33
CD, LP, Vinyl record album cover art
✨✧ Lee MorganCornbread ... LP
Blue Note, 1965. Very Good- ... Just Sold Out!
A rock-solid sextet session from the mighty Lee Morgan – recorded for Blue Note at the height of his mid 60s powers, and carried off in a beautiful blend of soul jazz and some slight modern touches! The group here is top-shelf all the way through – Jackie McLean on alto, Hank Mobley on tenor, Herbie Hancock on piano, Larry Ridley on bass, and Billy Higgins on drums – the last two of whom do a great job of bringing some complex yet swinging rhythms to the set! The horn soloists are all as sharp as you might expect – and the album's a striking soulful date from McLean at a time when he was mostly going out a bit more. Titles include the funky "Cornbread", the searching "Our Man Higgins", and the lyrical ballad "Ceora" – plus "Most Like Lee" and "Ill Wind". LP, Vinyl record album
(Liberty stereo pressing with Van Gelder stamp. Cover has ring & edge wear, aging, small seam splits, and a bit of pen and small stain on front.)

Possible matches34
CD, LP, Vinyl record album cover art
Archie SheppFire Music ... CD
Impulse (Japan), 1965. New Copy ... About January 20, 2021
Fantastic stuff – easily one of Archie Shepp's greatest albums, and certainly one of the pivotal points of 60s avant garde jazz! The album features Shepp leading a crack "new thing" line up that includes Ted Curson on trumpet, Marion Brown on alto, Joe Chambers on drums, Reggie Johnson on bass, and the lesser-known Joseph Orange on trombone – all playing in a beautifully poised manner, never too far out and free, but with all the dynamic energy of the best jazz changes of the 60s! There's a vibe here that's similar to some of the Blue Note "new thing" work by players like Grachan Moncur, Jackie McLean, and Tony Williams from the time – but there's a vision that's also wider and deeper, too, given the size of the group and the way they interact. Titles include "Hambone", "Los Olvidados", "Malcolm Malcolm–Semper Malcolm", and an insane cover of "Girl From Ipanema". You can't go wrong with this one – trust us! CD also features a bonus live version of "Hambone"! CD
(SHM CD pressing!)

Possible matches35
CD, LP, Vinyl record album cover art
Larry WillisI Fall In Love Too Easily – The Final Session At Rudy Van Gelder's ... CD
High Note, 2020. New Copy ... $15.99 16.98
The very last recording session from pianist Larry Willis – recorded at the studio of Rudy Van Gelder, where Willis first appeared on record back in the 60s – on his debut date with Jackie McLean! The set's a great cap to decades of wonderful music from Larry – and has that warmly soulful swing that's always made Willis one of our favorites, especially when he records with horns – as he does here with help from Jeremy Pelt on trumpet and Joe Ford on alto – players who appear on five and four tracks, each – next to a core trio that features Blake Meister on bass and Victor Lewis on drums. Willis still has that round, full touch on the piano – that way of embracing all the spectrum of colors at once, then effortlessly making things fly with his fingers – in ways that always seem to inspire his bandmates. Titles include "Today's Nights", "Heavy Blue", "Habiba", "Climax", "Let's Play", and "I Fall In Love Too Easily" – a solo number that ends the set, and which is a beautiful cap to the whole thing. CD

Possible matches36
CD, LP, Vinyl record album cover art
VariousSpiritual Jazz Vol 11 – Esoteric, Modal, & Progressive Jazz From The SteepleChase Label 1974 to 1984 ... CD
Steeplechase/Jazzman (UK), Late 70s/Early 80s. New Copy ... $14.99
A massive collection of music from the Steeplechase label – spiritual sounds from back in the day, and a side of the label's legacy that's only gotten the right sort of appreciation in more recent years! Steeplechase was a European company, and their biggest claim to fame was recordings of American musicians overseas – especially Dexter Gordon – but the label also had a fantastic ear for more soulful currents on the American underground, and not only managed to capture some less-recorded artists, but also give some bigger names a freer space to express the more spiritual side of their styles! The set is a sublime set of work from the post-Coltrane years – tunes that are modal, soulful, and occasionally slightly funky – served up in a set of completely uplifting music, all supported by the usual excellent Jazzman attention to detail and thorough liner notes. Titles include "The Time Of This World Is At Hand" by Billy Gault, "Tipe Tizwe" by Jim McNeely, "Aida" by Rene McLean, "Dark Warrior" by Khan Jamal, "Naima" by Michael Carvin, "Magwaza" by Johnny Dyani with John Tchicai & Dudu Pukwana, "Ode To St Cecile" by Mary Lou Williams, "Jean Marie" by Sam Jones, "Miss Priss" by Ken McIntyre, and "De I Comahlee Ah" by Jackie McLean & Michael Carvin. CD

Possible matches37
CD, LP, Vinyl record album cover art
✨✧ Art BlakeyArt Blakey & His Jazz Messengers 1957 – Second Edition – Featuring Johnny Griffin ... CD
Bluebird, 1957. Used ... Temporarily Out Of Stock
Rare RCA work from Art Blakey – tracks from the Lerner & Lowe album, plus other 1957 material too! The core set is based on the music of Alan Jay Lerner and Frederick Loewe – composers usually associated with the Broadway stage, brought into a whole new light here by the late 50s Jazz Messengers! The album's one of Art Blakey's more unusual outings – part of that great 1957 run away from Blue Note – but it cooks strongly with a lineup that includes Jackie McLean on alto, Johnny Griffin on tenor, and Bill Hardman on trumpet – all players who bring an unusual degree of bite to these tunes, while still reflecting the lyrical beauty within! The group sparkles and shines with the sort of brilliance and energy that Blakey's leadership brings to the group, completely transforming tunes that include "I Could Have Danced All Night", "Almost Like Being In Love", "On The Street Where You Live", and "There But For You Go I". CD
(Out of print.)

Possible matches38
CD, LP, Vinyl record album cover art
✨✧ Art Blakey & The Jazz MessengersNight In Tunisia (First Editions Series – with bonus tracks) ... CD
RCA/BMG, 1958. Used ... Temporarily Out Of Stock
One of Blakey's best non-Blue Note sides from the time – and a killer album that sports a late 50's lineup of the Jazz Messengers that included Jackie McLean, Johnny Griffin, and Bill Hardman. The three of them sparkle and shine with the sort of brilliance that Blakey's leadership brings to the group, and they wail their way through a 13 minute long reading of "Night In Tunisia", with excellent solos all around, and the other long cuts "Theory Of Art", "Couldn't It Be You?", "Evans", and "Off The Wall". CD reissue also sports 3 additional bonus cuts – alternate takes of "Off The Wall", "Night In Tunisia", and "Theory Of Art" – plus new artwork and notes! CD
(Out of print, sticker over barcode.)

Possible matches39
CD, LP, Vinyl record album cover art
✨✧ Tina BrooksBack To The Tracks (Japanese pressing) ... CD
Blue Note (Japan), 1960. Used ... Temporarily Out Of Stock
One of those rare Blue Note sessions from tenorist Tina Brooks – originally recorded for the label in 1960, but never issued at the time – yet easily on a par with their more famous work of the period! Brooks' horn has a nice hard edge here – that sharp-edged modernism you'd hear with Jackie McLean, who makes a key appearance here on the album's famous "Street Singer" track. Jackie's not on the rest of the record, but that's fine with us – because other players are all equally great, and include Blue Mitchell on trumpet, Kenny Drew on piano, Paul Chambers on bass, and Art Taylor on drums. Apart from "Street Singer", other titles include "The Ruby & The Pearl", "Back To The Tracks", "For Heaven's Sake", and "The Blues & I". CD
(Out of print.)

Possible matches40
CD, LP, Vinyl record album cover art
✨✧ Donald ByrdOff To The Races (Japanese pressing) ... CD
Blue Note (Japan), 1958. Used ... Temporarily Out Of Stock
Donald's off to the races on this one – grooving with a lean, mean sound that makes the record one of his hardest-hitting and most soulful blue note sessions of the 50s! The group features Byrd's frequent bandmate Pepper Adams on baritone sax – blowing always with a style that's a wonderful counterpoint to Byrd's trumpet work – and the rest of the group features Blue Note heavyweights Jackie McLean, Wynton Kelly, Sam Jones, and Art Taylor – the latter two of whom really make the set bristle with excitement! The set includes some great originals, like "Down Tempo", "Sudwest Funk", and "Off To The Races" – plus a nice version of Sonny Rollins' "Paul's Pal". CD
(Out of print.)

Possible matches41
CD, LP, Vinyl record album cover art
✨✧ Miles DavisDig ... CD
Prestige/OJC, 1951. Used ... Temporarily Out Of Stock
A key early appearance on record by Sonny Rollins – recorded here with Miles Davis and Jackie McLean in the landmark Dig session! The album's the stuff that 50s bop dreams are made of – a session that has up-and-coming modernists working in the new freedom of the long playing record, in a way that allows them to break past the shorter, more urgent sound of the 78rpm single! Rollins is young, but a surprisingly strong voice on the set – and Jackie McLean's alto is incredibly sharp at this point, with strong hints of the genius to come later in the decade. The rest of the lineup includes Walter Bishop on piano, Tommy Potter on bass, and Art Blakey on drums – and tracks include Miles' classic version of "It's Only A Paper Moon", plus "Denial", "Out Of The Blue", "Dig", and "Bluing". CD

Possible matches42
CD, LP, Vinyl record album cover art
✨✧ Miles DavisDig ... LP
Prestige, 1951. Near Mint- ... Temporarily Out Of Stock
A key early appearance on record by Sonny Rollins – recorded here with Miles Davis and Jackie McLean in the landmark Dig session! The album's the stuff that 50s bop dreams are made of – a session that has up-and-coming modernists working in the new freedom of the long playing record, in a way that allows them to break past the shorter, more urgent sound of the 78rpm single! Rollins is young, but a surprisingly strong voice on the set – and Jackie McLean's alto is incredibly sharp at this point, with strong hints of the genius to come later in the decade. The rest of the lineup includes Walter Bishop on piano, Tommy Potter on bass, and Art Blakey on drums – and tracks include Miles' classic version of "It's Only A Paper Moon", plus "Denial", "Out Of The Blue", "Dig", and "Bluing". LP, Vinyl record album
(70s Japanese Victor pressing, SMJ-6525-M, in a grey toned cover with red lettering. Includes the insert.)

Possible matches43
CD, LP, Vinyl record album cover art
✨✧ Grachan Moncur IIIEvolution (75th anniversary edition) ... LP
Blue Note, 1963. New Copy (reissue)... Temporarily Out Of Stock
Landmark material – one of Grachan Moncur's two classic albums for Blue Note, and a session that ranks as one of the best examples of the "new thing" moment in 60s jazz! Grachan's leading a sextet here that includes a number of players that he cut his teeth with in Jackie McLean's great mid 60's group, including McLean himself, Bobby Hutcherson, and a young Tony Williams. Lee Morgan joins in on trumpet – playing with a surprisingly modern tone for the time – and the group works their way through 4 stunning Moncur compositions – "Air Raid", "Evolution", "The Coaster", and "Monk In Wonderland". It's hard to describe the power of these recordings – but thankfully, we don't have to, as one listen to the album will blow you away! LP, Vinyl record album

Possible matches44
CD, LP, Vinyl record album cover art
✨✧ Lee MorganInfinity ... LP
Blue Note, 1965/1979. Very Good+ ... Temporarily Out Of Stock
Lee Morgan on the hippest side of his 60s talents – working here in a style that's really stretching out, and in the same territory as similar unreleased gems from the time – like Tom Cat or Sonic Boom! The group here is very inventive – Jackie McLean on alto, Larry Willis on piano, Reggie Workman on bass, and Billy Higgins on drums – players who really represent the left side of Blue Note, but not as out as the "new thing" crowd – with a really creative approach to both the rhythms and the solos, commanded by Morgan's rich imagination at this point in his career. All tunes are great, and titles include "Zip Code", "Infinity", "Miss Nettie B", "Growing Pains", and McLean's fantastic "Portrait of a Doll". LP, Vinyl record album
(Original pressing.)

Possible matches45
CD, LP, Vinyl record album cover art
✨✧ Lee MorganLee-way ... CD
Blue Note, 1960. Used ... Temporarily Out Of Stock
An undisputed masterpiece by Lee Morgan – and one of the first records in which he shed his straight bop sensibility, and began evolving into a soulful genius for the 60s! The album's got 4 long tracks that all build beautifully – really extended numbers that break the format of some of Lee's earlier work, and hint a bit at some of the more complicated touches he'd use on later sessions. All players are great – and include fellow Jazz Messengers Bobby Timmons on piano and Art Blakey on drums, plus Jackie McLean on alto and Paul Chambers on bass. Titles include the sublime "These Are Soulful Days" – a perfect model of soulful lyricism – plus "Midtown Blues", "Nakatini Suite", and "The Lion & The Wolff". CD
(Out of print Connoisseur pressing.)

Possible matches46
CD, LP, Vinyl record album cover art
✨✧ Paris All StarsHomage To Charlie Parker ... CD
A&M, 1989. Used ... Temporarily Out Of Stock
Dizzy Gillespie, Max Roach, Stan Getz, Jackie McLean, Phil Woods, Milt Jackson, Hank Jones & Percy Heath. CD
(Out of print. Disc has a promo stamp, back cover of booklet has a bit of pen.)

Possible matches47
CD, LP, Vinyl record album cover art
✨✧ Cecil PayneConnection – New Original Score ... LP
Charlie Parker, 1962. Sealed ... Temporarily Out Of Stock
A remake of the score to The Connection – the famous play about drug addicts and jazz musicians that was later made into a film by Shirley Clarke, and which featured a soundtrack (issued on Blue Note) by Freddie Redd and Jackie McLean. Before it was a film, though, the play toured a number of local areas – each of which would have a new group of jazz musicians, the event of which would often yield a new score to the play. From the notes, it's hard to tell if Payne was ever in the play – or if the group here was just one put together to cash in on the success of the well-received work. We tend to think the latter – as the group's a bit to pro and too big (a sextet) to be just a pick-up combo in a New York loft, waiting for some drugs to arrive. The record is a nice one, though – one of the few fine albums to feature Payne as a leader, recorded with players that include Bennie Green, Clark Terry, Duke Jordan, Charlie Persip, and Ron Carter. Tracks are all new ones – either by Payne or Kenny Drew – and titles include "Stop & Listen", "Dear People", "Born Again", and "Kenny's One". LP, Vinyl record album
(Mono pressing. Shrinkwrap has a hole from sticker removal on front, with a small sticker on the cover where exposed.)

Possible matches48
CD, LP, Vinyl record album cover art
✨✧ Freddie ReddRedd's Blues ... CD
Blue Note, 1961. Used ... Temporarily Out Of Stock
A real corker from Freddie Redd – and never issued at the time! Despite the fact that Freddie was part of one of the greatest sessions ever on Blue Note – the soundtrack to The Connection, done with Jackie McLean – he rarely got the chance to record more for the label, which is what makes this session an especially great treat! The set features Freddie working with an ultra-hip lineup that includes trumpeter Benny Bailey, tenorist Tina Brooks, and the great Jackie McLean, who always seemed to bring out an edge in Freddie's playing that didn't show up otherwise. The style of the tunes is hardbop, in general, but they've got these sharp little edges and modern twists that really make them sound fresh. Perhaps that's why Blue Note didn't issue the session at the time – we'll never know for sure – but it's also what makes the album so enjoyable now! Titles include "Now", "Cute Doot", "Somewhere", "Love Lost", and "Old Spice". CD
(Out of print Connoisseur CD Series pressing with a small cutout mark through the spine.)

Possible matches49
CD, LP, Vinyl record album cover art
✨✧ Freddie ReddShades Of Redd (RVG remaster edition – with bonus tracks) ... CD
Blue Note, 1960. Used ... Temporarily Out Of Stock
An exquisite bit of modernist hardbop – recorded by Freddie Redd with the same sort of sound that he brought to the classic Connection recording, also done for Blue Note! As with that session, Redd is working here with alto from a young Jackie McLean's on alto sax – really at the top of his powers here, and beautifully skirting a line that runs between soulful hardbop and some of the more modern phrasing McLean would use during his "new thing" years! Tina Brooks is on tenor, and as on other classic Blue Notes – such as the Street Singer album – the Brooks/McLean combination makes for some stellar solo work throughout. Redd's piano is firey in a way that we can hardly describe, and tracks include "Thespian", "Melanie", and "Shadows". This CD reissue also includes a few bonus cuts – alternate takes of "Melanie" and "Ole". CD
(Out of print.)

Possible matches50
CD, LP, Vinyl record album cover art
✨✧ Sam RiversContours (180 gram pressing) ... LP
Blue Note, 1965. New Copy Gatefold (reissue)... Temporarily Out Of Stock
A brilliant statement of modernist jazz from Sam Rivers – one of his groundbreaking early albums for Blue Note, and one of the most challenging sessions issued by the label during the 60s! The record's a real departure from Rivers' already-great Fuscia Swing Song – with tunes that go farther outside, and a free-thinking approach to rhythm and song structure that's a perfect illustration of 60s "new thing" jazz at its best! The group is top-shelf all the way – a quintet that includes Freddie Hubbard, Herbie Hancock, Ron Carter, and Joe Chambers – plus amazing work from Rivers, who manages to effortlessly shift between tenor, flute, and soprano sax for the session. Tracks are long, and with the kind of strange off-kilter arrangements that you'd hear on some of the Jackie McLean or Grachan Moncour Blue Notes from the time – and titles include "Dance Of The Tripedal", "Euterpe", "Point Of Many Returns", and "Melliflous Cacaphony". LP, Vinyl record album
(Blue Note Tone Poet Series – 2019 remaster on 180 gram vinyl pressed at RTI! In a great heavy gatefold cover – similar to the Music Matters titles from years back.)

Possible matches51
CD, LP, Vinyl record album cover art
✨✧ Archie SheppFire Music ... CD
Impulse/MCA (France), 1965. Used ... Temporarily Out Of Stock
Fantastic stuff – easily one of Archie Shepp's greatest albums, and certainly one of the pivotal points of 60s avant garde jazz! The album features Shepp leading a crack "new thing" line up that includes Ted Curson on trumpet, Marion Brown on alto, Joe Chambers on drums, Reggie Johnson on bass, and the lesser-known Joseph Orange on trombone – all playing in a beautifully poised manner, never too far out and free, but with all the dynamic energy of the best jazz changes of the 60s! There's a vibe here that's similar to some of the Blue Note "new thing" work by players like Grachan Moncur, Jackie McLean, and Tony Williams from the time – but there's a vision that's also wider and deeper, too, given the size of the group and the way they interact. Titles include "Hambone", "Los Olvidados", "Malcolm Malcolm–Semper Malcolm", and an insane cover of "Girl From Ipanema". You can't go wrong with this one – trust us! CD also features a bonus live version of "Hambone"! CD
(Out of print.)

Possible matches52
CD, LP, Vinyl record album cover art
✨✧ Wayne ShorterAll Seeing Eye ... LP
Blue Note, 1965. Near Mint- ... Temporarily Out Of Stock
An excellent set of some fairly out material – performed by Shorter with a group that includes Freddie Hubbard, Grachan Moncur, James Spaulding, Herbie Hancock, and a rare appearance by his brother Alan on flugelhorn! At times, the record builds into a sound that's freer and more challenging than on some of Shorter's other albums from the time – but it does so in more of the "new thing" mode that you'd hear on records from the time by Jackie McLean or Moncur, with an overall sense of purpose that really keeps the message clear. Features all original compositions by the Shorter brothers – and cuts include "Chaos", "Face Of The Deep", "Mephistopheles", and "Genesis". LP, Vinyl record album
(70s black b label pressing with Van Gelder stamp. Cover has a small cutout hole.)

Possible matches53
CD, LP, Vinyl record album cover art
✨✧ Lee MorganCornbread ... CD
Blue Note, 1965. Used ... Out Of Stock
A sock-solid sextet session from the mighty Lee Morgan – recorded for Blue Note at the height of his mid 60s powers, and carried off in a beautiful blend of soul jazz and some slight modern touches! The group here is top-shelf all the way through – Jackie McLean on alto, Hank Mobley on tenor, Herbie Hancock on piano, Larry Ridley on bass, and Billy Higgins on drums – the last two of whom do a great job of bringing some complex yet swinging rhythms to the set! The horn soloists are all as sharp as you might expect – and the album's a striking soulful date from McLean at a time when he was mostly going out a bit more. Titles include the funky "Cornbread", the searching "Our Man Higgins", and the lyrical ballad "Ceora" – plus "Most Like Lee" and "Ill Wind". CD
(Out of print.)

Possible matches54
CD, LP, Vinyl record album cover art
✨✧ Wayne ShorterAll Seeing Eye (RVG remaster edition) ... CD
Blue Note, 1965. New Copy ... Out Of Stock
An excellent set of some fairly out material – performed by Shorter with a group that includes Freddie Hubbard, Grachan Moncur, James Spaulding, Herbie Hancock, and a rare appearance by his brother Alan on flugelhorn! At times, the record builds into a sound that's freer and more challenging than on some of Shorter's other albums from the time – but it does so in more of the "new thing" mode that you'd hear on records from the time by Jackie McLean or Moncur, with an overall sense of purpose that really keeps the message clear. Features all original compositions by the Shorter brothers – and cuts include "Chaos", "Face Of The Deep", "Mephistopheles", and "Genesis". CD

Possible matches55
CD, LP, Vinyl record album cover art
✨✧ Archie Shepp5 Original Albums (Four For Trane/On This Night/Fire Music/Mama Too Tight/Way Ahead) (5CD set) ... CD
Impulse/Universal, Late 60s. New Copy 5 CDs ... Out Of Stock
Groundbreaking work from Archie Shepp – 5 albums that helped define the Impulse Records sound of the 60s! First up is Four For Trane – an amazing Impulse debut from Archie Shepp – easily one of his boldest musical statements ever, and a key announcement to the world that a new generation of modernists was on the rise! The album was co-produced by John Coltrane – who brought Shepp to the label, and almost gets out-done by Archie's sharply crafted musical vision on the set. The style here is that mix of freer lines and tighter conception that Shepp used with the New York Contemporary Five – and players include John Tchicai on alto from that group, plus Roswell Rudd on trombone, Alan Shorter on flugelhorn, Reggie Workman on bass, and Charles Moffett on drums. The lack of piano in the album is striking – and allows for plenty of horn interplay, but in a way that's much more cutting and dark than any of the piano-less horn dates from the 50s. Titles include 4 Coltrane compositions ("Syeeda's Song Flute", "Mr Syms", "Cousin Mary", and "Naima"), as sort of a tribute to Trane – plus Shepp's excellent "Rufus (Swung, his face at last to the wind, then his neck snapped)". On This Night is one of his most successful blends of the disparate influences that comprised his style. The group is a bit smaller than usual – which gives good focus to players like Bobby Hutcherson, Henry Grimes, and Joe Chambers. Shepp contributed some of his most haunting compositions to the set – including "On This Night", "The Mac Man", and "The Pickaninny" – and the whole thing's amazing enough to make you a Shepp convert for life. Whenever we get bogged down in some of his later recordings, we only need put this one on and feel refreshed! Fire Music is fantastic stuff – easily one of Archie Shepp's greatest albums, and certainly one of the pivotal points of 60s avant garde jazz! The album features Shepp leading a crack "new thing" line up that includes Ted Curson on trumpet, Marion Brown on alto, Joe Chambers on drums, Reggie Johnson on bass, and the lesser-known Joseph Orange on trombone – all playing in a beautifully poised manner, never too far out and free, but with all the dynamic energy of the best jazz changes of the 60s! There's a vibe here that's similar to some of the Blue Note "new thing" work by players like Grachan Moncur, Jackie McLean, and Tony Williams from the time – but there's a vision that's also wider and deeper, too, given the size of the group and the way they interact. Titles include "Hambone", "Los Olvidados", "Malcolm Malcolm–Semper Malcolm", and an insane cover of "Girl From Ipanema". You can't go wrong with this one – trust us! Mama Too Tight is growing brilliance from the young Archie Shepp – a record that's not just about Archie's own amazing work on the tenor, but also his keen modern vision as a leader! The combo here is an ensemble that features some of the hippest modernists of the 60s – Roswell Rudd and Grachan Moncur on trombone, Perry Robinson on clarinet, Howard Johnson on tuba, Charlie Haden on bass, and Tommy Turrentine on trumpet – making a rare non-bop appearance here, and further enforcing our already-high estimation of his talents! The style's somewhat in the "new thing" mode of the period, but it's also a bit more tightly arranged too – almost hitting Mingus-like modes for the bigger ensemble – balancing the force of the group together with very free, bold solo impulses from the players. Side one features the extended "Portrait Of Robert Thompson (As A Young Man)" – and side two features "Mama Too Tight", "Theme For Ernie", and "Basheer". Way Ahead Is definitely the way ahead in jazz – back in the 60s, and well into the 21st Century too! Archie Shepp's in prime form here – working with a sextet that's awash in avant freedoms, but which always shows a great sense of restraint – just the right power gained from the new modes of jazz expression, as the players dance together beautifully on a razor's edge of personal creativity and ensemble exploration. Players here include Grachan Moncur on trombone, Jimmy Owens on trumpet, Ron Carter on bass, and Beaver Harris and Roy Haynes on drums – and the album also features the first piano player on most of the Shepp albums on Impulse – Walter Davis Jr, making a rare outside appearance with the group! Titles include the classic track "Frankenstein", plus "Fiesta", "Damn If I Know (The Stroller)", and "Sophisticated Lady" – all nice and long! CD

Possible matches56
CD, LP, Vinyl record album cover art
✨✧ VariousSpiritual Jazz 9 – Blue Notes – Modal, Esoteric & Deep Jazz From The Vaults Of Blue Note Records 1962 to 1976 ... CD
Blue Note/Jazzman (UK), Late 60s/Early 70s. New Copy 2CD ... Out Of Stock
A great look at a sometimes-forgotten side of the legendary Blue Note Records label – the company's strong wave of spiritual jazz material recorded during the 60s and early 70s – extremely fine music that's often eclipsed next to the company's better-known hardbop and funky jazz! As the 60s moved on, Blue Note became an even more open-minded label than before – and not only gave some of its key players the chance to stretch out and really spread their wings – but also brought some younger talents into the mix, who really expanded the vision of the Blue Note sound. Some of the tracks here are from the middle of the decade – and reflect more of the growing interest in modal jazz spurred on by Coltrane, Miles Davis, and others – while some of the later tracks are surprisingly righteous, sometimes political moments from players who would have sounded very different just a few years before. The package is done with the same amazing care and fantastic set list as previous Spiritual Jazz collections from Jazzman – and titles include "Verse" by Bobby Hutcherson, "Footprints" by Wayne Shorter, "At This Point In Time" by Elvin Jones, "The Rain" by Eddie Gale, "Poinsettia" by Andrew Hill, "Searchin The Trane" by Bobby Hutcherson, "The Phantom" by Duke Pearson, "Assunta" by Freddie Hubbard, "El Barrio" by Joe Henderson, "Plight" by Jackie McLean, "Gichi" by Booker Ervin, "Igbesi Aiye" by Solomon Ilori, "Blue Spirits" by Freddie Hubbard, "Cristo Redentor" by Duke Pearson, "The Morning After" by Hank Mobley, "Indian Song" by Wayne Shorter, and "Malaguena" by Pete LaRoca. CD

Possible matches57
CD, LP, Vinyl record album cover art
✨✧ VariousSpiritual Jazz 9 – Blue Notes – Part 2 – Modal, Esoteric & Deep Jazz From The Vaults Of Blue Note Records 1962 to 1976 ... LP
Jazzman (UK), 1960s/1970s. New Copy 2LP Gatefold ... Out Of Stock
A great look at a sometimes-forgotten side of the legendary Blue Note Records label – the company's strong wave of spiritual jazz material recorded during the 60s and early 70s – extremely fine music that's often eclipsed next to the company's better-known hardbop and funky jazz! As the 60s moved on, Blue Note became an even more open-minded label than before – and not only gave some of its key players the chance to stretch out and really spread their wings – but also brought some younger talents into the mix, who really expanded the vision of the Blue Note sound. Some of the tracks here are from the middle of the decade – and reflect more of the growing interest in modal jazz spurred on by Coltrane, Miles Davis, and others – while some of the later tracks are surprisingly righteous, sometimes political moments from players who would have sounded very different just a few years before. The package is done with the same amazing care and fantastic set list as previous Spiritual Jazz collections from Jazzman – and titles on this second volume include "El Barrio" by Joe Henderson, "Plight" by Jackie McLean, "Gichi" by Booker Ervin, "Igbesi Aiye" by Solomon Ilori, "Blue Spirits" by Freddie Hubbard, "Cristo Redentor" by Duke Pearson, "The Morning After" by Hank Mobley, "Indian Song" by Wayne Shorter, and "Malaguena" by Pete LaRoca. LP, Vinyl record album

Possible matches58
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Davis Vol 1 (Japanese paper sleeve edition) ... CD
Blue Note (Japan), 1952. Used ... Out Of Stock
Brilliant early work by Miles Davis – some of his first truly important sessions to appear under his own name, recorded with players that include Jimmy Heath, JJ Johnson, Gil Coggins, Art Blakey, Kenny Clarke, Jackie McLean, and Oscar Pettiford. Tunes are shorter, and perhaps more boppish, than you might expect from some of Miles' other 50s work – but in a way that still allows for many moments of lyrical beauty, and that brilliantly cool sound of his which forever changed the sound of jazz trumpet. Titles include "Tempus Fugit", "Kelo", "Enigma", "Ray's Ida", and "CTA". CD
(Out of print. Includes obi.)
 
 
 



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