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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A big change of sorts for Mahavishnu Orchestra – a record that has the group actually acting like the larger ensemble promised in their name! Although their first few efforts were smaller combo affairs, this set has the group completely transformed – with only John McLaughlin's guitar ... LP, Vinyl record album
A key record in Deodato's move from funky jazz in the 70s to modern soul in the 80s – and one that showcases the best of his talents in both genres! The approach here is more tightly arranged and produced than that of his earlier CTI sides – but in a mode that's still plenty nice to ... LP, Vinyl record album
A super huge hit for George Benson – and the record that took him from being a funky jazz guitarist into an R&B superstar – opening up sides of his talent that first emerged on his 50s R&B recordings as Little George Benson, but taken here into some very hip 70s territory! The ... LP, Vinyl record album
A beautiful late chapter in the jazz journey of Rahsaan Roland Kirk – and an album of subtle genius that's really opened up to us over the years! The setting here isn't as "hit you over the head" as on some of Kirk's Atlantic Records – because at one level, the tunes are ... LP, Vinyl record album
Late 70s work from Deodato – quite different than his bossa organ work of the 60s, and early 70s funk sides – but pretty darn great nonetheless! The album shows Deodato's continuing shift towards a more soul-based sound – and it mixes together a smoother club sound with jazzier ... LP, Vinyl record album
A wonderful record from guitarist Laurindo Almeida – way way better than the title might make you think, and quite different from his albums for Capitol! The album is subtitled "electronic excursions", and while it's not exactly electronic, it does feature Almeida soloing over some ... LP, Vinyl record album
Beautiful later work from guitarist John McLaughlin – a record that moves heavily into a Brazilian-inspired vibe – not necessarily in the actual style of the music, but more in the sunny spirit that embraces the whole session! The album was recorded in Paris with airy backing that ... LP, Vinyl record album
Larry Carlton looks a little cheesy on the cover of this one, but the album's a classic set of mainstream fusion from the start of the 80s – exactly the kind of record that made Carlton one of the standouts of the time! Larry actually sings a bit on the set, but the main focus is on his ... LP, Vinyl record album
A solidly soulful session from Stanley Turrentine – one of his few Blue Note dates in the company of organist Shirley Scott, and possibly the hardest-hitting of the bunch! The album's got a great added element in the front line – the trumpet of Blue Mitchell, which really rounds out ... LP, Vinyl record album