Amazing work from the legendary Tim Buckley – and one of the records that truly shows why his music was unlike anything else that ever came before! The blend of folksy and jazzy roots really takes off here – stretching forth at times with a spacious feel that's airy, yet full of feeling – as Tim's magnificent vocals are backed by key instrumentation from Lee Underwood on guitar and organ, plus a small lineup of tenor, flute, trumpet, and bass – all bringing some jazzy phrasing to the mix. Tim himself plays 12 string guitar, at a level that's both complex yet completely organic – and titles include the sublime "Song To The Siren", a heavenly tune that perfectly sums up his genius, and which would be enough of a legacy, even if it was the only cut he ever recorded – plus "Monterey", "Come Here Woman", "Jungle Fire", and "Starsailor". LP, Vinyl record album

Features the tracks "A Room Without Windows", "The Friendliest Thing", "Hello Dolly", "It Only Takes A Moment", & "Dancing". LP, Vinyl record album

One of the coolest records ever from guitarist Philip Catherine, and one of the funkiest too – thanks to a really sharp edge that you won't find on some of his other albums, and lots of Fender Rhodes from the legendary Marc Moulin too! Some of Catherine's other records of the 70s were a bit laidback or noodly – but this set's got a strong, soulful drive all the way through – a nice focus that may well come from the production of Sacha Distel, himself a onetime guitarist! But the group's just got things right on the money, right from the start – with some very strong funky drums from Freddy Rotheir, plus trombone from Jiggs Wigham and both bass and flute from Freddy Deronde. Titles include "Bassline", "Let's Put It Like This", "Stream", "Foire", "Face", "Jeux Interdits", and "Memphis Talk". CD features three bonus tracks too – the unreleased "Next Time" and "Enfin Bref" – and an extended version of "Bassline". CD

The classic debut from Change – and the start of an amazing run of groovers in the early 80s! The set's got a tight, jazzy feel throughout – a stripped-down approach to disco modes, with the same focus on the basslines that you'd find in work by Chic – but a style that's almost even more instrumentally focused overall, given the great range of studio players who worked on the set. Yet there's also some key vocal moments, too – work by Luther Vandross that really helps make some of the best tracks sparkle, and which went onto catapult Vandross into a rich solo career on his own. The set's filled with sharp rhythms and sweet jazzy changes – and titles include the classics "The Glow Of Love" and "Searching", both with Luther, plus "Lover's Holiday", "Angel In My Pocket", and "The End". CD

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US issue of a bunch of sides that Pet cut for Vogue Records, with classic Tony Hatch arrangements backing her up. The titles aren't ones that are usually associated with Petula, but she makes them her own with groovy Brit pop arrangements. Titles include "Volare", "Morgen", "The Boy From Ipanema", "I (Who Have Nothing)", and "Never On Sunday". LP, Vinyl record album

The first two albums by Cold Blood – a Bay Area collective of soul and rock players, with a sound that's a jamming tribute to the harder soul of the late 60s. Lydia Pense's the lead singer – with a style that's kind of a sweeter take on the Tina Turner sound – and the mixed band grooves on organ, guitar, and horns, in a style that's very much in the Memphis soul bag. Titles include "Watch Your Step", "You Got Me Hummin", "I Wish I Knew How It Would Feel To Be Free", "Too Many People", "Funky On My Back", "Shop Talk", "Your Good Thing", and "I'm A Good Woman". CD

Maybe the best album ever from this seminal British jazz rock combo – a record that really has the group stretching out in the expanded space of a concert setting! Colosseum were already one of the best groups to mix jazzy currents and heavy rock modes – but they really set a fire with this brilliant live album – which really gave the group plenty of room to show off their instrumental chops! Immediate Records star Chris Farlowe is on vocals – but the real charm of their sound comes from the tenor and soprano sax work of Dick Heckstall Smith, the Hammond and vibes of Dave Greenslade, and the heavy drums of Jon Hiseman – who really keeps things in the pockage, and provided more than a few funky passages on the album. Titles include "Lost Angeles", "Rope Ladder to The Moon", "Walking In The Park", and a version of Michael Gibbs' "Tanglewood 63". LP, Vinyl record album

A beautiful record from Alice Coltrane – a swirling mix of spiritual jazz and themes from Indian music! Alice plays organ, Fender Rhodes, and harp – building the sound as the album progresses, from simple airy strings to an earthier groove that features vocal refrains in unison with the keyboards, chanting away, over and over, stretching to the heavens in a cosmic groove! Most of the other musicians are Indian musicians, and the record features a lot of variations on traditional Indian themes – including "Sivaya", "Ghana Nila", and "Bhaja Govindam" – plus the original tracks "Transcendence" and "Vrindavana Sanchara". LP, Vinyl record album

Alice Cooper at his most sinister – crossing over big, but still keeping plenty of the lean, mean edge from the early days! The package does more than enough to live up to the hype that was building around Cooper at the time – building hip up as much as a baby-chopping monster as much as a hard Detroit rocker – and the album's filled with well-focused tunes that definitely helped propel hard rock into the American mainstream! Titles include the classic "No More Mr Nice Guy" – plus "Elected", "I Love The Dead", "Hello Hurray", "Sick Things", and "Billion Dollar Babies". CD

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Pure early genius from Alice Cooper – a set that might not have been as big of a hit as some of his other early 70s albums, but which also shows the singer to be very much at the top of his game! Some of the tracks here follow familiar Cooper territory – sinister, hard-rocking energy with a no-nonsense approach – but there's also some deeper elements handled nicely by Bob Erzin – with qualities that now feel years ahead of their time, and maybe even an influence to later folks who never would have admitted such a link! Titles include the fantastic "Halo Of Flies" – plus "Under My Wheels", "Be My Lover", "You Drive Me Nervous", "Yeah Yeah Yeah", "Dead Babies", and "Killer". CD

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A classic from Crackin – an overlooked 70s band, but a great one too – working together here in a hip mix of soul, funk, and fusion – one that's not unlike Average White Band at their best! As with AWB, Crackin really have a great way with a bassline – letting things bump along nicely at the bottom, and adding in some jazzy instrumentation on keyboards, guitar, and a bit of horns. Vocals are often sung by the group together, furthering the ensemble groove of the set – and titles include "It Just Takes Awhile", "I Know You Can", "Do You Need More Time", "You'll Feel Better", "The World's A Fool For You", and "Don't You Wish You Could Be There". CD

Crackin definitely have a special touch on this 70s set – a way of mixing together funk, soul, and jazz influences – all in a groove that's every bit as tight as contemporaries like Rufus or Average White Band, even though Crackin never reached the heights that they did! The core instrumentation is always right on the money, and never too overproduced – letting guitars and keyboards lay out the groove, then bringing in vocals from Leslie Smith and Arno Lucas, both great singers who sound especially nice when they come together. Tunes are wonderfully written – quite memorable, without ever sounding like commercial hits – and titles include "Nobody Else", "Double Love", "Too Young", "I Could Be Anything", "Don't Cha Love Me", "In Between", and "Kalalee". CD

Randy Crawford's working here with arrangements and production from Reggie Lucas – all very much in that sweet 80s style he was bringing to work with other artists at the time! There's plenty of beats, guitars, and keyboards in the instrumentation – pushing an overall sound that's more electric than some of Randy's jazzier sides from the early days. But Ms Crawford's vocals come out strongly on top of it all – with a poised presence that's clearly the main focus of the set. Lucas plays guitar, and also wrote a few of the tracks – and titles include "Can't Stand The Pain", "Actual Emotional Love", "World Of Fools", "Betcha", "Desire", "Getting Away With Murder", and "Almaz". CD

A great mix of jazz and soul from Randy Crawford – and a 90s set that almost takes us back to the best sounds of her early career in the 70s! The work here is nicely relaxed – not trying for a hit, even when things are smooth or a bit uptempo – especially given the mis-steps that Randy might have made with some of the mainstream genres of the time. A few cuts feature nicely restrained instrumentation – especially Crawford's leadoff duet with pianist Lou Levy on a version of "I'm Glad There Is You". Other tracks include "In My Life", "Why Can't We Take A Chance", "Year After Year", "Mad Over You", "Don't Say It's Over", and "Can We Bring It Back". CD

One of the coolest soundtracks ever for a Burt Reynolds film – an a hip mix of soul and jazz tracks that's gone onto become a classic over the years! The album's a compilation of sorts, but most of the material was recorded fresh for the film – and the different artists really work together here to forge some great backdrops for the action on the screen! Al Capps handled the larger charts, but most numbers really spotlight an individual artist – and highlights include Randy Crawford singing a new version of "Street Life" – different than the one with The Crusaders – Sarah Vaughan singing "Love Theme From Sharky's Machine", Peggy Lee vocals on "Let's Keep Dancing", and Julie London singing "My Funny Valentine" – as one of the first recordings after many years of retirement. Other great numbers include "Dope Bust" by Flora Purim & Buddy DeFranco, "Sharky's Theme" by Eddie Harris, "Before You" by Sarah Vaughan & Joe Williams, "8 To 5 I Lose" by Joe Williams, and the instrumental cuts "Sexercise" and "High Energy" by Doc Severinsen. LP, Vinyl record album

Titles include the seminal "There She Goes Again" – plus "She Can't Dance", "Mary Anne", "Cynical Girl", "Soldier Of Love", "I'll Do Anything", and "Girls". CD

2 tracks from Cut Chemist's Audience's Listening LP – one an instrumental tapestry of Brazil-influenced moods – one featuring a duo of underground MCs! "Garden" is built around an Astrud Gilberto sample, but that's just a starting point for some really great production wizardry by Chem! "Storm" has kind of a terse, futuristic sound – out of character for Cut Chemist, and all the better for it, and features rhymes by Edan & Mr Lif. 12-inch, Vinyl record

One of the crowning classics from the early years of Deep Purple – and a set that will forever be remembered for giving the world the classic rock anthem "Smoke On The Water"! Yet the record as a whole is even better – and is filled with some long-burning, hard-wailing tracks that easily put Deep Purple in the company of the heaviest groups of their generation – thanks to some killer contributions from Ritchie Blackmore's guitar! The whole thing packs a hell of a punch when taken in a full dose – from the start of "Highway Star", to the last notes of "Space Truckin" – and all the great in-between sounds from "Pictures Of Home", "Maybe I'm A Leo", "Never Before", "Lazy", and "Smoke On The Water". CD

Devo's second album didn't scare the bejesus out of 70s rock fans in the way of their agitpop masterpiece debut, and the group's mainstream salad days of "Whip It" were still another year or two away, but nowadays we wouldn't trade Duty Now For The Future for just about any post punk album of the time! At this point the punk-era crunch was still a sizable portion of the plate – for that extra aggro kick behind the squealing synthesizers and primitive electronics. Long underappreciated, and all but ignored in the CD era, Duty. . .has excellent tracks that will always be loved by the Spuds even if WEA kept it buried too long! "Devo Corporate Anthem", "Clockout", "Wiggly World", "Blockhead", "Smart Patrol/Mr. DNA", "Red Eye" and more. LP, Vinyl record album

The era that catapulted cult heroes Devo into pop culture history – with bubblier synths, catchier hooks, and crazier multimedia shenanigans than ever before from these pioneers of the video era – and time capsule pop angle aside, one of the best and most innovate pop albums of its time! It's pretty hard to imagine the early 80s without Devo, but the group and this record is just as amazing decades later, since there was never anyone else like them! Includes "Girl U Want", "It's Not Right", "Whip It", "Freedom Of Coice", "Cold War", "Don't You Know", "Gates Of Steel" and more. LP, Vinyl record album

The era that catapulted cult heroes Devo into pop culture history – with bubblier synths, catchier hooks, and crazier multimedia shenanigans than ever before from these pioneers of the video era – and time capsule pop angle aside, it's still one of the best and most innovate albums of its time! It's pretty hard to imagine the early 80s without Devo, but the group and this record is just as amazing decades later, since there was never anyone else like them! Includes "Girl U Want", "It's Not Right", "Whip It", "Freedom Of Coice", "Cold War", "Don't You Know", "Gates Of Steel" and more. LP, Vinyl record album

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The album that catapulted Dire Straits into the bigger mainstream – thanks in part to some heavy play on MTV, and the group's inventive use of the video format! Titles include "Brothers In Arms", "Walk Of Life", "The Man's Too Strong", "One World", "So Far Away", "Your Latest Trick", "Why Worry", "Ride Across The River", and "Money For Nothing". CD

The album that catapulted Dire Straits into the bigger mainstream – thanks in part to some heavy play on MTV, and the group's inventive use of the video format! Titles include "Brothers In Arms", "Walk Of Life", "The Man's Too Strong", "One World", "So Far Away", "Your Latest Trick", "Why Worry", "Ride Across The River", and "Money For Nothing". LP, Vinyl record album

An understated masterpiece of songwriting strengths from Mark Knopfler – recorded with an equally understated vibe at Compass Point – with titles that include "Portobello Belle", "Lady Writer", "Angel Of Mercy", "Once Upon A Time In The West", "News", "Where Do You Think You're Going", "Follow Me Home", "Single Handed Sailor", and "Communique". LP, Vinyl record album

The first classic statement from Mark Knopfler and the quartet – with the classic "Sultans Of Swing", plus "Lions", "Wild West End", "Southbound Again", "Six Blade Knofe", "Down To The Water Line", "Setting Me Up", and "In The Gallery". LP, Vinyl record album

The first classic statement from Mark Knopfler and the quartet – with the classic "Sultans Of Swing", plus "Lions", "Wild West End", "Southbound Again", "Six Blade Knofe", "Down To The Water Line", "Setting Me Up", and "In The Gallery". CD

Dire Straits stretch things out a bit here, on the 14 minute leadoff track "Telegraph Road" – alongside shorter nuggets that include "Love Over Gold", "It Never Rains", "Industrial Disease", and "Private Investigations". LP, Vinyl record album

The third album in a classic run from Dire Straits – with titles that include "Expresso Love", Romeo & Juliet", "Skateaway", "Les Boys", "Hand In Hand", "Solid Rock", and "Tunnel Of Love". LP, Vinyl record album

The final studio album from Dire Straits – with titles that include "The Bug", "You & Your Friend", "My Parties", "Planet Of New Orleans", "How Long", "Ticket To Heaven", "Fade To Black", "On Every Street", "Iron Hand", "Calling Elvis", and "Heavy Fuel". CD

The final studio album from Dire Straits – with titles that include "The Bug", "You & Your Friend", "My Parties", "Planet Of New Orleans", "How Long", "Ticket To Heaven", "Fade To Black", "On Every Street", "Iron Hand", "Calling Elvis", and "Heavy Fuel". LP, Vinyl record album

Eric Dolphy on alto sax with Art Davis, Erik Moseholm, George Duvivier, George Tucker, Joe Benjamin, Ron Carter & Sam Jones on bass, Arthur Taylor, Charles Persip, Elvin Jones, Jorn Elniff & Roy Haynes on drums, Bent Axen, Jaki Byard, Mal Waldron, McCoy Tyner, Richard Wyands & Walter Bishop Jr on piano & Booker Little, Freddie Hubbard & Richard Williams on trumpet. CD

Includes "What A Fool Believes", "Minute By Minute", "Sweet Feelin", "Open Your Eyes", "Here To Love You", "You Never Change", and "Dependin On You". CD

Easily one of the Doobies' biggest pop moments of the 70s – presented here in a promo-only single with a special "disco mix" that really just seems to improve the sonic quality of the tune, and not change up the overall song at all. 12-inch, Vinyl record

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A short, brilliant blast of creative wordplay from Earl Sweatshirt – who'd been riding a peak for years leading up the Feet Of Clay and shows no signs of coming down – with production by ES himself, Alchemist, Ovrcast and a Mach Hommy, all tasked with providing a moody, headnodding backdrop for such a distinctive figure, and they pull it off perfectly. The vinyl version of Feet Of Clay plays longer than the earlier digital releases, but it still has the short and sweet feeling of being dropped into a strangely lyrical dream and lifted out before you wake up. 9 tracks that for the most part find Earl in peak unfiltered stream of consciousness flow from beginning to end, each track seamlessly floating to the next. Includes "74", "East", "Mtomb" feat L.Ive, "OD", "El Toro Combo Meal" feat Mavi, "Tisk Tisk/Cookies" and "4N" feat Mach Hommy, "Ghost" and "Whole World". LP, Vinyl record album

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A pair of spiritual soul classics – the rare early Warner Brothers albums from Earth Wind & Fire – back to back on a single CD! Earth, Wind & Fire's first album was recorded at a time when the group recently had ties to the Chicago soul and jazz scenes, and a range of experience that ran the gamut from work with Sun Ra, the Artistic Heritage Ensemble, The Pharoahs, Ramsey Lewis, and countless other influential groups. Headed up by Maurice White on drums and percussion, the group forged an amazing blend of all these influences, creating a future soul sound that pushed black music to the next level – taking a wealth of previously underground modes of expression, and fusing them into a soaring sound that would soon put them at the top of the charts. This album's a lot looser and freer than their Columbia albums – with plenty of raw funk and some nice off-beat jazz soling. Includes the classic break track "C'Mon Children", plus "Fan The Fire", "Bad Tune", and "Moment Of Truth". Need Of Love is one of the two early Earth Wind & Fire LPs recorded for Warner – and the one that shows their amazing roots in the avant-garde jazz scene in Chicago! At the forefront, the record's a righteous soul album with an ensemble funk sound – but deeper in, there's a lot of jazz-based playing, and a number of moments that almost get "out" in the solos! Surely this one couldn't have been made without the spiritual advancements in jazz made by the AACM – and EWF couldn't have helped rubbing shoulders with those players, considering that they all often gigged together in the Chicago studio scene, and that they'd also shared some time together in groups like The Pharoahs and Phil Cohran's Artistic Heritage Ensemble. Titles include "Energy", "Beauty", and a nice remake of Donny Hathaway's "Everything is Everything". CD

Not the Prince music from the first Batman film – but all those other sounds that were used in the movie, penned and produced at a surprisingly strong level by Danny Elfman – who shows the world that he's got a lot more to offer than just his previous work in the group Oingo Boingo! This isn't a rock soundtrack by a fading talent from the mainstream – and instead, it's one of Elfman's first full forays into scoring – performed by the Sinfonia of London with a richness that's given the music maybe a more enduring quality than the film! Titles include "Waltz To The Death", "Roof Fight", "Batman Theme", "Clown Attack", "Flowers", "Roasted Dude", "The Joker's Poem", and "The Bat Cave". LP, Vinyl record album

A great collection of tracks by one of the most-overlooked female singers of the late 60s! The set's put together by Ichiban, but it features 23 tracks from Lorraine's years at Warner Brothers – including nearly all of her hard to find Stay With Me album, a few b-sides, and even some unissued material. The overall sound is a mix of smooth production with Lorraine's raw gospelly vocals – and tracks include "Doin Me Dirty", "Stay With Me", "A Good Love", "I've Got My Baby Back", "I'll Fly Away", "I'll Be Home", and "Only Your Love". CD

A classic album of steel band grooving – a sound that made a surprising crossover in the American soul market in the early 70s! This album's one of the most famous of the genre – a session that was originally produced by Van Dyke Parks for Warner Brothers, and which has a nice blend of Caribbean and American soul styles. From our end, the highlight seems to be a cover of "I Want You Back", a cool groover that's done in a nice jangly way that works well with the steel drums. Other tracks include "Come To The Sunshine", a wonderful Van Dyke Parks composition that actually seems to be mixed here with some bits of the original recording – plus "Ride On Sammy", "Aquarium", "Sabre Dance", and an insane version of The Kinks' "Apeman". Also includes a bonus DVD – which documents the group's 1973 US tour, released here for the first time ever! CD

Sublime late live work from Bill Evans – a well-recorded performance for French radio, and one that really stands out from some of the scratchier late 70s concerts on the market! Bill's working here with a sound as sensitive and picturesque as the cover image – never pushing things too hard, but letting each tune unfold organically in waves of sound few other players could conjure up! Trio musicians include Marc Johnson on bass and Joe LaBarbera on drums – and titles on this first volume include "Quiet Now", "My Romance", "Noelle's Theme", "I Loves You Porgy", and "Up With The Lark". CD

Produced by Bilal Bashir. 12-inch, Vinyl record

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Sublime country rock and superb vocals from the Everly Brothers – an album as close to our hearts as the much more hipster-celebrated work of the era by Gram Parsons, the Byrds and others! The Everlys grasped onto their significance throughout the 60s by hopping from trend to trend with little success – but they finally nailed it in 1968 with this effort. (Artistically, if not commercially.) The boys apply their staggering harmonies to country and country-ish material, adding their own unique spin to the tunes – and earnestly work in some montages of their family radio shows from the early 50s! It's easily their most endearing work of the 60s. Produced by Lenny Waronker with strings by Nick DeCaro. Includes wonderful versions of Jimmie Rodgers' "T For Texas", "Shady Grove", Randy Newman's "Illinois", Ray Price's "You Done Me Wrong", Merle Haggard's "Mama Tried" and "Sing Me Back Home", plus "Ventura Boulvard" and "Turn Around" written by Ron Elliot of Beau Brummels. CD

Three overlooked gems by the Everly Brothers – all very different than their early hits, and very much in the hippest territory the duo would ever hit! First up is The Hit Sound Of The Everly Brothers – a really amazing little album, and not a set of the pair's earlier hits, but instead an all new recording that has the duo moving into rootsier modes that rub shoulders with the same country rock territory of The Byrds and Flying Burrito Brothers! In truth, Don and Phil Everly are probably more important to the rise of the sound than anyone else – as their early work took a bluegrass harmony style, and moved it onto the rock charts – yet here, they almost seem to move backwards, and nod back to their roots – while still showcasing plenty of electric guitar in the mix. Most tunes are hits by other artists, but transformed with very hip late 60s Warner presentation – think Beau Brummels on Bradley's Barn – and titles include "Devil's Child", "Legend In My Own Time", "I'm Movin On", "Let's Go Get Stoned", "She Never Smiles Anymore", and "Sea Of Heartache". Sing is a record that has The Everly Brothers in a completely different mode than before, as you might guess from their look on the cover – a record that has Don and Phil moving into some very cool rootsy territory – really opening the door towards a generation of country rock to come, but at a level that reminds us that they maybe got the whole thing going in the first place! Production is in a very cool late 60s Warner Brothers mode – echoes of folk, psych, and sunshine in the mix – but all handled with this mature style that's at once sophisticated, yet completely down to earth – in a set of original tunes by the brothers, plus some gems from Terry Slater too – completely wonderful music that includes "Bowling Green", "A Voice Within", "I'm Finding It Rough", "Do You", "Mary Jane", "It's All Over", and "Talking To The Flowers". Roots is sublime country rock and superb vocals from the Everly Brothers – an album as close to our hearts as the much more hipster-celebrated work of the era by Gram Parsons, the Byrds and others! The Everlys grasped onto their significance throughout the 60s by hopping from trend to trend with little success – but they finally nailed it in 1968 with this effort. (Artistically, if not commercially.) The boys apply their staggering harmonies to country and country-ish material, adding their own unique spin to the tunes – and earnestly work in some montages of their family radio shows from the early 50s! It's easily their most endearing work of the 60s. Produced by Lenny Waronker with strings by Nick DeCaro. Includes wonderful versions of Jimmie Rodgers' "T For Texas", "Shady Grove", Randy Newman's "Illinois", Ray Price's "You Done Me Wrong", Merle Haggard's "Mama Tried" and "Sing Me Back Home", plus "Ventura Boulvard" and "Turn Around" written by Ron Elliot of Beau Brummels. 3CD set features lots more bonus tracks – including "When Eddie Comes Home", "Empty Boxes", "Milk Train", "Lord Of The Manor", "My Elusive Dreams", "You're Just What I Was Looking For Today", "Omaha", "Mr Soul", Shop Girl", "Human Race", "A Little Bit Of Crazy", "Nothing But The Best", and "Love Of The Common People". CD

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An amazing collection – filled with rare material, live recordings, and other gems that will help expand the all-too-small catalog of Faces albums! Completely essential if you love The Faces – with lots of new stuff. CD

A posthumous collection of work from The Faces – a set of some of their best material from the early 70s, served up as a swan song to the great group who was bound to implode at some point in their career! Rod Stewart is amazing here – even more ferocious than on his own early solo work – and the Ronnies, Wood and Laine, are both superb – at a level that always has us trading our old Rolling Stones records for Faces albums – even at a ratio of three to one. Titles include "Cindy Incidentally", "Pineapple & The Monkey", "Flying", "Sweet Lady Mary", "You Can Make Me Dance Sing Or Anything", "Stay With Me", "Had Me A Real Good Time", "Silicone Grown", "Around The Plynth", "Miss Judy's Farm", and "Ooh La La". LP, Vinyl record album

A bit of jazzy magic from Fagen – stepping out from the cover of Steely Dan after the Gaucho album, and sounding pretty darn great on his own! The record is almost nostalgic, going back to a 50s of Brubeck, abstract expressionism, and pre-Castro Havana – filled with images that are a bit less oblique than those of Fagen's work with Steely Dan, and a love for the subject matter that makes us like the record even more. Musically, the set follows strongly from Gaucho, but has perhaps a bit more straight jazz – and titles include "The Goodbye Look", "Walk Between Raindrops", "IGY", "Green Flower Street", and "New Frontier". CD

A mix of Latin modes and soulful fusion grooves – both of which make for an excellent album from the post-CTI years of reedman Joe Farrell! Joe plays soprano, tenor, and flute on the record – always with that well-crafted groove he first brought to jazz back in the 60s, working in a more modern context – still sounding wonderfully fresh here in the larger backdrops of a record like this – definitely a cut above most mainstream artists of his nature! Production is by Ralph MacDonald and William Eaton, with a great blend of soul and jazz – and all cuts are instrumental, with help from players who include Eric Gale on guitar, Richard Tee on keyboards, Anthony Jackson on bass, and Steve Gadd on drums. Titles include "Promise Me Your Love", "La Catedral Y El Toro", "Disco Dust", "Cyclone Rider", "Is It Asking Too Much", and "Imagine Me". CD

The Flaming Lips collaborate with a wildly diverse roster of "heady fwends" for this limited edition release – a few previously released, though hard-to-find flaming embers are on here, and some material we've never seen before! Wayne Coyne & the group have always been master conceptualists, and putting together this incredible compilation of their adventurous collaborations as a limited vinyl package is a particularly inspired move, even by Flaming Lips standards! Guests include Biz Markie, Ke$ha, Yoko Ono, Chris Martin, Neon Indian, Lightning Bolt, Prefuse 73, Jim James of My Morning Jacket, Nick Cave, Bon Iver, Chris Martin of Coldplay, Erykah Badu and others. LP, Vinyl record album

One of the most classic albums of the 70s – a never-ending hit that's continued to inspire generations! Back in the early years of punk, we were thinking that Rumours was a record that would pass by quickly – but it turns out to have a fair bit more staying power than Never Mind The Bollocks – and continues to get new interest and new appreciation as the years go on! And, after decades, we're finally on board with the greatness of the record, and everything the group was going through, and put into the songs within – a classic lineup that includes "Dreams", "Don't Stop", "Never Going Back Again", "Go Your Own Way", "The Chain", "You Make Loving Fun", "Oh Daddy", and "Gold Dust Woman". CD

Overblown for its time, and almost crushed under its own weight – but a record that's lasted surprisingly well over the years! Titles include "Sara", "Tusk", "Walk A Thin Line", "That's Enough For Me", "Brown Eyes", "Save Me A Place", and "What Makes You Think You're The One". CD