This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
A live album, but every bit as seminal as the studio sides that Pat Metheny cut for ECM at the time – and proof that the Metheny magic was clearly his own, and not just a product of studio tricks by Manfred Eicher! The set reprises tunes and themes from a variety of Metheny's earlier ECM ... CD
A completely solo album from Pat Metheny – but one that still sparkles with the same sort of energy as his fuller group sessions for ECM! At a point when Pat could be content to simply scrawl a few simple lines on the strings of his guitar, he instead does a great job of complicating things ... CD
One of the most striking Pat Metheny albums of the period – as the set features the guitarist working with an all-star group that actually features 2 horn players! The group's a quintet, with Dewey Redman and Michael Brecker on tenor sax – blowing in open and spacious modes that ... CD
Arguably the last great album to come from the classic Pat Metheny collaboration with Lyle Mays – a record that's tightened up considerably from some of the group's earlier efforts, but which gives as its reward some wonderfully compelling tunes! Pat's still very much influenced here by a ... CD
A beautiful late chapter in the jazz journey of Rahsaan Roland Kirk – and an album of subtle genius that's really opened up to us over the years! The setting here isn't as "hit you over the head" as on some of Kirk's Atlantic Records – because at one level, the tunes are ... CD