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Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The title's a bit misleading, but the record's a great one! Oddly, the album's not a follow up to the West Coast Jazz album by Stan Getz – firstly, because it wasn't actually done on the west coast, and secondly, because this one was actually recorded two years before! But that doesn't stop ... LP, Vinyl record album
An incredible album from Wes Montgomery – and the beginning of a whole new sound for his guitar! Wes moves away from his small combo soul jazz roots on the set – and hits a wonderfully sweet new vibe with larger arrangements from Don Sebesky – bigger backdrops that fill in the ... LP, Vinyl record album
Hard swinging orchestral session that's basically an Oliver Nelson project – and it's one of his best, we might add! The "Jazzhattan Suite" is a suite of tracks written as a tribute to New York. Titles of passages include "The East Side/The West Side", "125th & ... LP, Vinyl record album
Louis grooves it nice and hard in this excellent session from his early 50s Verve years – a mixed set of small group and large group numbers, all of them pretty darn tasty! The record kicks off with the tremendous "Skin Deep" title cut – a large group number that features ... LP, Vinyl record album
An understated gem from Gerry Mulligan – one of his first in a run of extremely charming sessions from the early 60s! The album has Gerry blowing in a format that's similar to 50s sides – a quartet with Bob Brookmeyer on trombone, Bill Crow on bass, and Gus Johnson on drums – but ... LP, Vinyl record album
Quite an unusual record for Sonny Rollins – but a great one too! At first glance the concept is a strange one – almost a crazy decision to pair modernist tenorist Sonny Rollins with a set of large brassy arrangements – but oddly, the idea works, and works nicely – as ... LP, Vinyl record album
Prime jam session material from Verve – nothing fancy, but a great vinyl document of the same spirit that Norman Granz was putting into his famous cross-genre concerts at the time! Players include Wardell Gray, Count Basie, Buddy Rich, Stan Getz, Willie Smith, Harry Edison, Freddie Greene, ... LP, Vinyl record album
The sound of Gerry Mulligan in the early 60s – and one of the best records by his larger than usual Concert Jazz Band! Given Gerry's piano-less experiments of the 50s, it's surprising to actually have him as the pianist on this session – hitting the keys with a nice light touch, so ... LP, Vinyl record album
Oscar pays tribute to Frank – but he uses his keys, not his voice – to come up with some great renditions of tunes from Sinatra's classic Capitol years! It's true that Peterson was known to vocalize on some sessions (most notably on his tribute to Nat King Cole, recorded a few years ... LP, Vinyl record album
Charlie Parker takes on the music of Cole Porter – with results that make for some of his most classic moments at Verve! Parker's horn is as hard-bitten as always, but it's also working here in a slightly lyrical vibe – one that brings out the warmth that Charlie could have at just the ... LP, Vinyl record album