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Wizard

LP (Item 2887) Impulse, 1968 — Condition: Used
Gatefold
Out Of Stock

LP, Vinyl record album


4.60 5

One of the key records in Mel Brown's legendary run for Impulse Records – a set that's grittier than most other sides recorded for the label in the 60s, but which also has the tight funky undercurrent we've come to expect from groovy Impulse too! Brown's got a strong blues lineage in his instrument, but he plays it here with a lean, mean style that's mighty nice – no cliches at all, and some of the funky jazz vibe you'd hear from Melvin Sparks or Grant Green on their late 60s work for Blue Note. The group's small, too – which helps keep things tight – and other players include Terry Evans on rhythm guitar, Mack Johnson on trumpet, Clifford Solomon on tenor, Ronald Brown on bass, and Paul Humphrey on drums. Titles include a monster version of "Ode to Billie Joe", plus "Swamp Fever", "African Sweets", "Stop", "Miss An", "W2 Withholding", and "Chunk a Funk". (Rainbow label pressing. Cover has some wear, a cutout hole, some seam splitting, some stains, a name written a few times in pen, and a rip on the back along the bottom. Labels have some pen.)  © 1996-2015, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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