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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the few sides ever cut as a leader by west coast clarinetist Bill Smith – and a pretty groovy session that has the group performing jazz versions of folk tunes, a gimmick that was used briefly around the same time by players that included Harold Land and Benny Bailey. The quartet ... LP, Vinyl record album
Andre Previn's got some very hip pals here – drummer Shelly Manne and bassist Red Mitchell – both frequent partners during the late 50s, especially on this classic run of jazz-Broadway records for Contemporary! The spirit here is very much like that of the famous My Fair Lady date made ... LP, Vinyl record album
Buddy Collette shows off his full range of reed skills here – blowing tenor, alto, flute, and clarinet – in varying lineups that include piano from Don Friedman and Clavin Jackson, drums from Shelly Manne, and bass from John Goodman and Leroy Vinnegar! LP, Vinyl record album
A key early entry in the "jazz meets Broadway" genre – and a record that was so successful, it went onto inspire countless imitations! Shelly Manne's working here in a lightly playful trio setting – alongside Andre Previn on piano and Leroy Vinnegar on bass, in a reading of ... LP, Vinyl record album
Much more interesting than some of Barney's earlier records – possibly because he's working with a hip, flexible combo – one that includes Marv Jenkins on piano and flute, Jerry Good on bass, and Stan Popper on drums. The tracks are a mix of groovers and mellow numbers – with ... LP, Vinyl record album
One of a few rare 60s albums from pianist Dick Morgan – a player from the Washington DC scene who didn't make it onto record that much back in the day! Joe Benjamin plays bass and Ben Riley plays drums, and the set includes a good mix of Morgan originals like "Bash!" and "Settl ... LP, Vinyl record album
Clifford Brown only recorded a handful of sides for Blue Note – but all of the best ones are included in this excellent album – a full length set that culls together Brown's material from the 10" years, issued as a memorial to his early death in 1956! Side one features Brown with ... LP, Vinyl record album
Groovin' set of tracks that has the lady organist in two settings – one with her trio with Jimmy Cobb on drums, the other with a hard swingin' big band led by Oliver Nelson. She's great with Nelson's band, and swings in the same hard way that Jimmy Smith does in the same setting. Tracks ... LP, Vinyl record album
The greatest moment ever from the legendary Bobbi Humphrey – a funky, soulful flute player who had more than her share of great moments over the years! This set may well be the summation of all the genius that Humphrey had to offer – a collaboration with genius producer Larry Mizell, ... LP, Vinyl record album