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This is what it says, that the record is still held fast in shrink-wrap.
We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't
look original, or if the record seems to have undergone some damage over time,
we'll probably take it out of the wrapper to ensure that it's in good shape —
which is why we don't have more of these. In some cases the shrink-wrap may be
torn in spots, but if it's not possible the record has been taken out and played,
the record will still qualify as "Sealed".
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing trumpet in a cool tone that's a ... LP, Vinyl record album
Excellent bop sides cut for EmArcy by Cannonball, collected and assembled in a manner that showcases his wonderfully soulful and hard blowing approach to the alto in the years before Miles recruited him. The set features a host of great sidemen including brother Nat, JJ Johnson, Cecil Payne, Ernie ... LP, Vinyl record album
A great session from 1959 – one that features John Coltrane playing tenor in a combo that's billed as being led by altoist Cannonball Adderley – but which is really more of a Miles Davis combo, without Miles! The set was recorded in Chicago when both were stopping through the city ... LP, Vinyl record album
Fantastic work from the massive electric years of the Cannonball Adderley Quintet – one of the group's last records to feature the keyboards of Joe Zawinul – and also one of the heaviest from the time! The set's a double-length gem that presents the group in an open live setting – ... LP, Vinyl record album
Very early work from Cannonball Adderley – recorded way before the funky years, when he was a hard-wailing soulful soloist with a lot of bop in his style! Cannon's paired here with brother Nat, a good companion even at this early stage – and the two of them solo in front of a large ... LP, Vinyl record album
A great lost chapter in the Cannonball/David Axelrod story! The record features Cannon's classic quintet performing some longer, more serious works with orchestral backing – and the sound is vaguely similar to some of Axelrod's "high concept" work for Capitol. The record features ... LP, Vinyl record album
Almost everything soulful at Capitol Records in the mid 60s – packed together in one sweet little place! The set's a winner in a great line of Cannonball Adderley live dates from the time – produced by David Axelrod, and done with that great mix of angular, slightly electric groove the ... LP, Vinyl record album
Excellent funky jazz from Jeremy Steig – the funkiest flute player we can think of! The record takes up where Jeremy's LPs on Solid State left off – adding Steig's hard-blowing flute to some groundbreaking beat-heavy backings by Gene Perla and Eddie Gomez on bass, Don Alias on drums, ... LP, Vinyl record album
These sides feature Charlie Shavers working with an octet that includes Billy Byers, Jerome Richardson, Budd Johnson, and George Barnes. The tunes on these sides have a more tightly arranged approach than Shavers' other recordings from this period – still with a strong focus on his fluid ... LP, Vinyl record album
A stone classic from Supersax – a record with plenty of classic bop elements, despite a very 70s-styled group name and cover! The combo's a large one, and features tight horn formation deftly cutting through a host of bop classics – lots of ensemble passages at the start, then breakout ... LP, Vinyl record album