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Cannonball Adderley Edit search Phrase match

 
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Exact matches: 52
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Cannonball Adderley74 Miles Away/Walk Tall ... LP
Capitol, 1967. Near Mint- ... $14.99
A stone classic from Cannonball Adderley – and a pivotal set that has him continuing the live recording setting of some of his best 60s albums, while also stretching forward to some of the more inventive ideas of the latter part of the decade! David Axelrod produced, and the album's definitely got his ear firmly in place – a great way of bringing together the album's hip instrumentation – Cannon's alto, Nat Adderley's cornet, and the wicked electric piano of Joe Zawinul – played here in a style that would go onto have a huge influence on countless other musicians on the instrument. Rhythm is by Victor Gaskin on bass and Roy McCurdy on drums – and as with other Axelrod live albums, there's some great spoken bits left in the mix – Cannon's charming conversation with the audience, which really opens up the tunes. Titles include the 2 title hits – "Walk Tall" and "74 Miles Away" – plus "I Remember Bird", "Oh Babe", and "Do Do Do". LP, Vinyl record album
(Rainbow label stereo pressing.)

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyAlabama/Africa (Alabama Concerto/African Waltz) ... LP
Riverside, 1958. Near Mint- 2LP Gatefold ... $14.99
2 fantastic albums, not really in the same bag, but combined for reissue that still works nicely as a set. The first LP, John Benson Brooks' Alabama Concerto was groundbreaking work – not only for Cannonball, but for the jazz concerto format, used to strong effect here in this extended modernist composition. The album's based on a number of historical and mythical southern themes – which keeps it from swinging hard all the way through, the work of Adderley and Art Farmer on the solo sections really opens up the piece and gives it a deep sense of soul. Other players include Barry Galbraith on guitar, Milt Hinton on bass, and Brooks on drums – and themes include "The Loop", "Trampin", "Little John Shoes", "Milord's Calling", and "Rufus Playboy". African Waltz changes up the format entirely, with Adderley's alto fronting a large group conducted by Ernie Wilkins, and featuring a host of hip players like Melba Liston, Oliver Nelson, Jerome Richardson, Ray Barretto, Sam Jones, and Wynton Kelly. The title track is a beautiful reading of Galt MacDermott's "African Waltz" – and other tracks include "Blue Brass Groove", "Something Different", "The Uptown", and "Letter From Home". Wilkins outdoes himself on this one, really providing some strong swinging arrangements that work well with the complicated groove of the project – and in a way, the record feels more like Randy Weston or Melba Liston's at the helm. LP, Vinyl record album

Exact matches3
CD, LP, Vinyl record album cover art
Cannonball AdderleyBest Of Cannonball Adderley (Riverside) ... LP
Riverside, Late 50s/Early 60s. Near Mint- ... $6.99
Pre-soul jazz years for Cannonball – with players who include Milt Jackson or Victor Feldman on vibes, Nat Adderley on cornet, Bill Evans or Wynton Kelly on piano, and Percy Heath or Sam Jones on bass. LP, Vinyl record album
(Cover has light wear.)

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyBig Man ... LP
Fantasy, 1975. Near Mint- 2LP Gatefold ... $11.99
One of the last albums ever issued by the great Cannonball Adderley – and one of the most ambitious, too! The set's a concept album – done in close collaboration with David Axelrod, in a similar spirit to some of Cannon's projects on the zodiac or the bible – but this time turned towards the legend of John Henry! The set's got some fuller orchestrations than some of the others – a bit of strings and a chorus, which sometimes gives the record the feel of a blacksploitation album, sometimes more of a Melvin Van Peebles project. Lead vocals are by Joe Williams, Randy Crawford, and Robert Guillaume – and the core combo features work from Cannonball on alto sax, Dawili Gonga on keyboards, Airto on percussion, and George Bohannon on trombone – on titles that include "Hundred an One Year", "Poundin", "The Steamdrill", "New Star Risin", "On His Bones", "Anybody Need A Big Man", "The Broomstick Song", and "Ten Mile Of Mountain". LP, Vinyl record album
(Cover has a cut corner.)

Exact matches5
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball & Coltrane (aka Cannonball In Chicago) ... CD
Limelight/EmArcy, 1959. Used ... $7.99
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and since Coltrane's sitting in with Cannon – the album's essentially a Kind Of Blue-era Miles album, recorded without Miles on trumpet, and grooving in a slightly more soul-based Adderley mode. Given the presence of Coltrane, there's a bit less of the gutbuckety soul jazz that Cannon was cutting in his own Quintet – but that's more than ok with us, as the Coltrane solos more than make up for that difference! The set's got 2 great originals by Coltrane – "The Sleeper" and "Grand Central" – plus the cuts "Wabash" and "Limehouse Blues". CD
(Out of print.)

Exact matches6
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball Adderley & The Poll Winners ... CD
Riverside/Capitol, 1960. Used ... $6.99
Cannon's left his usual soul jazz combo for this album – and he's recording on the west coast with an all-star group that includes Wes Montgomery on guitar, Victor Feldman on vibes and piano, Ray Brown on bass, and Louis Hayes on drums. The sound's a bit different than usual – with a strong focus on the solos of the big stars, and less on the tight grooving of the group – but that doesn't stop it from being a great set, and Cannon blows in a way that reminds us of his classic Mercury sides. Titles include "The Chant", "Azule Serape", "Never Will I Marry", and "Au Prive". CD
(Out of print.)

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball Adderley & The Poll Winners (Landmark) ... LP
Riverside, 1960. Sealed ... $9.99
Cannon's left his usual soul jazz combo for this album – and he's recording on the west coast with an all-star group that includes Wes Montgomery on guitar, Victor Feldman on vibes and piano, Ray Brown on bass, and Louis Hayes on drums. The sound's a bit different than usual – with a strong focus on the solos of the big stars, and less on the tight grooving of the group – but that doesn't stop it from being a great set, and Cannon blows in a way that reminds us of his classic Mercury sides. Titles include "The Chant", "Azule Serape", "Never Will I Marry", and "Au Prive". LP, Vinyl record album
(80s pressing.)

Exact matches8
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball Adderley Live! ... LP
Capitol, 1964. Near Mint- ... $19.99
Cannonball Adderley with David Axelrod production – a combination that couldn't miss back in the 60s! In keeping with the success of the Mercy Mercy Mercy album done with Axelrod, Capitol did everything they could to catch Cannonball in a live setting – a great move, given the open, soulful energy his group had in the format – crowd-pleasing, but always plenty darn creative too! Added to the mix here is some nice production by David Axelrod, capturing all the right moments in all the right ways – especially when Joe Zawinul steps up to take some sweet solos on the keys – and the great Charles Lloyd serves up some mighty nice work on flute and tenor sax. Other players include Nat Adderley on cornet, Sam Jones on bass, and Louis Hayes on drums – and titles include "The Song My Lady Sings", "Little Boy With The Sad Eyes", "Work Song", and "Sweet Georgia Bright". LP, Vinyl record album
(Rainbow label stereo pressing.)

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball Adderley Quintet & Orchestra – Experience In E/Tensity/Dialogues ... LP
Capitol, Late 60s. Near Mint- ... $19.99
A great lost chapter in the Cannonball/David Axelrod story! The record features Cannon's classic quintet performing some longer, more serious works with orchestral backing – and the sound is vaguely similar to some of Axelrod's "high concept" work for Capitol. The record features a recording of Axelrod's "Tensity" and William Fischer's "Experience In E", both conducted by Fischer, a hip modern soul-oriented arranger, with a sound that's not dissimilar to Axelrod. The last piece on the album is a nice long one by Lalo Schifrin, "Dialogues For Jazz Quintet & Orchestra", which is also conducted by him as well. LP, Vinyl record album
(Green label pressing. Cover has a cutout hole.)

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball Adderley Quintet At The Lighthouse ... LP
Jazzland, 1960. Near Mint- ... Just Sold Out!
Fantastic work from the Cannonball Adderley Quintet – one of their greatest performances from the seminal early 60s years! The band at this time includes Cannon on alto, Nat on cornet, Victor Feldman on piano, Sam Jones on bass, and Louis Hayes on drums – and although Feldman's not as strong of a soul jazz player as Bobby Timmons or Joe Zawinul, both of whom also played with the group, his playing on this set is great, thanks to a really lively rhythm section! Includes an 11 minute version of "Sack O Woe", plus "Blue Daniel", "Azule Serape", and "Big P". LP, Vinyl record album
(Black label stereo Bill Grauer Productions Inc pressing with microphone logo. Cover has light wear.)

Exact matches11
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball Adderley Quintet In San Francisco ... LP
Riverside, 1959. Very Good+ ... $19.99
One of the greatest Cannonball Adderley albums from the Riverside years – a completely smoking live date recorded in San Francisco, often with long tracks that really let the group open up and do their thing! The lineup here is that classic one that first grabbed attention – the group with brother Nat on cornet, Sam Jones on bass, Louis Hayes on drums – and a young Bobby Timmons on piano, really cooking things up with tremendous drive, energy, and a sense of the groove! Titles include a great workout on Timmons' classic "This Here", plus originals "You Got It" and Spontaneous Combustion", and a great version of "Hi Fly". Soul jazz at its best, by one of the groups who gave the genre its name in the first place! LP, Vinyl record album
(Blue label Bill Grauer pressing, with microphone logo and deep groove. Cover has a split top seam and light wear.)

Exact matches12
CD, LP, Vinyl record album cover art
Cannonball AdderleyCountry Preacher – Live At Operation Breadbasket ... CD
Capitol, 1969. Used ... $7.99
A totally great set by Cannonball Adderley – one of his funkiest albums ever, recorded live at Operation Breadbasket under the supervision of Jesse Jackson, and a session in which the band is cooking a lot more than on some of their other albums from the time! The set grooves hard with some tight electric piano from Joe Zawinul – amazing snakey lines that not only set the tone for the whole record, but which really make for a strong evolution from the Mercy Mercy Mercy era of the group a few years before. Cannon's alto and soprano work are beautiful – a masterpiece of soul jazz expression – as is the cornet from brother Nat – and the group's completed by bassist Walter Booker and drummer Roy McCurdy. The album's a bucketful of great jazzy sample tunes – and tracks include "Walk Tall", "Country Preacher", "Hummin", and the extended "Afro-Spanish Omlet". CD
(Out of print.)

Exact matches13
CD, LP, Vinyl record album cover art
Cannonball AdderleyDay With Cannonball Adderley 1963 ... LP
Baybridge (Japan), 1963. Near Mint- ... $38.99
A rare and well-recorded live date from the Cannonball Adderley sextet – done for Japanese TV in 1963, and featuring Nat Adderley on cornet, Yusef Lateef on tenor and flute, Joe Zawinul on piano, Sam Jones on bass, and Louis Hayes on drums! LP, Vinyl record album
(Includes obi.)

Exact matches14
CD, LP, Vinyl record album cover art
Cannonball AdderleyInside Straight ... LP
Fantasy, 1973. Very Good+ Gatefold ... $14.99
One of Cannonball Adderley's late funky sessions for Fantasy – and a record that still features some mighty heavy production from David Axelrod! The album's got that core groove that Axe and Cannon first crafted together at Capitol in the 60s – but the sound here has some definite 70s touches too – a bit more emphasis on electric piano, played here by Hal Galper – and rhythms that are even funkier than before! Other players include Nat Adderley on cornet, Walter Booker on bass, Roy McCurdy on drums, and King Errison on percussion – and titles include the excellent "Snakin' the Grass", which is just ripe for samplin', plus some other good grooves like "Second Son", "Saudade", "Five Of A Kind", and "Inside Straight". LP, Vinyl record album

Exact matches15
CD, LP, Vinyl record album cover art
Cannonball AdderleyJapanese Concerts (Nippon Soul plus unreleased bonus tracks) ... LP
Riverside/Milestone, 1963. Very Good 2LP Gatefold ... $7.99
A nice double LP expanding on Cannonball's swingin' Japanese concert set issued as Nippon Soul, adding dates from the same concert tour. Featuring one of Cannonball's best groups from the 60's, with Joe Zawinul on piano, brother Nat on cornet, Sam Jones on bass, and Louis Hayes on drums, and adding Yusef Lateef, who does some excellent reed work on tenor, flute, and oboe – and who's playing at this point with that great mix of soul jazz and out-sounds that he was cooking up at the time. With the half dozen tunes from the original issue, including an excellent 12 minute reading of Lateef's "Brother John", pls "Tengo Tango", "Come Sunday", "The Weaver", "Easy To Love" and "Nippon Soul", plus the additional numbers 'Work Song", "Autumn Leaves", "Dizzy's Business", "Primitivo" and "Jive Samba". LP, Vinyl record album
(Cover has ring and edge wear.)

Exact matches16
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyJazz Workshop Revisited ... LP
Riverside, Early 60s. Near Mint- ... $14.99
A great live classic from the Cannonball Adderley Sextet of the early 60s – that famous group that included Nat Adderley on cornet, Yusef Lateef on tenor and flute, Joe Zawinul on piano, Sam Jones on bass, and Louis Hayes on drums! Tracks are long, and these guys are really on fire in a live setting – and titles include a stellar 11 minute version of "The Jive Samba", one of Cannonball's greatest tracks – plus "Primitivo", "Lillie", and "Mellow Buno". LP, Vinyl record album
(Black label stereo Bill Grauer Productions Inc pressing, with microphone logo and deep groove. Cover has light wear.)

Exact matches17
CD, LP, Vinyl record album cover art
Cannonball AdderleyJazz Workshop Revisited – Cannonball Adderly Collection Vol 3 ... LP
Capitol/Landmark, 1962. Sealed ... $11.99
A great live classic from the Cannonball Adderley Sextet of the early 60s – that famous group that included Nat Adderley on cornet, Yusef Lateef on tenor and flute, Joe Zawinul on piano, Sam Jones on bass, and Louis Hayes on drums! Tracks are long, and these guys are really on fire in a live setting – and titles include a stellar 11 minute version of "The Jive Samba", one of Cannonball's greatest tracks – plus "Primitivo", "Lillie", and "Mellow Buno". LP, Vinyl record album

Exact matches18
CD, LP, Vinyl record album cover art
Cannonball AdderleyLegends Live – Liederhalle Stuttgart – March 20, 1969 ... LP
Jazz Haus/SWR (Germany), 1969. Very Good ... $11.99
... LP, Vinyl record album
(Recent 180 gram vinyl.)

Exact matches19
CD, LP, Vinyl record album cover art
Cannonball AdderleyLush Side Of Cannonball ... LP
EmArcy, Late 50s. Very Good+ ... $11.99
A wonderfully mellow set of ballads recorded by Cannonball, with orchestral backings by Richard Hayman. The album's typical of the kind of "all over the map" approach that Mercury used during Cannon's early years – before he'd settled down into the one-man soul jazz factory he later became – but it's also a great chance to hear Adderley working his horn in a style that doesn't show up much in later years. Hayman's orchestrations are less challenging than some of the Verve "with strings" sessions – but the overall work is solid, and the album's a dreamy mix of tracks like "I Cover The Waterfront", "Street Of Dreams", "You Are Too Beautiful", "Lonely Dreams", and "Two Sleepy People". LP, Vinyl record album
(Black label Mercury pressing with deep groove – in nice shape!)

Exact matches20
CD, LP, Vinyl record album cover art
Cannonball AdderleyMercy, Mercy, Mercy! ... CD
Capitol, 1966. Used ... $3.99
If the 60's ever had a "hit" jazz record, it was probably this one! The album's a sparkling live session featuring the trademark soul jazz sounds of the Cannonball Adderley group with Joe Zawinul on acoustic and electric piano, and brother Nat Adderley on cornet. The tracks have a long soulful groove, with gutbucket solos from the 3 above-mentioned players, and tight live production by a young David Axelrod. Titles include "Sticks", "Hippodelphia", "Sack O Woe", and the classic "Mercy, Mercy, Mercy" – a jazz theme that you'll recognize instantly! CD
(BMG Direct pressing.)

Exact matches21
CD, LP, Vinyl record album cover art
Cannonball AdderleyPhenix ... LP
Fantasy, 1975. Very Good 2LP Gatefold ... Just Sold Out!
Sweet funky 70s work from Cannonball Adderley – a record that has him revisiting older tunes from his early soul jazz years – but in ways that give them a whole new electric vibe overall! The album's actually Cannonball's last full studio set, but it's also one of his greatest too – a very hip little record that features arrangements that are slightly bigger than before – almost a CTI sort of mode, with a similar CTI sense of space, sound, and timing! There's some great keyboards on the set – courtesy of George Duke and Mike Wolff – and other players include Nat Adderley on cornet, Airto on percussion, Sam Jones and Walter Booker on bass, and Louis Hayes and Roy McCurdy on drums. The keyboards lead off most numbers, but they're followed strongly by Cannon and Nat – both of whom open up wonderfully in the magical setting of the record! Titles include great new takes on "Sack O Woe", "Work Song", "Jive Samba", "74 Miles Away", "Walk Tall/Mercy Mercy Mercy", "Country Preacher", "Domination", and "This Here" – plus "Hi Fly" and "Hamba Nami". LP, Vinyl record album
(Cover has light wear.)

Exact matches22
CD, LP, Vinyl record album cover art
Cannonball AdderleyPresenting Cannonball (Japanese paper sleeve edition) ... CD
Savoy/Sony (Japan), 1955. Used ... $14.99
One of Cannonball Adderley's first albums – recorded for Savoy way back in 1955, and done with a free and open style that's a nice contrast to his tighter sides for Mercury! The album's very relaxed – that hardbop blowing session mode that Savoy virtually pioneered – letting the players open up in comfortable studio space, working together almost as they would on a hip live date. Cannon's in the lead on alto, and the group also features Nat Adderley on cornet, Hank Jones on piano, Paul Chambers on bass, and Kenny Clarke on drums – a classic Savoy rhythm section for the two horn players. Tracks are long, and titles include "Spontaneous Combustion", "Still Talkin To Ya", "Caribbean Cutie", and "A Little Taste". CD
(Out of print. Includes obi!)

Exact matches23
CD, LP, Vinyl record album cover art
Cannonball AdderleyPrice You Got To Pay To Be Free ... LP
Capitol, 1970. Near Mint- 2LP Gatefold ... $19.99
Fantastic work from the massive electric years of the Cannonball Adderley Quintet – one of the group's last records to feature the keyboards of Joe Zawinul – and also one of the heaviest from the time! The set's a double-length gem that presents the group in an open live setting – one that really displays the full charm of their approach at the time, and that wonderfully crowd-winning mode that made Cannon a key act at this time for rock and soul audiences too! Adderley raps a bit at key points, and brings some righteous energy to the concert – while the rest of the group follow up with performances that really send the whole thing home – Nat Adderley on cornet, Zawinul on Fender Rhodes and piano, Walter Booker on bass, and Roy McCurdy on drums. Cannon plays some soprano sax, in addition to his familiar alto – and titles include "Alto Sex", "Lonesome Stranger", "Wild Cat Pee", "Soul Virgo", "Painted Desert", "Directions", "Pra Dizer Adeus", "Rumplestiltskin", "Price You Got To Pay To Be Free", "Esquisition", "Get Up Off Your Knees", "Down In Black Bottom", and "The Scene". Produced by David Axelrod too! LP, Vinyl record album
(Cover has light wear and a cutout hole.)

Exact matches24
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleySomethin' Else (with bonus track) ... CD
Blue Note, 1958. Used ... $3.99
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect offset to Cannonball's more soulful style. The rest of the group includes Hank Jones, Sam Jones, and Art Blakey – and like John Coltrane's Blue Train, the record's more of an "special session" than the usual Blue Note album, but the strength of the players make it one of the more memorable records of its day! Titles include "Somethin' Else", "One For Daddy-O", and a nice moody take on "Dancing In The Dark". Includes bonus track "Alison's Uncle". CD

Exact matches25
CD, LP, Vinyl record album cover art
Cannonball AdderleySoul Zodiac ... LP
Capitol, 1972. Near Mint- 2LP Gatefold ... $29.99
One of the coolest, baddest, funkiest albums Cannonball Adderley ever recorded – a massive suite of tunes based on the signs of the Zodiac, produced to perfection by David Axelrod, and featuring some hip recitations from the mighty Rick Holmes! The double-length set is completely compelling all the way through – a darkly brooding batch of funky jazz that shows a strong Miles Davis electric influence at points, thanks to Nat Adderley's spacey trumpet lines, Mike Deasy's trippy guitar, and George Duke's excellent keyboards! Other tracks are a bit more laidback, fitting the mood of their respective signs – and overall, the whole thing slips and slides wonderfully from cut to cut – taking you through the star signs with a really righteous, soulful approach. Titles include "Cancer", "Sagittarius", "Pisces", "Aquarius", "Capricorn", "Virgo", "Taurus", "Aries", "Libra", and a special "Introduction". LP, Vinyl record album
(Auto-coupled pressing with red & green labels. Cover has some ring & edge wear.)

Exact matches26
CD, LP, Vinyl record album cover art
Cannonball AdderleyStill Talkin To Ya (aka Presenting Cannonball) ... LP
Savoy/Realm (UK), 1955. Near Mint- ... $14.99
One of Cannonball Adderley's first albums – recorded for Savoy way back in 1955, and done with a free and open style that's a nice contrast to his tighter sides for Mercury! The album's very relaxed – that hardbop blowing session mode that Savoy virtually pioneered – letting the players open up in comfortable studio space, working together almost as they would on a hip live date. Cannon's in the lead on alto, and the group also features Nat Adderley on cornet, Hank Jones on piano, Paul Chambers on bass, and Kenny Clarke on drums – a classic Savoy rhythm section for the two horn players. Tracks are long, and titles include "Spontaneous Combustion", "Still Talkin To Ya", "Caribbean Cutie", and "A Little Taste". LP, Vinyl record album
(60s UK pressing.)

Exact matches27
CD, LP, Vinyl record album cover art
Cannonball AdderleySwingin' In Seattle – Live At The Penthouse 1966 to 1967 ... CD
Reel To Real, Mid 60s. New Copy ... $16.99 18.99
Great live work from the Cannonball Adderley Quintet – recorded during a time when the group's star was really rising on Capitol Records, but at a level that's got the more open-ended, freely-blown style of their classic concert dates for Riverside! The material here was all recorded for radio in Seattle, and the fidelity is excellent – sounds that are sharp as any of the group's key live albums of the period – with some very hip announcements between a few of the tracks! And unlike some radio live issues on the market, this one is nice and long – with eight long tracks that really open up – full of magical moments from Cannonball on alto, Nat Adderley on cornet, Joe Zawinul on piano, Victor Gaskin on bass, and Roy McCurdy on drums. Titles include "Sticks", "Big P", "The Girl Next Door", "Back Home Blues", "Hippodelphia", "74 Miles Away", "Morning Of The Carnival", and Somewhere". CD
(Excellent package – with great mastering, and a 28 page booklet of notes!)

Exact matches28
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyThem Dirty Blues (Landmark) ... LP
Riverside/Landmark, 1960. Near Mint- ... $14.99
One of the all-time great ones by Cannonball! This record captures him in the prime of his early soul jazz fame – working with an unbelievably heavy quintet that featured Bobby Timmons on piano (with Barry Harris sitting in on a few tracks), Sam Jones on bass, Louis Hayes on drums, and brother Nat Adderley on cornet. The quintet forged a sound that made them an immediate hit – and which had their tight, jagged, soul-drenched sound getting copied by everyone. The record features some amazing soul jazz standards – like Nat's original version of "Work Song", the first-ever record of Timmons' amazing "Dat Dere", Cannon's slinky "Them Dirty Blues", and the jaunty groover "Jeannine", a wonderful cut by Duke Pearson that never sounded better! The CD features alternates of "Work Song" and "Dat Dere" – for a total of 9 tracks in all! LP, Vinyl record album
(80s pressing.)

Exact matches29
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyWhat I Mean (Cannonball Adderley Quintet Plus/Know What I Mean?) ... LP
Riverside/Milestone, Early 60s. Near Mint- 2LP Gatefold ... $9.99
Like so many Milestone 2-fers from the 70s, this set combines two excellent 60s hard bop LPs into one nice set! Both sides feature Adderley's trademark soul jazz hard bop hybrid, but in contexts that add a twist to the settings you might otherwise have heard Cannonball in. The first album's a quintet side featuring brother Nat, Wynton Kelly, Victor Feldman, Sam Jones and Louis Hayes with Feldman playing vibes on the tracks that feature Kelly, piano on the ones that don't – and includes "Arriving Soon", "New Delhi", "Winetone", and "Lisa". Cannonball's soulful alto meets the cerebral piano of Bill Evans in a more stripped down setting, with the group filled out by Percy Heath and Connie Kay, for a set that's filled with surprises, and some nice modal moments. The set includes versions of two of Evans' tracks – "Waltz For Debby" and "Know What I Mean?" – plus nice moody takes on other material, like John Lewis' "Venice", Clifford Jordan's "Toy", and Gordon Jenkins' "Goodbye". LP, Vinyl record album
(Cover has light wear.)

Exact matches30
CD, LP, Vinyl record album cover art
Cannonball AdderleyWhy Am I Treated So Bad? ... LP
Capitol, Late 60s. Very Good+ ... $9.99
If you ever needed a key example of the genius of Cannonball on Capitol Records, this tight little set may well be it! The record's got all the best elements of a Cannon classic firmly in place – production by David Axelrod, electric piano by Joe Zawinul, and some tremendously soulful work from Cannon and Nat Adderley on their respective horns – all presented with a sense of relaxed tightness (if we can use such a phrase) that's jaw-droppingly brilliant all the way through! Cannon speaks a bit and pushes the band into action with charisma and warmth caught nicely by Axelrod's recording – and the band grooves on long, snakey tunes that mix equal parts funk and soul jazz together, coming up with the quintessential Adderley groove on nearly every number! Tracks include the seminal "Why Am I Treated So Bad", plus "Mini Mama", "I'm On My Way", "One For Newk", "The Scene", "Yvette", and "The Other Side". LP, Vinyl record album
(Rainbow label stereo pressing. Cover has light surface wear and some seam splitting.)

Exact matches31
CD, LP, Vinyl record album cover art
Cannonball Adderley QuintetCannonbal Adderley Quintet Plus ... LP
Riverside, 1962. Very Good+ ... $19.99
An all-star set from Cannonball Adderley – a hip standout in his pre-Capitol years for Riverside! The "plus" in the title is pianist Wynton Kelly – who works with the group wonderfully on 4 of the album's 6 tracks – bringing in a slightly different feel on the keys than you might get from some of Cannon's other albums – slightly lyrical at points, in a really great way. Rhythm is from the rock-solid team of Sam Jones on bass and Louis Hayes on drums – and of course Nat Adderley's also in the group on cornet, and Victor Feldman rounds out the ensemble on vibes, but also plays piano on the tracks that don't feature Kelly. There's a strong undercurrent of Adderley's Riverside soul jazz vibe on the set – and titles include "Arriving Soon", "New Delhi", "Winetone", "Well You Needn't", "Star Eyes", and "Lisa". LP, Vinyl record album
(Black label stereo Bill Grauer pressing with microphone logo. Cover has some edge wear.)
Also available Cannonball Adderley Quintet Plus ... CD 7.99

Exact matches32
CD, LP, Vinyl record album cover art
Cannonball Adderley QuintetCannonball Adderley Quintet Plus ... CD
Riverside/OJC, 1962. Used ... $7.99
An all-star set from Cannonball Adderley – a hip standout in his pre-Capitol years for Riverside! The "plus" in the title is pianist Wynton Kelly – who works with the group wonderfully on 4 of the album's 6 tracks – bringing in a slightly different feel on the keys than you might get from some of Cannon's other albums – slightly lyrical at points, in a really great way. Rhythm is from the rock-solid team of Sam Jones on bass and Louis Hayes on drums – and of course Nat Adderley's also in the group on cornet, and Victor Feldman rounds out the ensemble on vibes, but also plays piano on the tracks that don't feature Kelly. There's a strong undercurrent of Adderley's Riverside soul jazz vibe on the set – and titles include "Arriving Soon", "New Delhi", "Winetone", "Well You Needn't", "Star Eyes", and "Lisa". CD
(Out of print. Tray card has rippling from moisture.)
Also available Cannonbal Adderley Quintet Plus ... LP 19.99

Exact matches33
CD, LP, Vinyl record album cover art
Cannonball Adderley with Bossa Rio SextetCannonball's Bossa Nova ... CD
Capitol/Riverside, 1962. Used ... $4.99
Cannonball Adderley recorded this nice little groover in 1962, when American musicans were just getting on the bossa tip, and still keeping things pretty authentic. The record was cut in New York with Sergio Mendes' early Bossa Rio group – the legendary Brazilian jazz ensemble that featured Paulo Moura, Dom Um Romao, and Durval Ferreira. The mixture of tight bossa rhythms and Cannon's soulful sax is totally great – and it's only because the Riverside label was folding at the time that the record never got bigger fame. It's here now, though, and the record's a real treat – especially at this price! Includes the cuts "Joyce's Samba", "Clouds", "Minha Saudade", "Corcovado", "Batida Diferentes", and "Sambops". Plus, the CD also features bonus single versions of "Corcovado" and "Clouds"! CD
(Name written in pen on CD.)

Exact matches34
CD, LP, Vinyl record album cover art
✨✧ Cannonball Adderley with Bossa Rio SextetCannonball's Bossa Nova (Landmark) ... LP
Riverside/Landmark, 1962. Near Mint- ... $14.99
Bossa madness! Cannonball Adderley recorded this nice little groover in 1962, when American musicans were just getting on the bossa tip, and still keeping things pretty authentic. The record was cut in New York with Sergio Mendes' early Bossa Rio group – the legendary Brazilian jazz ensemble that featured Paulo Moura, Dom Um Romao, and Durval Ferreira. The mixture of tight bossa rhythms and Cannon's soulful sax is totally great – and it's only because the Riverside label was folding at the time that the record never got bigger fame. Includes the cuts "Joyce's Samba", "Clouds", "Minha Saudade", "Corcovado", "Batida Diferentes", and "Sambops". LP, Vinyl record album
(80s Landmark pressing.)

Exact matches35
CD, LP, Vinyl record album cover art
Kenny Dorham with Cannonball AdderleyBlue Spring ... LP
Riverside, 1959. Near Mint- ... $16.99
A pretty warm and lyrical set by Kenny – accompanied here by a larger group that includes Cecil Payne, David Amram, and Cannonball Adderley on horns, plus a young Cedar Walton on piano. Dorham wrote 4 of the album's tracks, and they provide a perfect showcase for his polished trumpet style. Titles include "Spring Cannon", "Blue Spring", "Poetic", and "Passion Spring". LP, Vinyl record album
(OJC pressing. Cover has light wear.)

Exact matches36
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball & Coltrane (aka Cannonball In Chicago) ... LP
Limelight, 1959. Very Good ... Temporarily Out Of Stock
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and since Coltrane's sitting in with Cannon – the album's essentially a Kind Of Blue-era Miles album, recorded without Miles on trumpet, and grooving in a slightly more soul-based Adderley mode. Given the presence of Coltrane, there's a bit less of the gutbuckety soul jazz that Cannon was cutting in his own Quintet – but that's more than ok with us, as the Coltrane solos more than make up for that difference! The set's got 2 great originals by Coltrane – "The Sleeper" and "Grand Central" – plus the cuts "Wabash" and "Limehouse Blues". LP, Vinyl record album
(Mono deep groove pressing in the extravagant gatefold cover, which has some wear.)
Also available Cannonball & Coltrane (aka Cannonball In Chicago) ... CD 7.99

Exact matches37
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball Adderley & Eight Giants ... LP
Milestone, 1958/1973. Very Good+ 2LP Gatefold ... Temporarily Out Of Stock
Milestone two-fer from the 70s that compiles two hard to find early Cannonball albums for Riverside – Portrait Of Cannonball and Things Are Getting Better. The former LP features Cannonball's alto with Blue Mitchell's trumpet, Bill Evans' piano, and Philly Joe Jones' drums. The latter LP's got him with Milt Jackson, Wynton Kelly, and Art Blakey. Loads of nice hardbop tracks, including "Nardis", "Blue Funk", "Straight Life", "Sounds For Sid", and "Blues Oriental". LP, Vinyl record album
(Cover has some wear.)

Exact matches38
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyLovers ... LP
Fantasy, 1976. Near Mint- Gatefold ... Temporarily Out Of Stock
Late stuff by Cannonball, with a dope spacey electric sound, no doubt due to some very nice keyboards on the session by George Duke. The album's a bit mellower than some of the others on Fantasy, but it makes up for that with a warm snaking mellow funk groove. Brother Nat gives a helping hand on both cornet and production duties, and the group also features Airto, Alphonso Johnson, Jack DeJohnette, and Alvin batiste with guest spots by Flora Purim and Ron Carter. Tracks include "New Orleans Strut", "Salty Dogs", "Lovers", and "Children of Time". LP, Vinyl record album
(Cover has a cut corner.)

Exact matches39
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyMercy, Mercy, Mercy! ... LP
Capitol, 1966. Near Mint- ... Temporarily Out Of Stock
If the 60's ever had a "hit" jazz record, it was probably this one! The album's a sparkling live session featuring the trademark soul jazz sounds of the Cannonball Adderley group with Joe Zawinul on acoustic and electric piano, and brother Nat Adderley on cornet. The tracks have a long soulful groove, with gutbucket solos from the 3 above-mentioned players, and tight live production by a young David Axelrod. Titles include "Sticks", "Hippodelphia", "Sack O Woe", and the classic "Mercy, Mercy, Mercy" – a jazz theme that you'll recognize instantly! LP, Vinyl record album
(Stereo rainbow label pressing.)
Also available Mercy, Mercy, Mercy! ... CD 3.99

Exact matches40
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleySomethin' Else (RVG Remaster Edition) ... CD
Blue Note, 1958. Used ... Temporarily Out Of Stock
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect offset to Cannonball's more soulful style. The rest of the group includes Hank Jones, Sam Jones, and Art Blakey – and like John Coltrane's Blue Train, the record's more of an "special session" than the usual Blue Note album, but the strength of the players make it one of the more memorable records of its day! Titles include "Somethin' Else", "One For Daddy-O", and a nice moody take on "Dancing In The Dark". CD
Also available Somethin' Else (with bonus track) ... CD 3.99

Exact matches41
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyThings Are Getting Better ... LP
Riverside, 1958. Near Mint- ... Temporarily Out Of Stock
An album that definitely lives up to its title – given the great change and evolution in the style of Cannonball Adderley's music – definitely pointed towards the soul jazz fame to come in the 60s! The group here has Adderley's alto in the company of some all-stars who may not be his regular group, but who definitely help keep the whole thing at a top-shelf level throughout – a quintet that features Milt Jackson on vibes, Wynton Kelly on piano, Percy Heath on bass, and Art Blakey on drums. There's still a few echoes of Cannon's earlier bop recordings, but the sound is also moving towards the new modes to come – especially on the classic title cut "Things Are Getting Better". Other cuts include "Just One Of Those Things", "Sounds For Sid", "Groovin High", "Serves Me Right", and "Blues Oriental". LP, Vinyl record album
(OJC pressing, with obi. Cover has light wear.)

Exact matches42
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyWalk Tall/Do Do Do ... 7-inch
Capitol, Mid 60s. Very Good ... Temporarily Out Of Stock
The start of the Cannonball funky sound – and an amazing number! "Walk Tall" would be enough for its sense of pride and power – but it's given an extra twist with some super-dope electric piano, laying out the groove in a really magical way! "Do Do Do" is a nice one too – with a bit of an Afro twist – and David Axelrod produced both tracks! 7-inch, Vinyl record
(Promo. Label has a bit of pen and a plug sticker.)

Exact matches43
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✨✧ Cannonball Adderley/Mulligan/Peterson/GillespieFour Jazz Legends Live At Newport 1960 ... CD
Omega, 1960. Used ... Temporarily Out Of Stock
... CD
(Out of print.)

Exact matches44
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✨✧ Nancy Wilson & Cannonball AdderleyNancy Wilson/Cannonball Adderley ... CD
Capitol, Mid 60s. Used ... Temporarily Out Of Stock
The sweet vocals of Nancy join the classic Cannonball quintet for a great set of soul jazz tunes that was one of Capitol's biggest selling jazz sides in the 60s! About half the cuts feature Nancy on vocals – on tunes like "Save Your Love For Me", "Never Will I Marry", "Happy Talk", and "The Masquerade Is Over" – and the other half feature Cannon's group playing instrumentally – on cuts like "Teaneck", "One Man's Dream", and "Never Say Yes". Pop, but hip – nice and hip! CD
(Out of print.)

Exact matches45
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball Enroute ... LP
Mercury, Late 50s. Very Good+ ... Out Of Stock
Cannonball Adderley's enroute to a great jazz legacy here – stepping out in a groove that begins to show some of the soul jazz modes he was forging at the end of the 50s – a great change from the straighter bop styles of his early years! The lineup here is a wonderful early expression of the familiar Adderley groove – with brother Nat Adderley on cornet, Junior Mance on piano, Sam Jones on bass, and Jimmy Cobb on drums – with Mance and Jones bringing an especially nice bottom end to the record – one that gets things moving in a very soulful way! Titles include "Porky", "Hoppin John", "That Funky Train", "I'll Remember April", and "18th Century Ballroom". LP, Vinyl record album
(Black label pressing with deep groove. Very nice!)

Exact matches46
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✨✧ Cannonball AdderleyKnow What I Mean? (with bonus tracks) ... CD
Riverside/OJC, 1961. Used ... Out Of Stock
Beautiful early work from Cannonball Adderley – and a record that's quite different than most of his better known sets from the time! The album's more spare and stripped-down than usual – with Cannon's alto in a quartet alongside Bill Evans on piano, Percy Heath on bass, and Connie Kay on drums. The style is almost more that of Evans than it is Cannonball – lightly lyrical, with a good sense of space – in a way that has Adderley playing out front very strongly, cutting some beautiful lines with his solos, in a really unfettered way! Titles include versions of two of Evans' tracks – "Waltz For Debby" and "Know What I Mean?" – plus nice moody takes on other material, like John Lewis' "Venice", Clifford Jordan's "Toy", and Gordon Jenkins' "Goodbye". Remastered edition with 2 bonus tracks: "Who Cares (Take 4)" and "Know What I Mean? (Take 12)". CD
(Out of print.)

Exact matches47
CD, LP, Vinyl record album cover art
✨✧ Cannonball Adderley & Nat AdderleyWhat Is This Thing Called Soul – The Cannonball Adderley/Nat Adderley Quintet In Europe Live ... CD
Pablo/OJC, 1960. Used ... Out Of Stock
A real treat for Cannonball Adderley fans in the years after his passing – vintage live material recorded in 1960, right at a time when Adderley was really finding his groove! The lineup here features a classic quintet – with brother Nat on cornet, Victor Feldman on piano, Sam Jones on bass, and Louis Hayes on drums – rolling out in a heavy soul jazz groove that's right up there with Cannon's best Riverside albums from the time! The tracks are longish, given the live setting – with energy to match his Live In San Francisco or Japan albums – and titles include "Big P", "One For Daddy O", "The Chant", "Azule Serape", and "What Is This Thing Called Love". CD

Exact matches48
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleySomethin' Else (75th Anniversary Edition) ... LP
Blue Note, 1958. New Copy (reissue)... Out Of Stock
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect offset to Cannonball's more soulful style. The rest of the group includes Hank Jones, Sam Jones, and Art Blakey – and like John Coltrane's Blue Train, the record's more of an "special session" than the usual Blue Note album, but the strength of the players make it one of the more memorable records of its day! Titles include "Somethin' Else", "One For Daddy-O", and a nice moody take on "Dancing In The Dark". LP, Vinyl record album
Also available Somethin' Else (with bonus track) ... CD 3.99

Exact matches49
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball Adderley Quintet At The Lighthouse (Landmark) ... LP
Jazzland/Landmark, 1960. Sealed ... Out Of Stock
Fantastic work from the Cannonball Adderley Quintet – one of their greatest performances from the seminal early 60s years! The band at this time includes Cannon on alto, Nat on cornet, Victor Feldman on piano, Sam Jones on bass, and Louis Hayes on drums – and although Feldman's not as strong of a soul jazz player as Bobby Timmons or Joe Zawinul, both of whom also played with the group, his playing on this set is great, thanks to a really lively rhythm section! Includes an 11 minute version of "Sack O Woe", plus "Blue Daniel", "Azule Serape", and "Big P". LP, Vinyl record album

Exact matches50
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✨✧ Cannonball AdderleyCannonball Adderley Sextet In New York ... CD
Riverside/OJC, 1962. Used ... Out Of Stock
Rock-solid live material from the classic Cannonball Adderley Sextet – a combo who could usually groove even better on a concert date then they could in the studio! The album's one of a number of key live sides from Cannon in the 60s – and although it pre-dates his work on Capitol, it's done in a similar spacious mode – with plenty of longish tracks that build upon the core groove set down by Joe Zawinul's piano, Sam Jones' bass, and Louis Hayes' drums – a perfect backdrop for the creative and complicated solos of Cannon on alto, Nat Adderley on cornet, and Yusef Lateef on tenor, flute, and oboe! The date was recorded live at the Village Vanguard in 1962 – and titles include "Gemini", "Planet Earth", "Dizzy's Business", "Syn-anthesia", "Scotch & Water", and "Cannon's Theme". CD
(Out of print.)

Exact matches51
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✨✧ Cannonball AdderleyMercy, Mercy, Mercy! (Japanese pressing) ... CD
Capitol (Japan), 1966. Used ... Out Of Stock
If the 60's ever had a "hit" jazz record, it was probably this one! The album's a sparkling live session featuring the trademark soul jazz sounds of the Cannonball Adderley group with Joe Zawinul on acoustic and electric piano, and brother Nat Adderley on cornet. The tracks have a long soulful groove, with gutbucket solos from the 3 above-mentioned players, and tight live production by a young David Axelrod. Titles include "Sticks", "Hippodelphia", "Sack O Woe", and the classic "Mercy, Mercy, Mercy" – a jazz theme that you'll recognize instantly! CD
(Out of print.)
Also available Mercy, Mercy, Mercy! ... CD 3.99

Exact matches52
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyVery Best Of Cannonball Adderley ... CD
Riverside, Late 50s/1960s/1970s. Used ... Out Of Stock
... CD
(Small cutout hole through case.)
 
Possible matches: 60
Possible matches53
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Nat AdderleyLive At Memory Lane ... LP
Atlantic, 1967. Near Mint- Gatefold ... $24.99
Nice hard swingin' quintet session, with a good late 60's groove. Nat Adderley borrows brother Cannonball's pianist Joe Zawinul, and Joe Henderson sits in on tenor. The set was recorded live, with the same sort of relaxed funky groove as the Cannonball live sets from the time. Cuts include "Fun", "Lavender Woman", "Painted Desert", and "On My Journey Now". Nice stuff, and the kind of material that Atlantic probably won't reissue anytime in the near future. LP, Vinyl record album
(Green and blue label pressing.)

Possible matches54
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✨✧ Nat AdderleyHummin' ... LP
Little David, 1976. Near Mint- ... Out Of Stock
A really brilliant little record from Nat Adderley – one that shows him shaking off the groove gotten from brother Cannonball, and finding some great space all on his own! The setting here is tight and funky – at a level that's a bit more arranged than a small combo soul jazz session, but which still has plenty of sharp edges and bold notes! The groove's a bit like Kudu Records from the time, but less electric overall – and Nat's cornet is featured in a hip combo with John Stubblefield on reeds, Onaje Allen Gumbs on piano and keyboards, and Buddy Williams on drums. There's plenty of great funky riffing in the set, but also some wonderfully laidback grooves that really sparkle with electric piano from Gumbs – and titles include a surprisingly wonderful version of "MASH", plus "Hummin", "Midnight Over Memphis", "The Traveler", "Listen To The Rain", and the Latin-tinged "Amor Sonador". LP, Vinyl record album
(Cover has a cutout hole and tracklist sticker.)

Possible matches55
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✨✧ Nat AdderleyWork Song ... CD
Riverside, 1960. Used ... Out Of Stock
When it comes to soul jazz, you can't get any more classic than this! The title was one of the biggest jazz hits of the 60s – covered by countless other artists, but presented here in all its original brilliance in a group led by its composer, a young Nat Adderley! At the time of the record, Nat was making plenty big waves in the combo of brother Cannonball – but this set has him stepping out strongly as a leader – borrowing Bobby Timmons, Sam Jones, and Louis Hayes from Cannon's group – and also adding in Wes Montgomery on guitar and additional bass and cello work from Keeter Betts and Percy Heath. The tracks are all tight as a drum – and the record features seminal versions of "Work Song" and "Sack O Woe" – as well as the numbers "Scrambled Eggs", "Pretty Memory", and "Fallout" – all great! CD
(Remastered Keepnews edition. Punch through barcode.)

Possible matches56
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David AxelrodSeriously Deep ... LP
Polygram/Get On Down, 1975. New Copy (reissue)... $21.99 24.98
An amazing slice of music from the legendary David Axelrod – quite different than his better-known sides for Capitol and Reprise Records – and plenty darn funky overall! Axelrod is at his studio best here – stepping off the funky jazz modes he produced for Cannonball Adderley, and taking a shot at that territory on his own! In a reversal of modes, Cannonball actually handles the production – with help from Jimmy Bowen – which leaves Axelrod alone to compose, arrange, and direct the group on the set. The album's got a fair bit of electricity in the mix – heavy keyboards from Joe Sample, and some really fuzzy guitars – plus lots of choppy reed work from Joe Sample and Ernie Watts, all wrapped up with some monstrously funky drums from Ndugu Chancler. There's a very bottom-heavy groove to the record – one that makes for a few completely amazing breaks, and a very funky sound overall – and Axelrod does an amazing job of controlling the players here – so that nobody jams too much, and the grooves are always right on the money! The whole thing's great – a sublime symphony of instrumental funk all the way through – and titles include "Reverie", "Miles Away", "Go For It", "Ken Russell", "1000 Rads", and "One". LP, Vinyl record album

Possible matches57
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David AxelrodSong Of Innocence ... CD
Capitol/Now Again, 1968. New Copy ... $14.99 15.98
One of a handful of amazing albums recorded by David Axelrod towards the end of the 60s – really stunning, genre-breaking music that was years ahead of its time – and which has only finally been getting its due in more recent decades! At the time of the record, Axelrod was a house producer at Capitol Records – where he'd created big hits for Lou Rawls and Cannonball Adderley – and he'd also been experimenting a bit with studio techniques for other rock groups. But here, the Axe brings all his experience into play – then sends things soaring to the skies – with music based on the work of poet William Blake, but delivered in this totally groovy west coast 60s mode. The core of the instrumentation features funky drums from Earl Palmer and bass from Carole Kaye – both of whom really keep things rock-solid amidst the larger mix of strings and instruments directed by the great Don Randi – who himself is pretty darn wonderful too. The music has nice snatches of fuzz and organ throughout – jazzy moments, funky passages, and lots more too – served up on tunes that include much-sampled song "Holy Thursday" – plus "The Smile", "A Dream", "Song Of Innocence", and "The Mental Traveler". William Blake never sounded so funky! CD
(Fantastic reissue – new remastering, and a big booklet of notes on the music!)

Possible matches58
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David Axelrod & OthersAxelrod Chronicles ... CD
Fantasy, Early 70s. Used ... $4.99
It's great to see that David Axelrod's finally getting his due – and this reissue of material from Fantasy is one of the first reissues of his work in the US! Most cuts here are much more jazz-based than Axelrod's higher-concept material under his own name for Capitol in the late 60s – and the music represents Axe's key move to Fantasy after bigger label fame – a move that he made with Cannonball Adderley, who also figures in on some of these tracks. The CD features 8 tracks from Axelrod's Full Axe album – a tasty bit of funky fusion that's one of his best jazz-oriented releases – plus a sampling of tracks from other albums he produced and/or arranged for Fantasy. Titles from Full Axe include "My Family", "Mucho Chupar", "Don't You Worry 'Bout A Thing", and "Everything Counts" – and other tracks include "Cantaro" and "Solitario" by Gene Ammons, "Bach" and "Sierra Morena" by Hampton Hawes, "Quit It" by Nat Adderley, "Goodbye So Long" by Funk Inc, and "Stayin Place" from the Big Man 2LP set. CD
(Out of print, small cutout notch through spine.)

Possible matches59
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✨✧ Paul ChambersEase It (aka Go. . .) ... LP
Vee Jay/Affinity (UK), Late 50s. Near Mint- ... Just Sold Out!
A rare non-Blue Note date as a leader from bassist Paul Chambers – and one of his hardest cooking dates in the studio! The session breaks out a bit from some of Chambers' more concept-based work of the time – and has him opening up strongly with an all-star group that includes Cannonball Adderley on alto sax, Freddie Hubbard on trumpet, Wynton Kelly on piano, and Philly Joe Jones on drums. The setting's a bit loose, almost a blowing session – and Chambers holds it together perfectly, almost acting as more of a sideman on the session, and letting the bigger-name soloists get plenty of space to do their thing! One of the all-time Vee Jay jazz classics – with titles that include "Just Friends", "I Got Rhythm", "Ease It", "Awful Mean", and "Julie Ann". LP, Vinyl record album
(UK pressing.)

Possible matches60
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Paul ChambersJust Friends ... LP
Trip/Vee Jay, Late 50s. Near Mint- 2LP Gatefold ... Just Sold Out!
Very nice 2LP set that brings together material from Paul Chambers' great Vee Jay hardbop albums! Chambers only cut 2 records for the label, and they're both darn hard to find on vinyl – so the set's extra-nice because it might be the only way you'll find these hard-hitting sides on wax. The tracks are long, and the groove is nice, soulful, and open-ended. Players include Yusef Lateef, Philly Joe Jones, Freddie Hubbard, and Cannonball Adderley – and titles include "Bass Region", "Awful Mean", "Blessed", and "Retrogress". LP, Vinyl record album

Possible matches61
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Miles DavisJazz Track – Frantic ... CD
Fontana/Jazz Beat (Spain), 1957/1958. Used ... $11.99
Although not actually a proper album – this is still one of the greatest Miles Davis albums of all time! Side one features 10 tracks from Miles' amazing soundtrack to the film Ascenseur Pour L'Echafaud – with excellent work by French players Barney Wilen, Rene Urtreger, and Pierre Michelot, on haunting moody tracks like "Generique", "Lassassinat De Carala", "Au Bar Du Petit Bac", and "Dinner Au Motel". Great stuff – and with a wonderful sound that's like no other Miles album! Side 2 is equally great – as it features 3 classic sextet tunes – "On Green Dolphin Street", "Put Your Little Foot Right Out", and "Stella By Starlight" –peformed with Coltrane, Cannonball Adderley, and Bill Evans in that amazing Kind Of Blue mode of perfection. Truly one of our favorite albums of all time! CD
(Out of print.)

Possible matches62
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Miles DavisKind Of Blue ... LP
Columbia, 1959. Very Good ... $119.99
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". LP, Vinyl record album
(6 eye stereo pressing with deep groove, 1AG/1AJ. Cover has light wear.)

Possible matches63
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Miles DavisKind Of Blue (Original Master Recording) – 2LP 180 gram 45 RPM ... LP
Columbia, 1959. Sealed 2LP Box Set ... $79.99
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". LP, Vinyl record album
(Limited edititon #16884.)

Possible matches64
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Miles DavisMilestones ... CD
Sony, 1958. Used ... $1.99
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – but it's the two saxophonists who really help Davis shape the feel of the record, pushing things past the initial Coltrane/Davis groove with a really wonderful sense of space and sound! Titles include the classic "Milestones", plus "Two Bass Hit", "Dr Jeckyll", and "Sid's Ahead". CD
(Out of print.)

Possible matches65
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Miles DavisMilestones (plus bonus tracks) ... CD
Columbia, 1958. New Copy ... $4.99 7.99
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – but it's the two saxophonists who really help Davis shape the feel of the record, pushing things past the initial Coltrane/Davis groove with a really wonderful sense of space and sound! Titles include the classic "Milestones", plus "Two Bass Hit", "Dr Jeckyll", and "Sid's Ahead". CD also features 3 bonus tracks – alternate takes of "Milestones", "Straight No Chaser", and "Two Bass Hit". CD

Possible matches66
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Bill EvansEverybody Digs Bill Evans (with bonus track) ... CD
Riverside/OJC, 1958. Used ... $6.99
Everybody Digs Bill Evans – or at least it certainly seems that way from the cover endorsements by Miles Davis, Cannonball Adderley, and Ahmad Jamal – but the real proof is in the record, and the set is a great one from Bill's classic years on Riverside! Evans is at the peak of his early powers here – working with a straightforward rhythm combo that features Sam Jones on bass and Philly Joe Jones on drums – but still hitting those beautifully fluid, beautifully spacious lines that set his playing apart from most who'd come before him. Tracks include 3 solo numbers – "Lucky To Be Me", "Peace Piece", and the very short "Epilogue" – plus trio tracks "Night & Day", "Minority", "Tenderly", and "Oleo". Includes the bonus track "Some Other Time". CD
(Out of print.)

Possible matches67
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Gil EvansNew Bottle Old Wine ... LP
World Pacific, 1958. Near Mint- ... $24.99
A masterpiece through and through from arranger Gil Evans – a record of swinging modern backdrops, used to showcase both the solo talents of a young Cannonball Adderley, and the dynamic energy of Evans himself! Cannon's sharp-edged early tone is a really great sound for the record – far more modern than you might expect from later funk and soul sides of the 60s – and perfectly poised next to Gil's larger back drops to reignite a host of older tunes with new energy! And while the titles are familiar, the readings certainly are not – as the Evans pen has really changed things up beautifully – as you'll hear on numbers that include "St Louis Blues", "King Porter Stomp", "Willow Tree", "Struttin' With Some Barbeque", "Lester Leaps In", "Round About Midnight", "Manteca", and "Bird Feathers". LP, Vinyl record album
(180 gram UMG pressing.)
Also available New Bottle Old Wine (180 gram pressing) ... LP 26.99

Possible matches68
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Gil EvansNew Bottle Old Wine (180 gram pressing) ... LP
World Pacific/Blue Note, 1958. New Copy (reissue)... $26.99 34.99
A masterpiece through and through from arranger Gil Evans – a record of swinging modern backdrops, used to showcase both the solo talents of a young Cannonball Adderley, and the dynamic energy of Evans himself! Cannon's sharp-edged early tone is a really great sound for the record – far more modern than you might expect from later funk and soul sides of the 60s – and perfectly poised next to Gil's larger back drops to reignite a host of older tunes with new energy! And while the titles are familiar, the readings certainly are not – as the Evans pen has really changed things up beautifully – as you'll hear on numbers that include "St Louis Blues", "King Porter Stomp", "Willow Tree", "Struttin' With Some Barbeque", "Lester Leaps In", "Round About Midnight", "Manteca", and "Bird Feathers". LP, Vinyl record album
(Blue Note Tone Poet Series – 2019 remaster on 180 gram vinyl pressed at RTI!)
Also available New Bottle Old Wine ... LP 24.99

Possible matches69
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Art Farmer/Benny GolsonMeet The Jazztet ... LP
Argo, 1960. Near Mint- ... $11.99
Landmark work by one of the greatest jazz outfits of the early 60s! Art Farmer and Benny Golson were both known as well-composed players during the 50s – strongly soulful, but often with a fine sense of arrangement that usually tended towards the lyrical side of things. With this group, though, they turned that approach towards a heavier sounding style of jazz – tightly stepping soul jazz, in the manner that was being explored at the time by Cannonball Adderley, Art Blakey, and others – presented by Farmer and Golson with a bit more groove and a wonderful kick at the bottom! This album's the first the group cut together – and apart from trumpet by Farmer and tenor by Golson, it also features Curtis Fuller on trombone, McCoy Tyner on piano, Addison Farmer (brother of Art) on bass, and Lex Humphries on drums. Includes the massive original recording of "Killer Joe", which went onto become one of the most recorded jazz standards ever, plus the tracks "Blues March", "Mox Nix", "Park Avenue Petite", and "I Remember Clifford". Perfect tone, perfect groove, and a perfect sound all the way through! LP, Vinyl record album
(70s orange label Cadet pressing.)

Possible matches70
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Grodeck Whipperjenny (Dave Matthews)Grodeck Whipperjenny ... CD
People/Now Again, Early 70s. New Copy ... $14.99 15.98
Here's a rare one! Arranger/producer Dave Matthews was to James Brown what David Axelrod was to Cannonball Adderley – a key funky assistant who came along at just the right moment to help James open up his sound in an even newer direction! Matthews brought up the guitar a bit more in James' music – and also helped add in some slightly fuzzy elements to the funk – and their pairing, although a bit under-acknowledged at the time, has gone on to become the stuff of legend. Dave's also gone on to become a straighter jazz musician – but here, he steps out on a wild funk project with his own group – recorded for Brown's own People records label. There's a bit of vocals on the record, but there's also plenty of instrumental moments too – and the whole thing has lots of heavy drums and fuzzy guitar – a fair bit like the sound of James' Sho Is Funky Down Here record. Heavy cuts include "Put Your Thing On Me", "Inside Or Outside", and "Evidence For The Existence of The Unconscious". An intriguing (and rare) chapter of the James Brown story! CD
Also available Grodeck Whipperjenny (2019 Record Store Day Release) ... LP 27.99

Possible matches71
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Grodeck Whipperjenny (Dave Matthews)Grodeck Whipperjenny (2019 Record Store Day Release) ... LP
People/Now Again, Early 70s. New Copy (reissue)... $27.99
Here's a rare one! Arranger/producer Dave Matthews was to James Brown what David Axelrod was to Cannonball Adderley – a key funky assistant who came along at just the right moment to help James open up his sound in an even newer direction! Matthews brought up the guitar a bit more in James' music – and also helped add in some slightly fuzzy elements to the funk – and their pairing, although a bit under-acknowledged at the time, has gone on to become the stuff of legend. Dave's also gone on to become a straighter jazz musician – but here, he steps out on a wild funk project with his own group – recorded for Brown's own People records label. There's a bit of vocals on the record, but there's also plenty of instrumental moments too – and the whole thing has lots of heavy drums and fuzzy guitar – a fair bit like the sound of James' Sho Is Funky Down Here record. Heavy cuts include "Put Your Thing On Me", "Inside Or Outside", and "Evidence For The Existence of The Unconscious". An intriguing (and rare) chapter of the James Brown story! LP, Vinyl record album
(New liner notes and featuring never before published photos.)
Also available Grodeck Whipperjenny ... CD 14.99

Possible matches72
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Louis HayesLouis Hayes ... LP
Vee Jay, Early 60s. Near Mint- ... $33.99
An excellent lost album on Vee Jay! The album's one of the few ever cut as a leader by Louis Hayes – a very soulful talent who's probably best known for his work with Horace Silver and Cannonball Adderley during the late 50s. Hayes' has a wonderful approach to the record – borrowing bits of the exoticism of his work with Silver, and bits of the harder soul jazz from Cannonball's group – all of which is played to perfection by a tight quintet that includes Yusef Lateef, Sam Jones, Barry Harris, and Nat Adderley. Tracks are all originals by the group, and titles include "Hazing", "Rip De Boom", "Teef", and "Sassy Ann". LP, Vinyl record album
(Rainbow label pressing, with deep groove and AudioMatrix/Bell Sound stamps. Cover has a bumped corner and some wear on the bottom seam.)

Possible matches73
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Philly Joe JonesDrums Around The World ... CD
Riverside/OJC, 1959. Used ... Just Sold Out!
A wonderfully experimental album from drummer Philly Joe Jones – and one that has just the right sort of "ethnic" feel to earn its "Around The World" title! Mostly, the ethnicity comes through in exotic reed work by Sahib Shihab, Herbie Mann, and Cannonball Adderley – who all play wonderfully on the album – alongside straighter sidemen who include Lee Morgan and Blue Mitchell on trumpets, Benny Golson on tenor, and Curtis Fuller on trombone. There's a bit of the Yusef Lateef late 50s sound on here – mixed with Philly's killer crack sock drum approach – a blend that comes off wonderfully throughout, and really makes the album a standout in Philly Joe's catalog from the time. Titles include "Land Of The Blue Veils", "Blue Gwynn", "El Tambores", and "The Tribal Message", which is a nice drum solo! CD also features a bonus take of "Stablemates". CD

Possible matches74
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✨✧ Sam JonesChanges & Things ... LP
Xanadu, 1977. Near Mint- ... $13.99
A brilliant 70s album from bassist Sam Jones – a player who rose to fame with Cannonball Adderley at the start of the 60s, and worked on his own as a leader too – but who really seemed to take off during the time of this recording! Sam's sense of groove and arranging is very strongly in place here – a sense of fire that was no doubt developed with Cannonball, but given a much wider vision on Jones' 70s albums like this – records that might well be some of the few to find a new space forward in the decade for a 60s soul jazz aesthetic! Sam's bass is right out front, and gets some good exposure on a few of the tunes' intros, too – and the rest of the lineup is excellent – with Blue Mitchell on trumpet, Bob Berg on tenor, Slide Hampton on trombone, Barry Harris on piano, and Louis Hayes on drums. Titles include "Miss Morgan", "Laverne Walk", "Sam's Things", "Trane's Changes", "Blue's", and "Stablemates". LP, Vinyl record album
(Cover has a cutout hole, but is nice overall.)

Possible matches75
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Bud PowellPortrait Of Thelonious ... CD
Columbia, 1961. Used ... $9.99
Quite an interesting session from Bud Powell – a tribute to Thelonious Monk, recorded in Paris in 1961, but not issued until 1965, shortly before his death. Cannonball Adderley was the producer on the session, and it's got the same sort of groundbreaking approach as some of the other Cannonball-produced albums for Riverside from the same stretch – a bit more farther reaching than the players' work in an ordinary setting. Powell's take on the Monk sound is a very unusual one – a bit more fragile and tentative than Monk's own interpretations of the material, but performed with an equal commitment to a modern sound overall. Backing is from Kenny Clarke on drums and Pierre Michelot on bass – and titles include "No Name Blues", "Ruby My Dear", "Off Minor", "Squatty", and "Thelonious". CD
(Out of print.)
Also available Portrait Of Thelonious ... LP 9.99

Possible matches76
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Bud PowellPortrait Of Thelonious ... LP
Columbia, 1961. Very Good- ... $9.99
Quite an interesting session from Bud Powell – a tribute to Thelonious Monk, recorded in Paris in 1961, but not issued until 1965, shortly before his death. Cannonball Adderley was the producer on the session, and it's got the same sort of groundbreaking approach as some of the other Cannonball-produced albums for Riverside from the same stretch – a bit more farther reaching than the players' work in an ordinary setting. Powell's take on the Monk sound is a very unusual one – a bit more fragile and tentative than Monk's own interpretations of the material, but performed with an equal commitment to a modern sound overall. Backing is from Kenny Clarke on drums and Pierre Michelot on bass – and titles include "No Name Blues", "Ruby My Dear", "Off Minor", "Squatty", and "Thelonious". LP, Vinyl record album
(Mono 2 eye pressing. Cover has light wear.)
Also available Portrait Of Thelonious ... CD 9.99

Possible matches77
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Bud PowellPortrait Of Thelonious (80s pressing) ... LP
Columbia, 1961. Very Good+ ... $7.99
Quite an interesting session from Bud Powell – a tribute to Thelonious Monk, recorded in Paris in 1961, but not issued until 1965, shortly before his death. Cannonball Adderley was the producer on the session, and it's got the same sort of groundbreaking approach as some of the other Cannonball-produced albums for Riverside from the same stretch – a bit more farther reaching than the players' work in an ordinary setting. Powell's take on the Monk sound is a very unusual one – a bit more fragile and tentative than Monk's own interpretations of the material, but performed with an equal commitment to a modern sound overall. Backing is from Kenny Clarke on drums and Pierre Michelot on bass – and titles include "No Name Blues", "Ruby My Dear", "Off Minor", "Squatty", and "Thelonious". LP, Vinyl record album
(Cover has light wear.)

Possible matches78
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Louis SmithHere Comes Louis Smith ... CD
Blue Note, 1957. Used ... $4.99
Trumpeter Louis Smith made only two records for Blue Note, but both of them are great! This set's arguably his most famous – because of a rare uncredited appearance by Cannonball Adderley, working here under the "nom de date" of "Buckshot La Funke" – and blowing with a power that beats most of his other Mercury sessions of the late 50s! But the real credit here should go to Louis Smith – who's got a sense of power and command that should have made him one of THE trumpeters of the 50s – an emerging young talent to stand alongside Lee Morgan, Nat Adderley, and other post-Fats Navarro/Clifford Brown talents on the instrument. Smith sparkles throughout with a mix of soul and modernism we really love – and an earthy way of blowing the horn that doesn't always reach its goals, but which draws even more energy from its ability to try! The rhythm section on the album's also very tight – with Art Taylor on drums, Doug Watkins on bass, and either Tommy Flanagan or Duke Jordan on piano – and tracks include "Ande", "Brill's Blues", "South Side", and "Val's Blues". CD
(Out of print Connoisseur pressing.)
Also available Here Comes Louis Smith ... LP 29.99

Possible matches79
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Louis SmithHere Comes Louis Smith ... LP
Blue Note, 1957. Near Mint- ... $29.99
Trumpeter Louis Smith made only two records for Blue Note, but both of them are great! This set's arguably his most famous – because of a rare uncredited appearance by Cannonball Adderley, working here under the "nom de date" of "Buckshot La Funke" – and blowing with a power that beats most of his other Mercury sessions of the late 50s! But the real credit here should go to Louis Smith – who's got a sense of power and command that should have made him one of THE trumpeters of the 50s – an emerging young talent to stand alongside Lee Morgan, Nat Adderley, and other post-Fats Navarro/Clifford Brown talents on the instrument. Smith sparkles throughout with a mix of soul and modernism we really love – and an earthy way of blowing the horn that doesn't always reach its goals, but which draws even more energy from its ability to try! The rhythm section on the album's also very tight – with Art Taylor on drums, Doug Watkins on bass, and either Tommy Flanagan or Duke Jordan on piano – and tracks include "Ande", "Brill's Blues", "South Side", and "Val's Blues". LP, Vinyl record album
(Japanese pressing, with insert!)
Also available Here Comes Louis Smith ... CD 4.99

Possible matches80
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✨✧ Mark SoskinRhythm Vision ... LP
Prestige, 1980. Sealed ... $6.99
One of the last of the funky sessions recorded for Prestige in the 70's, and a good batch of smooth fusion grooves recorded by keyboardist Mark Soskin, with Bennie Maupin on reeds, Oscar Brashear on trumpet, and Harvey Mason on drums. The album's got a smooth west coast fusion feel to it – and is kind of an update of the early 70s grooove forged by Larry Mizell and others. Titles include a number of nice Brazilian and Latin-tinged tunes like "Bolinas" and "Mambo Mio", plus a remake of Cannonball Adderley's "Walk Tall". LP, Vinyl record album

Possible matches81
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Sarah VaughanIn The Land Of Hi Fi (Trip pressing) ... LP
EmArcy/Trip, 1955. Very Good ... $3.99
A hip album from Sarah Vaughan – one recorded with great jazz backings from Ernie Wilkins, and featuring a young Cannonball Adderley as the main soloist! The addition of Adderley's alto definitely brings a swinging sound to the set – a sense of soul that's even deeper than usual for Vaughan, and which helps the album live up to its hi-fi promise! Wilkins arrangements have a bit of a Basie bounce at times, but never overwhelm Sarah's vocals – and Jimmy Jones is also on the set, handling the piano lines. Titles include "An Occasional Man", "Oh My", "Soon", "How High The Moon", "It Shouldn't Happen To A Dream", and "Maybe". LP, Vinyl record album
(70s pressing.)

Possible matches82
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Joe WilliamsJoe Williams Live ... CD
Fantasy/OJC, 1973. Used ... $1.99
One of the nice records made by Joe during his funky comeback of the late 60s/early 70s. He's singing here in a setting that's decidedly hipper than on earlier albums – with the early 70s Nat/Cannonball Adderley collective that includes George Duke on piano, Carol Kaye on bass, and production work by David Axelrod. Titles include "Heritage", "Sad Song", "Yesterday, Today, & Tomorrow", and "Who She Do". CD

Possible matches83
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Joe ZawinulConcerto Retitled ... LP
Atlantic, Late 60s/1976. Sealed ... $7.99
Early recordings by Joe Zawinul as a leader – mostly tracks from the 60s, but issued by Atlantic in the mid 70s to work off Joe's growing fame in Weather Report! The set's got a sound that's a fair bit different than some of the more dynamic work that Joe was doing in the 70s – and many numbers are somewhat mellow, or somewhat modern – played with definite third stream jazz influences that show Zawinul's more serious side after years working as Cannonball Adderley's famous sideman. Together, the tracks actually create a wonderful tapestry of sound – one that's hardly a mis-matched batch of tunes from a variety of records, and which works surprisingly well as a whole! Titles include 2 numbers from his Rise & Fall Of The Third Stream album, combining motifs and an overall approach taken from contemporary classical composition with jazzy improvisation with a string quartet augmenting Zawinul's group – "From Vienna With Love" and "Concerto Retitled". Then there's 4 tracks from his hard to get soul jazz/hard bop side Money In The Pocket, "Del Sasser", "Sharon's Waltz", "My One & Only Love", and "Riverbed". And finally there's 2 numbers pulled from the spacious electric album Zawinul, "His Last Journey", and "In A Silent Way". LP, Vinyl record album
(Cover has a cutout hole.)

Possible matches84
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Joe ZawinulMoney In The Pocket ... LP
Atlantic, 1966. Near Mint- ... $19.99
Arguably the best solo record that Joe Zawinul ever cut – and one of the few to really show him working in the soulful style that he had with Cannonball Adderley's famous 60s combo! The record features Joe on piano – stepping out on cuts that still have all the soul jazz currents that he brought to his work with Cannon – those rolling lines and heavy left-hand grooves that made a Zawinul groove instantly infectious! The lineups shift a bit here, but include heavyweight players throughout – including Blue Mitchell on trumpet, Clifford Jordan or Joe Henderson on tenor, Pepper Adams on baritone, Sam Jones on bass, and Louis Hayes on drums! The presence of those giants puts the whole thing in Blue Note or Prestige Records 60s territory – and titles include "Money In The Pocket", "If", "Midnight Mood", "Some More Of Dat", "Sharon's Waltz", and "Del Sasser". LP, Vinyl record album
(Red & purple label pressing. Cover has a small cutout hole and worn corner.)

Possible matches85
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Joe ZawinulRise & Fall Of The Third Stream ... CD
Atlantic, 1967. Used ... $6.99
Although Joe first came to big fame in the US as a funky vamper and soloist behind Cannonball Adderley's big group of the 60s, this early album as a leader has a much more mature sound than Joe's funky work with Cannon – and it rightly earns the "third stream" tag in the title through the use of an enlarged ensemble that includes cello and viola, in addition to the core group of soulful players like Jimmy Owens, Richard Davis, and Freddie Waits. William Fischer's also on the record on tenor, and many of the tracks are his own compositions, with that kind of weird off-kilter, slightly serious approach he used on other Atlantic/Vortex sessions at the time. The mix of soul and serious scoring is actually a pretty darn compelling blend – as you'll hear on tracks like "Lord, Lord, Lord", "Soul Of A Village", and "The 5th Canto". CD
(Out of print.)

Possible matches86
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Various40th Anniversary VSOP Album – All Material Previously Unissued (4LP set) ... LP
Mercury (Japan), Late 40s/1950s/1960s. Very Good+ 4LPs ... $38.99
A killer collection of previously-unissued jazz from Mercury Records – with material by Roland Kirk, Ben Webster, Dinah Washington, Bob James, Dizzy Gillespie, Art Farmer, Cannonball Adderley, and others! LP, Vinyl record album
(Includes booklet. Box has a cutout notch and light wear.)

Possible matches87
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VariousRiverside – The Soul Of Jazz - 1961 ... LP
Riverside, 1960s. Near Mint- ... $9.99
A loss leader type showcase compilation for Riverside, collecting a number of nice sides. 10 numbers in all: "I'm Getting Sentimental Over You" by Thelonious Monk off the Thelonious Monk At The Blackhawk LP, "Mister Walker" by Wes Montgomery off The Incredible Jazz Guitar Of Wes Montgomery LP, "Wade In The Water" by Johnny Griffin's Big Soul Band off The Big Soul Band LP, "Pretty Memory" by Nat Adderley off the Work Song LP, "Stella B" by Bobby Timmons off the Soul Time LP, 'Del Sasser" by the Cannonball Adderley Quintet off the Them Dirty Blues LP, "Peri's Scope" by the bill Evans Trio off the Portrait In Jazz LP, "Blue SOul" by Blue Mitchell off the Blue Soul Lp, "Newkeep" by Jimmy Heath off The Thumper LP and "Something Different" by the Mangione Brothers Sextet off The Jazz Brothers LP. LP, Vinyl record album
(Blue label Bill Grauer Productions Inc pressing with microphone logo and deep groove. Cover has some corner wear.)

Possible matches88
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VariousSuper Soul-Dees! Vol 2 ... LP
Capitol, Late 60s. Very Good+ 2LP Gatefold ... $6.99
An excellent collection of hip soul from late 60s Capitol – some of it from the legendary David Axelrod camp at the label! There's some great cuts on here that we rarely see on vinyl – and titles include "Hip Huggin Mini" by Tender Joe Richardson, "Glory Glory Halleluja" by The Art Reynolds Singers, "Dead End Street" by Lou Rawls, "Why Am I Treated So Bad" by Cannonball Adderley, "Walk In The Sunlight" by The Checkmates Ltd, "Tell Him" by Patti Drew, "In My Roome" by Verdell Smith, "For Sentimental Reasons/You Send Me" by Willie Hightower, "Peace Of Mind" by The Magnificent Men, and a 10 minute jammer called "Get That Feeling" by Curtis Knight with guitar by Jimi Hendrix! LP, Vinyl record album
(Rainbow label stereo pressing. Cover has a cutout hole and some wear.)

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✨✧ David AxelrodSong Of Innocence ... LP
Capitol/Now Again, 1968. New Copy (reissue)... Temporarily Out Of Stock
One of a handful of amazing albums recorded by David Axelrod towards the end of the 60s – really stunning, genre-breaking music that was years ahead of its time – and which has only finally been getting its due in more recent decades! At the time of the record, Axelrod was a house producer at Capitol Records – where he'd created big hits for Lou Rawls and Cannonball Adderley – and he'd also been experimenting a bit with studio techniques for other rock groups. But here, the Axe brings all his experience into play – then sends things soaring to the skies – with music based on the work of poet William Blake, but delivered in this totally groovy west coast 60s mode. The core of the instrumentation features funky drums from Earl Palmer and bass from Carole Kaye – both of whom really keep things rock-solid amidst the larger mix of strings and instruments directed by the great Don Randi – who himself is pretty darn wonderful too. The music has nice snatches of fuzz and organ throughout – jazzy moments, funky passages, and lots more too – served up on tunes that include much-sampled song "Holy Thursday" – plus "The Smile", "A Dream", "Song Of Innocence", and "The Mental Traveler". William Blake never sounded so funky! LP, Vinyl record album
(Fantastic reissue – new remastering, and a big booklet of notes on the music!)
Also available Song Of Innocence ... CD 14.99

Possible matches90
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✨✧ David AxelrodSongs Of Experience (with booklet) ... LP
Capitol/Now Again, 1969. New Copy Gatefold (reissue)... Temporarily Out Of Stock
One of the greatest albums ever by studio genius David Axelrod! The album's one of Axelrod's first on his own – cut for Capitol Records at a time when he was working with some of the label's biggest selling soul acts – like Cannonball Adderley and Lou Rawls – turning their already-successful sounds into super-hit material by adding some nice funky touches, and excellent baroque production. This album lets Axelrod fully explore his talents for larger studio arrangements and complex yet soulful instrumentation. The record is subtitled "an anthology of awareness after birth, based on the 18th century poems of William Blake" – and it features incredible arrangements conducted by Don Randi, played by a host of excellent LA jazz and studio players. The overall sound is spacey and dark, with nice touches of funk, and plenty of cool instrumental passages that have been sampled over the years by hip hoppers and other producers. Titles include "London", "The Fly", "The Human Abstract", "A Divine Image", and "The Sick Rose". Reissued with the original gatefold cover and everything! LP, Vinyl record album
(Audiophile pressing – with booklet!)

Possible matches91
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✨✧ Ray BrownRay Brown With The All-Star Big Band ... LP
Verve, 1962. Near Mint- ... Temporarily Out Of Stock
A standout session from bassist Ray Brown – one of a few 60s big band sessions recorded for Verve, featuring some searing solo work from Cannonball Adderley! Brown's name as a leader is possibly more as a compadre than the main driving force of the record – as the arrangements here are by Ernie Wilkins, often in the tightly soulful bag he was laying down at the time – and Adderley's presence as the main soloist certainly gives a Cannonball flair to the record. But there's definitely plenty of Brown's warmth guiding the whole session – and other players include Nat Adderley, Clark Terry, Melba Liston, Budd Johnson, and Yusef Lateef. Some tracks have Brown's bass right out front in the arrangements, dipping nicely and adding into the groove – and titles include "Tricotism", "Cannon Built", "Thumbstring", "Two For The Blues", and "Work Song". LP, Vinyl record album
(MGM pressing. Cover has a bent corner.)

Possible matches92
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✨✧ Kenny ClarkeBohemia After Dark (Japanese paper sleeve edition) ... CD
Savoy (Japan), 1955. Used ... Temporarily Out Of Stock
An excellent hardbop session from the glory days of the Savoy label – easily one of the label's key 50s classics! Drummer Kenny Clarke's at the front of the group – but all players are great, and the set features work by Cannonball Adderley on alto, Jerome Richardson on tenor, Donald Byrd on trumpet, Nat Adderley on cornet, Hank Jones or Horace Silver on piano, and Paul Chambers on bass. The Adderley brothers sound especially great – and the young Cannonball has a quality here that's more soulful and sharp-edged than his work on Mercury – much more in a Prestige blowing session style! Titles include "Late Entry", "Chasm", "Bohemia After Dark", and "Hear Me Talkin To Ya". CD
(Out of print. Includes obi.)

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✨✧ Miles DavisJazz Track ... LP
Columbia, Late 50s. Very Good- ... Temporarily Out Of Stock
Although not actually a proper album – this is still one of the greatest Miles Davis albums of all time! Side one features 10 tracks from Miles' amazing soundtrack to the film Ascenseur Pour L'Echafaud – with excellent work by French players Barney Wilen, Rene Urtreger, and Pierre Michelot, on haunting moody tracks like "Generique", "Lassassinat De Carala", "Au Bar Du Petit Bac", and "Dinner Au Motel". Great stuff – and with a wonderful sound that's like no other Miles album! Side 2 is equally great – as it features 3 classic sextet tunes – "On Green Dolphin Street", "Put Your Little Foot Right Out", and "Stella By Starlight" –peformed with Coltrane, Cannonball Adderley, and Bill Evans in that amazing Kind Of Blue mode of perfection. Truly one of our favorite albums of all time! LP, Vinyl record album
(Mono 6 eye pressing with deep groove. Cover has some wear.)

Possible matches94
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✨✧ Miles DavisKind Of Blue (mono) ... LP
Columbia, 1959. New Copy (reissue)... Temporarily Out Of Stock
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". LP, Vinyl record album
(On 180 gram vinyl as well!)
Also available Kind Of Blue ... LP 119.99

Possible matches95
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✨✧ Miles DavisKind Of Blue (with bonus track) ... CD
Columbia, 1959. Used ... Temporarily Out Of Stock
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". CD
(Includes slipcase.)
Also available Kind Of Blue ... LP 119.99

Possible matches96
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✨✧ Miles DavisMilestones (plus bonus tracks) ... CD
Columbia, 1958. Used ... Temporarily Out Of Stock
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – but it's the two saxophonists who really help Davis shape the feel of the record, pushing things past the initial Coltrane/Davis groove with a really wonderful sense of space and sound! Titles include the classic "Milestones", plus "Two Bass Hit", "Dr Jeckyll", and "Sid's Ahead". CD also features 3 bonus tracks – alternate takes of "Milestones", "Straight No Chaser", and "Two Bass Hit". CD
(Punch through barcode.)
Also available Milestones (plus bonus tracks) ... CD 4.99

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✨✧ Gil EvansComplete Pacific Jazz Sessions (New Bottle Old Wine/Great Jazz Standards) ... CD
Pacific Jazz, 1958/1959. Used ... Temporarily Out Of Stock
2 wonderful late 50s sessions from arranger Gil Evans – both of which we'd rank right up there with his best work with Miles Davis, or the albums under his own name for Impulse in the 60s! The first half of the CD is from the album New Bottle Old Wine – a record of swinging modern backdrops, used to showcase both the solo talents of a young Cannonball Adderley, and the dynamic energy of Evans himself! Cannon's sharp-edged early tone is a really great sound for the record – far more modern than you might expect from later funk and soul sides of the 60s – and perfectly poised next to Gil's larger back drops to reignite a host of older tunes with new energy! And while the titles are familiar, the readings certainly are not – as the Evans pen has really changed things up beautifully – as you'll hear on numbers that include "St Louis Blues", "King Porter Stomp", "Willow Tree", "Struttin' With Some Barbeque", "Lester Leaps In", "Round About Midnight", "Manteca", and "Bird Feathers". Great Jazz Standards is equally great, a fantastic lost set from Evans – and one that features Mingus trumpeter Johnny Coles as the lead soloist in front of Evans-led modern groups that include players like Elvin Jones, Ray Crawford, Steve Lacy, Budd Johnson, Rod Levitt, and Chuck Wayne. Despite the "standards" in the title, most of these numbers are modern tunes from the 50s – like "Joy Spring", "Ballad Of The Sad Young Men", "Django", "Straight No Chaser", and "Chant Of The Weed" – all given Evans' unique style of arrangement, tweaked up a few notches to give them a really edgey quality. Coles is clearly standing in for Miles here, but the format works well overall! CD features 15 tracks in all, including some newly-improved versions of a few tracks, correcting mistakes in the original records! CD
(Connoisseur pressing.)

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✨✧ MachitoKenya ... LP
Roulette, Late 50s. Good+ ... Temporarily Out Of Stock
A real corker from Machito – a set that's got a lot more bite and earthy fire than some of his other albums of the 50s – as you might be able to guess from the cover and the title! The record definitely lives up to the Afro-Cuban promise on the front – thanks to very hip arrangements from Mario BAuza and AK Salim – who balance core rhythmic elements with some great modern jazz solo contributions – from key players who include Johnny Griffin on tenor, Cannonball Adderley on alto, Joe Newman on trumpet, and Eddie Bert on trombone – all coming together under Machito's leadership with a sound that's much bolder than most of his work in a straighter Latin mode! The album's a key meeting of styles – as powerful today as it was when first recorded – and tracks include the great "Congo Mulence", a very tight groover – plus "Turuato", "Frenzy", "Cannonology", "Minor Rama", and "Wild Jungle". LP, Vinyl record album
(Color bar pressing with deep groove. Cover has some wear.)

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✨✧ MachitoKenya (180 gram pressing) ... LP
Roulette/Pure Pleasure (UK), 1957. New Copy (reissue)... Temporarily Out Of Stock
A real corker from Machito – a set that's got a lot more bite and earthy fire than some of his other albums of the 50s – as you might be able to guess from the cover and the title! The record definitely lives up to the Afro-Cuban promise on the front – thanks to very hip arrangements from Mario Bauza and AK Salim – who balance core rhythmic elements with some great modern jazz solo contributions – from key players who include Johnny Griffin on tenor, Cannonball Adderley on alto, Joe Newman on trumpet, and Eddie Bert on trombone – all coming together under Machito's leadership with a sound that's much bolder than most of his work in a straighter Latin mode! The album's a key meeting of styles – as powerful today as it was when first recorded – and tracks include the great "Congo Mulence", a very tight groover – plus "Turuato", "Frenzy", "Cannonology", "Minor Rama", and "Wild Jungle". LP, Vinyl record album
(Limited edition!)

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✨✧ Dick MorganDick Morgan At The Showboat ... LP
Riverside, 1960. Very Good ... Temporarily Out Of Stock
A great 60s album from this hip Washington pianist – discovered by Cannonball Adderley, who produced the session as one of his great early 60s dates for the Riverside label! Dick Morgan plays in a trio with Keter Betts on bass and Bertell Knox on drums – on titles that include "For Pete's Sake", "Like Lois", "Will You Still Be Mine", and "Big Fat Mama" – all recorded live at The Showboat in DC. LP, Vinyl record album
(Small blue label pressing, with silver text, microphone logo, and deep groove! Vinyl is nice and clean – and cover has some light wear, and a hint of seam splitting – but is nice too!)
 
 
 



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