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Cannonball Adderley Edit search Phrase match

 
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Exact matches: 27
Exact matches1
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball Adderley & His Quintet En Concert ... CD
Europe 1, 1969. Used ... $6.99
A hip little live set from Cannonball – recorded at the end of the funky 60s, in Paris, with Joe Zawinul on keyboards, and in the same long electric tradition as his famous Country Preacher album! The tracks include some of the gems from the Capitol years – stretched out and served up with a great deal of soul, and mixed in with some older titles for a very well-rounded set. Zawinul's on keyboards, Nat Adderley is on cornet, Vic Gaskin's the bass player, and Roy McCurdy handles the drums. Titles include "Walk Tall", "Mercy Mercy Mercy", "The Blooz", "Experience In E", "The Work Song", and "Rufus Still Skinned". CD
(Out of print.)

Exact matches2
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball Adderley Quintet & Orchestra – Experience In E/Tensity/Dialogues ... LP
Capitol, Late 60s. Near Mint- ... $19.99
A great lost chapter in the Cannonball/David Axelrod story! The record features Cannon's classic quintet performing some longer, more serious works with orchestral backing – and the sound is vaguely similar to some of Axelrod's "high concept" work for Capitol. The record features a recording of Axelrod's "Tensity" and William Fischer's "Experience In E", both conducted by Fischer, a hip modern soul-oriented arranger, with a sound that's not dissimilar to Axelrod. The last piece on the album is a nice long one by Lalo Schifrin, "Dialogues For Jazz Quintet & Orchestra", which is also conducted by him as well. LP, Vinyl record album

Exact matches3
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball Adderley Quintet At The Lighthouse (with bonus track) ... CD
Riverside/Capitol, 1960. Used ... $6.99
Fantastic work from the Cannonball Adderley Quintet – one of their greatest performances from the seminal early 60s years! The band at this time includes Cannon on alto, Nat on cornet, Victor Feldman on piano, Sam Jones on bass, and Louis Hayes on drums – and although Feldman's not as strong of a soul jazz player as Bobby Timmons or Joe Zawinul, both of whom also played with the group, his playing on this set is great, thanks to a really lively rhythm section! Includes an 11 minute version of "Sack O Woe", plus "Blue Daniel", "Azule Serape", and "Big P". CD also includes a bonus track – "Our Delight". CD
(Out of print.)

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball Adderley Sextet In New York ... CD
Riverside/OJC, 1962. Used ... Just Sold Out!
Rock-solid live material from the classic Cannonball Adderley Sextet – a combo who could usually groove even better on a concert date then they could in the studio! The album's one of a number of key live sides from Cannon in the 60s – and although it pre-dates his work on Capitol, it's done in a similar spacious mode – with plenty of longish tracks that build upon the core groove set down by Joe Zawinul's piano, Sam Jones' bass, and Louis Hayes' drums – a perfect backdrop for the creative and complicated solos of Cannon on alto, Nat Adderley on cornet, and Yusef Lateef on tenor, flute, and oboe! The date was recorded live at the Village Vanguard in 1962 – and titles include "Gemini", "Planet Earth", "Dizzy's Business", "Syn-anthesia", "Scotch & Water", and "Cannon's Theme". CD

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyLove, Sex, And The Zodiac ... CD
Fantasy/BGP (UK), 1974. New Copy ... $8.99 14.99
A classic from Cannoball and producer-partner David Axelrod – truly great stuff and maybe even better than the Zodiac set Cannonball did for Capitol! The formula is similar to that one – with David Axelrod producing, electric keyboards by Hal Galper and George Duke, spacey solos by Cannonball and Nat Adderley, and some very hip recitations by Rick Holmes on love, sex, and the zodiac! Holmes is best known as the chappie who cut "Remember To Remember" years later with Roy Ayers – but this album's got a similar "wisdom and knowledge" feel that's pretty wonderful. Titles include "Aquarius: Humanity Plus", "Cancer: All Sides", "Leo: Rosebud", "Aries: Damn Right", "Gemini: Ecstasy", and "Virgo: For Pam". CD

Exact matches6
CD, LP, Vinyl record album cover art
Cannonball AdderleyPortrait Of Cannonball (Japanese paper sleeve edition) ... CD
Riverside (Japan), 1958. Used ... $26.99
A jazzy portrait of Cannonball Adderley in his early soul jazz prime – oddly one that doesn't feature his regular quintet lineup, but which more than makes up for that lack with a batch of players that includes Blue Mitchell on trumpet, Bill Evans on piano, Sam Jones on bass, and Philly Joe Jones on drums! Given the personnel, the record's almost kind of a transition from Cannon's brief time with Miles Davis into his tighter more soul-inflected group to come – and Evans' piano provides an especially spacious sensibility here, one that marks the time spent with Miles nicely. Titles include "Nardis", "A Little Taste", "Minority", and "Blue Funk". CD features 3 bonus tracks! CD
(Out of print. Includes obi – and still sealed!)

Exact matches7
CD, LP, Vinyl record album cover art
Cannonball AdderleyPresenting Cannonball ... CD
Savoy, 1955. Used ... $6.99
One of Cannonball Adderley's first albums – recorded for Savoy way back in 1955, and done with a free and open style that's a nice contrast to his tighter sides for Mercury! The album's very relaxed – that hardbop blowing session mode that Savoy virtually pioneered – letting the players open up in comfortable studio space, working together almost as they would on a hip live date. Cannon's in the lead on alto, and the group also features Nat Adderley on cornet, Hank Jones on piano, Paul Chambers on bass, and Kenny Clarke on drums – a classic Savoy rhythm section for the two horn players. Tracks are long, and titles include "Spontaneous Combustion", "Still Talkin To Ya", "Caribbean Cutie", and "A Little Taste". CD
(Out of print, BMG music club pressing. Some light notes in pencil inside the booklet.)

Exact matches8
CD, LP, Vinyl record album cover art
Cannonball AdderleyPresenting Cannonball (Japanese paper sleeve edition) ... CD
Savoy/Sony (Japan), 1955. Used ... $11.99
One of Cannonball Adderley's first albums – recorded for Savoy way back in 1955, and done with a free and open style that's a nice contrast to his tighter sides for Mercury! The album's very relaxed – that hardbop blowing session mode that Savoy virtually pioneered – letting the players open up in comfortable studio space, working together almost as they would on a hip live date. Cannon's in the lead on alto, and the group also features Nat Adderley on cornet, Hank Jones on piano, Paul Chambers on bass, and Kenny Clarke on drums – a classic Savoy rhythm section for the two horn players. Tracks are long, and titles include "Spontaneous Combustion", "Still Talkin To Ya", "Caribbean Cutie", and "A Little Taste". CD
(Out of print, includes obi!)

Exact matches9
CD, LP, Vinyl record album cover art
Cannonball AdderleyPrice You Got To Pay To Be Free ... LP
Capitol, 1970. Very Good 2LP Gatefold ... $8.99
Fantastic work from the massive electric years of the Cannonball Adderley Quintet – one of the group's last records to feature the keyboards of Joe Zawinul – and also one of the heaviest from the time! The set's a double-length gem that presents the group in an open live setting – one that really displays the full charm of their approach at the time, and that wonderfully crowd-winning mode that made Cannon a key act at this time for rock and soul audiences too! Adderley raps a bit at key points, and brings some righteous energy to the concert – while the rest of the group follow up with performances that really send the whole thing home – Nat Adderley on cornet, Zawinul on Fender Rhodes and piano, Walter Booker on bass, and Roy McCurdy on drums. Cannon plays some soprano sax, in addition to his familiar alto – and titles include "Alto Sex", "Lonesome Stranger", "Wild Cat Pee", "Soul Virgo", "Painted Desert", "Directions", "Pra Dizer Adeus", "Rumplestiltskin", "Price You Got To Pay To Be Free", "Esquisition", "Get Up Off Your Knees", "Down In Black Bottom", and "The Scene". Produced by David Axelrod too! LP, Vinyl record album

Exact matches10
CD, LP, Vinyl record album cover art
Cannonball AdderleyWhy Am I Treated So Bad? ... LP
Capitol, Late 60s. Near Mint- ... $14.99
If you ever needed a key example of the genius of Cannonball on Capitol Records, this tight little set may well be it! The record's got all the best elements of a Cannon classic firmly in place – production by David Axelrod, electric piano by Joe Zawinul, and some tremendously soulful work from Cannon and Nat Adderley on their respective horns – all presented with a sense of relaxed tightness (if we can use such a phrase) that's jaw-droppingly brilliant all the way through! Cannon speaks a bit and pushes the band into action with charisma and warmth caught nicely by Axelrod's recording – and the band grooves on long, snakey tunes that mix equal parts funk and soul jazz together, coming up with the quintessential Adderley groove on nearly every number! Tracks include the seminal "Why Am I Treated So Bad", plus "Mini Mama", "I'm On My Way", "One For Newk", "The Scene", "Yvette", and "The Other Side". LP, Vinyl record album

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Cannonball Adderley QuintetCannonball Adderley Quintet Plus ... CD
Riverside/OJC, 1962. Used ... $9.99
An all-star set from Cannonball Adderley – a hip standout in his pre-Capitol years for Riverside! The "plus" in the title is pianist Wynton Kelly – who works with the group wonderfully on 4 of the album's 6 tracks – bringing in a slightly different feel on the keys than you might get from some of Cannon's other albums – slightly lyrical at points, in a really great way. Rhythm is from the rock-solid team of Sam Jones on bass and Louis Hayes on drums – and of course Nat Adderley's also in the group on cornet, and Victor Feldman rounds out the ensemble on vibes, but also plays piano on the tracks that don't feature Kelly. There's a strong undercurrent of Adderley's Riverside soul jazz vibe on the set – and titles include "Arriving Soon", "New Delhi", "Winetone", "Well You Needn't", "Star Eyes", and "Lisa". CD
(Out of print.)

Exact matches12
CD, LP, Vinyl record album cover art
Cannonball Adderley with Bossa Rio SextetCannonball's Bossa Nova ... CD
Capitol/Riverside, 1962. Used ... $6.99
Cannonball Adderley recorded this nice little groover in 1962, when American musicans were just getting on the bossa tip, and still keeping things pretty authentic. The record was cut in New York with Sergio Mendes' early Bossa Rio group – the legendary Brazilian jazz ensemble that featured Paulo Moura, Dom Um Romao, and Durval Ferreira. The mixture of tight bossa rhythms and Cannon's soulful sax is totally great – and it's only because the Riverside label was folding at the time that the record never got bigger fame. It's here now, though, and the record's a real treat – especially at this price! Includes the cuts "Joyce's Samba", "Clouds", "Minha Saudade", "Corcovado", "Batida Diferentes", and "Sambops". Plus, the CD also features bonus single versions of "Corcovado" and "Clouds"! CD

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Nancy Wilson & Cannonball AdderleyNancy Wilson/Cannonball Adderley ... CD
Capitol, Mid 60s. Used ... Just Sold Out!
The sweet vocals of Nancy join the classic Cannonball quintet for a great set of soul jazz tunes that was one of Capitol's biggest selling jazz sides in the 60s! About half the cuts feature Nancy on vocals – on tunes like "Save Your Love For Me", "Never Will I Marry", "Happy Talk", and "The Masquerade Is Over" – and the other half feature Cannon's group playing instrumentally – on cuts like "Teaneck", "One Man's Dream", and "Never Say Yes". Pop, but hip – nice and hip! CD
(Columbia House pressing.)

Exact matches14
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyAlto Giant ... LP
Lotus (Italy), 1969. Near Mint- ... Temporarily Out Of Stock
An import pressing of a concert recorded in 1969, featuring a group that's similar to the one that recorded Country Preacher in the same year with brother Nat and Joe Zawinul, but featuring Victor Gaskin and Louis Hayes in the rhythm section. The vibe is a bit more straight, but still very much in a soul jazz bag, with some nice hard playing from everyone. 6 tracks in all: "Scavenger", "Sweet Emma", "Ballads Medley", "This Here", "Manha De Carnaval" and "Walk Tall". LP, Vinyl record album

Exact matches15
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyBig Man ... CD
Fantasy/Real Gone, 1975. New Copy ... Temporarily Out Of Stock
One of the last albums ever issued by the great Cannonball Adderley – and one of the most ambitious, too! The set's a concept album – done in close collaboration with David Axelrod, in a similar spirit to some of Cannon's projects on the zodiac or the bible – but this time turned towards the legend of John Henry! The set's got some fuller orchestrations than some of the others – a bit of strings and a chorus, which sometimes gives the record the feel of a blacksploitation album, sometimes more of a Melvin Van Peebles project. Lead vocals are by Joe Williams, Randy Crawford, and Robert Guillaume – and the core combo features work from Cannonball on alto sax, Dawili Gonga on keyboards, Airto on percussion, and George Bohannon on trombone – on titles that include "Hundred an One Year", "Poundin", "The Steamdrill", "New Star Risin", "On His Bones", "Anybody Need A Big Man", "The Broomstick Song", and "Ten Mile Of Mountain". CD

Exact matches16
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyJazz Workshop Revisited ... CD
Riverside/Capitol, 1962. Used ... Temporarily Out Of Stock
A great live classic from the Cannonball Adderley Sextet of the early 60s – that famous group that included Nat Adderley on cornet, Yusef Lateef on tenor and flute, Joe Zawinul on piano, Sam Jones on bass, and Louis Hayes on drums! Tracks are long, and these guys are really on fire in a live setting – and titles include a stellar 11 minute version of "The Jive Samba", one of Cannonball's greatest track – plus "Primitivo", "Lillie", and "Mellow Buno". CD includes the bonus track "Unit 7"! CD
(Out of print.)

Exact matches17
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyJulian Cannonball Adderley ... LP
EmArcy, Mid 50s. Near Mint- ... Temporarily Out Of Stock
Very early work from Cannonball Adderley – recorded way before the funky years, when he was a hard-wailing soulful soloist with a lot of bop in his style! Cannon's paired here with brother Nat, a good companion even at this early stage – and the two of them solo in front of a large group that features Jerome Richardson, Max Roach, Cecil Payne, and Jimmy Cleveland, all blowing away in hard heavy form, similar to that used on other Mercury/Emarcy jazz sessions from the time. Quincy Jones handled the arrangements, and Cannonball holds his own nicely – and serves up a whole new tone that's a lot more measured than in later years. Tracks include "Fallen Feathers", "Song Is You", "Willows", and "Everglade". LP, Vinyl record album

Exact matches18
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyKnow What I Mean? (20 bit remaster) ... CD
Riverside, 1961. Used ... Temporarily Out Of Stock
Beautiful early work from Cannonball Adderley – and a record that's quite different than most of his better known sets from the time! The album's more spare and stripped-down than usual – with Cannon's alto in a quartet alongside Bill Evans on piano, Percy Heath on bass, and Connie Kay on drums. The style is almost more that of Evans than it is Cannonball – lightly lyrical, with a good sense of space – in a way that has Adderley playing out front very strongly, cutting some beautiful lines with his solos, in a really unfettered way! Titles include versions of two of Evans' tracks – "Waltz For Debby" and "Know What I Mean?" – plus nice moody takes on other material, like John Lewis' "Venice", Clifford Jordan's "Toy", and Gordon Jenkins' "Goodbye". CD features 4 bonus tracks too. CD
(Out of print.)

Exact matches19
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyLove, Sex, And The Zodiac ... CD
Fantasy/BGP (UK), 1974. Used ... Temporarily Out Of Stock
A classic from Cannoball and producer-partner David Axelrod – truly great stuff and maybe even better than the Zodiac set Cannonball did for Capitol! The formula is similar to that one – with David Axelrod producing, electric keyboards by Hal Galper and George Duke, spacey solos by Cannonball and Nat Adderley, and some very hip recitations by Rick Holmes on love, sex, and the zodiac! Holmes is best known as the chappie who cut "Remember To Remember" years later with Roy Ayers – but this album's got a similar "wisdom and knowledge" feel that's pretty wonderful. Titles include "Aquarius: Humanity Plus", "Cancer: All Sides", "Leo: Rosebud", "Aries: Damn Right", "Gemini: Ecstasy", and "Virgo: For Pam". CD
Also available Love, Sex, And The Zodiac ... CD 8.99

Exact matches20
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleySomethin' Else ... LP
Blue Note, 1958. Near Mint- ... Temporarily Out Of Stock
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect offset to Cannonball's more soulful style. The rest of the group includes Hank Jones, Sam Jones, and Art Blakey – and like John Coltrane's Blue Train, the record's more of an "special session" than the usual Blue Note album, but the strength of the players make it one of the more memorable records of its day! Titles include "Somethin' Else", "One For Daddy-O", and a nice moody take on "Dancing In The Dark". LP, Vinyl record album

Exact matches21
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyThem Dirty Blues ... CD
Riverside/Capitol, 1960. Used ... Temporarily Out Of Stock
One of the all-time great ones by Cannonball! This record captures him in the prime of his early soul jazz fame – working with an unbelievably heavy quintet that featured Bobby Timmons on piano (with Barry Harris sitting in on a few tracks), Sam Jones on bass, Louis Hayes on drums, and brother Nat Adderley on cornet. The quintet forged a sound that made them an immediate hit – and which had their tight, jagged, soul-drenched sound getting copied by everyone. The record features some amazing soul jazz standards – like Nat's original version of "Work Song", the first-ever record of Timmons' amazing "Dat Dere", Cannon's slinky "Them Dirty Blues", and the jaunty groover "Jeannine", a wonderful cut by Duke Pearson that never sounded better! The CD features alternates of "Work Song" and "Dat Dere" – for a total of 9 tracks in all! CD

Exact matches22
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball In Europe ... CD
Capitol, 1962. Used ... Out Of Stock
Rare work by Cannonball – recorded live in Europe in the early 60s, and only ever issued there until the release of this CD in the US! The set features live material performed by Cannon's amazing group that included Joe Zawinul on piano, Yusef Lateef on reeds, Nat Adderley on cornet, and the rhythm section of Sam Jones and Louis Hayes – all grooving together perfectly for the set, with a fluid mix of hardbop, soul jazz, and slight exotic traces that are completely sublime! Titles include "P Bouk", "Gemini", "Work Song", "Trouble In Mind" and "Dizzy's Business". CD
(Out of print.)

Exact matches23
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyPortrait Of Cannonball ... LP
Riverside, 1958. Near Mint- ... Out Of Stock
A jazzy portrait of Cannonball Adderley in his early soul jazz prime – oddly one that doesn't feature his regular quintet lineup, but which more than makes up for that lack with a batch of players that includes Blue Mitchell on trumpet, Bill Evans on piano, Sam Jones on bass, and Philly Joe Jones on drums! Given the personnel, the record's almost kind of a transition from Cannon's brief time with Miles Davis into his tighter more soul-inflected group to come – and Evans' piano provides an especially spacious sensibility here, one that marks the time spent with Miles nicely. Titles include "Nardis", "A Little Taste", "Minority", and "Blue Funk". LP, Vinyl record album
Also available Portrait Of Cannonball (Japanese paper sleeve edition) ... CD 26.99

Exact matches24
CD, LP, Vinyl record album cover art
✨✧ Cannonball Adderley QuintetCannonball Adderley Quintet Plus ... CD
Riverside/OJC, 1962. Used ... Out Of Stock
An all-star set from Cannonball Adderley – a hip standout in his pre-Capitol years for Riverside! The "plus" in the title is pianist Wynton Kelly – who works with the group wonderfully on 4 of the album's 6 tracks – bringing in a slightly different feel on the keys than you might get from some of Cannon's other albums – slightly lyrical at points, in a really great way. Rhythm is from the rock-solid team of Sam Jones on bass and Louis Hayes on drums – and of course Nat Adderley's also in the group on cornet, and Victor Feldman rounds out the ensemble on vibes, but also plays piano on the tracks that don't feature Kelly. There's a strong undercurrent of Adderley's Riverside soul jazz vibe on the set – and titles include "Arriving Soon", "New Delhi", "Winetone", "Well You Needn't", "Star Eyes", and "Lisa". CD
Also available Cannonball Adderley Quintet Plus ... CD 9.99

Exact matches25
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyKnow What I Mean? (with bonus tracks) ... CD
Riverside/OJC, 1961. Used ... Out Of Stock
Beautiful early work from Cannonball Adderley – and a record that's quite different than most of his better known sets from the time! The album's more spare and stripped-down than usual – with Cannon's alto in a quartet alongside Bill Evans on piano, Percy Heath on bass, and Connie Kay on drums. The style is almost more that of Evans than it is Cannonball – lightly lyrical, with a good sense of space – in a way that has Adderley playing out front very strongly, cutting some beautiful lines with his solos, in a really unfettered way! Titles include versions of two of Evans' tracks – "Waltz For Debby" and "Know What I Mean?" – plus nice moody takes on other material, like John Lewis' "Venice", Clifford Jordan's "Toy", and Gordon Jenkins' "Goodbye". Remastered edition with 2 bonus tracks: "Who Cares (Take 4)" and "Know What I Mean? (Take 12)". CD
(Out of print, BMG music club pressing.)

Exact matches26
CD, LP, Vinyl record album cover art
Tony KofiAnother Kind Of Soul – A Portrait Of Cannonball Adderley ... LP
Last Music Co, 2020. New Copy ... $23.99 24.99
A very cool tribute to the legendary Cannonball Adderley – but one that has a spirit that's nicely that of its leader, alto saxophonist Tony Kofi! Tony's got a tone that's different than Cannon – maybe a bit sharper, with this pinched, edgey quality that's really great – and which opens up the familiar tunes in a great way, and sounds especially nice on two of the album's originals! The group also features Andy Davies on trumpet, Alex Webb on piano, Andrew Cleyndert on bass, and Alfonso Vitale on drums – a group who know all the energy an Adderley group performance requires, while also letting their own souls and spirits take new directions too. Titles include "Work Song", "Sack O Woe", "Things Are Getting Better", "Another Kind Of Soul", and the originals "A Portrait Of Cannonball" and "Operation Breadbasket". LP, Vinyl record album

Exact matches27
CD, LP, Vinyl record album cover art
✨✧ Mike SmithUnit 7 – A Tribute To Cannonball Adderley ... LP
Delmark, 1990. Near Mint- ... Out Of Stock
Features Mike Smith on alto, Jodie Christian on piano, Ron Friedman on trumpet, and Sid Jacobs on guitar. Titles include "Jeanine", "Pisces", "Dat Dere", "A Little Taste", and "Unit 7". LP, Vinyl record album
 
Possible matches: 49
Possible matches28
CD, LP, Vinyl record album cover art
Adderley BrothersSummer Of 55 ... CD
Atlantic/Savoy, 1955. Used 2 CDs ... $9.99
With Nat Adderly, Donald Byrd, Jerome Richardson, Cannonball Adderly, Horace Silver, Paul Chambers, Kenny Clarke & Hank Jones. CD
(Out of print.)

Possible matches29
CD, LP, Vinyl record album cover art
Nat AdderleyAutobiography ... CD
Atlantic (Japan), 1965. Used ... $24.99
A gem of a record from Nat Adderley – filled with short soulful groovers, and done with an upbeat vibe that rivals some of Cannonball's best of the 60s! Joe Zawinul handled the arrangements, so there's definitely a strong influence here from the Cannon group – and although the players shift a bit throughout the course of the set, there's a really unified feel – thanks to a top-shelf lineup that includes Seldon Powell on tenor and flute, Ernie Royal on trumpet, Benny Powell on bass trombone, and Willie Bobo on percussion! The set features all original material by Nat – with older gems and new favorites that include "Little Boy With The Sad Eyes", "Never Say Yes, "Jive Samba", "Stony Island", "Junkanoo", and "Work Song". CD
(Out of print, includes obi.)

Possible matches30
CD, LP, Vinyl record album cover art
Nat AdderleyGood Company ... CD
Challenge/Ultra Vybe (Japan), 1994. New Copy ... $16.99
The legendary Nat Adderley is definitely in good company here – a group with excellent work on alto from Antonio Hart – a player who comes off in a very different way than the famous alto of Nat's late brother, Cannonball! Antonio seems to open up some nicely dark currents in Adderley's music – underscored by the piano work of Rob Bargard, who can do a great job of shading things in from below – while the whole group moves with great rhythm work from the team of Walter Booker on bass and Jimmy Cobb on drums. Tunes include two great Bargard originals – "Rob's New Tune" and "War Zone" – plus versions of "Rwanda", "Sermonette", "Corcovado", and "Unit Seven". CD
(Part of the "Timeless Jazz Syndicate" series!)

Possible matches31
CD, LP, Vinyl record album cover art
Nat Adderley & The Big Sax SectionThat's Right! ... CD
Riverside, 1960. Used ... $6.99
Nat's trumpet is backed up by the "big sax section" here – a trio of reed players that includes Yusef Lateef, Jimmy Heath, and Charlie Rouse, plus some additional baritone work by Tate Houston. The groove's pretty swinging – kind of in the mode of early work with Cannonball Adderley in that it's not as "in the pocket" soul jazz wise, but still quite strong overall. Heath and Jimmy Jones did the arrangements, and the rhythm section features Wynton Kelly, Sam Jones, and Jimmy Cobb. Tracks include "Tadd", "The Old Country", "Chordnation", and "ESP". CD
(Out of print.)

Possible matches32
CD, LP, Vinyl record album cover art
✨✧ Nat AdderleyHummin' ... LP
Little David, 1976. Very Good+ ... Temporarily Out Of Stock
A really brilliant little record from Nat Adderley – one that shows him shaking off the groove gotten from brother Cannonball, and finding some great space all on his own! The setting here is tight and funky – at a level that's a bit more arranged than a small combo soul jazz session, but which still has plenty of sharp edges and bold notes! The groove's a bit like Kudu Records from the time, but less electric overall – and Nat's cornet is featured in a hip combo with John Stubblefield on reeds, Onaje Allen Gumbs on piano and keyboards, and Buddy Williams on drums. There's plenty of great funky riffing in the set, but also some wonderfully laidback grooves that really sparkle with electric piano from Gumbs – and titles include a surprisingly wonderful version of "MASH", plus "Hummin", "Midnight Over Memphis", "The Traveler", "Listen To The Rain", and the Latin-tinged "Amor Sonador". LP, Vinyl record album

Possible matches33
CD, LP, Vinyl record album cover art
✨✧ Nat AdderleyIntroducing Nat Adderley ... CD
EmArcy/Verve, Late 50s. Used ... Temporarily Out Of Stock
An excellent batch of soulful bop tracks – recorded as Nat's first – and featuring a group that includes brother Cannonball, plus Horace Silver, Roy Haynes, and Paul Chambers. The set's got a lot more fire than some of Nat's recordings from a few years later, probably because of the top-notch rhythm section – and titles include "Watermelon", "New Arrivals", "Sun Dance", "Friday Nite", and "Fort Lauderdale". This is the Verve master edition with 24-bit remastering, new liiner notes, photographs, original cover art & more. CD
(Out of print, Verve Master Edition. Barcode has a cutout mark.)

Possible matches34
CD, LP, Vinyl record album cover art
✨✧ Nat AdderleyLittle New York Midtown Music ... CD
Galaxy/OJC, 1979. Used ... Temporarily Out Of Stock
An overlooked later gem from the great Nat Adderley – one of the first records cut after the passing of his brother Cannonball, and a set that shows that Nat was definitely ready to carry on the groove! Familiar bandmate Victor Feldman's in the combo alongside Nat's cornet – and Vic plays a bit of Fender Rhodes, which brings up the funk on a few key numbers – balanced out with some more intimate passages that include acoustic piano. The great Johnny Griffin brings a lot to the session, with some well-blown tenor solos that stretch out on a few of the album's long tracks – and the rest of the group includes Ron Carter on bass, and Roy McCurdy on drums. Titles include "Yeehaw Junction", "Whipitup", "Saguaro", and "Sunshine Sammy". CD

Possible matches35
CD, LP, Vinyl record album cover art
✨✧ Nat AdderleyMuch Brass ... LP
Riverside, 1959. Very Good- ... Out Of Stock
Despite the "much brass" tag in the title, this album's really just a sextet session – and not a clunky big brass ensemble one. Cannonball's brother plays with a very swingin' sextet that includes the brassy touches of Slide Hampton on trombone and Laymon Jackson on tuba. Wynton Kelly plays piano and Sam Jones is on bass, and the set grooves with a nice snapping rhythm section that keeps the brass players from getting to soppy. Nat's cornet has that pinched funky sound that he had when playing with his brother, and Hampton's trombone is as deep and soulful as always. Cuts include "Blue Concept", "Israel", "What Next?", and "Accents". All the material is very hip, and written by writers like Duke Pearson, Slide Hampton, Gigi Gryce, and Adderley. LP, Vinyl record album

Possible matches36
CD, LP, Vinyl record album cover art
David AxelrodSeriously Deep ... CD
Polygram/Dusty Groove, 1975. Used ... $9.99
An amazing slice of music from the legendary David Axelrod – quite different than his better-known sides for Capitol and Reprise Records – and plenty darn funky overall! Axelrod is at his studio best here – stepping off the funky jazz modes he produced for Cannonball Adderley, and taking a shot at that territory on his own! In a reversal of modes, Cannonball actually handles the production – with help from Jimmy Bowen – which leaves Axelrod alone to compose, arrange, and direct the group on the set. The album's got a fair bit of electricity in the mix – heavy keyboards from Joe Sample, and some really fuzzy guitars – plus lots of choppy reed work from Joe Sample and Ernie Watts, all wrapped up with some monstrously funky drums from Ndugu Chancler. There's a very bottom-heavy groove to the record – one that makes for a few completely amazing breaks, and a very funky sound overall – and Axelrod does an amazing job of controlling the players here – so that nobody jams too much, and the grooves are always right on the money! The whole thing's great – a sublime symphony of instrumental funk all the way through – and titles include "Reverie", "Miles Away", "Go For It", "Ken Russell", "1000 Rads", and "One". First time ever on CD – a seminal reissue from Dusty Groove! CD
(Out of print, punch through barcode.)

Possible matches37
CD, LP, Vinyl record album cover art
✨✧ David AxelrodSongs Of Experience (with booklet) ... LP
Capitol/Now Again, 1969. New Copy Gatefold (reissue)... $21.99 27.98
One of the greatest albums ever by studio genius David Axelrod! The album's one of Axelrod's first on his own – cut for Capitol Records at a time when he was working with some of the label's biggest selling soul acts – like Cannonball Adderley and Lou Rawls – turning their already-successful sounds into super-hit material by adding some nice funky touches, and excellent baroque production. This album lets Axelrod fully explore his talents for larger studio arrangements and complex yet soulful instrumentation. The record is subtitled "an anthology of awareness after birth, based on the 18th century poems of William Blake" – and it features incredible arrangements conducted by Don Randi, played by a host of excellent LA jazz and studio players. The overall sound is spacey and dark, with nice touches of funk, and plenty of cool instrumental passages that have been sampled over the years by hip hoppers and other producers. Titles include "London", "The Fly", "The Human Abstract", "A Divine Image", and "The Sick Rose". Reissued with the original gatefold cover and everything! LP, Vinyl record album
(Audiophile pressing – with booklet!)

Possible matches38
CD, LP, Vinyl record album cover art
Miles DavisKind Of Blue (Japanese paper sleeve edition) ... CD
Sony (Japan), 1959. Used ... $24.99
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". CD
(Out of print.)
Also available Kind Of Blue (with bonus track) ... CD 1.99

Possible matches39
CD, LP, Vinyl record album cover art
Miles DavisKind Of Blue (with bonus track) ... CD
Columbia, 1959. Used ... $1.99
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". CD
Also available Kind Of Blue (Japanese paper sleeve edition) ... CD 24.99

Possible matches40
CD, LP, Vinyl record album cover art
Miles Davis & John ColtraneMiles & Coltrane ... LP
Columbia, Late 50s. Near Mint- ... $16.99
A strong collection of sides that Miles recorded for Columbia during the late 50s – most featuring a group that included John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, and Jimmy Cobb, caught live at the Newport Jazz fest in 1958, playing the tunes "Ah-leu-cha", "Straight No Chaser", "Fran-Dance (Put Your Little Foot Right Out)", "Two Bass Hit", and "Bye Bye Blackbird". The remaining 2 tracks – "Little Melonae" and "Budo" – are from a 1955 set that includes Coltrane, plus the rhythm trio led by Red Garland and featuring Paul Chambers & Philly Joe Jones. LP, Vinyl record album

Possible matches41
CD, LP, Vinyl record album cover art
Bill EvansEverybody Digs Bill Evans (20 bit remaster) ... CD
Riverside, 1958. Used ... $9.99
Everybody Digs Bill Evans – or at least it certainly seems that way from the cover endorsements by Miles Davis, Cannonball Adderley, and Ahmad Jamal – but the real proof is in the record, and the set is a great one from Bill's classic years on Riverside! Evans is at the peak of his early powers here – working with a straightforward rhythm combo that features Sam Jones on bass and Philly Joe Jones on drums – but still hitting those beautifully fluid, beautifully spacious lines that set his playing apart from most who'd come before him. Tracks include 3 solo numbers – "Lucky To Be Me", "Peace Piece", and the very short "Epilogue" – plus trio tracks "Night & Day", "Minority", "Tenderly", and "Oleo". CD features 1 bonus track! CD
(Out of print.)

Possible matches42
CD, LP, Vinyl record album cover art
✨✧ Gil EvansNew Bottle Old Wine ... CD
Pacific Jazz/Blue Note, 1958. Used ... $9.99
A masterpiece through and through from arranger Gil Evans – a record of swinging modern backdrops, used to showcase both the solo talents of a young Cannonball Adderley, and the dynamic energy of Evans himself! Cannon's sharp-edged early tone is a really great sound for the record – far more modern than you might expect from later funk and soul sides of the 60s – and perfectly poised next to Gil's larger back drops to reignite a host of older tunes with new energy! And while the titles are familiar, the readings certainly are not – as the Evans pen has really changed things up beautifully – as you'll hear on numbers that include "St Louis Blues", "King Porter Stomp", "Willow Tree", "Struttin' With Some Barbeque", "Lester Leaps In", "Round About Midnight", "Manteca", and "Bird Feathers". CD
(Out of print.)
Also available New Bottle Old Wine (180 gram pressing) ... LP 28.99

Possible matches43
CD, LP, Vinyl record album cover art
Gil EvansNew Bottle Old Wine (180 gram pressing) ... LP
World Pacific/Blue Note, 1958. New Copy (reissue)... $28.99 34.99
A masterpiece through and through from arranger Gil Evans – a record of swinging modern backdrops, used to showcase both the solo talents of a young Cannonball Adderley, and the dynamic energy of Evans himself! Cannon's sharp-edged early tone is a really great sound for the record – far more modern than you might expect from later funk and soul sides of the 60s – and perfectly poised next to Gil's larger back drops to reignite a host of older tunes with new energy! And while the titles are familiar, the readings certainly are not – as the Evans pen has really changed things up beautifully – as you'll hear on numbers that include "St Louis Blues", "King Porter Stomp", "Willow Tree", "Struttin' With Some Barbeque", "Lester Leaps In", "Round About Midnight", "Manteca", and "Bird Feathers". LP, Vinyl record album
(Blue Note Tone Poet Series – 2019 remaster on 180 gram vinyl pressed at RTI!)
Also available New Bottle Old Wine ... CD 9.99

Possible matches44
CD, LP, Vinyl record album cover art
Grodeck Whipperjenny (Dave Matthews)Grodeck Whipperjenny ... CD
People/Radioactive (UK), Early 70s. Used ... $11.99
Here's a rare one! Arranger/producer Dave Matthews was to James Brown what David Axelrod was to Cannonball Adderley – a key funky assistant who came along at just the right moment to help James open up his sound in an even newer direction! Matthews brought up the guitar a bit more in James' music – and also helped add in some slightly fuzzy elements to the funk – and their pairing, although a bit under-acknowledged at the time, has gone on to become the stuff of legend. Dave's also gone on to become a straighter jazz musician – but here, he steps out on a wild funk project with his own group – recorded for Brown's own People records label. There's a bit of vocals on the record, but there's also plenty of instrumental moments too – and the whole thing has lots of heavy drums and fuzzy guitar – a fair bit like the sound of James' Sho Is Funky Down Here record. Heavy cuts include "Put Your Thing On Me", "Inside Or Outside", and "Evidence For The Existence of The Unconscious". An intriguing (and rare) chapter of the James Brown story! CD
(Out of print.)

Possible matches45
CD, LP, Vinyl record album cover art
✨✧ Jon HendricksGood Git-Together ... CD
World Pacific, 1959. Used ... $8.99
A rare early session as a solo act by vocalist Jon Hendricks – recorded at the time when he was first making waves with Lambert, Hendricks, and Ross – but proof that Jon always sounded a lot hipper on his own! The style here is quite different from the vocalese of LHR, and Hendricks is laidback, open, and very soulful – working with Wes, Buddy, and Monk Montgomery – as well as Cannonball and Nat Adderley, Pony Poindexter, and Gildo Mahones – all coming together in a "git together" session that features some of Hendricks' best vocals on record! The session features great readings of Hendricks originals that include "Minor Catastrophe", "I'll Die Happy", and "I'm Gonna Shout" – as well as Gigi Gryce's "Music In The Air" and "Social Call", plus a great take on Randy Weston's "Pretty Strange" and Gildo Mahones' "The Shouter". CD
(Out of print. CD case has a cutout mark.)

Possible matches46
CD, LP, Vinyl record album cover art
Budd JohnsonBudd Johnson & The Four Brass Giants ... CD
Riverside/OJC, 1960. Used ... $9.99
Budd Johnson was one of those players from the old days who was continually drawing praise from younger and hipper musicians – crediting Budd with a tone and talent that was forever an inspiration to them. Case in point is this 1960 session, issued as part of the hip Cannonball Adderley Presents series on Riverside – one in which Budd is given free reign to arrange the albums tracks, coming up with a nice batch of originals and interesting tunes that show him to be a much more complex player than might be expected. The players include a four piece trumpet section with Nat Adderley, Clark Terry, Harry Edison, and Ray Nance – and rhythm is by Tommy Flanagan, Joe Benjamin, and Herb Lovelle. Tracks include "Blues For Lester", "All My Love", "Trinity River Bottom", and "Driftwood". CD
(Out of print.)

Possible matches47
CD, LP, Vinyl record album cover art
Sam JonesChant ... LP
Riverside, 1961. Very Good ... $19.99
Early genius from Sam Jones – the kind of record that showed the world that he was way more than just a bass player – even though he was pretty darn great at that! At the time of the set, Sam was already raising plenty of ears with his work in the Cannonball Adderley group, an outfit that helped Jones find a whole new role for the bass in jazz. But here, he's working with a much larger group – a tentet that's filled with all star players that include Melba Liston, Cannonball Adderley, Blue Mitchell, Jimmy Heath, Victor Feldman, Tate Houston, and Les Spann – soaring through lively arrangements by Heath and Feldman that sit in a space between small combo soul jazz and larger group swing – a bit in the mode of some of Quincy Jones' best early 60s work on Mercury! Despite the large group, Sam's bass gets plenty of room to roam in the album – and titles include "The Chant", "Blues On Down", "In Walked Ray", "Blue Bird", "Four", and "Off Color". LP, Vinyl record album

Possible matches48
CD, LP, Vinyl record album cover art
MachitoKenya ... CD
Roulette/EMI, 1957. Used ... $11.99
A real corker from Machito – a set that's got a lot more bite and earthy fire than some of his other albums of the 50s – as you might be able to guess from the cover and the title! The record definitely lives up to the Afro-Cuban promise on the front – thanks to very hip arrangements from Mario BAuza and AK Salim – who balance core rhythmic elements with some great modern jazz solo contributions – from key players who include Johnny Griffin on tenor, Cannonball Adderley on alto, Joe Newman on trumpet, and Eddie Bert on trombone – all coming together under Machito's leadership with a sound that's much bolder than most of his work in a straighter Latin mode! The album's a key meeting of styles – as powerful today as it was when first recorded – and tracks include the great "Congo Mulence", a very tight groover – plus "Turuato", "Frenzy", "Cannonology", "Minor Rama", and "Wild Jungle". CD
(Out of print.)
Also available Kenya (180 gram pressing) ... LP 34.99

Possible matches49
CD, LP, Vinyl record album cover art
MachitoKenya (180 gram pressing) ... LP
Roulette/Pure Pleasure (UK), 1957. New Copy (reissue)... $34.99 44.99
A real corker from Machito – a set that's got a lot more bite and earthy fire than some of his other albums of the 50s – as you might be able to guess from the cover and the title! The record definitely lives up to the Afro-Cuban promise on the front – thanks to very hip arrangements from Mario Bauza and AK Salim – who balance core rhythmic elements with some great modern jazz solo contributions – from key players who include Johnny Griffin on tenor, Cannonball Adderley on alto, Joe Newman on trumpet, and Eddie Bert on trombone – all coming together under Machito's leadership with a sound that's much bolder than most of his work in a straighter Latin mode! The album's a key meeting of styles – as powerful today as it was when first recorded – and tracks include the great "Congo Mulence", a very tight groover – plus "Turuato", "Frenzy", "Cannonology", "Minor Rama", and "Wild Jungle". LP, Vinyl record album
(Limited edition!)
Also available Kenya ... CD 11.99

Possible matches50
CD, LP, Vinyl record album cover art
Lenny McBrowne & The Four SoulsEastern Lights ... LP
Riverside, 1960. Very Good ... $19.99
A really compelling little album – the only one as a leader we've seen from Lenny McBrowne, a drummer who worked with Roland Kirk and some other left of center players in the 60s! The album's got a nice blend of modern and soul jazz themes – and was one of those excellent "Cannonball Adderley presents" albums that graced Riverside briefly in the early 60s. Like others in that series (Clifford Jordan, JFK Quintet), the album's got an undeniable energy that really sets it apart from other albums of the time. The group includes Don Sleet on trumpet, Daniel Jackson on tenor, Terry Trotter on piano, and Jimmy Bond on bass – and titles include "Saudi", "Chicago Preferred", "Eastern Lights", "Even Dozen", and "Tryin & Cryin". LP, Vinyl record album

Possible matches51
CD, LP, Vinyl record album cover art
✨✧ Willie TeeI'm Only A Man (LP sleeve edition with bonus track) ... CD
Capitol/Get On Down, Late 60s. New Copy ... $6.99 14.98
One of the only albums ever from Willie Tee – an artist who's usually known best for his funky 45s, but who really shines here in the space of a full-length record! Willie's got a killer vocal style, with a warm raspy style that reminds us a bit of Tyrone Davis – but he's produced here with a swinging soul vibe by David Axelrod, and he sings to some spectacular arrangements by HB Barnum that are in his best style of the late 60s! The tracks are a wonderful mix of raw soul vocals and sophisticated production, and the album's the kind of rare soul album that we only ever turn up once in a while! Includes a great vocal version of Cannonball Adderley's "Walk Tall", plus the tracks "Bring On The Heartaches", "I'm Only A Man", "Mirror", and "Take Your Time". Excellent stuff! CD

Possible matches52
CD, LP, Vinyl record album cover art
✨✧ Bobby TimmonsSoul Time ... CD
Riverside/OJC, 1960. Used ... $16.99
A real standout set from Bobby Timmons – one of his few non-trio sessions as a leader, and a record that crackles with the same sort of energy he brought to his work with the Jazz Messengers! Of course, that's no surprise – as the quartet on the set includes Bobby's boss at the time, drummer Art Blakey – as well as always-great bassist Sam Jones (who Bobby worked with in the Cannonball Adderley group), and trumpeter Blue Mitchell, stepping out nicely on top to give the album a well-rounded and soulful spirit. The set includes some great originals, too – the kind of rolling Timmons' numbers that made him one of the freshest writers of his generation – as you'll hear on "So Tired", "Soul Time", "Stella B", and "One Mo'". Hard to find, too! CD
(Out of print.)

Possible matches53
CD, LP, Vinyl record album cover art
Stanley TurrentineJoyride (with bonus tracks) ... CD
Blue Note, 1965. Used ... $6.99
A very successful album for Blue Note – and one that took the searing tenor sax of Stanley Turrentine and backed it with some boldly soulful arrangements from Oliver Nelson! Nelson was perfect at this sort of session – able to provide full backings that infused the record with energy, yet never dominated the space of the soloist – and Turrentine really rises to the occasion here, and matches the quality heard in similar Nelson sessions with Jimmy Smith, Lou Donaldson, and Cannonball Adderley! Other players in the core group here include Kenny Burrell and Herbie Hancock – but Stan's the main star of the set with his gutsy tenor lines, all blown beautifully in a way that points towards his later experiments in this mode. Titles include "Bayou", "Mattie T", "Little Sheri", and "River's Invitation" – and the CD features the bonus tracks "Gravy Train" and "A Kettle Of Fish". CD
(Out of print.)

Possible matches54
CD, LP, Vinyl record album cover art
✨✧ Stanley TurrentineJoyride (with bonus tracks) ... CD
Blue Note (Japan), 1965. Used ... Just Sold Out!
A very successful album for Blue Note – and one that took the searing tenor sax of Stanley Turrentine and backed it with some boldly soulful arrangements from Oliver Nelson! Nelson was perfect at this sort of session – able to provide full backings that infused the record with energy, yet never dominated the space of the soloist – and Turrentine really rises to the occasion here, and matches the quality heard in similar Nelson sessions with Jimmy Smith, Lou Donaldson, and Cannonball Adderley! Other players in the core group here include Kenny Burrell and Herbie Hancock – but Stan's the main star of the set with his gutsy tenor lines, all blown beautifully in a way that points towards his later experiments in this mode. Titles include "Bayou", "Mattie T", "Little Sheri", and "River's Invitation" – and the CD features the bonus tracks "Gravy Train" and "A Kettle Of Fish". CD
(Out of print SHM-CD pressing, includes obi.)
Also available Joyride (with bonus tracks) ... CD 6.99

Possible matches55
CD, LP, Vinyl record album cover art
Sarah VaughanIn The Land Of Hi Fi ... LP
EmArcy, 1955. Very Good- ... $5.99
A hip album from Sarah Vaughan – one recorded with great jazz backings from Ernie Wilkins, and featuring a young Cannonball Adderley as the main soloist! The addition of Adderley's alto definitely brings a swinging sound to the set – a sense of soul that's even deeper than usual for Vaughan, and which helps the album live up to its hi-fi promise! Wilkins arrangements have a bit of a Basie bounce at times, but never overwhelm Sarah's vocals – and Jimmy Jones is also on the set, handling the piano lines. Titles include "An Occasional Man", "Oh My", "Soon", "How High The Moon", "It Shouldn't Happen To A Dream", and "Maybe". LP, Vinyl record album

Possible matches56
CD, LP, Vinyl record album cover art
Ben Webster & Joe ZawinulSoulmates ... CD
Riverside/OJC, 1963. Used ... $6.99
An unusual early album by Joe Zawinul – one cut at the start of his early fame with Cannonball Adderley (and years before his success in Weather Report) – but in an easygoing way that's a perfect setting for the aging Ben Webster! Joe's not funking things up the way he did with Cannon, and instead he's gentle and soulful – often hitting more sensitive moments that match the emotive blowing of Webster nicely. The recording quality is great – and captures Ben especially well on the ballads – and other players include Sam Jones or Richard Davis on bass, Philly Joe Jones on drums, plus Thad Jones on cornet on a few tracks. Titles include "Frog Legs", "Evol Deklaw Ni", "The Governor", and "Soulmates". CD
(Booklet has a bit of sticker residue on the back cover.)
Also available Soulmates ... LP 39.99

Possible matches57
CD, LP, Vinyl record album cover art
Ben Webster & Joe ZawinulSoulmates ... LP
Jazzland, 1963. Near Mint- ... $39.99
An unusual early album by Joe Zawinul – one cut at the start of his early fame with Cannonball Adderley (and years before his success in Weather Report) – but in an easygoing way that's a perfect setting for the aging Ben Webster! Joe's not funking things up the way he did with Cannon, and instead he's gentle and soulful – often hitting more sensitive moments that match the emotive blowing of Webster nicely. The recording quality is great – and captures Ben especially well on the ballads – and other players include Sam Jones or Richard Davis on bass, Philly Joe Jones on drums, plus Thad Jones on cornet on a few tracks. Titles include "Frog Legs", "Evol Deklaw Ni", "The Governor", and "Soulmates". LP, Vinyl record album
Also available Soulmates ... CD 6.99

Possible matches58
CD, LP, Vinyl record album cover art
✨✧ Don WilkersonTexas Twister ... CD
Riverside, 1960. Used ... $19.99
One of the rarest albums by this great Texas tenor player – and the kind of album we're very happy to see reissued! This heavy little gem was one of the few sides that Wilkerson cut under his own name – and it was the only one recorded away from Blue Note, as part of Cannonball Adderley's short-lived "Cannonball Presents" series. The core group features Wilkerson's Texas tenor right out front (a lot louder than on the Blue Note sides), set against the piano of Barry Harris, the bass of Leroy Vinnegar, and the drums of Billy Higgins. Nat Adderley plays cornet on a few tracks – and titles include "Jelly Roll", "The Twister", "Morning Coffee", "Idiom", and "Media". CD
(Out of print.)

Possible matches59
CD, LP, Vinyl record album cover art
Joe WilliamsJoe Williams Live ... CD
Fantasy/OJC, 1973. Used ... $3.99
One of the nice records made by Joe during his funky comeback of the late 60s/early 70s. He's singing here in a setting that's decidedly hipper than on earlier albums – with the early 70s Nat/Cannonball Adderley collective that includes George Duke on piano, Carol Kaye on bass, and production work by David Axelrod. Titles include "Heritage", "Sad Song", "Yesterday, Today, & Tomorrow", and "Who She Do". CD
Also available Joe Williams Live ... LP 1.99

Possible matches60
CD, LP, Vinyl record album cover art
Joe WilliamsJoe Williams Live ... LP
Fantasy, 1973. Near Mint- ... $1.99
One of the nice records made by Joe during his funky comeback of the late 60s/early 70s. He's singing here in a setting that's decidedly hipper than on earlier albums – with the early 70s Nat/Cannonball Adderley collective that includes George Duke on piano, Carol Kaye on bass, and production work by David Axelrod. Titles include "Heritage", "Sad Song", "Yesterday, Today, & Tomorrow", and "Who She Do". LP, Vinyl record album
Also available Joe Williams Live ... CD 3.99

Possible matches61
CD, LP, Vinyl record album cover art
Joe ZawinulMoney In The Pocket ... CD
Atlantic (Japan), 1966. Used ... Just Sold Out!
Arguably the best solo record that Joe Zawinul ever cut – and one of the few to really show him working in the soulful style that he had with Cannonball Adderley's famous 60s combo! The record features Joe on piano – stepping out on cuts that still have all the soul jazz currents that he brought to his work with Cannon – those rolling lines and heavy left-hand grooves that made a Zawinul groove instantly infectious! The lineups shift a bit here, but include heavyweight players throughout – including Blue Mitchell on trumpet, Clifford Jordan or Joe Henderson on tenor, Pepper Adams on baritone, Sam Jones on bass, and Louis Hayes on drums! The presence of those giants puts the whole thing in Blue Note or Prestige Records 60s territory – and titles include "Money In The Pocket", "If", "Midnight Mood", "Some More Of Dat", "Sharon's Waltz", and "Del Sasser". CD
(Out of print, 2016 SHM-CD pressing – includes obi!)

Possible matches62
CD, LP, Vinyl record album cover art
Joe ZawinulZawinul ... LP
Atlantic, 1971. Very Good+ ... $14.99
A beautiful fusion of Joe Zawinul's roots in the groups of Miles Davis and Cannonball Adderley – a set with some of the far-reaching jazz ideas of the former, and much of the soulful subtleties of the latter! The album features Joe on electric piano throughout, playing alongside Herbie Hancock in a twin-piano style that's quite spacious, and filled with slow-building, long-flowing lines! Other players include Woody Shaw on trumpet, Earl Turbington on soprano sax, George Davis on flute, Miroslav Vitous and Walter Booker on drums, and Joe Chambers, Billy Hart, and David Lee on a range of percussion. All these elements are used slowly, and sparingly – brought in with a style that's modern, but in a gentle sort of way – not as over the top as some of the work that Joe cut with Miles at the end of the 60s – and almost a more sensitive, compositional approach to the same territory of music. Titles include "Arrival In New York", "Doctor Honoris Causa", "In A Silent Way", "His Last Journey", and "Double Image". LP, Vinyl record album

Possible matches63
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VariousSavoy Story Vol 1 – Jazz (3CD box set) ... CD
Savoy/Atlantic, 1940s/1950s. Used 3 CDs ... $14.99
Music from Cannonball Adderley, Gene Ammons, Miles Davis, Billy Eckstine, Stan Getz, Dizzy Gillespie, Dexter Gordon, Coleman Hawkins, Charlie Parker, Little Jimmy Scott, Ben Webster, Lester Yong & more. CD
(Out of print.)

Possible matches64
CD, LP, Vinyl record album cover art
✨✧ David AxelrodSong Of Innocence ... CD
Capitol/Now Again, 1968. New Copy ... Temporarily Out Of Stock
One of a handful of amazing albums recorded by David Axelrod towards the end of the 60s – really stunning, genre-breaking music that was years ahead of its time – and which has only finally been getting its due in more recent decades! At the time of the record, Axelrod was a house producer at Capitol Records – where he'd created big hits for Lou Rawls and Cannonball Adderley – and he'd also been experimenting a bit with studio techniques for other rock groups. But here, the Axe brings all his experience into play – then sends things soaring to the skies – with music based on the work of poet William Blake, but delivered in this totally groovy west coast 60s mode. The core of the instrumentation features funky drums from Earl Palmer and bass from Carole Kaye – both of whom really keep things rock-solid amidst the larger mix of strings and instruments directed by the great Don Randi – who himself is pretty darn wonderful too. The music has nice snatches of fuzz and organ throughout – jazzy moments, funky passages, and lots more too – served up on tunes that include much-sampled song "Holy Thursday" – plus "The Smile", "A Dream", "Song Of Innocence", and "The Mental Traveler". William Blake never sounded so funky! CD
(Fantastic reissue – new remastering, and a big booklet of notes on the music!)

Possible matches65
CD, LP, Vinyl record album cover art
✨✧ David AxelrodSong Of Innocence ... LP
Capitol/Now Again, 1968. New Copy (reissue)... Temporarily Out Of Stock
One of a handful of amazing albums recorded by David Axelrod towards the end of the 60s – really stunning, genre-breaking music that was years ahead of its time – and which has only finally been getting its due in more recent decades! At the time of the record, Axelrod was a house producer at Capitol Records – where he'd created big hits for Lou Rawls and Cannonball Adderley – and he'd also been experimenting a bit with studio techniques for other rock groups. But here, the Axe brings all his experience into play – then sends things soaring to the skies – with music based on the work of poet William Blake, but delivered in this totally groovy west coast 60s mode. The core of the instrumentation features funky drums from Earl Palmer and bass from Carole Kaye – both of whom really keep things rock-solid amidst the larger mix of strings and instruments directed by the great Don Randi – who himself is pretty darn wonderful too. The music has nice snatches of fuzz and organ throughout – jazzy moments, funky passages, and lots more too – served up on tunes that include much-sampled song "Holy Thursday" – plus "The Smile", "A Dream", "Song Of Innocence", and "The Mental Traveler". William Blake never sounded so funky! LP, Vinyl record album
(Fantastic reissue – new remastering, and a big booklet of notes on the music!)

Possible matches66
CD, LP, Vinyl record album cover art
✨✧ David AxelrodSongs Of Experience (with booklet) ... CD
Capitol/Now Again, 1969. New Copy ... Temporarily Out Of Stock
One of the greatest albums ever by studio genius David Axelrod! The album's one of Axelrod's first on his own – cut for Capitol Records at a time when he was working with some of the label's biggest selling soul acts – like Cannonball Adderley and Lou Rawls – turning their already-successful sounds into super-hit material by adding some nice funky touches, and excellent baroque production. This album lets Axelrod fully explore his talents for larger studio arrangements, and complex yet soulful instrumentation. The record is subtitled "an anthology of awareness after birth, based on the 18th century poems of William Blake" – and it features incredible arrangements conducted by Don Randi, played by a host of excellent LA jazz and studio players. The overall sound is spacey and dark, with nice touches of funk, and plenty of cool instrumental passages that have been sampled over the years by hip hoppers and other producers. Titles include "London", "The Fly", "The Human Abstract", "A Divine Image", and "The Sick Rose". CD
Also available Songs Of Experience (with booklet) ... LP 21.99

Possible matches67
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✨✧ Miles DavisKind Of Blue (mono) ... LP
Columbia, 1959. New Copy (reissue)... Temporarily Out Of Stock
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". LP, Vinyl record album
(180 gram vinyl pressing!)
Also available
Kind Of Blue (with bonus track) ... CD 1.99
Kind Of Blue (Japanese paper sleeve edition) ... CD 24.99

Possible matches68
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✨✧ Quincy JonesQuintessential Charts (This Is How I Feel About Jazz/Quintessence) ... LP
ABC, 1956/1961. Very Good+ 2LP Gatefold ... Temporarily Out Of Stock
A split 70s LP – with two earlier classics! First up is How I Feel About Jazz – an important early album from Quincy Jones! Q's working here in some of his hippest settings of the 50s – scoring longish versions of jazz tunes for groups that include players like Lucky Thompson on tenor, Herbie Mann on flute, Art Farmer on trumpet, Phil Woods and Gene Quill on alto sax, Hank Jones on piano, and even Charles Mingus on bass! As with most Jones albums of the time, Quincy has a way of making a bigger group sound nice and lean – hitting some especially nice edges along with the rhythms, and really showing the way towards a new soulful sound for a bigger band. Titles include a sublime 10 minute version of "Walkin" that kicks off the album with a great soulful groove – plus original tunes "Evening In Paris", "Stockholm Sweetnin", and "Boo's Blues", as well as a version of Cannonball Adderley's "Sermonette". Next is Quintessence – a very soulful set of big band material from Quincy Jones – recorded during that tight early 60s period when his arrangements just couldn't fail! The album's his only session for Impulse, and it's got a slightly deeper style than his work from the time for Mercury – a bit more sophisticated, with nice modern touches that take the tunes in surprising directions. Part of the greatness of the set lies in the players – as the album features work by Curtis Fuller, Thad Jones, Stu Martin, Freddie Hubbard, Patty Brown, Phil Woods, and Jerome Richardson – and titles include "Robot Portrait", "Hard Sock Dance", "The Twitch", and "For Lena & Lennie". LP, Vinyl record album

Possible matches69
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✨✧ Lou RawlsSoulin' ... LP
Capitol, Late 60s. Very Good ... Temporarily Out Of Stock
One of the best albums that Lou Rawls cut with the team of HB Barnum and David Axelrod – that incredible duo who made some of his 60s Capitol albums so great! The style here is wonderful – upbeat grooves from Barnum – who brings more soul into Lou's music than before – recorded by Axelrod with the right sort of sharpness and punch – that special quality he brought to Cannonball Adderley's 60s soul classics too! Rawls is really at home in the setting – stepping out in some points with these hip monologue passages that are as great as his singing – maybe even better, too – as they show a whole new side of Lou's personality – that badass, totally hip quality that people might never have expected from the early days. One of the best of these is the excellent "Old Man's Memories", about a guy sitting on a bench in Washington Park on the south side of Chicago, which then rolls into an amazing version of "It Was A Very Good Year". Other tunes have a great mix of soul and jazz – and titles include "Love Is A Hurtin Thing", "A Whole Lotta Woman", "Don't Explain", "Old Folks", and "Breaking My Back (Instead Of Using My Mind)". LP, Vinyl record album

Possible matches70
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✨✧ Stanley TurrentineJoyride ... LP
Blue Note, 1965. Near Mint- ... Temporarily Out Of Stock
A very successful album for Blue Note – and one that took the searing tenor sax of Stanley Turrentine and backed it with some boldly soulful arrangements from Oliver Nelson! Nelson was perfect at this sort of session – able to provide full backings that infused the record with energy, yet never dominated the space of the soloist – and Turrentine really rises to the occasion here, and matches the quality heard in similar Nelson sessions with Jimmy Smith, Lou Donaldson, and Cannonball Adderley! Other players in the core group here include Kenny Burrell and Herbie Hancock – but Stan's the main star of the set with his gutsy tenor lines, all blown beautifully in a way that points towards his later experiments in this mode. Titles include "Bayou", "Mattie T", "Little Sheri", and "River's Invitation". LP, Vinyl record album
Also available Joyride (with bonus tracks) ... CD 6.99

Possible matches71
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✨✧ David AxelrodSeriously Deep ... LP
Polygram, 1975. Near Mint- ... Out Of Stock
An amazing slice of music from the legendary David Axelrod – quite different than his better-known sides for Capitol and Reprise Records – and plenty darn funky overall! Axelrod is at his studio best here – stepping off the funky jazz modes he produced for Cannonball Adderley, and taking a shot at that territory on his own! In a reversal of modes, Cannonball actually handles the production – with help from Jimmy Bowen – which leaves Axelrod alone to compose, arrange, and direct the group on the set. The album's got a fair bit of electricity in the mix – heavy keyboards from Joe Sample, and some really fuzzy guitars – plus lots of choppy reed work from Joe Sample and Ernie Watts, all wrapped up with some monstrously funky drums from Ndugu Chancler. There's a very bottom-heavy groove to the record – one that makes for a few completely amazing breaks, and a very funky sound overall – and Axelrod does an amazing job of controlling the players here – so that nobody jams too much, and the grooves are always right on the money! The whole thing's great – a sublime symphony of instrumental funk all the way through – and titles include "Reverie", "Miles Away", "Go For It", "Ken Russell", "1000 Rads", and "One". LP, Vinyl record album
Also available Seriously Deep ... CD 9.99

Possible matches72
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✨✧ David AxelrodSongs Of Experience ... CD
EMI/Ascension (Australia), 1969. Used ... Out Of Stock
One of the greatest albums ever by studio genius David Axelrod! The album's one of Axelrod's first on his own – cut for Capitol Records at a time when he was working with some of the label's biggest selling soul acts – like Cannonball Adderley and Lou Rawls – turning their already-successful sounds into super-hit material by adding some nice funky touches, and excellent baroque production. This album lets Axelrod fully explore his talents for larger studio arrangements, and complex yet soulful instrumentation. The record is subtitled "an anthology of awareness after birth, based on the 18th century poems of William Blake" – and it features incredible arrangements conducted by Don Randi, played by a host of excellent LA jazz and studio players. The overall sound is spacey and dark, with nice touches of funk, and plenty of cool instrumental passages that have been sampled over the years by hip hoppers and other producers. Titles include "London", "The Fly", "The Human Abstract", "A Divine Image", and "The Sick Rose". CD
Also available Songs Of Experience (with booklet) ... LP 21.99

Possible matches73
CD, LP, Vinyl record album cover art
✨✧ Jimmy HeathReally Big ... LP
Riverside, 1960. Very Good+ ... Out Of Stock
Very hip work from a young Jimmy Heath – a relative newcomer to the scene at this point, but breaking out with a firm conception and tone, exercised strongly here in a set of large group arrangements worked out in collaboration with Tom McIntosh. McIntosh's work in this format is well known from albums by Dizzy and James Moody – and as with those records, this one has an edgey quality that really keeps the music fresh, and which provides a good foil for solos by Heath, McIntosh, Pat Patrick, and Cannonball Adderley. Titles include "Big P", "Mona's Mood", "Nails", and "The Picture Of Heath". LP, Vinyl record album

Possible matches74
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✨✧ Grodeck Whipperjenny (Dave Matthews)Grodeck Whipperjenny ... CD
People/Now Again, Early 70s. New Copy ... Out Of Stock
Here's a rare one! Arranger/producer Dave Matthews was to James Brown what David Axelrod was to Cannonball Adderley – a key funky assistant who came along at just the right moment to help James open up his sound in an even newer direction! Matthews brought up the guitar a bit more in James' music – and also helped add in some slightly fuzzy elements to the funk – and their pairing, although a bit under-acknowledged at the time, has gone on to become the stuff of legend. Dave's also gone on to become a straighter jazz musician – but here, he steps out on a wild funk project with his own group – recorded for Brown's own People records label. There's a bit of vocals on the record, but there's also plenty of instrumental moments too – and the whole thing has lots of heavy drums and fuzzy guitar – a fair bit like the sound of James' Sho Is Funky Down Here record. Heavy cuts include "Put Your Thing On Me", "Inside Or Outside", and "Evidence For The Existence of The Unconscious". An intriguing (and rare) chapter of the James Brown story! CD
Also available Grodeck Whipperjenny ... CD 11.99

Possible matches75
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✨✧ Grodeck Whipperjenny (Dave Matthews)Grodeck Whipperjenny (2019 Record Store Day Release) ... LP
People/Now Again, Early 70s. New Copy (reissue)... Out Of Stock
Here's a rare one! Arranger/producer Dave Matthews was to James Brown what David Axelrod was to Cannonball Adderley – a key funky assistant who came along at just the right moment to help James open up his sound in an even newer direction! Matthews brought up the guitar a bit more in James' music – and also helped add in some slightly fuzzy elements to the funk – and their pairing, although a bit under-acknowledged at the time, has gone on to become the stuff of legend. Dave's also gone on to become a straighter jazz musician – but here, he steps out on a wild funk project with his own group – recorded for Brown's own People records label. There's a bit of vocals on the record, but there's also plenty of instrumental moments too – and the whole thing has lots of heavy drums and fuzzy guitar – a fair bit like the sound of James' Sho Is Funky Down Here record. Heavy cuts include "Put Your Thing On Me", "Inside Or Outside", and "Evidence For The Existence of The Unconscious". An intriguing (and rare) chapter of the James Brown story! LP, Vinyl record album
(New liner notes and featuring never before published photos.)
Also available Grodeck Whipperjenny ... CD 11.99

Possible matches76
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✨✧ Joe ZawinulTo You With Love ... LP
Strand, 1959. Very Good+ ... Out Of Stock
Very early work from Joe Zawinul – an unusual trio outing recorded upon Zawinul's initial arrival in the US, years before later fame with Cannonball Adderley and Weather Report! Although Joe's heavy-grooving touch on the keys was a big part of the Adderley sound in the 60s, his style here is lighter and more lyrical – sweetly contemplative at times, but still also with a bit of rhythmic vamping from time to time – hinting at that sound that would blossom more strongly on later recordings. There's a flowing grace to the record that we really love – and which is ably supported by the bass of George Tucker and drums of Frankie Dunlop – as well as by Ray Barretto's congas, which groove nicely on a few tracks. Titles include "Easy Living", "Love For Sale", "Masquerade Is Over", "Greensleeves", "Squeeze Me", and "Sweet & Lovely". LP, Vinyl record album
 
 
 



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