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Cannonball Adderley Edit search Phrase match

 
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Exact matches: 21
Exact matches1
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball Adderley Quintet In San Francisco (with bonus track) ... CD
Riverside/OJC, 1959. Used ... $7.99
One of the greatest Cannonball Adderley albums from the Riverside years – a completely smoking live date recorded in San Francisco, often with long tracks that really let the group open up and do their thing! The lineup here is that classic one that first grabbed attention – the group with brother Nat on cornet, Sam Jones on bass, Louis Hayes on drums – and a young Bobby Timmons on piano, really cooking things up with tremendous drive, energy, and a sense of the groove! Titles include a great workout on Timmons' classic "This Here", plus originals "You Got It" and Spontaneous Combustion", and a great version of "Hi Fly". Soul jazz at its best, by one of the groups who gave the genre its name in the first place! CD
(Out of print. CRC pressing.)

Exact matches2
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball In Europe ... CD
Capitol, 1962. Used ... Just Sold Out!
Rare work by Cannonball – recorded live in Europe in the early 60s, and only ever issued there until the release of this CD in the US! The set features live material performed by Cannon's amazing group that included Joe Zawinul on piano, Yusef Lateef on reeds, Nat Adderley on cornet, and the rhythm section of Sam Jones and Louis Hayes – all grooving together perfectly for the set, with a fluid mix of hardbop, soul jazz, and slight exotic traces that are completely sublime! Titles include "P Bouk", "Gemini", "Work Song", "Trouble In Mind" and "Dizzy's Business". CD
(Out of print, small cutout notch through spine.)

Exact matches3
CD, LP, Vinyl record album cover art
Cannonball AdderleyJazz Workshop Revisited ... LP
Riverside, Early 60s. Very Good ... $8.99
A great live classic from the Cannonball Adderley Sextet of the early 60s – that famous group that included Nat Adderley on cornet, Yusef Lateef on tenor and flute, Joe Zawinul on piano, Sam Jones on bass, and Louis Hayes on drums! Tracks are long, and these guys are really on fire in a live setting – and titles include a stellar 11 minute version of "The Jive Samba", one of Cannonball's greatest tracks – plus "Primitivo", "Lillie", and "Mellow Buno". LP, Vinyl record album
(Blue label Bill Grauer Productions Inc pressing, with microphone logo and deep groove. Cover has some wear and splitting.)

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyLove, Sex, And The Zodiac ... CD
Fantasy/BGP (UK), 1974. New Copy ... $8.99 14.99
A classic from Cannoball and producer-partner David Axelrod – truly great stuff and maybe even better than the Zodiac set Cannonball did for Capitol! The formula is similar to that one – with David Axelrod producing, electric keyboards by Hal Galper and George Duke, spacey solos by Cannonball and Nat Adderley, and some very hip recitations by Rick Holmes on love, sex, and the zodiac! Holmes is best known as the chappie who cut "Remember To Remember" years later with Roy Ayers – but this album's got a similar "wisdom and knowledge" feel that's pretty wonderful. Titles include "Aquarius: Humanity Plus", "Cancer: All Sides", "Leo: Rosebud", "Aries: Damn Right", "Gemini: Ecstasy", and "Virgo: For Pam". CD

Exact matches5
CD, LP, Vinyl record album cover art
Cannonball AdderleyPortrait Of Cannonball (Japanese paper sleeve edition) ... CD
Riverside (Japan), 1958. Used ... $18.99
A jazzy portrait of Cannonball Adderley in his early soul jazz prime – oddly one that doesn't feature his regular quintet lineup, but which more than makes up for that lack with a batch of players that includes Blue Mitchell on trumpet, Bill Evans on piano, Sam Jones on bass, and Philly Joe Jones on drums! Given the personnel, the record's almost kind of a transition from Cannon's brief time with Miles Davis into his tighter more soul-inflected group to come – and Evans' piano provides an especially spacious sensibility here, one that marks the time spent with Miles nicely. Titles include "Nardis", "A Little Taste", "Minority", and "Blue Funk". CD features 3 bonus tracks! CD
(Out of print. Includes obi – and still sealed!)

Exact matches6
CD, LP, Vinyl record album cover art
Cannonball AdderleySomethin' Else (180 gram pressing) ... LP
Blue Note, 1958. New Copy (reissue)... On February 12, 2021
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect offset to Cannonball's more soulful style. The rest of the group includes Hank Jones, Sam Jones, and Art Blakey – and like John Coltrane's Blue Train, the record's more of an "special session" than the usual Blue Note album, but the strength of the players make it one of the more memorable records of its day! Titles include "Somethin' Else", "One For Daddy-O", and a nice moody take on "Dancing In The Dark". LP, Vinyl record album

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleySwingin' In Seattle – Live At The Penthouse 1966 to 1967 ... CD
Reel To Real, Mid 60s. New Copy ... $16.99 18.99
Great live work from the Cannonball Adderley Quintet – recorded during a time when the group's star was really rising on Capitol Records, but at a level that's got the more open-ended, freely-blown style of their classic concert dates for Riverside! The material here was all recorded for radio in Seattle, and the fidelity is excellent – sounds that are sharp as any of the group's key live albums of the period – with some very hip announcements between a few of the tracks! And unlike some radio live issues on the market, this one is nice and long – with eight long tracks that really open up – full of magical moments from Cannonball on alto, Nat Adderley on cornet, Joe Zawinul on piano, Victor Gaskin on bass, and Roy McCurdy on drums. Titles include "Sticks", "Big P", "The Girl Next Door", "Back Home Blues", "Hippodelphia", "74 Miles Away", "Morning Of The Carnival", and Somewhere". CD
(Excellent package – with great mastering, and a 28 page booklet of notes!)

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyThings Are Getting Better ... CD
Riverside/OJC, 1958. Used ... Just Sold Out!
An album that definitely lives up to its title – given the great change and evolution in the style of Cannonball Adderley's music – definitely pointed towards the soul jazz fame to come in the 60s! The group here has Adderley's alto in the company of some all-stars who may not be his regular group, but who definitely help keep the whole thing at a top-shelf level throughout – a quintet that features Milt Jackson on vibes, Wynton Kelly on piano, Percy Heath on bass, and Art Blakey on drums. There's still a few echoes of Cannon's earlier bop recordings, but the sound is also moving towards the new modes to come – especially on the classic title cut "Things Are Getting Better". Other cuts include "Just One Of Those Things", "Sounds For Sid", "Groovin High", "Serves Me Right", and "Blues Oriental". CD
(Out of print. Booklet has light wear.)

Exact matches9
CD, LP, Vinyl record album cover art
David Axelrod/Cannonball AdderleyMessiah ... CD
RCA/Real Gone, 1971. Used Gatefold ... Just Sold Out!
David Axelrod takes on Handel's Messiah – and the result is an amazingly complex set of music – very similar to his earlier albums on Capitol Records, and his Warner work with the Electric Prunes! If you love the Axe, you'll find plenty to love here – spare, dark orchestrations, often with a subtle hint of funk in the rhythms, some jazzy flourishes, and this bold sense of studio majesty that marks Axelrod as one of the most inventive producers of his time! The sound's one that gave birth to a whole generation of hip hoppers and beatheads – and the proceedings are conducted by Cannonball Adderley, with a feel that's similar to other Adderley/Axelrod high-concept sets – like Soul Of The Bible or Soul Zodiac. Titles include "Overture", "Worthy Is the Lamb", "Behold Recitative", "Comfort Ye My People", and "And The Angel Said Unto Them". CD

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyBlack Messiah ... LP
Capitol, Early 70s. Very Good+ 2LP Gatefold ... Temporarily Out Of Stock
A massive live set from Cannonball Adderley – and a record that really shows the growth he'd undergone in just a few short years! The album's done in close collaboration with David Axelrod – who'd handled Cannon's big live dates for Capitol in the 60s – but this record is much more freewheeling, open-ended, fuzz, funky, and electric overall! Tracks are all nice and long, and really trip out in the best way – with keyboards from George Duke in the core group, plus some heavy basslines from Walter Booker, drums from Roy McCurdy, and guitar from Mike Deasy on a number of key tracks. Deasy plays with lots of great wah wah and fuzz – and the album also features guest work from Airto on percussion and Ernie Watts on tenor – plus Cannonball's great alto and the cornet of brother Nat Adderley too. There's a really collaborative feel to the whole thing – as the record steps easily between a lot of heady styles – and titles include "Zanek", "Eye Of The Cosmos", "The Scene", "The Chocolate Nuisance", "The Steam Drill", "Little Benny Hen", and "The Black Messiah". LP, Vinyl record album
(Red label pressing. Cover has light surface wear, a trace of a price sticker, and a small center split on the bottom seam.)

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball Adderley Quintet In San Francisco ... LP
Riverside, 1959. Good ... Temporarily Out Of Stock
One of the greatest Cannonball Adderley albums from the Riverside years – a completely smoking live date recorded in San Francisco, often with long tracks that really let the group open up and do their thing! The lineup here is that classic one that first grabbed attention – the group with brother Nat on cornet, Sam Jones on bass, Louis Hayes on drums – and a young Bobby Timmons on piano, really cooking things up with tremendous drive, energy, and a sense of the groove! Titles include a great workout on Timmons' classic "This Here", plus originals "You Got It" and Spontaneous Combustion", and a great version of "Hi Fly". Soul jazz at its best, by one of the groups who gave the genre its name in the first place! LP, Vinyl record album
(Small blue label Bill Grauer Productions pressing, RLP 12-311, with microphone logo and deep groove. Cover has a split top seam, half split bottom seam, and some writing and stains on back. Labels have a name in pen.)
Also available Cannonball Adderley Quintet In San Francisco (with bonus track) ... CD 7.99

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyMusic You All ... LP
Capitol, 1971. Very Good ... Temporarily Out Of Stock
Killer work from the same sessions that gave the world Cannonball Adderley's classic Black Messiah album – live material from an extended stretch as the Troubadour club in LA – featuring a very righteous, freewheeling version of Cannonball's group! The lineup features some wonderful work on Fender Rhodes from George Duke – who brings a more soulful, spiritual current to the proceedings than Joe Zawinul did in earlier years – a really commanding presence that hints at his brewing solo fame, and which is a very welcome addition to the core lineup, which also includes Cannon on soprano and alto, and brother Nat on cornet! The performance also fetaures some great guest work from Ernie Watts on tenor and Airto on percussion – who really help round out the long tunes on the set. David Axelrod produced – leaving some nice room for Adderley's key spoken bits – and titles include the 12 minute groover "The Brakes", plus "Oh Babe", "Music You All", and "Capricorn" – plus a sweet take on "Walk Tall", which really has Duke stomping away on the Rhodes! LP, Vinyl record album
(Cover has a cutout hole.)

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleySomethin' Else (RVG Remaster Edition) ... CD
Blue Note, 1958. Used ... Temporarily Out Of Stock
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect offset to Cannonball's more soulful style. The rest of the group includes Hank Jones, Sam Jones, and Art Blakey – and like John Coltrane's Blue Train, the record's more of an "special session" than the usual Blue Note album, but the strength of the players make it one of the more memorable records of its day! Titles include "Somethin' Else", "One For Daddy-O", and a nice moody take on "Dancing In The Dark". CD

Exact matches14
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleySomethin' Else (with bonus track) ... CD
Blue Note, 1958. Used ... Temporarily Out Of Stock
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect offset to Cannonball's more soulful style. The rest of the group includes Hank Jones, Sam Jones, and Art Blakey – and like John Coltrane's Blue Train, the record's more of an "special session" than the usual Blue Note album, but the strength of the players make it one of the more memorable records of its day! Titles include "Somethin' Else", "One For Daddy-O", and a nice moody take on "Dancing In The Dark". Includes bonus track "Alison's Uncle". CD

Exact matches15
CD, LP, Vinyl record album cover art
✨✧ John Benson Brooks with Cannonball AdderleyAlabama Concerto ... LP
Riverside, 1958. Near Mint- ... Temporarily Out Of Stock
A groundbreaking album – not only for Cannonball Adderley, but for the jazz concerto format, used to strong effect here in this excellent modernist composition by John Benson Brooks! The album's based on a number of historical and mythical southern themes – and although it gets a bit hokey at times, the work of Adderley and Art Farmer on the solo sections really opens up the piece and gives it a deep sense of soul. The setting is a drummer-less small group, with Barry Galbraith on guitar, Milt Hinton on bass, and Brooks on occasional piano – and themes include "The Loop", "Trampin", "Little John Shoes", "Milord's Calling", and "Rufus Playboy". LP, Vinyl record album
(Small blue label Bill Grauer Productions pressing, RLP 12-276, with microphone logo and deep groove.)

Exact matches16
CD, LP, Vinyl record album cover art
✨✧ Eddie Cleanhead Vinson & Cannonball AdderleyCleanhead & Cannonball ... LP
Milestone, 1961. Near Mint- ... Temporarily Out Of Stock
An incredible album that has Cleanhead moving way past his usual bag! Sure, he's normally known as an R&B vocalist and alto player, but here, in one of those great Riverside "Cannonball Adderley Presents" sessions, Vinson gets into a whole new bag on some cuts. He's playing with Cannonball's group of Nat, Joe Zawinul, Sam Jones, and Louis Hayes – and there's one track in particular that's amazing – "Arriving Soon", an instrumental that has Vinson soaring on alto, wailing with an almost Coltrane-esque level of freedom. It's a killer modal track, and is worth the price of the album alone. Plus vocal numbers like "Hold It", "This Time", and "Kidney Stew" – all with a nice groovy Adderley quintet kind of groove. LP, Vinyl record album
(Late 80s Landmark pressing. Cover has a sticker on the spine.)

Exact matches17
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyLove, Sex, And The Zodiac ... CD
Fantasy/BGP (UK), 1974. Used ... Out Of Stock
A classic from Cannoball and producer-partner David Axelrod – truly great stuff and maybe even better than the Zodiac set Cannonball did for Capitol! The formula is similar to that one – with David Axelrod producing, electric keyboards by Hal Galper and George Duke, spacey solos by Cannonball and Nat Adderley, and some very hip recitations by Rick Holmes on love, sex, and the zodiac! Holmes is best known as the chappie who cut "Remember To Remember" years later with Roy Ayers – but this album's got a similar "wisdom and knowledge" feel that's pretty wonderful. Titles include "Aquarius: Humanity Plus", "Cancer: All Sides", "Leo: Rosebud", "Aries: Damn Right", "Gemini: Ecstasy", and "Virgo: For Pam". CD
Also available Love, Sex, And The Zodiac ... CD 8.99

Exact matches18
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyMercy, Mercy, Mercy! ... CD
Capitol, 1966. Used ... Out Of Stock
If the 60's ever had a "hit" jazz record, it was probably this one! The album's a sparkling live session featuring the trademark soul jazz sounds of the Cannonball Adderley group with Joe Zawinul on acoustic and electric piano, and brother Nat Adderley on cornet. The tracks have a long soulful groove, with gutbucket solos from the 3 above-mentioned players, and tight live production by a young David Axelrod. Titles include "Sticks", "Hippodelphia", "Sack O Woe", and the classic "Mercy, Mercy, Mercy" – a jazz theme that you'll recognize instantly! CD

Exact matches19
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyRadio Nights ... CD
Hyena, 1967/1968. Used ... Out Of Stock
Unreleased 60s material from Cannonball Adderley! CD
(Out of print, penmark through barcode.)

Exact matches20
CD, LP, Vinyl record album cover art
✨✧ Yusef Lateef/Cannonball AdderleyLove Theme From Spartacus/Brother John ... 7-inch
Prestige/Ace (UK), Early 60s. New Copy ... Out Of Stock
Two beautiful gems from the early 60s soul jazz scene! "Love Theme From Spartacus" was a tune that even fans of the movie didn't remember very well – but Yusef Lateef forever imortalized it with this sublime spiritual take – slow and modal, with great piano, and an oboe tracing the really lovely melody! Cannonball Adderley shines on "Brother John" on the flip – a tune that's also got a spiritual current, and more modal energy than usual for his group – written by Lateef, who also plays a great solo! 7-inch, Vinyl record

Exact matches21
CD, LP, Vinyl record album cover art
Tony KofiAnother Kind Of Soul – A Portrait Of Cannonball Adderley ... LP
Last Music Co, 2020. New Copy ... $23.99 24.99
A very cool tribute to the legendary Cannonball Adderley – but one that has a spirit that's nicely that of its leader, alto saxophonist Tony Kofi! Tony's got a tone that's different than Cannon – maybe a bit sharper, with this pinched, edgey quality that's really great – and which opens up the familiar tunes in a great way, and sounds especially nice on two of the album's originals! The group also features Andy Davies on trumpet, Alex Webb on piano, Andrew Cleyndert on bass, and Alfonso Vitale on drums – a group who know all the energy an Adderley group performance requires, while also letting their own souls and spirits take new directions too. Titles include "Work Song", "Sack O Woe", "Things Are Getting Better", "Another Kind Of Soul", and the originals "A Portrait Of Cannonball" and "Operation Breadbasket". LP, Vinyl record album
 
Possible matches: 38
Possible matches22
CD, LP, Vinyl record album cover art
Nat AdderleyGood Company ... CD
Challenge/Ultra Vybe (Japan), 1994. New Copy ... $16.99
The legendary Nat Adderley is definitely in good company here – a group with excellent work on alto from Antonio Hart – a player who comes off in a very different way than the famous alto of Nat's late brother, Cannonball! Antonio seems to open up some nicely dark currents in Adderley's music – underscored by the piano work of Rob Bargard, who can do a great job of shading things in from below – while the whole group moves with great rhythm work from the team of Walter Booker on bass and Jimmy Cobb on drums. Tunes include two great Bargard originals – "Rob's New Tune" and "War Zone" – plus versions of "Rwanda", "Sermonette", "Corcovado", and "Unit Seven". CD
(Part of the "Timeless Jazz Syndicate" series!)

Possible matches23
CD, LP, Vinyl record album cover art
✨✧ Nat Adderley & The Big Sax SectionThat's Right! ... CD
Riverside, 1960. Used ... Out Of Stock
Nat's trumpet is backed up by the "big sax section" here – a trio of reed players that includes Yusef Lateef, Jimmy Heath, and Charlie Rouse, plus some additional baritone work by Tate Houston. The groove's pretty swinging – kind of in the mode of early work with Cannonball Adderley in that it's not as "in the pocket" soul jazz wise, but still quite strong overall. Heath and Jimmy Jones did the arrangements, and the rhythm section features Wynton Kelly, Sam Jones, and Jimmy Cobb. Tracks include "Tadd", "The Old Country", "Chordnation", and "ESP". CD
(Out of print.)

Possible matches24
CD, LP, Vinyl record album cover art
✨✧ Nat AdderleyAutobiography ... CD
Atlantic (Japan), 1965. Used ... Out Of Stock
A gem of a record from Nat Adderley – filled with short soulful groovers, and done with an upbeat vibe that rivals some of Cannonball's best of the 60s! Joe Zawinul handled the arrangements, so there's definitely a strong influence here from the Cannon group – and although the players shift a bit throughout the course of the set, there's a really unified feel – thanks to a top-shelf lineup that includes Seldon Powell on tenor and flute, Ernie Royal on trumpet, Benny Powell on bass trombone, and Willie Bobo on percussion! The set features all original material by Nat – with older gems and new favorites that include "Little Boy With The Sad Eyes", "Never Say Yes, "Jive Samba", "Stony Island", "Junkanoo", and "Work Song". CD
(Out of print, includes obi.)

Possible matches25
CD, LP, Vinyl record album cover art
David AxelrodSeriously Deep ... CD
Polygram/Dusty Groove, 1975. Used ... Just Sold Out!
An amazing slice of music from the legendary David Axelrod – quite different than his better-known sides for Capitol and Reprise Records – and plenty darn funky overall! Axelrod is at his studio best here – stepping off the funky jazz modes he produced for Cannonball Adderley, and taking a shot at that territory on his own! In a reversal of modes, Cannonball actually handles the production – with help from Jimmy Bowen – which leaves Axelrod alone to compose, arrange, and direct the group on the set. The album's got a fair bit of electricity in the mix – heavy keyboards from Joe Sample, and some really fuzzy guitars – plus lots of choppy reed work from Joe Sample and Ernie Watts, all wrapped up with some monstrously funky drums from Ndugu Chancler. There's a very bottom-heavy groove to the record – one that makes for a few completely amazing breaks, and a very funky sound overall – and Axelrod does an amazing job of controlling the players here – so that nobody jams too much, and the grooves are always right on the money! The whole thing's great – a sublime symphony of instrumental funk all the way through – and titles include "Reverie", "Miles Away", "Go For It", "Ken Russell", "1000 Rads", and "One". First time ever on CD – a seminal reissue from Dusty Groove! CD
(Out of print.)

Possible matches26
CD, LP, Vinyl record album cover art
David AxelrodSeriously Deep ... LP
Polygram/Get On Down, 1975. New Copy (reissue)... On February 5, 2021
An amazing slice of music from the legendary David Axelrod – quite different than his better-known sides for Capitol and Reprise Records – and plenty darn funky overall! Axelrod is at his studio best here – stepping off the funky jazz modes he produced for Cannonball Adderley, and taking a shot at that territory on his own! In a reversal of modes, Cannonball actually handles the production – with help from Jimmy Bowen – which leaves Axelrod alone to compose, arrange, and direct the group on the set. The album's got a fair bit of electricity in the mix – heavy keyboards from Joe Sample, and some really fuzzy guitars – plus lots of choppy reed work from Joe Sample and Ernie Watts, all wrapped up with some monstrously funky drums from Ndugu Chancler. There's a very bottom-heavy groove to the record – one that makes for a few completely amazing breaks, and a very funky sound overall – and Axelrod does an amazing job of controlling the players here – so that nobody jams too much, and the grooves are always right on the money! The whole thing's great – a sublime symphony of instrumental funk all the way through – and titles include "Reverie", "Miles Away", "Go For It", "Ken Russell", "1000 Rads", and "One". LP, Vinyl record album

Possible matches27
CD, LP, Vinyl record album cover art
✨✧ David AxelrodSong Of Innocence ... CD
Capitol/Now Again, 1968. New Copy ... $6.99 15.98
One of a handful of amazing albums recorded by David Axelrod towards the end of the 60s – really stunning, genre-breaking music that was years ahead of its time – and which has only finally been getting its due in more recent decades! At the time of the record, Axelrod was a house producer at Capitol Records – where he'd created big hits for Lou Rawls and Cannonball Adderley – and he'd also been experimenting a bit with studio techniques for other rock groups. But here, the Axe brings all his experience into play – then sends things soaring to the skies – with music based on the work of poet William Blake, but delivered in this totally groovy west coast 60s mode. The core of the instrumentation features funky drums from Earl Palmer and bass from Carole Kaye – both of whom really keep things rock-solid amidst the larger mix of strings and instruments directed by the great Don Randi – who himself is pretty darn wonderful too. The music has nice snatches of fuzz and organ throughout – jazzy moments, funky passages, and lots more too – served up on tunes that include much-sampled song "Holy Thursday" – plus "The Smile", "A Dream", "Song Of Innocence", and "The Mental Traveler". William Blake never sounded so funky! CD
(Fantastic reissue – new remastering, and a big booklet of notes on the music!)

Possible matches28
CD, LP, Vinyl record album cover art
Ray BrownRay Brown With The All-Star Big Band ... LP
Verve, 1962. Very Good ... $4.99
A standout session from bassist Ray Brown – one of a few 60s big band sessions recorded for Verve, featuring some searing solo work from Cannonball Adderley! Brown's name as a leader is possibly more as a compadre than the main driving force of the record – as the arrangements here are by Ernie Wilkins, often in the tightly soulful bag he was laying down at the time – and Adderley's presence as the main soloist certainly gives a Cannonball flair to the record. But there's definitely plenty of Brown's warmth guiding the whole session – and other players include Nat Adderley, Clark Terry, Melba Liston, Budd Johnson, and Yusef Lateef. Some tracks have Brown's bass right out front in the arrangements, dipping nicely and adding into the groove – and titles include "Tricotism", "Cannon Built", "Thumbstring", "Two For The Blues", and "Work Song". LP, Vinyl record album
(MGM pressing. Back cover has light aging and some notes in pen.)

Possible matches29
CD, LP, Vinyl record album cover art
Miles Davis58 Sessions ... CD
Sony, 1958. Used ... Just Sold Out!
Some of the greatest Miles Davis material ever recorded – and not really ever officially issued as an album until this collection! The recordings are from the magical year of 1958, a time when Miles was working in the Kind Of Blue mode – on the album of the same name, one of his all-time standout classics. The work on this set is in a very similar spirit – recorded by a sextet that includes the rhythm section of Jimmy Cobb, Paul Chambers, and a young Bill Evans, who brings a magically modal feel to the album that really gives it an edge. Added to that are the saxophones of John Coltrane and Cannonball Adderley, blowing together in two ends of the soul spectrum, really stretching the color palette from Miles' usual work. Miles himself seems very inspired by the company, and works with plenty of space to allow the saxophonists to stretch out in wonderful solos – and Evans himself is simply amazing, working wonderfully in the setting, making us wish he'd recorded more group dates like this one! The first 3 tracks on the set were briefly issued on the flipside of the Jazz Track album (an obscure Columbia LP that also included 10 songs from the soundtrack to Ascenseur Pour L'Echafaud), and a few others on later live LPs – but this is the first time the material from that group has appeared together as a full album. Includes stellar versions of "Stella By Starlight", "Green Dolphin Street", "Fran Dance", "My Funny Valentine", "Oleo", and "Love For Sale". CD
(Out of print.)

Possible matches30
CD, LP, Vinyl record album cover art
✨✧ Miles DavisJazz Track (mono) ... LP
Columbia, 1958. New Copy (reissue)... $22.99 24.98
Although not actually a proper album – this is still one of the greatest Miles Davis albums of all time! Side one features 10 tracks from Miles' amazing soundtrack to the film Ascenseur Pour L'Echafaud – with excellent work by French players Barney Wilen, Rene Urtreger, and Pierre Michelot, on haunting moody tracks like "Generique", "Lassassinat De Carala", "Au Bar Du Petit Bac", and "Dinner Au Motel". Great stuff – and with a wonderful sound that's like no other Miles album! Side 2 is equally great – as it features 3 classic sextet tunes – "On Green Dolphin Street", "Put Your Little Foot Right Out", and "Stella By Starlight" –peformed with Coltrane, Cannonball Adderley, and Bill Evans in that amazing Kind Of Blue mode of perfection. Truly one of our favorite albums of all time! LP, Vinyl record album

Possible matches31
CD, LP, Vinyl record album cover art
Miles DavisKind Of Blue (Gold CD) ... CD
Columbia, 1959. Used ... $18.99
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". CD
(Out of print.)
Also available Kind Of Blue (stereo) (180 gram vinyl) ... LP 24.99

Possible matches32
CD, LP, Vinyl record album cover art
Miles DavisKind Of Blue (stereo) (180 gram vinyl) ... LP
Columbia, 1959. New Copy (reissue)... $24.99 25.98
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". LP, Vinyl record album
Also available Kind Of Blue (Gold CD) ... CD 18.99

Possible matches33
CD, LP, Vinyl record album cover art
Miles DavisMilestones ... CD
Sony, 1958. Used ... $3.99
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – but it's the two saxophonists who really help Davis shape the feel of the record, pushing things past the initial Coltrane/Davis groove with a really wonderful sense of space and sound! Titles include the classic "Milestones", plus "Two Bass Hit", "Dr Jeckyll", and "Sid's Ahead". CD
(Out of print.)

Possible matches34
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMilestones (180 gram vinyl – mono edition) ... LP
Columbia, 1958. New Copy ... $22.99 24.98
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – but it's the two saxophonists who really help Davis shape the feel of the record, pushing things past the initial Coltrane/Davis groove with a really wonderful sense of space and sound! Titles include the classic "Milestones", plus "Two Bass Hit", "Dr Jeckyll", and "Sid's Ahead". LP, Vinyl record album

Possible matches35
CD, LP, Vinyl record album cover art
Miles DavisMilestones (plus bonus tracks) ... CD
Columbia, 1958. New Copy ... Just Sold Out!
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – but it's the two saxophonists who really help Davis shape the feel of the record, pushing things past the initial Coltrane/Davis groove with a really wonderful sense of space and sound! Titles include the classic "Milestones", plus "Two Bass Hit", "Dr Jeckyll", and "Sid's Ahead". CD also features 3 bonus tracks – alternate takes of "Milestones", "Straight No Chaser", and "Two Bass Hit". CD

Possible matches36
CD, LP, Vinyl record album cover art
Miles Davis & John ColtraneMiles & Coltrane ... CD
Columbia, Late 50s. Used ... $2.99
A strong collection of sides that Miles recorded for Columbia during the late 50s – most featuring a group that included John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, and Jimmy Cobb, caught live at the Newport Jazz fest in 1958, playing the tunes "Ah-leu-cha", "Straight No Chaser", "Fran-Dance (Put Your Little Foot Right Out)", "Two Bass Hit", and "Bye Bye Blackbird". The remaining 2 tracks – "Little Melonae" and "Budo" – are from a 1955 set that includes Coltrane, plus the rhythm trio led by Red Garland and featuring Paul Chambers & Philly Joe Jones. CD
(Out of print.)

Possible matches37
CD, LP, Vinyl record album cover art
✨✧ Miles Davis/Thelonious MonkMiles & Monk At Newport ... LP
Columbia, 1958/1963. Very Good+ ... $24.99
A slightly misleading record – but a great one nonetheless! From the title and cover, you might imagine that Thelonious Monk and Miles Davis were sharing the stage together at the Newport Jazz Festival – but instead, the album actually features separate performances by each artist – actually even recorded 5 years apart! The Miles Davis recording is from 1958 – a great year that has John Coltrane working with the group, alongside Wynton Kelly on piano, Cannonball Adderley on alto, Paul Chambers on bass, and Jimmy Cobb on drums – performing lively versions of "Ah Leu Cha", "Straight No Chaser", "Fran Dance" and "Two Bass Hit". The Monk material is even more unique – recorded in 1963, with Monk's usual quartet of Charlie Rouse on tenor, Butch Warren on bass, and Frankie Dunlop on drums – joined by the legendary Pee Wee Russell on clarinet – recently revived in jazz at the time, and displaying surprisingly modernist tendencies! Both Monk tracks are long – and include versions of "Nutty" and "Blue Monk". LP, Vinyl record album
(Stereo 360 Sound pressing with black text. Back cover has some peeled spots.)

Possible matches38
CD, LP, Vinyl record album cover art
Bill EvansEverybody Digs Bill Evans (with bonus track) ... CD
Riverside/OJC, 1958. Used ... $3.99
Everybody Digs Bill Evans – or at least it certainly seems that way from the cover endorsements by Miles Davis, Cannonball Adderley, and Ahmad Jamal – but the real proof is in the record, and the set is a great one from Bill's classic years on Riverside! Evans is at the peak of his early powers here – working with a straightforward rhythm combo that features Sam Jones on bass and Philly Joe Jones on drums – but still hitting those beautifully fluid, beautifully spacious lines that set his playing apart from most who'd come before him. Tracks include 3 solo numbers – "Lucky To Be Me", "Peace Piece", and the very short "Epilogue" – plus trio tracks "Night & Day", "Minority", "Tenderly", and "Oleo". Includes the bonus track "Some Other Time". CD
(Out of print.)

Possible matches39
CD, LP, Vinyl record album cover art
Gil EvansNew Bottle Old Wine ... LP
World Pacific, 1958. Sealed ... $29.99
A masterpiece through and through from arranger Gil Evans – a record of swinging modern backdrops, used to showcase both the solo talents of a young Cannonball Adderley, and the dynamic energy of Evans himself! Cannon's sharp-edged early tone is a really great sound for the record – far more modern than you might expect from later funk and soul sides of the 60s – and perfectly poised next to Gil's larger back drops to reignite a host of older tunes with new energy! And while the titles are familiar, the readings certainly are not – as the Evans pen has really changed things up beautifully – as you'll hear on numbers that include "St Louis Blues", "King Porter Stomp", "Willow Tree", "Struttin' With Some Barbeque", "Lester Leaps In", "Round About Midnight", "Manteca", and "Bird Feathers". LP, Vinyl record album
(Limited 180 gram Pure Pleasure remaster.)
Also available New Bottle Old Wine (180 gram pressing) ... LP 28.99

Possible matches40
CD, LP, Vinyl record album cover art
Gil EvansNew Bottle Old Wine (180 gram pressing) ... LP
World Pacific/Blue Note, 1958. New Copy (reissue)... $28.99 34.99
A masterpiece through and through from arranger Gil Evans – a record of swinging modern backdrops, used to showcase both the solo talents of a young Cannonball Adderley, and the dynamic energy of Evans himself! Cannon's sharp-edged early tone is a really great sound for the record – far more modern than you might expect from later funk and soul sides of the 60s – and perfectly poised next to Gil's larger back drops to reignite a host of older tunes with new energy! And while the titles are familiar, the readings certainly are not – as the Evans pen has really changed things up beautifully – as you'll hear on numbers that include "St Louis Blues", "King Porter Stomp", "Willow Tree", "Struttin' With Some Barbeque", "Lester Leaps In", "Round About Midnight", "Manteca", and "Bird Feathers". LP, Vinyl record album
(Blue Note Tone Poet Series – 2019 remaster on 180 gram vinyl pressed at RTI!)
Also available New Bottle Old Wine ... LP 29.99

Possible matches41
CD, LP, Vinyl record album cover art
Jimmy ForrestOut Of The Forrest ... LP
Prestige, 1961. Very Good- ... $49.99
Great work from one of the most under-rated tenor players of the 60s! Jimmy Forrest was an excellent player who made only a handful of recordings at the time – but he blows with a deep confidence that should have made him one of the biggest new stars on the scene. This set's one of Jimmy's best, and features his laidback tenor in a quartet with Joe Zawinul on piano, shortly before Zawinul hooked up with Cannonball Adderley. The tracks are short, but the interplay between Forrest and Zawinul is tasty – a bit like the album made by Joe and Coleman Hawkins – and the rest of the group features Tommy Potter on bass and Clarence Johnston on drums. Titles include "Bolo Blues", "Crash Program", "By The River Saint Marie", and "I Cried For You". LP, Vinyl record album
(Yellow & black label NJ pressing with deep groove and RVG stamp. Cover has split seams held with masking tape, splitting in the spine, overall aging, and notes in pen and marker on back.)

Possible matches42
CD, LP, Vinyl record album cover art
Jimmy HeathReally Big (plus bonus track) (Keepnews collection) ... CD
Riverside, 1960. Used ... $6.99
Very hip work from a young Jimmy Heath – a relative newcomer to the scene at this point, but breaking out with a firm conception and tone, exercised strongly here in a set of large group arrangements worked out in collaboration with Tom McIntosh. McIntosh's work in this format is well known from albums by Dizzy and James Moody – and as with those records, this one has an edgey quality that really keeps the music fresh, and which provides a good foil for solos by Heath, McIntosh, Pat Patrick, and Cannonball Adderley. Titles include "Big P", "Mona's Mood", "Nails", and "The Picture Of Heath". CD features the bonus track "Nails", in an alternate take! CD
(Out of print.)

Possible matches43
CD, LP, Vinyl record album cover art
✨✧ MachitoKenya (180 gram pressing) ... LP
Roulette/Pure Pleasure (UK), 1957. New Copy (reissue)... $34.99 44.99
A real corker from Machito – a set that's got a lot more bite and earthy fire than some of his other albums of the 50s – as you might be able to guess from the cover and the title! The record definitely lives up to the Afro-Cuban promise on the front – thanks to very hip arrangements from Mario Bauza and AK Salim – who balance core rhythmic elements with some great modern jazz solo contributions – from key players who include Johnny Griffin on tenor, Cannonball Adderley on alto, Joe Newman on trumpet, and Eddie Bert on trombone – all coming together under Machito's leadership with a sound that's much bolder than most of his work in a straighter Latin mode! The album's a key meeting of styles – as powerful today as it was when first recorded – and tracks include the great "Congo Mulence", a very tight groover – plus "Turuato", "Frenzy", "Cannonology", "Minor Rama", and "Wild Jungle". LP, Vinyl record album
(Limited edition!)

Possible matches44
CD, LP, Vinyl record album cover art
✨✧ Willie TeeI'm Only A Man (LP sleeve edition with bonus track) ... CD
Capitol/Get On Down, Late 60s. New Copy ... Just Sold Out!
One of the only albums ever from Willie Tee – an artist who's usually known best for his funky 45s, but who really shines here in the space of a full-length record! Willie's got a killer vocal style, with a warm raspy style that reminds us a bit of Tyrone Davis – but he's produced here with a swinging soul vibe by David Axelrod, and he sings to some spectacular arrangements by HB Barnum that are in his best style of the late 60s! The tracks are a wonderful mix of raw soul vocals and sophisticated production, and the album's the kind of rare soul album that we only ever turn up once in a while! Includes a great vocal version of Cannonball Adderley's "Walk Tall", plus the tracks "Bring On The Heartaches", "I'm Only A Man", "Mirror", and "Take Your Time". Excellent stuff! CD

Possible matches45
CD, LP, Vinyl record album cover art
Don WilkersonTexas Twister ... CD
Riverside, 1960. Used ... $14.99
One of the rarest albums by this great Texas tenor player – and the kind of album we're very happy to see reissued! This heavy little gem was one of the few sides that Wilkerson cut under his own name – and it was the only one recorded away from Blue Note, as part of Cannonball Adderley's short-lived "Cannonball Presents" series. The core group features Wilkerson's Texas tenor right out front (a lot louder than on the Blue Note sides), set against the piano of Barry Harris, the bass of Leroy Vinnegar, and the drums of Billy Higgins. Nat Adderley plays cornet on a few tracks – and titles include "Jelly Roll", "The Twister", "Morning Coffee", "Idiom", and "Media". CD
(Out of print.)

Possible matches46
CD, LP, Vinyl record album cover art
Joe ZawinulConcerto Retitled ... CD
Atlantic/Wounded Bird, Late 60s/1976. Used ... $19.99
Early recordings by Joe Zawinul as a leader – mostly tracks from the 60s, but issued by Atlantic in the mid 70s to work off Joe's growing fame in Weather Report! The set's got a sound that's a fair bit different than some of the more dynamic work that Joe was doing in the 70s – and many numbers are somewhat mellow, or somewhat modern – played with definite third stream jazz influences that show Zawinul's more serious side after years working as Cannonball Adderley's famous sideman. Together, the tracks actually create a wonderful tapestry of sound – one that's hardly a mis-matched batch of tunes from a variety of records, and which works surprisingly well as a whole! Titles include 2 numbers from his Rise & Fall Of The Third Stream album, combining motifs and an overall approach taken from contemporary classical composition with jazzy improvisation with a string quartet augmenting Zawinul's group – "From Vienna With Love" and "Concerto Retitled". Then there's 4 tracks from his hard to get soul jazz/hard bop side Money In The Pocket, "Del Sasser", "Sharon's Waltz", "My One & Only Love", and "Riverbed". And finally there's 2 numbers pulled from the spacious electric album Zawinul, "His Last Journey", and "In A Silent Way". CD
(Out of print.)

Possible matches47
CD, LP, Vinyl record album cover art
Joe ZawinulTo You With Love ... LP
Strand, 1959. Very Good ... $14.99
Very early work from Joe Zawinul – an unusual trio outing recorded upon Zawinul's initial arrival in the US, years before later fame with Cannonball Adderley and Weather Report! Although Joe's heavy-grooving touch on the keys was a big part of the Adderley sound in the 60s, his style here is lighter and more lyrical – sweetly contemplative at times, but still also with a bit of rhythmic vamping from time to time – hinting at that sound that would blossom more strongly on later recordings. There's a flowing grace to the record that we really love – and which is ably supported by the bass of George Tucker and drums of Frankie Dunlop – as well as by Ray Barretto's congas, which groove nicely on a few tracks. Titles include "Easy Living", "Love For Sale", "Masquerade Is Over", "Greensleeves", "Squeeze Me", and "Sweet & Lovely". LP, Vinyl record album
(Cover has some tape on the spine and bottom seam.)

Possible matches48
CD, LP, Vinyl record album cover art
✨✧ David AxelrodSongs Of Experience (with booklet) ... LP
Capitol/Now Again, 1969. New Copy Gatefold (reissue)... Temporarily Out Of Stock
One of the greatest albums ever by studio genius David Axelrod! The album's one of Axelrod's first on his own – cut for Capitol Records at a time when he was working with some of the label's biggest selling soul acts – like Cannonball Adderley and Lou Rawls – turning their already-successful sounds into super-hit material by adding some nice funky touches, and excellent baroque production. This album lets Axelrod fully explore his talents for larger studio arrangements and complex yet soulful instrumentation. The record is subtitled "an anthology of awareness after birth, based on the 18th century poems of William Blake" – and it features incredible arrangements conducted by Don Randi, played by a host of excellent LA jazz and studio players. The overall sound is spacey and dark, with nice touches of funk, and plenty of cool instrumental passages that have been sampled over the years by hip hoppers and other producers. Titles include "London", "The Fly", "The Human Abstract", "A Divine Image", and "The Sick Rose". Reissued with the original gatefold cover and everything! LP, Vinyl record album
(Audiophile pressing – with booklet!)

Possible matches49
CD, LP, Vinyl record album cover art
✨✧ Miles DavisKind Of Blue ... LP
Columbia, 1959. Very Good+ ... Temporarily Out Of Stock
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". LP, Vinyl record album
(Stereo 6 eye pressing, with deep groove, matrix ending 1AG/1AJ. NOTE: Vinyl is early issue, but is packaged in a later reissue cover.)
Also available
Kind Of Blue (Gold CD) ... CD 18.99
Kind Of Blue (stereo) (180 gram vinyl) ... LP 24.99

Possible matches50
CD, LP, Vinyl record album cover art
✨✧ Miles DavisKind Of Blue (mono) (180 gram pressing) ... LP
Columbia, 1959. New Copy (reissue)... Temporarily Out Of Stock
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". LP, Vinyl record album
(180 gram vinyl pressing!)
Also available
Kind Of Blue (Gold CD) ... CD 18.99
Kind Of Blue (stereo) (180 gram vinyl) ... LP 24.99

Possible matches51
CD, LP, Vinyl record album cover art
✨✧ Miles DavisKind Of Blue (with bonus track) ... CD
Columbia, 1959. Used ... Temporarily Out Of Stock
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". CD
(Barcode has a cutout hole.)
Also available
Kind Of Blue (Gold CD) ... CD 18.99
Kind Of Blue (stereo) (180 gram vinyl) ... LP 24.99

Possible matches52
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMilestones (original master recording) ... CD
Columbia/Mobile Fidelity, 1958. Used Gatefold ... Temporarily Out Of Stock
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – but it's the two saxophonists who really help Davis shape the feel of the record, pushing things past the initial Coltrane/Davis groove with a really wonderful sense of space and sound! Titles include the classic "Milestones", plus "Two Bass Hit", "Dr Jeckyll", and "Sid's Ahead". CD
(Limited, numbered pressing – in gatefold style LP sleeve!)

Possible matches53
CD, LP, Vinyl record album cover art
✨✧ Miles Davis/Thelonious MonkMiles & Monk At Newport ... CD
Columbia/Legacy, 1958/1963. Used 2 CDs ... Temporarily Out Of Stock
A slightly misleading record – but a great one nonetheless! From the title and cover, you might imagine that Thelonious Monk and Miles Davis were sharing the stage together at the Newport Jazz Festival – but instead, the album actually features separate performances by each artist – actually even recorded 5 years apart! The Miles Davis recording is from 1958 – a great year that has John Coltrane working with the group, alongside Wynton Kelly on piano, Cannonball Adderley on alto, Paul Chambers on bass, and Jimmy Cobb on drums – performing lively versions of "Ah Leu Cha", "Straight No Chaser", "Fran Dance" and "Two Bass Hit". The Monk material is even more unique – recorded in 1963, with Monk's usual quartet of Charlie Rouse on tenor, Butch Warren on bass, and Frankie Dunlop on drums – joined by the legendary Pee Wee Russell on clarinet – recently revived in jazz at the time, and displaying surprisingly modernist tendencies! Both Monk tracks are long – and include versions of "Nutty" and "Blue Monk". CD
(Out of print.)

Possible matches54
CD, LP, Vinyl record album cover art
✨✧ David AxelrodSong Of Innocence ... LP
Capitol/Now Again, 1968. New Copy (reissue)... Out Of Stock
One of a handful of amazing albums recorded by David Axelrod towards the end of the 60s – really stunning, genre-breaking music that was years ahead of its time – and which has only finally been getting its due in more recent decades! At the time of the record, Axelrod was a house producer at Capitol Records – where he'd created big hits for Lou Rawls and Cannonball Adderley – and he'd also been experimenting a bit with studio techniques for other rock groups. But here, the Axe brings all his experience into play – then sends things soaring to the skies – with music based on the work of poet William Blake, but delivered in this totally groovy west coast 60s mode. The core of the instrumentation features funky drums from Earl Palmer and bass from Carole Kaye – both of whom really keep things rock-solid amidst the larger mix of strings and instruments directed by the great Don Randi – who himself is pretty darn wonderful too. The music has nice snatches of fuzz and organ throughout – jazzy moments, funky passages, and lots more too – served up on tunes that include much-sampled song "Holy Thursday" – plus "The Smile", "A Dream", "Song Of Innocence", and "The Mental Traveler". William Blake never sounded so funky! LP, Vinyl record album
(Fantastic reissue – new remastering, and a big booklet of notes on the music!)
Also available Song Of Innocence ... CD 6.99

Possible matches55
CD, LP, Vinyl record album cover art
✨✧ Stan Getz & othersChega De Saudade ... CD
Giants Of Jazz (Italy), 1962. Used ... Out Of Stock
Stan Getz with the Gary McFarland Orchestra, Stan Getz & Charlie Byrd, Shorty Rogers & his Orchestra with Laurindo Almeida, Cannonball Adderley with Sergio Mendes & Bud Shank & Dave Brubeck with Paul Desmond. CD
(Out of print.)

Possible matches56
CD, LP, Vinyl record album cover art
✨✧ VariousSave The Children ... LP
Motown, 1973. Near Mint- 2LP Gatefold ... Out Of Stock
This one was kind of Motown's answer to the Wattstax albums – a double live set, recorded in Chicago during the Push Expo, headed by Jesse Jackson. The tracks here are more of a mixed bag than some of those on the deeper soul Wattstax albums, but there are some nice moments overall, buried in the large mix of music and artists – many of whom didn't normally record for Motown. The tunes are familiar, but they're presented here in some nicely different live takes. Titles include "Lean On Me" by Bill Withers, "Country Preacher" by Cannonball Adderley, "This Child Of Mine" by Zulema, "Everybody Plays The Fool" by Main Ingredient, "Give Me Your Love" by Curtis Mayfield, "I've Gotta Be Me" by Sammy Davis Jr, "I Wanna Be Where You Are" by The Jackson 5, "What's Going On" by Marvin Gaye, "Close To You" by Jerry Butler & Brenda Lee Eager, "On A Clear Day/Killer Joe" by Roberta Flack & Quincy Jones, and "Sunshine" by The O'Jays. Also features some dialogue by Jesse Jackson. LP, Vinyl record album
(Includes the poster. Cover has a cut corner.)

Possible matches57
CD, LP, Vinyl record album cover art
✨✧ David AxelrodSongs Of Experience (with booklet) ... CD
Capitol/Now Again, 1969. New Copy ... Out Of Stock
One of the greatest albums ever by studio genius David Axelrod! The album's one of Axelrod's first on his own – cut for Capitol Records at a time when he was working with some of the label's biggest selling soul acts – like Cannonball Adderley and Lou Rawls – turning their already-successful sounds into super-hit material by adding some nice funky touches, and excellent baroque production. This album lets Axelrod fully explore his talents for larger studio arrangements, and complex yet soulful instrumentation. The record is subtitled "an anthology of awareness after birth, based on the 18th century poems of William Blake" – and it features incredible arrangements conducted by Don Randi, played by a host of excellent LA jazz and studio players. The overall sound is spacey and dark, with nice touches of funk, and plenty of cool instrumental passages that have been sampled over the years by hip hoppers and other producers. Titles include "London", "The Fly", "The Human Abstract", "A Divine Image", and "The Sick Rose". CD

Possible matches58
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMilestones (plus bonus tracks) ... CD
Columbia, 1958. Used ... Out Of Stock
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – but it's the two saxophonists who really help Davis shape the feel of the record, pushing things past the initial Coltrane/Davis groove with a really wonderful sense of space and sound! Titles include the classic "Milestones", plus "Two Bass Hit", "Dr Jeckyll", and "Sid's Ahead". CD also features 3 bonus tracks – alternate takes of "Milestones", "Straight No Chaser", and "Two Bass Hit". CD

Possible matches59
CD, LP, Vinyl record album cover art
✨✧ Bobby TimmonsSoul Time ... CD
Riverside/OJC, 1960. Used ... Out Of Stock
A real standout set from Bobby Timmons – one of his few non-trio sessions as a leader, and a record that crackles with the same sort of energy he brought to his work with the Jazz Messengers! Of course, that's no surprise – as the quartet on the set includes Bobby's boss at the time, drummer Art Blakey – as well as always-great bassist Sam Jones (who Bobby worked with in the Cannonball Adderley group), and trumpeter Blue Mitchell, stepping out nicely on top to give the album a well-rounded and soulful spirit. The set includes some great originals, too – the kind of rolling Timmons' numbers that made him one of the freshest writers of his generation – as you'll hear on "So Tired", "Soul Time", "Stella B", and "One Mo'". Hard to find, too! CD
(Out of print.)
 
 
 



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