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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The groovy off-kilter arranger from the Kenton band lays down some cool, but oddly orchestrated stuff in a setting with a big, fat bottom of 10 saxes and 2 basses. Tracks include "2 Funky Basses", "Contrasts", "Saxophobia", "Holiday For Strings", "Guy ... LP, Vinyl record album
One of a series of albums Kenton arranger Rugolo cut for Mercury in the early 60s – 10 Trombones Like 2 Pianos, 10 Trumpets & 2 Guitars, and 10 Saxophones & 2 Basses – all making use of differing instrumental lineups to showcase Rugolo's amazing command of sound color and tone! ... LP, Vinyl record album
Great early sides for Emarcy – most recorded on the LA scene in the 50s, with players who include Herb Geller on alto, Conte Candoli on trumpet, Bud Shank on flute and alto, Bob Cooper on tenor, and Bob Gordon on baritone sax! LP, Vinyl record album
This set's definitely full of Garnering – that lopingly rhythmic approach to the keys that set Erroll apart from all the rest back in the day – in a mode that almost sounds like he's making things up as he goes along, deciding which course to take at the very last moment. The album's ... LP, Vinyl record album
Slicker than usual for Houston Person, but still a pretty nice album of tighly produced R&B-oriented jazz. The group includes a lot of hip players, like Cecil Bridgewater, Paul Griffin, and Bruce Nazarian – and the record has arrangements by Jimmy Roach. Tracks are long, and titles ... LP, Vinyl record album
A collection of recordings with Dave Lambert and Buddy Stewart, Red Rodney's Be-Boppers, and the Lennie Tristano Trio. Be-Boppers include Al Haig, Curley Russell, and Stan Levey in 1946, Allen Eager, Serge Chaloff, Al Haig, Chubby Jackson, and Tiny Kahn in 1947. Lennie Tristano Trio includes ... LP, Vinyl record album
Not as freely improvised as you might think – but a nice set from the mid 50s, issued here with bonus unreleased tracks, and one that features Grappelli as the lead soloist in a quartet with Maurice Vander on piano and harpsichord, Pierre Michelot on bass, and Baptiste Reilles on drums. ... LP, Vinyl record album
A great modern jazz-meets-strings session that follows from Burns' exploratory "Introspection" title for the Jazz Scene collection! Ralph pens some inventive charts that utilize a 15 piece chamber orchestra as backdrops for his own bold lines on piano, as well as some key solo bits from ... LP, Vinyl record album
One of the grooviest records that Steve Allen ever cut – thanks largely to some hip arrangements from the mighty Oliver Nelson! The set's definitely a collaborative effort – especially as it's got a vibe that has Nelson really overtaking Allen's usual strong lead – still letting ... LP, Vinyl record album
40's LP collection of some of the earlier sides that Dizzy cut for Savoy, with be bop classics like "Our Delight", "One Bass Hit", "Oop Bop Sh'Bam", "Salt Peanuts", and "Dizzy Atmosphere". The groups include players like Charlie Parker, Sonny Stitt ... LP, Vinyl record album