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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Most likely our favorite album by John McLaughlin – and one that features him in a wonderfully spare setting – alongside John Surman on saxes, Brian Odges on bass, and Tony Oxley on drums. The playing has a free and loose quality that McLaughlin would later lose on some his more fusion- ... LP, Vinyl record album
An excellent non-US album from Stan Getz – and a real rarity too! The group here is the same one that recorded the soaring Captain Marvel album – and features excellent keyboards from Chick Corea – really stretching out alongside some wailing solos from Stan! Really beautiful ... LP, Vinyl record album
The genius of Moody! It's an album like this that you need to prove to your friends that Moody was way way more than a simple bopper. The set was recorded live in San Francisco in 1961, and it's got a hip mix of soul jazz, filtered through some modernist ideals, all played by a great little group ... LP, Vinyl record album
A real standout in the Bill Evans catalog for Riverside – and that's saying a lot, given how important all of his Riverside albums are! The session's a rare quintet outing for Evans – one that breaks the mode of the usual trio format by adding in Freddie Hubbard on trumpet and Jim Hall ... LP, Vinyl record album
The first full album recorded by jazz composer/arranger Les Hooper – one of the hipper young cats hanging around the Kenton scene in the early 70s. As with some of the best of Kenton's work at the time, there's a great sound here that takes the older big band style of jazz and pushes it with ... LP, Vinyl record album
A great reworking of some Mingus ideals, with Mario Arcari on oboe, Sanero Cerino on clarinet and flute, Roberto Ottaviano on soprano and alto, Luca Bonvino on trombone and slide trumpet, Martin Mayes on french horn, and Fiorenzo Gualandris on tuba – handled with very refreshing arrangements! LP, Vinyl record album
One of the more inventive Tony Scott albums from the US scene – a sweet set that points the way towards some directions he'd soon take overseas, with Bil Evans on piano, Clark Terry on trumpet, Jimmy Knepper on trombone, Sahib Shihab on baritone, Henry Grimes and Milt Hinton on bass, and Paul ... LP, Vinyl record album
With George Adams on tenor and soprano sax, Arthur Blythe on alto, Hannibal Marvin Peterson on trumpet, Masabumi Kikuchi on keyboards, and Gil Evans on acoustic and electric piano. LP, Vinyl record album
James Brown's great second album recorded live at the Apollo Theater in Harlem – a set we like even better than the first famous volume – because it's much more stretched-out, harder-hitting, and full of fire! You'd be hard pressed to find a better example of Brown's showmanship on ... LP, Vinyl record album