This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A seminal Albert Ayler session from the 60s – recorded at the legendary Judson Hall with an incredible sound! There's a bold, righteous feel to this record that possibly even tops other Ayler classics for ESP – and the spacious setting makes the notes echo, rebound, and come back ... CD
A crucial European performance by Albert Ayler in the mid 60s – one that wasn't issued until many years after the recording, but which has become one of the sharpest pictures of his genius at the time! The vibe here is different than the Ayler albums for ESP – still very much in the ... CD
Brilliant late work from Ayler – 2 albums in a single set! The Love Cry session has none of the jazz-meets-other music feel of some of the other Impulse albums – and is more in the straight expressive style of the ESP recordings. Tracks are more reined in here – with some short ... CD
Brilliant late work from spiritual saxophone genius Albert Ayler – one of his last truly great albums! The session has none of the jazz-meets-other music feel of some of the other Impulse albums – and is more in the straight expressive style of the ESP recordings. Tracks are more ... CD
A previously unreleased live performance by Albert Ayler – recorded in France in 1970 for the Maeght Foundation, but not the same material that was issued on the better-known Shandar albums! This concert predates those, and is a unique later outing that's strongly in the spirit of some of ... CD
A massive double-length set from saxophonist Steve Lacy – and maybe one of the strongest 70s statements from his legendary European quintet! The album features two different live performances – each of which open up in the brilliant freedoms allowed by the European scene since the end ... CD
Guillermo Gregorio on alto and tenor saxophone and clarinet, Gene Coleman on bass clarinet, Jim O'Rourke on acoustic guitar and accordion, Carrie Biolo on vibes, and Michael Cameron on acoustic bass. CD
Myra Melford on piano, Marty Ehrlich on alto saxophone and clarinet, Dave Douglas on trumpet, Lindsey Horner on double bass, and Reggie Nicholson on drums. CD
A real back-to-basics album from Arturo O'Farrill, but one that maybe marks a strong step forward too – as Arturo is recording here for Blue Note in a style that mixes familiar piano trio modes with some of the Latin-style rhythms you might expect – not straight Latin jazz piano by any ... CD