Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.

All Categories

$




Items/page

Albert Ayler Edit search Phrase match

 
Sort by
Exact matches: 12
Exact matches1
CD, LP, Vinyl record album cover art
Albert Ayler1964 Prophecy Revisited ... CD
Hat Hut (Switzerland), 1964. New Copy ... $16.99 19.99
An expanded, remastered version of the album Prophecy – early work by Albert Ayler, recorded live in 1964 at the Cellar Cafe in New York, but not issued by ESP until years later, after his untimely early death. The performance is a trio outing – with Ayler's tenor alongside the bass of Gary Peacock and drums of Sunny Murray – all freely skirting around each other's space on the date, in a way that allows Ayler to take the bold lead with his sharp-toned solos, but which also allows for free interplay between the bass and percussion. Ayler's tone and wide swaths of sound are simply amazing – and titles include two variations on "Ghosts", plus "Spirits", "Prophecy", and "Wizard". Newly remastered version of the full concert – with 10 tracks in all! CD

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ Albert AylerBells/Prophecy ... CD
ESP, 1964/1965. Used ... $9.99
A double-length set that brings together 2 key early live sets by Albert Ayler – both recorded on the New York scene of the mid 60s! Bells was an unusual one-sided record that featured only 20 minutes of music, performed with an intensity that hardly leaves room for complaints about the shortness of the album! The single track "Bells" was performed at Town Hall by Ayler with a group that includes Donald Ayler on trumpet, Charles Tyler on alto sax, Lewis Worrell on bass, and Sunny Murray on percussion – all coming together in a raw, real sense of freedom – beautifully explored here without ever getting too overindulgent. The tune may well be one of the greatest illustrations of the ESP format at its best – as Ayler and company never stray too far, but carve out some incredibly imaginative space through their starkly-blown horn solos! Prophecy is longer – a full album that was recorded live in 1964 at the Cellar Cafe in New York, but not issued by ESP until years later, after Ayler's untimely early death. The performance is a trio outing – with Ayler's tenor alongside the bass of Gary Peacock and drums of Sunny Murray – all freely skirting around each other's space on the date, in a way that allows Ayler to take the bold lead with his sharp-toned solos, but which also allows for free interplay between the bass and percussion. Ayler's tone and wide swaths of sound are simply amazing – and titles include two variations on "Ghosts", plus "Spirits", "Prophecy", and "Wizard". CD
(Out of print.)

Exact matches3
CD, LP, Vinyl record album cover art
Albert AylerMusic Is The Healing Force Of The Universe ... CD
Impulse (Japan), 1969. New Copy ... $18.99
One of the last records made by avant sax legend Albert Ayler – a really mind-expanding album that's unlike anything else he ever did! By the time of the record, Ayler had made a full round trip between the New York and European jazz scenes – leaving important influences wherever he went, and trying desperately to pick up new ones the further he moved on. Here, he's working in a style that's a bit like that of Archie Shepp at the time – still steeped in free jazz and new thing ideals, but infused with a free-thinking approach to the music that allows for bold new styles and sounds. In addition to his own stunning work on tenor, Ayler's also blowing bagpipes and vocalizing a bit next to singer Mary Maria, who does a great recitation on one track of the record. Rhythm is by the two-bass team of Stafford James and Bill Folwell, next to drums by Muhammad Ali – and the whole thing's capped off by guitarist Henry Vestine, who plays in modes that range from bluesy to free. At the time, this one was kind of dismissed as a messed-up mistake that occurred at the end of Ayler's too-short life – but honestly, over the years, this record really really opens itself to us more and more, and we have to say that we think it's one of his most groundbreaking albums! Titles include "Island Harvest", "Drudgery", "Oh Love Of Life", "Masonic Inborn (part 1)", and "A Man Is Like A Tree". CD
(SHM-CD pressing – part of the 60 Impulse series!)

Exact matches4
CD, LP, Vinyl record album cover art
Albert AylerNew Grass ... LP
Impulse/Third Man, 1968. New Copy Gatefold (reissue)... $20.99 25.99
One of the last albums that Albert Ayler ever recorded before his strange and mysterious early death – and one of his most memorable records as well! The record shows Ayler at the crossroads, filled with emotion and meaning, struggling to convey his message to a lager audience. At times, he takes a strange soul/jazz format to do so, and has tracks featuring backing by "the Soul Singers" – at others, he plays solo, with some of the most plaintive tones he ever laid down on wax! The record features an incredibly haunting "Message From Albert", plus the tracks "New Generation", "Sun Watcher", "New Ghosts", and "Free At Last". Completely fascinating, and a record that really makes you wonder what would have happened had he not left the planet so early! LP, Vinyl record album

Exact matches5
CD, LP, Vinyl record album cover art
Albert AylerSpirits To Ghosts (Spirits/Ghosts) ... CD
Ezz-Thetics/Hat Hut (Switzerland), 1964. New Copy ... $16.99 19.99
A pair of classic Albert Ayler albums from 1964 – back to back on a single CD! First up is Spirits – only the second album ever recorded by Albert Ayler, but a tremendous statement of music that clearly marks the tenorist as one of the most important jazz talents of the 60s! The set was recorded in New York, and only ever got initial exposure overseas – but has grown to become one of the best-remember Ayler albums over the years – thanks in part to a rock-solid lineup of equal visionaries in the group, a lineup that include Sunny Murray on drums, Norman Howard on trumpet, and both Henry Grimes and Earl Henderson on bass – playing together on the title track, which gives the whole thing a really tremendous power. Ayler's clearly the spotlight, though – shining his light with brilliance both in his phrasing of the tenor, and his sense of timing and inherent rhythm – which opens the door to whole new pathways in jazz. Titles include "Spirits", "Prophecy", "Holy Holy", and "Witches & Devils". Next is Ghosts – a seminal early moment from the legendary Albert Ayler – an important session recorded overseas in Copenhagen – where enthusiasm for Ayler's music caught fire more strongly than in the US! The group's got an edge that's maybe even sharper than some of Ayler's ESP material, but no less powerful – with Don Cherry on cornet, Gary Peacock on bass, and Sunny Murray on drums – working through tremendous readings of six Ayler classics that include "Ghosts", "Children", "Holy Spirit", "Vibrations" and "Mothers". A wonderful precursor to the ESP years – and equally great! CD

Exact matches6
CD, LP, Vinyl record album cover art
Albert AylerSpiritual Unity (with bonus track) ... CD
ESP, 1964. New Copy ... $12.99
A landmark recording – Albert Ayler's first album for the ESP label, and a record that hit the jazz world like a bullet! Spiritual Unity sets the stage for a format that would become huge in the European avant scene of the 70s, 80s, 90s, and even today – the sax-driven power-trio, tenor against bass and drums, working freely with less rhythmic constraints than before, searching for new sounds and new modes of expression, working through changes in a style first proposed by Sonny Rollins, but taken to new intensity by the New York underground of the 60s. That sound is summed up here perfectly by Ayler, Gary Peacock, and Sunny Murray – working together with an edgey brilliance, on classic tracks that include "Ghosts: First Variation", "Ghosts: Second Variation", "The Wizard", and "Spirits". 50th Anniversary Edition – also includes the bonus track "Vibrations". CD

Exact matches7
CD, LP, Vinyl record album cover art
Albert Ayler with Don CherryEuropean Recordings Autumn 1964 Revisited ... CD
Hat Art/Ezz-Thetics (Switzerland), 1964. New Copy 2CD ... $18.99
A huge 2CD set – one that features important European work that saxophonist Albert Ayler recorded with trumpeter Don Cherry! CD1 brings together six tracks from Albert Ayler's Hilversum Radio sessions from 1964 – plus an additional three tracks recorded in Denmark a few months earlier! The first six titles are a famous performance by a famous group set loose on a European tour in 1964 – Ayler on tenor, Don Cherry on cornet, Gary Peacock on bass, and Sunny Murry on drums – recorded in The Netherlands for a small audience in a Dutch radio studio! The setting is a wonderful one – a mix of the live freedoms that would really let Ayler stretch out – especially when playing overseas – but recorded with the clarity of some of his studio albums for ESP – that sharp-edged sound that really highlights the groundbreaking style of his playing! The rest of the group here is equally great, and Murray is completely freed up from rhythm at points, to fly beautifully with the rest – on titles that include "Angels", "CAC", "Infant Happiness", "Ghosts", and "No Name". The same group performs on the final three tracks – recorded in Copenhagen for Danish Radio, with an equally great level of clarity – on "Saints", "Spirits", and "Vibrations". The interplay between Ayler and Cherry is especially great – echoing the latter's material with Ornette Coleman, but with a different sort of edge! CD2 features amazing live material from 1964 – work that was recorded at the Club Montmartre in Copenhagen, right around the same time that Albert Ayler recorded his album for Debut Records – and a set that has his quartet in even more firey formation overall! The tracks are long, and Ayler is completely unbridled – at a level that really shows not only how much of a leader he was to the American avant underground, but what an inspiration he was to the European free scene too – who could only help but take a big cue from his work here on tenor! The group also features equally wonderful work from Don Cherry on cornet – sounding quite different than when with Ornette Coleman – plus bass from Gary Peacock, whose dark tones really set the mood – and drums from Sunny Murray, who is also at an explosive point in his career. The material is remastered wonderfully, with permission from Albert Ayler's estate – and titles include "Mothers", "Saints", "Vibrations", Spirits", "Children", and a shorter "Spirits". CD

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Albert AylerBerlin, Lorrach, Paris, & Stockholm Revisited (Berlin/Stockholm & Lorrach/Paris) ... CD
Hat Hut (Switzerland), 1966. New Copy 2CD ... Temporarily Out Of Stock
A double-length package – one that brings together two previous Hat Art releases of live material – Berlin/Stockholm and Lorrach/Paris! The 2CD set features crucial European performances by Albert Ayler in the mid 60s – one that were issued until many years after the recording, but which has become one of the sharpest pictures of his genius at the time! The vibe is different than the Ayler albums for ESP – still very much in the same territory, but with this approach that's really reaching out with a deeply spiritual consciousness – an energy to embrace the whole history of jazz, both very old and very new – and re-form its entire ideology into a richly personal expression. Ayler's tremendous on tenor, but Don Ayler is often equally great on trumpet – and the unusual group features Michel Samson on violin, William Fowell on bass, and Beaver Harris on drums. The set features versions of "Truth Is Marching In", "Omega (Is The Alpha)", "Our Prayer – Bells" and "Infinite Spirit – Japan" from Stockholm, juxtaposed with differing performances of those titles in Berlin, plus the riveting closer "Ghosts – Bells", also from Berlin. The Lorrach/Paris recordings include really unique readings of "Bells", "Prophet", "Our Prayer/Spirits Rejoice", "Ghosts", "Truth Is Marching In", and "Spiritual Rebirth/Light In Darkness/Infinite Spirit". CD

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Albert AylerLorrach/Paris 1966 ... CD
Hat Hut (Switzerland), 1966. Used Gatefold ... Temporarily Out Of Stock
A crucial European performance by Albert Ayler in the mid 60s – one that wasn't issued until many years after the recording, but which has become one of the sharpest pictures of his genius at the time! The vibe here is different than the Ayler albums for ESP – still very much in the same territory, but with this approach that's really reaching out with a deeply spiritual consciousness – an energy to embrace the whole history of jazz, both very old and very new – and re-form its entire ideology into a richly personal expression. Ayler's tremendous on tenor, but Don Ayler is often equally great on trumpet – and the unusual group features Michel Samson on violin, William Fowell on bass, and Beaver Harris on drums. Titles include really unique readings of "Bells", "Prophet", "Our Prayer/Spirits Rejoice", "Ghosts", "Truth Is Marching In", and "Spiritual Rebirth/Light In Darkness/Infinite Spirit". CD
(Out of print.)

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Albert AylerComplete Live At Slug's Saloon Recordings ... CD
Lonehill/ESP (Spain), 1966. Used ... Out Of Stock
The complete recordings from Albert Ayler's 1966 ESP set at Slugs Nightclub – located in his home turf of the East Village, a very fervent setting for avant jazz at the time! The material has a feel that's a lot like Ayler's studio recordings for ESP, but the tracks are longer overall, and feature a bit more interplay between the group members at times – individual solo space that's occasionally a bit more pronounced, running back into some tighter energies from the rest of the group. Ayler's blowing with a lineup that includes his brother Donald Ayler on trumpet, Lewis Worrell on bass, Michel Sampson on violin, and a very young Ronald Shannon Jackson on drums and percussion – and titles include "Truth Is Marching On", "Bells", "Ghosts", and "Our Prayer". CD
(Out of print.)

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Albert AylerLove Cry ... CD
Impulse (Japan), 1968. New Copy ... Out Of Stock
Brilliant late work from spiritual saxophone genius Albert Ayler – one of his last truly great albums! The session has none of the jazz-meets-other music feel of some of the other Impulse albums – and is more in the straight expressive style of the ESP recordings. Tracks are more reined in here – with some short themes that are almost a distillation of the freedom Ayler had been expressing for a few years, summed up beautifully in tunes that have a plaintive cry, filled with as much soul and love as Ayler could muster into his horn! Players include Donald Ayler on trumpet, Cal Cobbs on harpsichord, Alan Silva on bass, and Milford Graves on drums – and titles include "Zion Hill", "Love Flower", "Love Cry", "Ghosts", "Omega", and "Dancing Flowers". CD also includes some extra bonus material! CD
(SHM-CD pressing – part of the 60 Impulse series!)

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ Albert AylerSomething Different – The First Recordings Vol 1 & 2 ... CD
Go Bop (Germany), 1963. New Copy ... Out Of Stock
Early work by avant saxophone genius Albert Ayler – and very very striking! The setting is very spare, with only bass and drums backing Ayler up – and the way the album is mixed, Ayler's solos dominate the tracks in a way that isn't always the case with some of the more group-driven later work. His tone is amazing even in this early date of 1962 – and he completely blows away the other two players on the set, drummer Sune Spangberg and bassist Torbjorn Hulcrantz. The set was first recorded by the small Swedish label Bird Notes, and it's the beginning of a longtime love affair that Swedish modernists had with Ayler's tone and playing – a love affair that runs up to the current avant garde that includes Mats Gustafsson. Includes a mindblowing reworking of "I'll Remember April", plus versions of "Rollins Tune", "Good Bait", "Moanin", "Softly As In A Morning Sunrise", "Tune Up", and Ayler's own "Free". CD
 
Possible matches: 8
Possible matches13
CD, LP, Vinyl record album cover art
Don CherryLive At Cafe Montmartre 1966 Vol 2 ... CD
ESP, 1966. New Copy ... $12.99 15.99
Incredible work from Don Cherry – a previously unreleased live date from the 60s, but every bit as great as any of his better-known records from the decade! The sound here is really amazing – a hip blend of Cherry's trumpet with tenor from Gato Barbieri and vibes from Karl Berger – working here in a piano-less setting that has all three players snaking together beautifully as the tunes unfold – freed up a bit to explore some really bold new territory, yet always held together with the same sense of inherent rhythm you'd find on Cherry's Blue Note albums from the late 60s. Rhythm is by Bo Stief on bass and Aldo Romano on drums – both players who really help the tunes take on some great structures – especially during the group's extended take on "Orfeu Negro", a number taken in very similar ways to Archie Shepp's Fire Music version of "Girl From Ipanema"! Other numbers are great too – and include "Remembrance", "Spring Is Here", "Suite For Albert Ayler", and "Complete Communion", done in a 22 minute take. CD

Possible matches14
CD, LP, Vinyl record album cover art
Steve Tintweiss & The Purple WhyMarkstown ... CD
Inky Dot, 1968. Used ... $11.99
Recently unearthed live recordings from bassist Steve Tintweiss – an overlooked figure from the late 60's avant scene who played on key records with Patty Waters, Frank Wright, Burton Greene, and Albert Ayler. The music here is in the spirit of these other ESP recordings and features Tintweiss on bass and melodica, Mark Whitcage on tenor sax and flute, Trevor Koehler on baritone sax, James Dubois on trumpet, and Judy Stuart and Amy Sheffer on vocals. CD
(Still sealed.)

Possible matches15
CD, LP, Vinyl record album cover art
VariousImpulse Records – Music, Message, & The Moment ... CD
Impulse, Late 60s/Early 70s. New Copy 2CD ... $25.99 29.98
A stunning collection of work from the legendary Impulse Records catalog – a double-length set that focuses on the most spiritual side of the label! Red, green, and black are often used together as the colors of righteousness – but the orange and black of Impulse has stood strong as the standard for hip, forward-thinking jazz for decades – especially given the label's legacy of late 60s/early 70s material that's featured here strongly! A different title for the set might be "John Coltrane & His Children" – as the set begins with a key work from Trane, then moves into all these other tracks that showcase the opening spiritual side of jazz as the 60s moved on. Titles include "Sister Mamie" by Yusef Lateef, "Just Us Blues" by Elvin Jones/Jimmy Garrison Sextet, "Garvey's Ghost" by Max Roach, "The Creator Has A Master Plan (edit)" by Pharoah Sanders, "The Rights Of All" by Oliver Nelson, "Freedom Dance" by Shirley Scott, "We Shall Overcome" by Charlie Haden, "Music Is The Healing Force Of The Universe" by Albert Ayler, "Lament" by Michael White, "Imani" by Dewey Redman, "Awakening" by Ahmad Jamal, "Blues For Brother George Jackson" by Archie Shepp, "Bismillahi Rrahmani Rrahim" by Marion Brown, "Blue Nile" by Alice Coltrane", and the cuts "Africa", "Alabama", "Reverend King", and "Up Gainst The Wall" by John Coltrane himself. CD

Possible matches16
CD, LP, Vinyl record album cover art
VariousImpulse Records – Music, Message, & The Moment (4LP set) ... LP
Impulse, Late 60s/Early 70s. New Copy 4LP ... $119.99 139.99
A stunning collection of work from the legendary Impulse Records catalog – a double-length set that focuses on the most spiritual side of the label! Red, green, and black are often used together as the colors of righteousness – but the orange and black of Impulse has stood strong as the standard for hip, forward-thinking jazz for decades – especially given the label's legacy of late 60s/early 70s material that's featured here strongly! A different title for the set might be "John Coltrane & His Children" – as the set begins with a key work from Trane, then moves into all these other tracks that showcase the opening spiritual side of jazz as the 60s moved on. Titles include "Sister Mamie" by Yusef Lateef, "Just Us Blues" by Elvin Jones/Jimmy Garrison Sextet, "Garvey's Ghost" by Max Roach, "The Creator Has A Master Plan (edit)" by Pharoah Sanders, "The Rights Of All" by Oliver Nelson, "Freedom Dance" by Shirley Scott, "We Shall Overcome" by Charlie Haden, "Music Is The Healing Force Of The Universe" by Albert Ayler, "Lament" by Michael White, "Imani" by Dewey Redman, "Awakening" by Ahmad Jamal, "Blues For Brother George Jackson" by Archie Shepp, "Bismillahi Rrahmani Rrahim" by Marion Brown, "Blue Nile" by Alice Coltrane", and the cuts "Africa", "Alabama", "Reverend King", and "Up Gainst The Wall" by John Coltrane himself. LP, Vinyl record album
(A gorgeous package – a die-cut box set, with fold-out internal artwork, sleeves, and notes!)

Possible matches17
CD, LP, Vinyl record album cover art
✨✧ Don CherryLive At Cafe Montmartre 1966 Vol 2 ... CD
ESP, 1966. Used ... Temporarily Out Of Stock
Incredible work from Don Cherry – a previously unreleased live date from the 60s, but every bit as great as any of his better-known records from the decade! The sound here is really amazing – a hip blend of Cherry's trumpet with tenor from Gato Barbieri and vibes from Karl Berger – working here in a piano-less setting that has all three players snaking together beautifully as the tunes unfold – freed up a bit to explore some really bold new territory, yet always held together with the same sense of inherent rhythm you'd find on Cherry's Blue Note albums from the late 60s. Rhythm is by Bo Stief on bass and Aldo Romano on drums – both players who really help the tunes take on some great structures – especially during the group's extended take on "Orfeu Negro", a number taken in very similar ways to Archie Shepp's Fire Music version of "Girl From Ipanema"! Other numbers are great too – and include "Remembrance", "Spring Is Here", "Suite For Albert Ayler", and "Complete Communion", done in a 22 minute take. CD
Also available Live At Cafe Montmartre 1966 Vol 2 ... CD 12.99

Possible matches18
CD, LP, Vinyl record album cover art
✨✧ Marzette WattsMarzette Watts ... CD
ESP (Italy), 1966. Used ... Temporarily Out Of Stock
A vision of the future of avant garde jazz – recorded in 1966, and one of the most groundbreaking titles on the legendary ESP label! Saxophonist Marzette Watts is a player who hardly ever gets his due – but was part of the key new wave of younger players on the east coast scene of the 60s – fitting well in a lineage of Albert Ayler, Archie Shepp, and other important forces in avant jazz at the time. This album's one of the few he ever recorded – along with an important session for Savoy – and is mindblowing right from the start – a fresh blend of new thing ideas with the freer, looser modes of the ESP scene – handled perfectly by a well-chosen group that features Byard Lancaster on alto and flute, Clifford Thornton on trombone and cornet, Sonny Sharrock on guitar, Karl Berger on vibes, Juni Booth and Henry Grimes on bass, and JC Moses on drums. Watts plays tenor, soprano, and bass clarinet – and titles include "Backdrop For Urban Revolution", "Ia", and "Geno". CD
(Out of print. Disc has a couple of marks but plays fine.)

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Aaly/DKV Double TrioDouble Or Nothing ... CD
Okka Disk, 2002. New Copy ... Out Of Stock
Two important improvising trios come together head to head in the transatlantic brilliance of Okka Disk Records in the 90s – recorded in a very unusual way that lets you clearly hear all the contributions of the members of the group! In the left channel stands AALY – a searing lineup of Mats Gustafsson on alto and tenor, Ingebrigt Haker Flaten on bass, and Kjell Nordeson on drums – and in the right channel stands DKV, with Ken Vandermark on tenor and bass clarinet, Kent Kessler on bass, and Hamid Drake on drums – a mighty meeting of musicians who are really at the top of their improvising game! Rather than come on head-to-head, it's amazing to hear the way that these well-matched trios open up to each other – especially the bassists and drummers, who are maybe less familiar in this setting than Vandermark and Gustafsson, who were an instantly amazing musical pair. The set begins with the original "Left To Right", then the group makes real magic over the course of 51 minutes, in a piece that offers variations on Albert Ayler's "Angels" and Don Cherry's "Awake Nu". CD

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ Sonny MurraySonny's Time Now (with bonus track) ... CD
Jihad/Skokiaan (Germany), 1965. New Copy ... Out Of Stock
An album that was years ahead of its time – and which still stands as one of the boldest statements from the New York jazz underground of the 60s! The revolutionary styles of the scene were documented by bigger labels like Impulse and Blue Note – but this obscure indie set goes even deeper, and opens up to a special side of the generation that would have lasting influence for years to come – players who work here with a formative free jazz mode, one that begins with the energy of the ESP scene, but also hits some of the more open styles of the loft jazz and European recordings to come! The lineup is legendary – drummer Sonny Murray at the head – with Albert Ayler on tenor, Don Cherry on trumpet, and both Henry Grimes and Louis Worrell on drums – working with unbridled imagination and righteous power. LeRoi Jones performs a recitation on "Black Art" – and other titles include "Virtue" and "Justice". CD also features the bonus track "The Lie". CD
 
 
 



⇑ Top