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Close matches: 28
Close matches1
CD, LP, Vinyl record album cover art
✨✧ Albert AylerSpirits To Ghosts (Spirits/Ghosts) ... CD
Ezz-Thetics/Hat Hut (Switzerland), 1964. New Copy ... $16.99
A pair of classic Albert Ayler albums from 1964 – back to back on a single CD! First up is Spirits – only the second album ever recorded by Albert Ayler, but a tremendous statement of music that clearly marks the tenorist as one of the most important jazz talents of the 60s! The set was recorded in New York, and only ever got initial exposure overseas – but has grown to become one of the best-remember Ayler albums over the years – thanks in part to a rock-solid lineup of equal visionaries in the group, a lineup that include Sunny Murray on drums, Norman Howard on trumpet, and both Henry Grimes and Earl Henderson on bass – playing together on the title track, which gives the whole thing a really tremendous power. Ayler's clearly the spotlight, though – shining his light with brilliance both in his phrasing of the tenor, and his sense of timing and inherent rhythm – which opens the door to whole new pathways in jazz. Titles include "Spirits", "Prophecy", "Holy Holy", and "Witches & Devils". Next is Ghosts – a seminal early moment from the legendary Albert Ayler – an important session recorded overseas in Copenhagen – where enthusiasm for Ayler's music caught fire more strongly than in the US! The group's got an edge that's maybe even sharper than some of Ayler's ESP material, but no less powerful – with Don Cherry on cornet, Gary Peacock on bass, and Sunny Murray on drums – working through tremendous readings of six Ayler classics that include "Ghosts", "Children", "Holy Spirit", "Vibrations" and "Mothers". A wonderful precursor to the ESP years – and equally great! CD

Close matches2
CD, LP, Vinyl record album cover art
Billy BangDistinction Without A Difference (with bonus tracks) ... CD
Hat Hut/Corbett vs. Dempsey, 1980. New Copy Gatefold ... Just Sold Out!
Billy Bang has always been one of the most incredible players on his instrument – a jazz violinist who could take the strings into freely creative territory, yet also somehow manage to swing – a balance that nobody ever seemed to manage as well as Bang! And while Billy's work in groups is always wonderful, the strengths of his genius maybe come through even more in a solo setting like this – as Bang uses the violin in ways that are completely unheard of, even in jazz work of the decade before – but also while somehow holding to an inherent core that always makes his music make immediate sense, even to the most casual listener. The album's a true testament to the genius that Bang brought to jazz violin – and why we still love him on the instrument more than anyone else. Titles include "Theme For Masters", "Sometime Later", "Improvisation On Sweet Space", and "Loweski". This great edition comes in a gatefold LP-styled cover – almost like a mini version of the original record released by Hat Hut – with bonus tracks that include "Fiddle In The Floodlight", "Subway Ride With Giuseppi Logan", "Echo Vamp", "Prana", and "A Pebble Is A Small Rock". CD

Close matches3
CD, LP, Vinyl record album cover art
Anthony BraxtonQuartet (Dortmund) 1976 ... CD
Hat Hut (Switzerland), 1976. New Copy ... $16.99 18.99
A brilliant performance from one of Anthony Braxton's coolest groups – a very striking quartet that features George Lewis on trombone, Dave Holland on bass, and Barry Altschul on drums and percussion! There's a special sort of energy that really seems to flow from the players – maybe it's the combination of the trombone of Lewis and the bass of Holland, whose deeper tones bring out a bottom you don't always get in Braxton albums – which then lets the leader really take off in amazing patterns on a variety of reeds that include alto, sopranino, contrabass sax, bass clarinet, and E flat clarinet – used in modes that are explosively imaginative throughout! Altschul's got just the right vibe, too – almost a stop/start approach that seems like he's setting little fires one minute, then swinging straight at other times. Titles include "Composition 40 F", "Composition 40 B", "Composition 6 C", "Composition 23 J", and "Composition 40 (O)". CD

Close matches4
CD, LP, Vinyl record album cover art
✨✧ Marion BrownCapricorn Moon To Juba Lee (Marion Brown Quartet/Juba-Lee) ... CD
Ezz-Thetics/Hat Hut (Switzerland), Mid 60s. New Copy ... $16.99
A CD that brings together some important early work from altoist Marion Brown – two long tracks from the sessions for his Quartet album on ESP – and a later album issued only overseas! The set begins with the long tracks "Capricorn Moon" and "Mephistopheles" from Marion Brown Quartet – one of our favorite albums ever on the legendary ESP label – a rhythmic, soulful, early session by Marion Brown – recorded before his own albums on Impulse, but with a similar feel to the best new thing sessions of that label at the time! The group is superb – with Benny Maupin on sax, Alan Shorter on trumpet, Rashied Ali on drums, and Ronnie Boykins on bass, often playing in tandem with Reggie Johnson – for a unique double-pulsing feel that makes for a nice rhythmic thrust. Next are the tracks "Juba Lee" and "Iditus", from the album Juba Lee – brilliant work from Marion Brown – one of his first albums, and a great set of tracks that have a fragile New York avant style – almost ESP, but not as raw, and with the kind of soulful emotion that's always made Brown's work stand out from the rest of his crowd. The group on the album is a septet, with Beaver Harris on drums, Dave Burrell on piano, Bennie Maupin on tenor, Alan Shorter on trumpet, and Grachan Moncour III on trombone. CD

Close matches5
CD, LP, Vinyl record album cover art
Taylor Ho BynumAsphalt Flowers Forking Paths ... CD
Hat Hut (Switzerland), 2008. Used ... Just Sold Out!
... CD

Close matches6
CD, LP, Vinyl record album cover art
Jerome Cooper with Oliver LakeFor The People ... LP
Hat Hut, 1979. Near Mint- Gatefold ... $39.99
Duets between Cooper and Oliver Lake – on a suite of tracks that runs for 6 separate movements. Cooper plays percussion, chirimia, African balaphone, and Brazilian whistle – and Lake plays alto and flute, and also vocalizes a bit. LP, Vinyl record album
(A nice copy!)

Close matches7
CD, LP, Vinyl record album cover art
Dave Douglas' Tiny Bell TrioConstellations ... CD
Hat Hut (Switzerland), 1995. Used ... Just Sold Out!
... CD

Close matches8
CD, LP, Vinyl record album cover art
✨✧ Jimmy GiuffreGraz Live 1961 ... CD
Ezz-Thetics/Hat Hut (Switzerland), 1961. New Copy ... $16.99
A fantastic live performance from legendary reedman Jimmy Giuffre – captured here at the time when he was really stepping out with his sound, as heard more famously on the albums Fusion and Free Fall! As with those records, the group here is Jimmy's amazing trio with Paul Bley on piano and Steve Swallow on bass – both very young modernists who'd go on to make their own mark on jazz over the decades, but already perfect accompanists for Giuffre's very open, freewheeling work on clarinet – quite different than his sound of a decade before, and even than his piano-less trios of the late 50s. Titles include "The Gamut", "Brief Hesitation", "Cry Want", "Trance", "Carla", "Scootin About", "That's True That's True", "Whirrr", and "Temporarily". CD

Close matches9
CD, LP, Vinyl record album cover art
Burton Greene & Alan SilvaOngoing Strings ... LP
Hat Hut, 1981. Very Good+ 2LP Gatefold ... $34.99
Duets between Green & Silva – with the former playing piano, percussion, prepared piano, and a bit of voice; and the latter on bass, cello, percussion, and again a bit of voice. The performance spans 2 LPs – and was recorded live in Amsterdam in 1980. Better than you might think – contemplative enough to show that both of these older players still had something to say at the time, yet filled with some of the fire of their earlier years. LP, Vinyl record album

Close matches10
CD, LP, Vinyl record album cover art
Franz Koglmann SeptetFruits Of Solitude ... CD
Ezz-Thetics/Hat Hut (Switzerland), 2019. New Copy ... $16.99
Complex horn magic from the great Franz Koglmann – always a great musician on his own, but even better when he gets a chance to share his concepts with a larger group! In this case, the septet features five horn players and two string musicians – Franz on trumpet and flugelhorn, John Clark on French horn, Mario Arcari on oboe and English horn, Daniele D'Agaro on tenor and bass clarinet, and Milan Turkovic on bassoon – working with gentle accompaniment from Peter Herbert on bass and Attila Pasztor on cello, but always in ways that let the overall shape and structure of the album come from the horns. The vibe of the set is almost like one of those great late 50s modern jazz experiments where rhythm drops out of most of the action – and titles include "For Max", "Martians Don't Go Home Anymore", "Fruits Of Solitude II", "Yellow Tango", "Leopard Lady", and "Finger Snapper". CD

Close matches11
CD, LP, Vinyl record album cover art
Bernd KonradTraumtanzer ... LP
Hat Hut, 1980. Near Mint- ... $18.99
The kind of session you might be more likely to find on the MPS label than the Hat Hut one – with kind of an arch-modernist sound, instead of a totally free one! Bernd Konrad plays soprano and baritone – with Hans Koller on tenor and sopranino and Christoph Spendel on piano – and tracks include "Jeannerette", "Nordlicht", and "Phonolith". LP, Vinyl record album

Close matches12
CD, LP, Vinyl record album cover art
Steve LacyStamps ... LP
Hat Hut, 1979. Near Mint- 2LP Gatefold ... $43.99
A massive double-length set from saxophonist Steve Lacy – and maybe one of the strongest 70s statements from his legendary European quintet! The album features two different live performances – each of which open up in the brilliant freedoms allowed by the European scene since the end of the 60s, but restructured by Lacy in that fantastic energy he shared with Steve Potts on alto, Irene Aebi on cello and voice, Kent Carter on bass, and Oliver Johnson on drums. The group display a masterful balance between united energy and individual expression – and the synchronicity between Lacy and Potts is especially striking. Titles include "Stamps", "Wickets", "The Dumps", "The Blinks", "Duckles", "Ire", and "Existence". LP, Vinyl record album
(Cover has a small sticker on front.)

Close matches13
CD, LP, Vinyl record album cover art
Steve LacyWay ... LP
Hat Hut (Switzerland), 1980. Very Good+ 2LP Gatefold ... $19.99
One of Steve Lacy's great late 70s recordings for Hat Hut – a searing live performance that was one of his boldest efforts from the time! The group here are a quintet of familiar players – Steve Potts on alto and soprano sax, Irene Aebi on cello and voice, Kent Carter on bass, and Oliver Johnson on drums – all working together as a tremendously cohesive unit, with a dexterously angular feel on most of the numbers. Titles are all quite long, and with lots of choppy saxophone interplay – and Aebi performs a piece by Brion Gysin on the track "Dreams" Other titles include "Raps", "The Way", "The Breath", and "Name". 2LPs, in a gatefold cover. LP, Vinyl record album

Close matches14
CD, LP, Vinyl record album cover art
Joe McPheeGlasses ... CD
Hat Hut/Corbett vs. Dempsey, 1979. New Copy ... $11.99 15.99
Extraordinary work from one of the true giants of the American scene – a mindblowing set of mostly solo sounds from reedman Joe McPhee – also working here on flugelhorn and a bit of percussion as well! The set begins with the incredible "Glasses" – a piece that appears to have McPhee actually playing a glass in performance, and alternating with some searingly soulful sounds on tenor sax – blown with a texture that matches the glass wonderfully – already showing his amazing ear for sound shapes. Side two reminds us that McPhee's got a deeply spiritual side – as he takes on Coltrane's "Naima" in a haunting solo reading that's almost worth the price of the album alone – full of feeling, but graced with these textures that really open up the song. The set's completed by "New Potatoes" – a much more driving number with added help from percussionist Reto Weber – plus the promised flugelhorn from Joe! CD

Close matches15
CD, LP, Vinyl record album cover art
Joe McPheeVariations On A Blue Line – Round Midnight ... CD
Hat Hut/Corbett vs. Dempsey, 1977. New Copy ... $11.99 15.99
Seminal solo work from the great Joe McPhee – and a crucial album in linking the American and European undergrounds of the 70s! Joe's working alone here – on soprano sax and tenor – and getting some amazing sounds out of both horns – the kind of post-musical, highly-textural elements that are right at home in the European concert setting of the recording. The album was a legendary start to Hat Art – and to the international fame of McPhee – and side one features an extended tenor performance on the original composition "Beanstalk", and side two features tenor again on "Variations On A Blue Line", then soprano on "Motian Studies", as well as "Round Midnight" – played by Joe with just the right sort of soul to round out the record! CD

Close matches16
CD, LP, Vinyl record album cover art
Joe McPheeVariations On A Blue Line – Round Midnight ... LP
Hat Hut (Switzerland), 1977. Near Mint- ... $68.99
Seminal solo work from the great Joe McPhee – and a crucial album in linking the American and European undergrounds of the 70s! Joe's working alone here – on soprano sax and tenor – and getting some amazing sounds out of both horns – the kind of post-musical, highly-textural elements that are right at home in the European concert setting of the recording. The album was a legendary start to Hat Art – and to the international fame of McPhee – and side one features an extended tenor performance on the original composition "Beanstalk", and side two features tenor again on "Variations On A Blue Line", then soprano on "Motian Studies", as well as "Round Midnight" – played by Joe with just the right sort of soul to round out the record! LP, Vinyl record album
(Original pressing, with insert. A great copy!)

Close matches17
CD, LP, Vinyl record album cover art
Joe McPheeWillisau Concert (with bonus track) ... CD
Hat Hut/Corbett vs. Dempsey, 1975. New Copy ... $12.99 16.99
A beautiful set of live improvisations from reedman Joe McPhee – recorded early in his time with the Hat Hut label – at a concert in Willisau, Switzerland – already showing Joe's strong relationship with the European scene! The tracks here are all long, and every bit as creative as McPhee's solo or duo material of the time – but feature a trio with Makaya Ntschoko on drums and John Snyder on electronics and a bit of voice – the latter elements used in very different, unusual ways – very much in keeping with the new sonic spirit that Joe had unlocked in his own music! McPhee is wonderful throughout – blowing both tenor and soprano sax – and with this really revolutionary approach that's neither 70s loft jazz nor European free jazz – but a mode that must have been a huge inspiration to both scenes. Titles include "Voices", "Touchstone", "Bahamian Folk Song", and "Harriet". Also includes a never-issued version of "God Bless The Child". CD

Close matches18
CD, LP, Vinyl record album cover art
Joe McPhee & Andre JaumeNuclear Family ... CD
Hat Hut/Corbett vs. Dempsey, 1979. New Copy Gatefold ... $12.99
Insanely beautiful work from the great Joe McPhee – an album that was recorded and intended to be issued during his groundbreaking stretch with Hat Art Records – but which never saw the light of day at the time! Why that happened, we're not entirely sure – because the album is tremendous right from the very first note – as McPhee blows alto, tenor, and pocket cornet alongside the work of Andre Jaume on alto, tenor, and bass clarinet – in a set of horn-only performances that are breathtaking from start to finish! Jaume's a great player too – and his work of the time, especially on Hat Art, is a masterpiece of subtlety and soul – and he balances McPhee perfectly here, often with some deeper currents that create a beautifully organic energy between the two. Jaume's got this way of handling his reed that's amazing – and, of course, Joe's phrasing is as incredible as always. Titles include great reworks of modern jazz classics – including "Pithecanthropus Erectus", "Self Portrait In Three Colors", "Evidence", "Chelsea Bridge", and "Lonely Woman" – plus the originals "Nuclear" and "Rue St Jaume". CD
(Beautiful package – with a heavy Japanese-style paper sleeve!)

Close matches19
CD, LP, Vinyl record album cover art
Misha MengelbergTwo Days In Chicago ... CD
Hat Hut (Switzerland), 1999. New Copy 2CD ... $24.99 27.99
Pure beauty! In October of 1998, Misha Mengelberg made an historic visit to Chicago – a rare trip programmed to coincide with a showcase of Dutch jazz that featured him and the Ab Bars trio, playing at Fred Anderson's legendary Velvet Lounge. The trip was notable in that it also became the occasion for Mengelberg to record some fantastic material – part in the studio (with Kent Kessler, Hamid Drake, Fred Anderson, Fred Lonberg-Holm, and others), part during the live session which transpired on the second day of his trip. This excellent double CD set from Hat Art brings together the recordings, and is a great glimpse into the interplay between the ever-growing Chicago avant scene and the larger legacy of European free jazz! The studio work is pretty darn great, but the real treat is the live set – as Misha plays solo on a few lovely tracks – like "Chicago Solo" and "Round Midnight" – and in a beautiful duet with Ab Bars on tenor, on a haunting reading of "Body & Soul". The set really captures the range of Misha's rich talents – and the inclusion of some jazz standards like "Off Minor" and "Eronel" gives the CD a well-rounded feel. CD

Close matches20
CD, LP, Vinyl record album cover art
Matthew ShippInvisible Light – Live Sao Paolo ... CD
Ezz-Thetics/Hat Hut (Switzerland), 2019. New Copy ... $16.99
A record with a title that's as beautiful as its sound – one that draws key focus on that magnificent light that's been shining forth in the music of Matthew Shipp in recent years – a fantastic stretch that has the pianist really coming back into action, and maybe sounding even more amazing than before! The set is solo – recorded live in Sao Paulo in 2016 – and is a great illustration of the new focus and expanded vision that Shipp has been bringing to his music – yet in a way that's maybe slightly understated, even though that's kind of an odd thing to be saying about such a player – maybe we just mean that Matthew's not trying too hard to state himself, and that makes the music even more magical in the process. Tunes include some fantastic reworkings of standards – "Yesterdays", "Angel Eyes", "On Green Dolphin Street", and "There Will Be Another You" – as transformed in Shipp's hands as when a player like Anthony Braxton approaches them – alongside original titles that include "Gamma Ray", "Patmos", "Blue In Orion", "Symbol Systems", and "Invisible Light". CD

Close matches21
CD, LP, Vinyl record album cover art
Cecil TaylorCalling It The 8th ... LP
Hat Hut (Switzerland), 1983. Near Mint- ... $29.99
Nice set of two extended quartet pieces, featuring a group led by Taylor, and with Jimmy Lyons, William Parker, and Rashid Bakr. The LP includes a 30 minute version of "Calling It The 8th", plus a 10 minute take of "Calling It The 9th". Both tracks were recorded live in 1981, at Jazztage in Freiberg, Germany. Out of print vinyl release. LP, Vinyl record album
(Original pressing.)

Close matches22
CD, LP, Vinyl record album cover art
Cecil TaylorIt Is In The Brewing Luminous ... LP
Hat Hut, 1981. Near Mint- 2LP Gatefold ... $38.99
The larger Cecil Taylor Unit with multiple strings players (Ramsey Ameen on violin and Alan Silva on bass and cello), two drummers: Jerome Cooper and Sunny Murray and longtime reedman Jimmy Lyons. Recorded live in New York in 1980, capturing Taylor's unique conception of group improvisation in full flight. The album features one long work, spread out over 4 sides of the record. LP, Vinyl record album
(A nice copy!)

Close matches23
CD, LP, Vinyl record album cover art
✨✧ Daunik LazroEntrance Gates Of Tshee Park ... LP
Hat Hut, 1980. Near Mint- Gatefold ... Temporarily Out Of Stock
... LP, Vinyl record album

Close matches24
CD, LP, Vinyl record album cover art
✨✧ Joe McPheeWillisau Concert (with bonus track) ... CD
Hat Hut/Corbett vs. Dempsey, 1975. Used ... Temporarily Out Of Stock
A beautiful set of live improvisations from reedman Joe McPhee – recorded early in his time with the Hat Hut label – at a concert in Willisau, Switzerland – already showing Joe's strong relationship with the European scene! The tracks here are all long, and every bit as creative as McPhee's solo or duo material of the time – but feature a trio with Makaya Ntschoko on drums and John Snyder on electronics and a bit of voice – the latter elements used in very different, unusual ways – very much in keeping with the new sonic spirit that Joe had unlocked in his own music! McPhee is wonderful throughout – blowing both tenor and soprano sax – and with this really revolutionary approach that's neither 70s loft jazz nor European free jazz – but a mode that must have been a huge inspiration to both scenes. Titles include "Voices", "Touchstone", "Bahamian Folk Song", and "Harriet". Also includes a never-issued version of "God Bless The Child". CD
Also available Willisau Concert (with bonus track) ... CD 12.99

Close matches25
CD, LP, Vinyl record album cover art
✨✧ Steve LacyStamps (with bonus track) ... CD
Hat Hut/Corbett vs. Dempsey, 1979. New Copy 2CDs ... Out Of Stock
A massive double-length set from saxophonist Steve Lacy – and maybe one of the strongest 70s statements from his legendary European quintet! The album features two different live performances – each of which open up in the brilliant freedoms allowed by the European scene since the end of the 60s, but restructured by Lacy in that fantastic energy he shared with Steve Potts on alto, Irene Aebi on cello and voice, Kent Carter on bass, and Oliver Johnson on drums. The group display a masterful balance between united energy and individual expression – and the synchronicity between Lacy and Potts is especially striking. Titles include "Stamps", "Wickets", "The Dumps", "The Blinks", "Duckles", "Ire", and "Existence". Also features the bonus track "Follies". CD
Also available Stamps ... LP 43.99

Close matches26
CD, LP, Vinyl record album cover art
✨✧ Steve Lacy & Steve PottsTips ... CD
Hat Hut/Corbett vs. Dempsey, 1981. New Copy Gatefold ... Out Of Stock
Steve Lacy works here with one of his best partners of the 70s – altoist Steve Potts – whose tone and phrasing always turns out to be a perfect match for Lacy's ideas! And the duet also get some great accompaniment from vocalist Irene Aebi – who's almost has more presence here when she makes an appearance, but at a level that's arguably stronger and more powerful than some of her other contributions to Lacy records – this unusual manner of vocalizing that almost puts her in the Saravah Records tradition of Brigitte Fontaine, in terms of creativity and moving beyond the boundaries of language. Irene's words are more musical elements than anything else – giving shape to the start of each selection, then dropping out to make the interplay between Lacy's soprano and Potts' alto seem even warmer and more organic. The album features one long track – "Tips" – divided up into fourteen lettered sections. CD
(Beautiful package – with a heavy Japanese-style paper sleeve!)

Close matches27
CD, LP, Vinyl record album cover art
✨✧ Jimmy LyonsPush Pull ... CD
Hat Hut/Corbett vs. Dempsey, 1979. New Copy 2CD Gatefold ... Out Of Stock
Alto saxophonist Jimmy Lyons had a legendary run of performances on record with Cecil Taylor – but he sounds equally amazing here as a leader – given the space to really stretch out in a 3LP set that brings together a landmark live performance from 1978! Lyons works here with some lesser-known names – a quintet that includes Karen Borca on bassoon, Hayes Burnett on bass, Munner Bernard Fennell on cello, and Roger Blank on drums – but all players really catch the fire from his horn, and open up in a way that starts with loft jazz inspiration, then really soars to the stratosphere! The live setting of the album – recorded in a cinema – brings a really great quality of "space" to the overall production – and you can really feel Lyons and the group working together as their sounds and performance echo throughout the theater. Titles include the 32 minute "Mary Mary" – plus "Tortuga", "Breakout", "After You Left", and "Push Pull". CD

Close matches28
CD, LP, Vinyl record album cover art
✨✧ Phillip Wilson with Olu DaraEsoteric ... CD
Hat Hut/Corbett vs. Dempsey, 1979. New Copy Gatefold ... Out Of Stock
Percussionist Phillip Wilson's got his name on the cover, but the set's a very collaborative outing with trumpeter Olu Dara – recorded in Paris by Jef Gilson with a very free-thinking, open style that bridges both American and European modes of free jazz at the time! Wilson plays both a conventional drum kit and assorted percussion instruments – although not a huge range – and Dara brings a real sense of "voice" to the proceedings, both with his phrasing on the trumpet – often in a gritty, "mouthy" mode – and his occasional vocalizations through the horn – both of which evoke the more spiritual currents of the New York scene in the 70s. There's mindblowingly creative spirit to the music throughout – that best Hat Hut sound from the first few years of the label – and titles include "Call Call The So", "Double Click", "The Chad", "Elephant Bossa", "Olu 1", and "Lester 3". CD
 
Possible matches: 3
Possible matches29
CD, LP, Vinyl record album cover art
Franz Koglmann with Bill DixonOpium For Franz ... CD
Black Monk (Austria), Mid 70s. New Copy ... $16.99
Incredible work from trumpeter Franz Koglmann – a musician who doesn't always get the same sort of credit as his avant jazz contemporaries – but who certainly warrants strong recognition for the depth of this set! The record is bristling with brilliance – and has this mixture of free expressions balanced with a sense of structure – in a way that's almost a link between the loft jazz world of the 70s New York scene, and some of the Hat Hut or Soul Note productions to come! Side one has Franz working with a quintet that also features Bill Dixon on trumpet, plus Steve Horenstein on tenor, Alan Silva on bass, and Muhammad Malli on cymbals – a group that sparkles with these fantastic organic rhythm progressions next to standout solos from the horns. Side two features two tracks with a quintet that also includes Steve Lacy on soprano sax, Joseph Traindi on trombone, Cesarius Alvim Botelho on bass, and Aldo Romano on drums – and one more with a trio that includes Toni Michlmayr on bass and Gerd Geier on electronics. The Lacy tracks are tremendous – and it's a very fresh setting for Steve to be blowing alongside Koglmann's flugelhorn – and the electronics tracks have a sound that's very unusual too, not like any other jazz approach we've heard in the format. Titles include "For Franz", "Der Vogel Opium", "Carmilla", and "Karl Und Das Lochspapier". CD

Possible matches30
CD, LP, Vinyl record album cover art
Trio Kokoko (Koch/Koglmann/Koltermann)Good Night ... LP
Creative Works (Switzerland), 1985. Near Mint- ... $11.99
A hip trio – Franz Koglmann on trumpet, Klaus Koch on bass, and Eckard Koltermann on bass clarinet and baritone sax – all playing together with a Hat Hut-like approach! LP, Vinyl record album

Possible matches31
CD, LP, Vinyl record album cover art
✨✧ Joe McPhee/Ken Vandermark/Kent KesslerMeeting In Chicago ... CD
Okka Disk, 1998. New Copy ... Out Of Stock
A seminal early set on the Okka Disk label – the important Chicago avant imprint who began documenting an important stretch of the career of Joe McPhee – much as the Hat Hut label had begun 20 years before! The set features performances recorded during McPhee's first appearance in Chicago during the mid 90s – the start of a beautiful relationship that would continue for decades to come – and McPhee blows both reeds and trumpet, in a trio with Ken Vandermark on saxes and Kent Kessler on bass – all working together in a very open studio format that has the players shifting between trio work, to solo and duo performances too. The recording is crucial – as McPhee's sensitivity brings out a whole new side of both Chicago players – on titles that include "Heart Of The Matter", "A Meeting In Chicago", "Breakneck Ridge", "Lalibela", "Empty Bottle Blues", "Fourteen Years Later", and "I Leave You Love". CD
 
Partial matches: 222
Partial matches32
CD, LP, Vinyl record album cover art
Ashley HutchingsRattlebone & Ploughjack ... CD
Island/BGO (UK), 1976. New Copy ... $8.99 14.99
One of the strangest records ever from Ashley Hutchings – a set that's even more ancient-sounding and enigmatic than his music with Fairport Convention and Albion Band! In a sense, the album follows the spirit of both groups, and their effort to plumb the past and fuse it with the present – yet here, Hutchings is almost trying to create a documentary of old recordings – even though the material is all newly-recorded, but handled with a more ancient aesthetic that hearkens back to the 78rpm generation! Players aren't listed, and there's no credits at all – but it's pretty clear that Hutchings has some of his key Fairport Convention partners on board to help with the sound – which is served up in a mix of acoustic instrumental and vocal modes, sometimes with spoken introductions through each side-long collage of tunes. CD

Partial matches33
CD, LP, Vinyl record album cover art
Leroy HutsonMan! ... LP
Curtom, 1974. Sealed ... $9.99
A killer early album by the great Leroy Hutson – the first set that has him stepping out as a true soul genius for the 70s! Hutson had originally been a later member of The Impressions – replacing Curtis Mayfield briefly after he'd gone solo – but he also had spent a fair bit of time working around the Chicago soul studio scene of the late 60s and early 70s, lending his talents to other singers – and this album is kind of a "bustin' out of the studio" album in it's presentation of Hutson's material. The record features a number of great sweet soul cuts – like "Ella Weez" and "Can't Say Enough About Mom" – mixed with nice funky tracks, like "The Ghetto '74", which is a remake of "The Ghetto", a tune that Hutson wrote with Donny Hathaway. The record's a prime example of the genius of Chicago soul in the 70s – with great arrangements that have a lot of space for Leroy's singing, yet still come down hard and nasty in parts, like some of the funkier stuff on Curtom. LP, Vinyl record album
(Recent reissue. Shrinkwrap has a hole in front.)
Also available Man! ... LP 13.99

Partial matches34
CD, LP, Vinyl record album cover art
Leroy HutsonMan! ... LP
Curtom, 1974. New Copy (reissue)... $13.99
A killer early album by the great Leroy Hutson – the first set that has him stepping out as a true soul genius for the 70s! Hutson had originally been a later member of The Impressions – replacing Curtis Mayfield briefly after he'd gone solo – but he also had spent a fair bit of time working around the Chicago soul studio scene of the late 60s and early 70s, lending his talents to other singers – and this album is kind of a "bustin' out of the studio" album in it's presentation of Hutson's material. The record features a number of great sweet soul cuts – like "Ella Weez" and "Can't Say Enough About Mom" – mixed with nice funky tracks, like "The Ghetto '74", which is a remake of "The Ghetto", a tune that Hutson wrote with Donny Hathaway. The record's a prime example of the genius of Chicago soul in the 70s – with great arrangements that have a lot of space for Leroy's singing, yet still come down hard and nasty in parts, like some of the funkier stuff on Curtom. LP, Vinyl record album
Also available Man! ... LP 9.99

Partial matches35
CD, LP, Vinyl record album cover art
✨✧ Bobby HutchersonStick-Up! ... CD
Blue Note (Japan), 1966. New Copy ... Temporarily Out Of Stock
The sticks are up, and Bobby Hutcherson is at the top of his game – hitting a whole new groove here in this sublime session of modal numbers for Blue Note – a slightly warmer set than his more modern albums of the "new thing" years, and a great indication of the directions he'd take in the 70s! Bobby's vibes are set up wonderfully here in a quintet that includes Joe Henderson on tenor sax, McCoy Tyner on piano, Herbie Lewis on bass, and Billy Higgins on drums – all players who bring key elements to the groove. Tyner's got an obvious ear for the modal rhythms that Hutcherson's heading for; Higgins' drum work is freely lyrical in all the best ways; and Henderson's horn sharpens the edges of the tunes a bit, bringing in some nice darker sounds. The kickoff track is an amazing modal reading of Ornette's "Una Muy Bonita", and the rest tracks are all Hutcherson originals, including "Summer Nights", "8/4 Beat", "Black Circle", "Verse", and "Blues Mind Matter". CD
(Part of the "Blue Note 80 – More 60 Works" series!)

Partial matches36
CD, LP, Vinyl record album cover art
✨✧ Leroy HutsonMan! (with bonus track) ... CD
Curtom/Acid Jazz (UK), 1974. New Copy ... Out Of Stock
A killer early album by the great Leroy Hutson – the first set that has him stepping out as a true soul genius for the 70s! Hutson had originally been a later member of The Impressions – replacing Curtis Mayfield briefly after he'd gone solo – but he also had spent a fair bit of time working around the Chicago soul studio scene of the late 60s and early 70s, lending his talents to other singers – and this album is kind of a "bustin' out of the studio" album in it's presentation of Hutson's material. The record features a number of great sweet soul cuts – like "Ella Weez" and "Can't Say Enough About Mom" – mixed with nice funky tracks, like "The Ghetto '74", which is a remake of "The Ghetto", a tune that Hutson wrote with Donny Hathaway. The record's a prime example of the genius of Chicago soul in the 70s – with great arrangements that have a lot of space for Leroy's singing, yet still come down hard and nasty in parts, like some of the funkier stuff on Curtom. Also features the bonus track "Ella Weez (mono single)". CD
Also available Man! ... LP 13.99

Partial matches37
CD, LP, Vinyl record album cover art
Lee Scratch PerryReturn Of Pipecock Jackson ... CD
Black Star Liner/Honest Jons (UK), 1979. Used ... $9.99
One of the ultimate moments from the legendary Lee Scratch Perry – the set of recordings that shut down the Black Ark studios – and which helped build a bridge to the European scene that would help keep Perry's music alive for the next few decades! The sound of the album is even more far-reaching than some of Lee's earlier recordings – opened up in a new freedom that's much more aimed at album-oriented styles – heard best on the album's long opening number "Bed Jammin", and spun out over some great numbers that really showcase Perry's incredible talents in the studio! Titles include "Untitled Rhythm", "Give Thanx To Jah", "Easy Knocking", "Who Killed The Chicken", "Babylon Cookie Jar A Crumble", and "Some Have Fe Halla". CD
Also available Return Of Pipecock Jackson ... LP 22.99

Partial matches38
CD, LP, Vinyl record album cover art
Lee Scratch PerryReturn Of Pipecock Jackson ... LP
Black Star Liner/Honest Jons (UK), 1979. New Copy ... $22.99
One of the ultimate moments from the legendary Lee Scratch Perry – the set of recordings that shut down the Black Ark studios – and which helped build a bridge to the European scene that would help keep Perry's music alive for the next few decades! The sound of the album is even more far-reaching than some of Lee's earlier recordings – opened up in a new freedom that's much more aimed at album-oriented styles – heard best on the album's long opening number "Bed Jammin", and spun out over some great numbers that really showcase Perry's incredible talents in the studio! Titles include "Untitled Rhythm", "Give Thanx To Jah", "Easy Knocking", "Who Killed The Chicken", "Babylon Cookie Jar A Crumble", and "Some Have Fe Halla". LP, Vinyl record album
Also available Return Of Pipecock Jackson ... CD 9.99

Partial matches39
CD, LP, Vinyl record album cover art
✨✧ Natural FourNatural Four ... LP
Curtom, 1974. Very Good ... Temporarily Out Of Stock
Sweeeeet soul from the 70s! The Natural Four were one of the greatest soul harmony groups of the 70's – and their work on the Curtom label has an amazing "rough with the smooth" quality that really sets them apart from east coast groups of the time! Part of the strength of the set has to do with Leroy Hutson – who arranged and produced the whole album, and gives it a superdope quality that makes it stand proudly with the best work on Curtom Records of the time. The sound is full and polished, yet also honest, earnest, and personal – in that great mix of moods that Hutson and Curtis Mayfield could bring to their own work of the time. The whole set's a classic, and titles include "Try Love Again", "You Bring Out The Best In Me", "Can This Be Real?", "This is What's Happening Now", and "Things Will Be Better Tomorrow". LP, Vinyl record album
(Original pressing. Cover has some wear and a small stain.)

Partial matches40
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Bobby Hutcherson, Karin Krog, Archie SheppLive At The Festival ... LP
Enja (Germany), 1970/1972/1973. Very Good+ ... $9.99
A very interesting batch of tracks – one tune apiece by each of the artists named in the title, recorded between the years 1970 and 1973 at the Festival Ljublijana, in Yugoslavia. Bill Evans performs a long, and straight reading of Miles Davis' "Nardis" with a trio that includes Eddie Gomez on bass and Tony Oxly on drums; Karin Krog sings a spare version of "Round Midnight", with only the bass of Arild Andersen for accompaniment; and Archie Shepp blows freely on a version of Grachan Moncur III's "Sonny's Back", in a group with Dave Burrell, Don Garrett, and Muhammad Ali. Perhaps the most striking track, though, is "The Creators" by Bobby Hutcherson – played with his group that included Harold Land and Hal Galper, and performed in an 18 minute reading that builds beautifully, into the dancing soul jazz sound that was Hutcherson's best contribution to jazz at the time! LP, Vinyl record album
(Green label pressing. Cover has a cut corner and split top seam.)

Partial matches41
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Leroy HutsonSoothe You Groove You ... LP
Triumph/Acid Jazz (UK), 2009. New Copy ... $19.99
A surprising to form for the legendary Leroy Hutson – one of our favorite singers of all time from the Chicago soul scene – still sounding mighty strong here, many years after his initial records for Curtom in the 70s! The vibe is a bit different, in that Leroy's taking on some tunes by other artists, mixed in with some cuts of his own – in a mid that's kind of an update of the sophisticated soul he served up back in the day – and which also features some instrumentals that show off Hutson's continued skills as an arranger! In fact, about two thirds of the record is instrumental, with keyboards instead of Hutson's vocals – and grooves that might be right at home for the Chicago's steppers scene of the 90s. Production and instrumentation are definitely more contemporary, but at a level that maybe makes the whole thing feel like an indie record that Leroy might have created 20 years before – not a 21st Century soul release – and titles include "Suite Surrender", "Evening In San Juan", "The Ghetto", "Somewhere In The Night", "Starlite", "Wish You Were", "Time Out", and "The Way You Say". LP, Vinyl record album

Partial matches42
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✨✧ Bobby HutchersonHead On ... LP
Blue Note, 1971. Very Good ... Temporarily Out Of Stock
One of the most sophisticated albums that Bobby Hutcherson recorded with reedman Harold Land – a very hip session that features the arrangements of piano player Todd Cochran – also known as Bayete for a pair of early 70s albums on Prestige! The sound here is more farther-reaching than before for the team of Hutcherson and Land – a deepening of the soulful spirits first cooked up on their earlier collaborations, stretched out to farther-reaching territory in the hands of Cochran's arrangements and compositions. The group's got a full sound too – with trumpet and flugelhorn from Oscar Brashear, trombone from George Bohannon, and added reeds from players who include Ernie Watts, Fred Jackson, and Charles Owens. Harold Land plays tenor and flute, Hutcherson vibes and marimba, and Cochran is on acoustic piano throughout – but the record also features some electric keys from William Henderson. Titles include the 3 part suite "At The Source", plus "Many Thousands Gone", "Clockwork Of The Spirits", and "Mtume". LP, Vinyl record album
(Liberty/UA pressing. Cover has ring & edge wear and a split spine.)

Partial matches43
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✨✧ Bobby HutchersonLandmarks ... CD
Landmark, Mid 80s. Used ... Out Of Stock
A 9 track collection of Bobby Hutcherson's excellent mid 80s work for the Landmark label – a return to straight ahead playing that marked some of his best recordings in years! The set does a great job of showing all of Bobby's strengths at the label – and features three slices of work from three different albums. First up are tracks from the set Good Bait – a soul-drenched effort with Branford Marsalis on soprano and tenor sax and George Cables on piano – on cuts that include Hutcherson's great "Highway One", plus "Love Samba" and "In Walked Bud". Next up is material from Color Schemes – a wonderful date that features Mulgrew Miller on piano, Airto on percussion, John Heard on bass, and Billy Higgins on drums – on cuts that include "Rosemary Rosemary", "Recorda Me", and "Whisper Not". Last up is live material from the album In The Vanguard – a really classic set that features the rhythm section of Kenny Barron on piano, Buster Williams on bass, and Al Foster on drums. Those final tracks include "Little Niles", "Tune Up", and "Young & Foolish". CD

Partial matches44
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✨✧ Timeless All StarsIt's Timeless ... LP
Timeless (Netherlands), 1982. Near Mint- ... Out Of Stock
A brilliant assemblage of players – working here under the Timeless All Stars tag, because they'd all recorded for the label – but held together much more deeply through a rich tradition of west coast soul jazz! The team of Harold Land and Bobby Hutcherson are wonderfully united for the session – working with Curtis Fuller on trombone, Cedar Walton on piano, Buster Williams on bass, and Billy Higgins on drums – all to carve out longer tracks that sparkle with the best open feeling of the sound that Land and Hutcherson first put down together at the end of the 60s. There's a sense of warmth and good spirit to the recording – but not of the type that dampens the energies of the players – as the best tracks on the record have a searing, searching feel that's pretty darn surprising for such an all-star session! Titles include "Clockwise", "Highway One", "Arabia", "Stella By Starlight", and "My Foolish Heart". LP, Vinyl record album

Partial matches45
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George AdamsParadise Space Shuttle ... LP
Timeless, 1978. Near Mint- ... $9.99
A tremendous moment for the great George Adams as a leader – a record that won the reedman widespread attention after some key work in the bigger groups of Gil Evans and Charles Mingus! Adams is a searing, soulful player right from the start – stepping out strongly on tenor at the kickoff of the record, but also blowing some flute with this moodier, more spiritual tone that really deepens our appreciation of his talents as a musician. The rest of the group is filled with similar spiritual energy – and includes Ron Burton on piano, Don Pate on bass, Al Foster on drums, and Azzedin Weston on percussion. The style is nicely different than some of George's later work with Don Pullen – maybe a bit more straightforward, but in a great way that really unlocks his voice as a leader – and titles include "Funk A Roonie Peacock", "Metamorphosis for Mingus", "Paradise Space Shuttle", and "Intentions". LP, Vinyl record album

Partial matches46
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Willie Bobo & the Bo-GentsDo What You Want To Do ... LP
Sussex, Early 70s. New Copy (reissue)... $9.99
Incredible work by Willie Bobo – a slamming record of hard funky instrumentals, one that sounds different than any of his other albums! The record's a killer all the way through – a mixture of Latin and deep 70s funk, one of the few perfect fusions of the styles, held up beautifully all the way through the set. We've always liked Willie a lot, but honestly, we don't know how he managed to make a record this funky – but we're also not arguing, just enjoying the grooves with tremendous delight and surprise. Great all the way through, and includes the break cuts "Do What You Want to Do", "Broasted or Fried", and "Soul Foo Young" – plus a version of "Dindi", which, for some reason, Willie seemed to record every chance he got! Other titles include "Shut Up & Pay Attention", "Come Together", and "Never You Mind". LP, Vinyl record album

Partial matches47
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Boogie Woogie Red, JB Hutto, & Eddie BurnsTarheel Stomp ... LP
Flyright (UK), 1973. Near Mint- ... $14.99
Tarheel blues recorded in Chapel Hill in 1973 – a record that's heavy on vocals and piano from Boogie Woogie Red, but which also featuers a few tracks by JB Hutto on vocals and guitar, and one more from Eddie Burns. LP, Vinyl record album
(Cover seams are unglued, but vinyl is great, and cover is excellent otherwise.)

Partial matches48
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Bobby HutchersonColor Schemes ... LP
Landmark, 1986. Near Mint- ... $2.99
A great title for this album from Bobby Hutcherson – given the way he commands such great tones from his work on the vibes! The album's a real gem from his Landmark Records years – that great back-to-basics point when Bobby was almost doing more by doing less – especially in a record with understated brilliance like this. The group's a warmly sensitive one – with Mulgrew Miller on piano, John Heard on bass, Airto on percussion, and Billy Higgins on drums – a perfect rhythmic accompaniment for Hutcherson's hip vibes. Titles include "Rosemary Rosemary", "Remember", "Never Let Me Go", "Recorda Me", "Bemsha Swing", and "Whisper Not". LP, Vinyl record album
Also available Color Schemes ... LP 4.99

Partial matches49
CD, LP, Vinyl record album cover art
Bobby HutchersonColor Schemes ... LP
Landmark, 1986. New Copy ... $4.99
A great title for this album from Bobby Hutcherson – given the way he commands such great tones from his work on the vibes! The album's a real gem from his Landmark Records years – that great back-to-basics point when Bobby was almost doing more by doing less – especially in a record with understated brilliance like this. The group's a warmly sensitive one – with Mulgrew Miller on piano, John Heard on bass, Airto on percussion, and Billy Higgins on drums – a perfect rhythmic accompaniment for Hutcherson's hip vibes. Titles include "Rosemary Rosemary", "Remember", "Never Let Me Go", "Recorda Me", "Bemsha Swing", and "Whisper Not". LP, Vinyl record album
(Original pressing – in limited supply!)
Also available Color Schemes ... LP 2.99

Partial matches50
CD, LP, Vinyl record album cover art
Bobby HutchersonCruisin The Bird ... LP
Landmark, 1988. New Copy ... $4.99
An incredible record from Bobby Hutcherson – easily one of his best of the 80s, and with some great touches that recall his best 70s work! The album title might fool you into thinking that Bobby's working in Charlier Parker territory here – but he's not, and is instead grooving in a mellow and soulful west coast mode – working with a totally great group that includes Ralph Moore on tenor and soprano sax, Buddy Montgomery on piano, Rufus Reid on bass, and Victor Lewis on drums. The whole album's a magical picture of tone, color, and light – but the especially standout track is "Sierra" – a totally killer number that has these arch angles and edges that rival the best sounds heard on Hutcherson's Montara album! Other titles include "On The Delta", "Crusisin The Bird", "Imminent Treasures", and "All Or Nothing At All". LP, Vinyl record album
(Original pressing – in limited supply!)

Partial matches51
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Bobby HutchersonGood Bait ... LP
Landmark, 1984. New Copy ... $4.99
One of Bobby's great back to basics albums for Landmark in the mid 80s – a "return" to straight jazz and bop, oddly territory that Bobby never traveled much in the first place – given his "new thing" status in the 60s! The record features Bobby working with a core quintet that includes Philly Joe Jones on drums, George Cables on piano, and Ray Drummond on bass – with some additional tenor and soprano sax work by Branford Marsalis. Titles include McCoy Tyner's "Love Samba", Hutcherson's "Highway One" and "Montgomery", and a nice take on "Israel". LP, Vinyl record album
(Original pressing – in limited supply!)

Partial matches52
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Bobby HutchersonHappenings ... CD
Blue Note (Japan), 1966. New Copy ... $19.99
One of the greatest Bobby Hutcherson albums for Blue Note – a classic session recorded in quartet form, with a style that seems to set a whole new standard for the vibes in modern jazz! The group here is sublime – Herbie Hancock on piano, Bob Cranshaw on bass, and Joe Chambers on drums – all working with Bobby in cool, blocky chords, with a sound that lies somewhere on the road to "out", but has more of a swing than Hutcherson's "new thing" recordings! The balance is a perfect one – exciting and fresh, but still always soulfully grooving – and titles include a sublime version of Herbie's "Maiden Voyage" – plus originals by Hutcherson that include "The Omen", "Aquarian Moon", "Rojo", and "Head Start". CD
(Part of the "Blue Note 80 – The 80 Works" series! Ultimate HQ CD pressing.)

Partial matches53
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Bobby HutchersonHighway One ... LP
Columbia, 1978. Near Mint- ... $5.99
A wicked post-Blue Note session from Bobby Hutcherson – one that's put together in a different way than his previous work, but still completely sublime throughout! The feel is almost to Hutcherson's earlier work what Woody Shaw's Columbia recordings were to his – tighter, with sharper production – yet still wonderfully soulful and with a strong sense of spirit. Key soloists include Freddie Hubbard on trumpet and Hubert Laws on flute – and the record also features George Cables on acoustic and electric piano, Cedar Walton on acoustic piano, and Eddie Marshall on drums. Includes the lovely "Sweet Rita Suite", plus "Circle", "Secrets Of Love", and "Bouquet". LP, Vinyl record album
(Includes the printed inner sleeve.)

Partial matches54
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Bobby HutchersonIn The Vanguard ... LP
Landmark, 1986. Near Mint- ... $4.99
A subtle gem from Bobby Hutcherson's wonderful years on Landmark Records – a point when he was really getting back to basics, and cutting some great straight work that almost hearkened back to his 60s gems on Blue Note! The set's recorded live at the Village Vanguard – and Bobby swings soulfully in a great quartet with Kenny Barron on piano, Buster Williams on bass, and Al Foster on drums. Hutcherson's playing both vibes and marimba – and the scope of his playing here has both grown from earlier years, awash with tones, colors, and light – which Barron and Williams are only happy to fill in more deeply. Titles include "I Wanna Stand Over There", "Little Niles", "Estate", "Well You Needn't", and "Young & Foolish". LP, Vinyl record album
Also available In The Vanguard ... LP 4.99

Partial matches55
CD, LP, Vinyl record album cover art
Bobby HutchersonIn The Vanguard ... LP
Landmark, 1986. New Copy ... $4.99
A subtle gem from Bobby Hutcherson's wonderful years on Landmark Records – a point when he was really getting back to basics, and cutting some great straight work that almost hearkened back to his 60s gems on Blue Note! The set's recorded live at the Village Vanguard – and Bobby swings soulfully in a great quartet with Kenny Barron on piano, Buster Williams on bass, and Al Foster on drums. Hutcherson's playing both vibes and marimba – and the scope of his playing here has both grown from earlier years, awash with tones, colors, and light – which Barron and Williams are only happy to fill in more deeply. Titles include "I Wanna Stand Over There", "Little Niles", "Estate", "Well You Needn't", and "Young & Foolish". LP, Vinyl record album
(Original pressing – in limited supply.)
Also available In The Vanguard ... LP 4.99

Partial matches56
CD, LP, Vinyl record album cover art
Bobby HutchersonIn The Vanguard (32 Jazz pressing with bonus track) ... CD
Landmark/32 Jazz, 1986. Used ... $16.99
A subtle gem from Bobby Hutcherson's wonderful years on Landmark Records – a point when he was really getting back to basics, and cutting some great straight work that almost hearkened back to his 60s gems on Blue Note! The set's recorded live at the Village Vanguard – and Bobby swings soulfully in a great quartet with Kenny Barron on piano, Buster Williams on bass, and Al Foster on drums. Hutcherson's playing both vibes and marimba – and the scope of his playing here has both grown from earlier years, awash with tones, colors, and light – which Barron and Williams are only happy to fill in more deeply. Titles include "I Wanna Stand Over There", "Little Niles", "Estate", "Well You Needn't", and "Young & Foolish". Includes CD only bonus track "Young & Foolish". CD
(Out of print.)

Partial matches57
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Bobby HutchersonLive At Montreux ... CD
Blue Note (Japan), 1973. New Copy ... $15.99
One of the most wonderful 70s albums from Bobby Hutcherson – and one of the most deeply spiritual, too! As with others in Blue Note's Montreux series, the tracks are long and very open – with a different flavor than the artists' studio work. Hutcherson works with a hip small group that includes excellent trumpet from Woody Shaw, piano from Hotep Cecil Bernard, bass from Ray Drummond, and drums from Larry Hancock – all snaking out beautifully on these long, spiritual tunes – very much shaped by Woody's presence. Titles include a great take on Shaw's classic track "The Moontrane", as well as "Song Of Songs". Hutcherson's own "Anton's Bail" rounds up the set, and the whole thing's a beautiful batch of soaring modal grooves, caught live before a very enthusiastic audience! CD
(Part of the Blue Note LA Revivals series!)

Partial matches58
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Bobby HutchersonLive At Montreux ... LP
Blue Note, 1974. Near Mint- ... Just Sold Out!
One of the most wonderful 70s albums from Bobby Hutcherson – and one of the most deeply spiritual, too! As with others in Blue Note's Montreux series, the tracks are long and very open – with a different flavor than the artists' studio work. Hutcherson works with a hip small group that includes excellent trumpet from Woody Shaw, piano from Hotep Cecil Bernard, bass from Ray Drummond, and drums from Larry Hancock – all snaking out beautifully on these long, spiritual tunes – very much shaped by Woody's presence. Titles include a great take on Shaw's classic track "The Moontrane", as well as "Song Of Songs". Hutcherson's own "Anton's Bail" rounds up the set, and the whole thing's a beautiful batch of soaring modal grooves, caught live before a very enthusiastic audience! LP, Vinyl record album
(Original pressing – a great copy! Cover has a very small cut corner.)
Also available Live At Montreux ... CD 15.99

Partial matches59
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Bobby HutchersonNatural Illusions ... CD
Blue Note (Japan), 1972. New Copy ... $16.99
Vibes and orchestrations – a combination that makes for one of the coolest Bobby Hutcherson albums of the 70s – a really magical set that expands the sound of Bobby's work in ways we wouldn't have expected! The style is similar to that used with Grant Green and Lou Donaldson at the time on Blue Note – a style that's clearly trying for the more sophisticated sounds of CTI, and which beautifully balances the modes of presentation – so that there's still plenty of soulful moments and slyly funky bits alongside the strings and woodwinds in the orchestrations – proof that a record like this can be really brilliant if scored properly! Some moments get a bit modern and dark – almost in a William S Fischer kind of way – and titles include the great track "Rain Every Thursday", which begins with an excellent break – plus "The Folks Who Live On The Hill", "Sophisticated Ladies", "When You're Near", "Shirl", and "Lush Life". CD
(Part of the "Blue Note 80 – More 60 Works" series!)

Partial matches60
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Bobby HutchersonSolo/Quartet ... LP
Contemporary, 1981. Near Mint- ... Just Sold Out!
Bobby Hutcherson breaks it down in two different ways – solo on the first half of the record, and in a quartet on the rest! The set begins in a very spare way – Bobby playing vibes, marimba, xylophone, and bells – often a bit overdubbed, so that although alone, Hutcherson fills the tracks with a rich palette of sound – glowingly rhythmic lines that ring out with plenty of soul, and showcase a really under-tapped side of Bobby's talents! Remaining tracks are equally great, but in a totally different way – played by a righteous lineup that includes McCoy Tyner on piano, Herbie Lewis on bass, and Billy Higgins on drums – really working together beautifully in ways that make the album feel like a lost 70s soul jazz set. Forget Hutcherson's slick look on the cover – because this album's drenched in open, honest, acoustic feeling – a rich tapestry of sound and emotion, on tracks that include "Gotcha", "The Ice Cream Man", "For You Mom & Dad", "Messina", "My Foolish Heart", and "La Alhambra". LP, Vinyl record album

Partial matches61
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Leroy HutsonCloser To The Source (with bonus tracks) ... CD
Curtom/Acid Jazz (UK), 1978. New Copy ... $16.99
One of the greatest albums ever by Chicago soul maestro Leroy Hutson – a masterpiece of soul, sophistication, and downright good vibes – all put together at a level that makes it one of our favorite albums of the 70s! The set was recorded hot on the heels of the massive Hutson and Hutson II albums – and is done in a very similar style – with Leroy pushing 70s mellow soul to new heights through his masterful vocals, arrangements, and production – completely his own man, and towering at a level that should have made him as huge as Marvin Gaye, Leon Ware, or Roy Ayers. The album's incredibly tight, but never slick – a brilliant statement of soul that's gentle one moment, forceful the next – and always proud and powerful. Titles include "Closer to The Source", "Heaven Right Here On Earth", "Get To This (You'll Get To Me)", "You're A Winner", "Everybody's A Masterpiece", and "Where Did Love Go". CD also features the bonus tracks – "Reality" and "Closer To The Source (single edit)". CD

Partial matches62
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Leroy HutsonFeel The Spirit ... LP
Curtom/Acid Jazz (UK), 1976. New Copy (reissue)... $14.99
Pure genius from the great Leroy Hutson – a set that's maybe got a funkier feel than some of his previous albums – and all of the completely charming vocals that we've always loved from Leroy over the years! There's plenty of messages in the grooves – and in a way, at this point in his career, Hutson may be doing more to carry the Curtom Records sound forward than the leader of the label himself – given that Curtis Mayfield was maybe starting to stumble slightly in the second half of the 70s. The funky numbers are all filled with complicated jazzy elements – showing a further development of Hutson's songwriting, with help on arrangements from Richard Evans – and titles include the fantastic "You Never Know What You Can Do", plus "Lover's Holiday", "Butterfat", ""Don't Let It Get Next To You", "Feel The Spirit", and "It's The Music". LP, Vinyl record album

Partial matches63
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Leroy HutsonHutson II ... LP
Curtom/Acid Jazz (UK), 1976. New Copy (reissue)... $14.99
One of our favorite soul albums ever – a complete masterpiece from the mighty Leroy Hutson, easily one of the greatest soul singers of the 70s! The album's got a warmth that's amazing, yet also still manages to groove all the way through – hitting a subtle, almost mellow vibe that's like Marvin Gaye or Roy Ayers at their best – but somehow even better because the album's a lot less familiar than their work, and has a freshness that grabs us again and again over the years! Hutson arranged and produced the whole set himself – and the scope of his talents in the studio is amazing – tight on the rhythms, but broadly expansive on the other instrumentation – with a mix of intimacy and class that few other records from the 70s could ever hope to match. Perfect all the way through, and filled with genius cuts that include "Don't It Make You Feel Good", "I Think I'm Falling In Love", "Love to Hold You Close", "Flying High", "I Do I Do Want To Make Love To You", "Blackberry Jam", and "Sofunkstication". LP, Vinyl record album
Also available Hutson II ... LP 44.99

Partial matches64
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Leroy HutsonHutson II ... LP
Curtom, 1976. Near Mint- ... $44.99
One of our favorite soul albums ever – a complete masterpiece from the mighty Leroy Hutson, easily one of the greatest soul singers of the 70s! The album's got a warmth that's amazing, yet also still manages to groove all the way through – hitting a subtle, almost mellow vibe that's like Marvin Gaye or Roy Ayers at their best – but somehow even better because the album's a lot less familiar than their work, and has a freshness that grabs us again and again over the years! Hutson arranged and produced the whole set himself – and the scope of his talents in the studio is amazing – tight on the rhythms, but broadly expansive on the other instrumentation – with a mix of intimacy and class that few other records from the 70s could ever hope to match. Perfect all the way through, and filled with genius cuts that include "Don't It Make You Feel Good", "I Think I'm Falling In Love", "Love to Hold You Close", "Flying High", "I Do I Do Want To Make Love To You", "Blackberry Jam", and "Sofunkstication". LP, Vinyl record album
(Original pressing. Cover has light wear and an in-store play promo sticker on front with some small stains.)
Also available Hutson II (with bonus tracks) ... CD 16.99

Partial matches65
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Leroy HutsonHutson II (with bonus tracks) ... CD
Curtom/Acid Jazz (UK), 1976. New Copy ... $16.99
One of our favorite soul albums ever – a complete masterpiece from the mighty Leroy Hutson, easily one of the greatest soul singers of the 70s! The album's got a warmth that's amazing, yet also still manages to groove all the way through – hitting a subtle, almost mellow vibe that's like Marvin Gaye or Roy Ayers at their best – but somehow even better because the album's a lot less familiar than their work, and has a freshness that grabs us again and again over the years! Hutson arranged and produced the whole set himself – and the scope of his talents in the studio is amazing – tight on the rhythms, but broadly expansive on the other instrumentation – with a mix of intimacy and class that few other records from the 70s could ever hope to match. Perfect all the way through, and filled with genius cuts that include "Don't It Make You Feel Good", "I Think I'm Falling In Love", "Love to Hold You Close", "Flying High", "I Do I Do Want To Make Love To You", "Blackberry Jam", and "Sofunkstication". CD features 2 bonus tracks – the previously unreleased "Positive Forces", plus "Blackberry Jam (single edit)". CD
Also available Hutson II ... LP 44.99

Partial matches66
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Leroy HutsonLeroy Hutson Anthology 1972 to 1984 ... CD
Curtom/Acid Jazz (UK), 1970s/Early 80s. New Copy ... $19.99
A massive tribute to one of our favorite soul singers of all time – one of the hippest cats of the 70s, and an artist that we never tire of hearing! Leroy Hutson got his start working with Chicago soul legends Donny Hathaway and Curtis Mayfield, but he quickly became a strong force on his own – a singer with an incredible voice, an arranger with a fantastic vision, and a producer who was able to create sounds in the studio that were as sophisticated as they were soulful! In that respect, Leroy is right up there with Roy Ayers for the "whole package" of greatness – and like Roy, he can also be funky and open up a groove, while still bringing plenty to play on a mellow cut too – something that few other artists can do this well. And although we grew up in Chicago, it wasn't until 80s UK rare groove interest in Hutson that we really learned of his genius – which makes it all the more fitting that this UK set does such a great job of presenting his music. The set features 19 stellar tracks in all – with titles that include "Positive Forces", "Lucky Fellow", "Don't It Make You Feel Good", "Love The Feeling", "Love Oh Love", "Think I'm Falling In Love", "Right Or Wrong", "Closer To The Source", "Cool Out", "All Because Of You (single version)", "Never Know What You Can Do", "Love The Feeling", "So In Love With You", "Lover's Holiday", "Get To This", and "Time Brings On A Change". CD

Partial matches67
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Leroy HutsonLove Oh Love (with bonus tracks) ... CD
Curtom/Acid Jazz (UK), 1973. New Copy ... $16.99
Killer early soul by Leroy Hutson – and a record that really shows him opening up as a vocalist and songwriter! Leroy's got a sound here that's pivotal in terms of Chicago soul – still some of the down-to-earth vibes of the city's indie scene in the 60s, but with that growing sense of maturity that he, Curtis Mayfield, Donny Hathaway, Maurice White, and Charles Stepney were all bringing to the scene! The tunes are mostly short and focused – still not in the complexity of the Hutson and Hutson II albums, but handled with every bit of care and class by the man himself. Titles include the wonderful soul classic "So In Love With You", a sweet mellow ballad that's extremely catchy, plus the moog-based funky instrumental "Gettin It On", a totally great number that often gets overlooked – and the cuts "Love Oh Love", "As Long As There's Love Around", and "Time Brings On A Change". CD features bonus tracks – mono single versions of "Love Oh Love", "When You Smile", and "So In Love With You". CD

Partial matches68
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Leroy HutsonUnforgettable ... LP
Curtom/Acid Jazz (UK), 1979. New Copy ... $14.99
A great little set from Leroy Hutson – proof that he was still going strong through all his years at Curtom! The vibe here is a bit different than his first few records, and you might be suspicious with Leroy wearing a disco shirt on the front – but the sound is wonderful, and only shows Hutson blossoming into a more sophisticated singer, songwriter, and producer – one with a great ear for the careful balance needed for the modern soul generation! The shift is a bit like Roy Ayers on his late 70s work for Polydor – and Hutson is definitely on a par with Ayers in our book – we'd always put the two side by side for the strength of their work in the 70s. Seminal tracks include "So Nice" and "Right or Wrong" – both of which are amongst some of his best work ever – and other tracks include "Unforgettable", "Funk In My Life", and "Lonely Without You". LP, Vinyl record album
Also available Unforgettable (with bonus tracks) ... CD 16.99

Partial matches69
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Leroy HutsonUnforgettable (with bonus tracks) ... CD
Curtom/Acid Jazz (UK), 1979. New Copy ... $16.99
A great little set from Leroy Hutson – proof that he was still going strong through all his years at Curtom! The vibe here is a bit different than his first few records, and you might be suspicious with Leroy wearing a disco shirt on the front – but the sound is wonderful, and only shows Hutson blossoming into a more sophisticated singer, songwriter, and producer – one with a great ear for the careful balance needed for the modern soul generation! The shift is a bit like Roy Ayers on his late 70s work for Polydor – and Hutson is definitely on a par with Ayers in our book – we'd always put the two side by side for the strength of their work in the 70s. Seminal tracks include "So Nice" and "Right or Wrong" – both of which are amongst some of his best work ever – and other tracks include "Unforgettable", "Funk In My Life", and "Lonely Without You". CD features bonus tracks – "Now That I Found You", "Love You Down", and "So Nice (unreleased extended version)". CD
Also available Unforgettable ... LP 14.99

Partial matches70
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Bobby HuttonCan't Get Enough Of Your Love/Lend A Hand (2019 Japan Record Day release) ... 7-inch
ABC/Universal (Japan), Early 70s. New Copy (pic cover, reissue)... $22.99
Two great tracks from the rare Bobby Hutton album on ABC – pressed up here as a special Japanese 45! "Can't Get Enough" has this warm glow that really lets Bobby's unique vocals flow – an obscure Terry Callier composition that really fits Hutton's approach! "Lend A Hand" is more upbeat – and has this positive, soaring vibe that's mighty nice – righteous 70s soul, underscored with funk and strings! 7-inch, Vinyl record

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Woody Shaw with Bobby HutchersonMaster Of The Art ... LP
Elektra, 1982. Near Mint- ... $9.99
A brilliant date from the later years of Woody Shaw – an album that equally shows Woody's own talents, and those of his key group of younger players too! Shaw's trumpet is perfect in both modes here – the hard-blown righteous numbers Woody first gave the world from his start, and the warmer, more sensitive ballads he was crafting a bit later in his career – never too smooth or mellow, but showing a nice link to tradition in his tone. All tracks are longish, and the group features Steve Turre on trombone, Mulgrew Miller on piano, Stafford James on bass, and Tony Reedus on drums – all familiar players to Shaw, working tightly together on the date. As an added bonus, Bobby Hutcherson joins the group for most of the set – ringing out a strongly soulful tone on his vibes, on titles that include "Misterioso", "400 Years Ago Tomorrow", "Diane", and "Sweet Love Of Mine". The album also features a bonus interview track with Woody too! LP, Vinyl record album
(Cover has light wear and a promo stamp.)

Partial matches72
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✨✧ Bobby HutchersonBobby Hutcherson – Mosaic Select (Cirrus/Inner Glow/Waiting/View From The Inside/Knucklebean) ... CD
Blue Note/Mosaic, Mid 70s. Used 3CDs ... Temporarily Out Of Stock
An incredible collection of work from vibist Bobby Hutcherson – some of his most righteous recordings ever, spread out over the span of 5 albums recorded for Blue Note in the mid 70s – one of which was only ever issued in Japan! The work here has Bobby taking off nicely from his years with Harold Land – and although the set includes two albums with Land, the excellent Cirrus from 1974, and the Japanese-only Inner Glow, the remaining albums feature a range of different players – including Manny Boyd on soprano and tenor sax, George Cables on piano, Larry Nash on electric Piano, Hadley Caliman on reeds, and Freddie Hubbard on trumpet. As with the better-known recordings with Land, the style here is flowing and open – an approach that starts in modal rhythms, and which moves into some of the more soaring, spacious modes shared by Bobby's contemporaries on the indie soul jazz scene – especially artists on labels like Black Jazz and Strata East. The albums here are all amazing – never too slick, and beautifully balanced, with a sense of focus that still makes Hutcherson one of the greatest vibists working at this point in his career. 3CD set features the albums Cirrus, Inner Glow, Waiting, The View From The Inside, and Knucklebean – featuring a whopping 30 tracks in all! CD
(Out of print.)

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✨✧ Bobby HutchersonComponents ... CD
Blue Note (Japan), 1965. New Copy ... Temporarily Out Of Stock
An essential Blue Note album by the great vibist Bobby Hutcherson, and a record that's split into 2 different sides, each of which display different aspects of Hutcherson's talents. The first four tracks are mellow and lyrical, with the kind of lovely melodic writing that is best illustrated by the cut "Little B's Poem" – included here, and still one of Hutcherson's most enduring works. The next four tracks show Hutcherson more as the accomplished modernist, working with edgey talents like James Spaulding on alto and flute, Freddie Hubbard on trumpet, Herbie Hancock on piano, Ron Carter on bass, and the great Joe Chambers on drums – who also wrote all 4 of the tracks in this segment. The work is a key example of Hutcherson's devotion to the Blue Note "new thing" sound, and titles include "Air", "Juba Dance", and "Pastoral". CD
(Part of the "Blue Note 80 – The 80 Works" series! Ultimate HQ CD pressing.)

Partial matches74
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✨✧ Bobby HutchersonLive At Montreux ... CD
Blue Note, 1974. Used ... Temporarily Out Of Stock
One of the most wonderful 70s albums from Bobby Hutcherson – and one of the most deeply spiritual, too! As with others in Blue Note's Montreux series, the tracks are long and very open – with a different flavor than the artists' studio work. Hutcherson works with a hip small group that includes excellent trumpet from Woody Shaw, piano from Hotep Cecil Bernard, bass from Ray Drummond, and drums from Larry Hancock – all snaking out beautifully on these long, spiritual tunes – very much shaped by Woody's presence. Titles include a great take on Shaw's classic track "The Moontrane", as well as "Song Of Songs". Hutcherson's own "Anton's Bail" rounds up the set, and the whole thing's a beautiful batch of soaring modal grooves, caught live before a very enthusiastic audience! CD
(1994 first US CD pressing.)

Partial matches75
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✨✧ Bobby HutchersonMedina ... LP
Blue Note, 1969/1980. Sealed ... Temporarily Out Of Stock
A lost set of work from the team of Bobby Hutcherson and Harold Land – recorded right around the same time as their famous San Francisco album! The album's overflowing with the soulful, righteous tones the pair could create together – sublime vibes from Hutcherson, both tenor and flute from Land – and a top-shelf supporting cast that includes Stanley Cowell on piano, Reggie Johnson on bass, and Joe Chambers on drums! Like others of this nature, Blue Note never issued the material at the time – but wisely released it as an album at the start of the 80s – a great contribution to Hutcherson's catalog for the label – of which we can never get enough! Titles include "Ungano", "Avis", "Comes Spring", and "Orientale". LP, Vinyl record album
(Original 80s pressing. Cover has a cutout hole.)

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✨✧ Bobby HutchersonNatural Illusions (Applause pressing) ... LP
Blue Note, 1972. Sealed ... Temporarily Out Of Stock
Vibes and orchestrations – a combination that makes for one of the coolest Bobby Hutcherson albums of the 70s – a really magical set that expands the sound of Bobby's work in ways we wouldn't have expected! The style is similar to that used with Grant Green and Lou Donaldson at the time on Blue Note – a style that's clearly trying for the more sophisticated sounds of CTI, and which beautifully balances the modes of presentation – so that there's still plenty of soulful moments and slyly funky bits alongside the strings and woodwinds in the orchestrations – proof that a record like this can be really brilliant if scored properly! Some moments get a bit modern and dark – almost in a William S Fischer kind of way – and titles include the great track "Rain Every Thursday", which begins with an excellent break – plus "The Folks Who Live On The Hill", "Sophisticated Ladies", "When You're Near", "Shirl", and "Lush Life". LP, Vinyl record album

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✨✧ Bobby Hutcherson/Carmen McRae/Earl KlughBlue Note Meets The LA Philharmonic ... LP
Blue Note, 1977. Near Mint- Gatefold ... Temporarily Out Of Stock
An oft-overlooked gem from 70s Blue Note – and a great little record that's especially nice for the Bobby Hutcherson material! As you'd guess from the title, there's a larger orchestra working with the artists here – and in Hutcherson's case, this creates the same sort of soulful, sophisticated feel as his excellent Conception The Gift Of Love album – vibes mixed with strings, underscored by hip rhythms, and coming off as a wonderful extension of Bobby's earlier 70s work. His group features Manny Boyd on tenor and soprano, and George Cables on piano – and arrangements are by Dale Oehler, on tracks that include "Now", "Slow Change", and "Hello To The Wind" – all numbers co-penned with Eugene McDaniels, but done here as instrumentals. Carmen McRae sounds great in the setting too – similar to her other excellent Blue Note sides of the mid 70s – with Bill Holman arrangements on tunes that include "With One More Look At You", "Star Eyes", "The Man I Love", and "Sunday". Earl Klugh rounds things out with his own sweet guitar, plus keyboards from Onaje Allen Gumbs – set to Dick Hazard arrangements of "Angelina", "The Shadow Of Your Smile", and "Cabo Frio". LP, Vinyl record album
(Cover has a cut corner.)

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✨✧ Leroy HutsonFeel The Spirit ... LP
Curtom, 1976. Near Mint- ... Temporarily Out Of Stock
Pure genius from the great Leroy Hutson – a set that's maybe got a funkier feel than some of his previous albums – and all of the completely charming vocals that we've always loved from Leroy over the years! There's plenty of messages in the grooves – and in a way, at this point in his career, Hutson may be doing more to carry the Curtom Records sound forward than the leader of the label himself – given that Curtis Mayfield was maybe starting to stumble slightly in the second half of the 70s. The funky numbers are all filled with complicated jazzy elements – showing a further development of Hutson's songwriting, with help on arrangements from Richard Evans – and titles include the fantastic "You Never Know What You Can Do", plus "Lover's Holiday", "Butterfat", ""Don't Let It Get Next To You", "Feel The Spirit", and "It's The Music". LP, Vinyl record album
(Original pressing. Cover has a Sound Purchase sticker.)
Also available Feel The Spirit ... LP 14.99

Partial matches79
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✨✧ Joshua RedmanCome What May ... CD
Nonesuch, 2019. Used ... Temporarily Out Of Stock
Really great work from tenorist Joshua Redman – an artist that many have been following for decades – but who, to us, really seems to be hitting a new level of genius in recent years! There's this understated confidence going on here – as if Redman no longer has anything to prove, and can just open up beautifully on the tenor – never breaking down too many barriers in jazz, but always blowing with this distinct sound that's very much his own – and which brings an edge to his well-written compositions on the record, which have a beautiful balance of color and rhythm. Pianist Aaron Goldberg is also fantastic – a very rhythmic player, but one who also leaves a lot of space between the notes – in ways that create this glow, or maybe a sense of waves of sound from his instrument – gently rocking the performance in this strong, yet subtle way. The rest of the quartet features Reuben Rogers on bass, and Gregory Hutchinson on drums that are bold, but never overdone – and the set of all-original material includes "How We Do", "DGAF", "Stagger Beer", "Vast", "Circle Of Life", and "Come What May". CD

Partial matches80
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✨✧ Bobby HutchersonSolo/Quartet ... CD
Contemporary/OJC, 1981. Used ... Out Of Stock
Bobby Hutcherson breaks it down in two different ways – solo on the first half of the record, and in a quartet on the rest! The set begins in a very spare way – Bobby playing vibes, marimba, xylophone, and bells – often a bit overdubbed, so that although alone, Hutcherson fills the tracks with a rich palette of sound – glowingly rhythmic lines that ring out with plenty of soul, and showcase a really under-tapped side of Bobby's talents! Remaining tracks are equally great, but in a totally different way – played by a righteous lineup that includes McCoy Tyner on piano, Herbie Lewis on bass, and Billy Higgins on drums – really working together beautifully in ways that make the album feel like a lost 70s soul jazz set. Forget Hutcherson's slick look on the cover – because this album's drenched in open, honest, acoustic feeling – a rich tapestry of sound and emotion, on tracks that include "Gotcha", "The Ice Cream Man", "For You Mom & Dad", "Messina", "My Foolish Heart", and "La Alhambra". CD
(Out of print.)

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✨✧ Bobby HutchersonTotal Eclipse ... CD
Blue Note (Japan), 1968. New Copy ... Out Of Stock
A brilliant collaboration between vibist Bobby Hutcherson and reedman Harold Land – the first Blue Note album to feature the talents of the pair together, and a stone classic from the very first note! Hutcherson had already been making big waves for the label with his earlier sides – some avant, some soulful, all great – but adding Land's magical tenor and flute to the mix really opens his sound up a lot, and unlocks a lyrical quality in Bobby's music that really points the way to his flourishing years in the 70s! Yet all is not totally sweet – as both Land and Hutcherson maintain an edginess on the record that makes it more of a progression from the "new thing" years than a break – and pianist Chick Corea is on hand, moving through a very similar path in his own music too. Other players include Reggie Johnson on bass and Joe Chambers on drums – and the tracks are nice and long, with that free-wheeling soulful sound that Land seemed to nicely bring to Hutcherson's playing. Titles include "Herzog", "Same Shame", "Maxtrix", "Total Eclipse", and "Pompeian". CD
(Part of the "Blue Note 80 – More 60 Works" series!)

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✨✧ Joshua RedmanCome What May ... LP
Nonesuch, 2019. New Copy ... Out Of Stock
Really great work from tenorist Joshua Redman – an artist that many have been following for decades – but who, to us, really seems to be hitting a new level of genius in recent years! There's this understated confidence going on here – as if Redman no longer has anything to prove, and can just open up beautifully on the tenor – never breaking down too many barriers in jazz, but always blowing with this distinct sound that's very much his own – and which brings an edge to his well-written compositions on the record, which have a beautiful balance of color and rhythm. Pianist Aaron Goldberg is also fantastic – a very rhythmic player, but one who also leaves a lot of space between the notes – in ways that create this glow, or maybe a sense of waves of sound from his instrument – gently rocking the performance in this strong, yet subtle way. The rest of the quartet features Reuben Rogers on bass, and Gregory Hutchinson on drums that are bold, but never overdone – and the set of all-original material includes "How We Do", "DGAF", "Stagger Beer", "Vast", "Circle Of Life", and "Come What May". LP, Vinyl record album

Partial matches83
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✨✧ Fairport ConventionWhat We Did On Our Holidays (with bonus tracks) ... CD
Island (UK), 1969. New Copy ... Out Of Stock
A pivotal album from Fairport Convention – hardly the "holiday" you might expect from the title, and instead a set that has the group really reaching out for some new ideas and styles in their music! Sandy Denny is firmly in place here – taking the lead on most numbers – but Ian Matthews is also still in the group, bringing in that bit of west coast style that we loved from the first record – and which keeps the overall feel here more 60s than ancient, especially given the upped electrics on a few numbers. Ashley Hutchings' bass is brilliant – almost more this subtle, sonic force at the bottom than an instrument on its own – yet also still away from the more modal elements to come on the next few records. And although there's less traditional tunes on here than later, the group themselves are already becoming timeless – and unlike anything that had ever come before. Titles include "Fotheringay", "Mr Lacey", "Book Song", "I'll Keep It With Mine", "End Of A Holiday", "She Moves Through The Fair", and "Eastern Rain". CD features great bonus tracks – "Throwaway Street Puzzle", "You're Gonna Need My Help", and "Some Sweet Day". CD

Partial matches84
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✨✧ Bobby HutchersonDialogue (non-RVG remaster edition) ... CD
Blue Note, 1965. Used ... Out Of Stock
One of Bobby Hutcherson's most important albums ever – and an essential piece of "new thing" jazz that ranks up there with such key Blue note sessions of the genre as Tony Williams' album Life Time, Dolphy's Out To Lunch, and Jackie McLean's One Step Beyond! Hutcherson's sound on the vibes is amazing – metallic, yet melodic – in a sublime blend of the modern and the soulful, all wrapped up in tones and colors that few other players have ever managed to get from the instrument! All the other players on the session really rise to the occasion too – and the album features tremendous work from Sam Rivers, Freddie Hubbard, Andrew Hill, and Joe Chambers. Titles include "Ghetto Lights", "Catta", and "Idle While". CD also features the bonus track "Jasper" – not on the original LP! CD

Partial matches85
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✨✧ Bobby HutchersonIn The Vanguard (with bonus track) ... CD
Landmark, 1986. Used ... Out Of Stock
A subtle gem from Bobby Hutcherson's wonderful years on Landmark Records – a point when he was really getting back to basics, and cutting some great straight work that almost hearkened back to his 60s gems on Blue Note! The set's recorded live at the Village Vanguard – and Bobby swings soulfully in a great quartet with Kenny Barron on piano, Buster Williams on bass, and Al Foster on drums. Hutcherson's playing both vibes and marimba – and the scope of his playing here has both grown from earlier years, awash with tones, colors, and light – which Barron and Williams are only happy to fill in more deeply. Titles include "I Wanna Stand Over There", "Little Niles", "Estate", "Well You Needn't", and "Young & Foolish". Includes CD only bonus track "Young & Foolish". CD
(Out of print.)

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✨✧ Bobby HutchersonWaiting ... LP
Blue Note, 1976. Near Mint- ... Out Of Stock
Soaring, spiritual jazz from Bobby Hutcherson – one of his soulful, modal killers for Blue Note in the 70s – and a record that's done in a style that's very similar to Bobby's work with Harold Land! This time around, Emanuel Boyd is on deck on tenor, flute, and soprano sax – blowing with a wonderfully warm sound that fits the mood of Hutcherson's vibes perfectly – lots of sharp changes and edges, yet never too many to get in the way of the overall groove. Other players include the mighty George Cables on piano, Eddie Marshall on drums, and Kenneth Nash on percussion – adding in a little extra to underscore the spiritual elements of the tunes. All tracks are great – and titles include "Prime Thought", "Roses Poses", "Waiting", "Don't Be Afraid", and "Hangin' Out". LP, Vinyl record album

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Jason AdasiewiczFrom The Region ... LP
Delmark, 2014. Near Mint- ... Just Sold Out!
Amazing work from one of the greatest jazz musicians working today – vibist Jason Adasiewicz, a player with a sound that's unlike anyone else we can think of! It's been years since we've been this excited about anyone on the vibes – and Adasiewicz not only returns the instrument to the prominence in avant jazz that it had during Bobby Hutcherson's "new thing" years, but also pushes the instrument forward in this incredible flurry of tones, sounds, and timings! And while these qualities have always been showcased in all of his albums as a leader – and his great dates with other players too – they really come to the forefront in this sublime trio session – a date that only features Jason on vibes, Mike Reed on drums, and Ingebrigt Haker Flaten on bass. The trio are incredible throughout – and the record's a modern jazz treasure that you could easily stack next to your most forward-thinking classics on ESP, MPS, or even Blue Note in the mid 60s. Titles include "Two Comes One", "Mae Flowers", "Classic Route", "Leeza", and "I Forgot The Words". LP, Vinyl record album

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✨✧ Marek Alaszewski/Klanlaszewski/KlanChmura Nad Miastem – 1972 to 1994 Lost & Found Recordings ... CD
GAD (Poland), 1970s/1980s/Early 90s. Used ... $8.99
A string of obscure work from Polish singer/songwriter Marek Alaszewski – best known for his contributions to the legendary hard rock group Klan – but heard here in a variety of different settings! Some of the music here feels like Klan, but other tracks are maybe more personal too – still with some hard rock elements in the mix, but maybe more towards the ballad style – although with styles that change a bit over the scope of the many years in the set – and as with other titles on the Gad label, there's notes in both English and Polish – which really helps you get a handle on the interesting and obscure music. Titles include "Chmura Nad Miastem", "Tryptk", "Should Be", "Shut Up", "Ostatnie Przeswity Pamiecei", and "Kawiarz". CD
Also available Chmura Nad Miastem – 1972 to 1994 Lost & Found Recordings ... CD 9.99

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Marek Alaszewski/Klanlaszewski/KlanChmura Nad Miastem – 1972 to 1994 Lost & Found Recordings ... CD
GAD (Poland), 1970s/1980s/Early 90s. New Copy ... $9.99
A string of obscure work from Polish singer/songwriter Marek Alaszewski – best known for his contributions to the legendary hard rock group Klan – but heard here in a variety of different settings! Some of the music here feels like Klan, but other tracks are maybe more personal too – still with some hard rock elements in the mix, but maybe more towards the ballad style – although with styles that change a bit over the scope of the many years in the set – and as with other titles on the Gad label, there's notes in both English and Polish – which really helps you get a handle on the interesting and obscure music. Titles include "Chmura Nad Miastem", "Tryptk", "Should Be", "Shut Up", "Ostatnie Przeswity Pamiecei", and "Kawiarz". CD
Also available Chmura Nad Miastem – 1972 to 1994 Lost & Found Recordings ... CD 8.99

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Tyrone Ashley's Funky Music MachineLet Me Be Your Man ... LP
Truth & Soul, Late 60s/Early 70s. Very Good+ ... $9.99
Lost funky soul from Jersey – incredible workby Tyrone Ashley & The Funky Music Machine – a rare batch of gritty harmony soul and some mighty funky numbers! Tyrone, aka Sonny Campbell, and the Machines were contemporaries of the Parliaments and future P-Funkers George Clinton and Bernie Worrell in 1960s Plainfield, NJ – and they just missed some opportunities to make it in the national landscape. They ended up working with the Phil LA Of Soul label out of Philly in the late 60s, which resulted in one great single and an LP that was never released. The deep funky soul diggers at Truth & Soul have put together some of the Phil LA Of Soul tracks plus previously unreleased material cut at Ashley's own Record Hut studio during this period – great stuff that rolls from the grittiest of harmony group soul, with soaring lead vocals – to some straight killer funk tunes! Incredible stuff! Tracks include "Come On Home", "Just A Little While Longer", "I Can't Help Myself", "For Your Love", "Let Me Be Your Man" (inst), "Sing A Song Sister", "Can't Stay Away", "Love Sweet Love", "Gotta Clean Up The World" (Pt 1 & Pt 2), "I Want My Baby Back" (inst) and "Does Frankie Ever Call My Name. LP, Vinyl record album

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✨✧ Bar-KaysDefinitive Collection (3CD set) ... CD
Robinsongs (UK), Late 60s/1970s/1980s. New Copy 3CD ... $19.99
The only career-spanning collection we've ever seen on The Bar-Kays – and a set that does a mighty nice job of hitting all the right bases! The group first rose to fame as a funk combo on Stax in the late 60s – then shifted a bit after part of the group was killed in the same plane crash that took the life of Otis Redding – a tragedy that soon saw the group rising from the ashes, and sounding even better than before! Their sound was a huge part of the Stax Records funk sound of the early 70s – and the group took that groove over to Mercury once the decade got going – where they found a very welcome home, and the perfect environment to perfect their ultra-sharp talents. Unlike some groups who started out funky, then went smooth and commercial, The Bar-Kays never lost the qualities that made them great – and even when recording for a bigger label, with a bigger budget, they continued to turn out rock-solid rhythms laced with super-tight instrumentation – even at times when some groups were letting more machines do all the work for them. This 3CD set follows The Bar-Kays on that long musical journey, complete with a big booklet of notes that tell their full story – and the package features 46 tracks in all – including "Shine", "Up In Here", "I'll Dance", "She Talks To Me With Her Body", "Soul Finger", "Bar-Kays Boogaloo", "Sang & Dance", "Son Of Shaft", "Spellbound", "Cozy", "Freaky Behavior", "Traffic Jammer", "Nightcruising", "Animal", "Stuck By You", "Banging On The Walls", "Don't Stop Dancing To The Music", "Six O'Clock News Report", "Money Talks", "Holy Ghost", "Shake Your Rump To The Funk", "Cozy", "Whitehouseorgy", "Shut The Funk Up", and "Today Is The Day". CD

Partial matches92
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Chuck BernardGot To Get A Hold Of Myself/Everybody's Got Their Own Thing ... 7-inch
Zodiac, Early 70s. Very Good ... $14.99
A very deep, very hard soul single! Big strings grace the dope groove of the intro, and give the whole thing sort of a Blacksploitation feel, then Chuck Bernard kicks in with soulful vocals, on a nice Chicago thing that's got sort of an early Leroy Hutson feel. 7-inch, Vinyl record

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Big BoiSir Lucious Left Foot – The Son Of Chico Dusty (CD/DVD deluxe edition) ... CD
Def Jam, 2010. Used CD&DVD ... $1.99
A solo set from once and hopefully future half of Outkast Big Boi – and he delivers big here for Def Jam – classic Outkast level excellence from Sir Lucious Leftfoot! Production by Organized Noize, Scott Storch, J Beattzz, DJ Cutmasta Swiff and others, many songs with co-production credit to Big Boi, and we would take that seriously. The way his deft, charismatic rhymes meld with spacey thumping funk beatcraft doesn't feel like a batch of commissioned productions, but a unique, flowing tapestry that's got Big Boi written all over it. Fantastic and heartening to us to see a hip hop veteran and longtime favorite delivering this sharply and adventurously after all these years. Includes "Daddy Fat Sax", "Turns Me On" with Sleepy Brown & Joi, the instant classic single "Shutterbugg" feat Cutty, "General Patton", "Tangerine" feat TI & Khujo Goodie, "Hustle Blood" feat Jamie Foxx, "Be Still" with Janelle Monae, "Fo Yo Sorrows" feat George Clinton , Too Short & Sam Chris, "Shine Blockas" feat Gucci Mane, "Back Up Plan" and more. 17 tracks on the deluxe edition CD, which also includes a bonus DVD featuring 5 videos! CD
(There is no indication, but we are assuming the DVD is NTSC format, Region 1.)

Partial matches94
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David BowieMercury Demos (with art print & contact sheets) ... LP
Parlophone, 1969. New Copy ... $62.99 69.99
A completely cool little package – one that offers up the first-ever release of ten tracks that David Bowie recorded in his apartment to give as demos to Mercury Records – material done right before his "Space Oddity" fame, with help from John Hutch Hutchinson on guitar! The set comes as a replica of a large reel-to-reel tape box – complete with fabric on the edge and interior, along with other inserts inside – all of which make you feel like you're getting a special package right from the man himself – as some early statement of his genius from a time when he was far more obscure. Some of the cuts here are very early takes on classics, a few more unusual originals, and even a few covers – titles that include "Life Is A Circus", "When I'm Five", "Love Song", "Lover To The Dawn", "I'm Not Quite", "Occasional Dream", "Janine", "Conversation Piece", "Ching A Ling", and an early take on "Space Oddity". LP, Vinyl record album
(LP comes in a replica reel-to-reel tape box with print, 2 contact sheets, and notes by Mark Adams.)

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David BowieSpying Through A Keyhole – Demos & Unreleased Songs (4 x 7 inch box set) ... 7-inch
Parlophone, Late 60s. New Copy 4 x 7 inch set ... $31.99 34.98
A fantastic treasure for David Bowie fans – the first-ever vinyl appearance of some really wonderful material recorded right at a time when he was really finding his voice! A few cuts here are demos that offer very different versions of the better-known tracks, and other tunes are completely new discoveries all together – and, as with just about any other "bonus" Bowie rarities, the quality level is amazing – material that shows just how much genius he always brought to the game, as these are cuts that would have been classics from just about any other artist. Titles include "Mother Grey (demo)", "In The Heat Of The Morning (demo)", "Goodbye 3D Joe (demo)", "Love All Around (demo)", "London Bye Ta Ta (demo)", "Angel Angel Grubby Face (demo 1)", "Angel Angel Grubby Face (demo 2)", "Space Oddity (demo excerpt)", and "Space Oddity (demo w/Hutch)". 7-inch, Vinyl record

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Dee Dee BridgewaterLittle B's Poem/People Make The World Go Round ... 7-inch
Trio (Japan), 1974. New Copy (pic cover, reissue)... $24.99
A unique Japanese-only single – one that features two of the best tracks from the legendary Afro Blue album by Dee Dee Bridgewater! First up is her take on the Bobby Hutcherson classic "Little B's Poem" – a completely wonderful vocal version that, to us, even blows away the well-known take on the tune by Doug and Jean Carn! The flipside features this great vocal jazz remake of the Stylistics hit "People Make The World Go Round" – served up with lots of spirit at the core, in a way that really changes things up! 7-inch, Vinyl record
(Part of the Deep Jazz Reality series!)

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Johnny BristolModern Soul Classics 1974 to 1981 ... CD
Playback, Late 70s/Early 80s. Used ... $11.99
Johnny Bristol first got his start at Motown – where both his songwriting skills and studio talents graced an excellent range of singles and album tracks in the late 60s – but as the 70s moved in, Bristol really became a strong singer on his own – with a fantastic sound that we'd rank right up there with the best of the period, even though Johnny never fully got his due! In a way, Bristol was a bit like Lamont Dozier – another background talent who turned out an equally fine range of records as a solo star – and like Dozier, Johnny always remained his own man throughout his solo years – never giving into easy commercial tricks, or overdone disco cliches. Instead, the man was pure class, all the way through – with an especially strong ability to hit a mellow soul groove that's maybe rivaled only by Leroy Hutson or a rare few others. This package collects together all the best of those solo cuts, most of them sweet midtempo steppers or warm mellow numbers – with titles that include "Lusty Lady", "Go On & Dream", "Memories Don't Leave Like People Do", "Have Yourself A Good Time", "She's So Amazing", "I'm Waiting On Love", "Strangers In The Dark Corners", "Love No Longer Has A Hold On Me", "Take Me Down", "Till I See You Again", "I'm So Proud Of You", "Hold ON To Love", "Do It To My Mind", and "Woman Woman". CD

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✨✧ BrownoutFear Of A Brown Planet ... LP
Fat Beats, 2018. New Copy ... $15.99 17.98
The Brownout magic turns towards the world of Public Enemy this time around – in a sweet little record that serves up Latin funk instrumentals of PE classics! The music is hardly hip hop – apart from a few turntable scratches and vocal samples – and instead, the groove is deep deep funk, with plenty of Latin elements thrown into the mix – served up with a super-tight blast of horns, lots of riffing guitar, and plenty of heavy percussion! Titles include instrumental remakes of "911 Is A Joke", "Prophets Of Rage", "Fight The Power", "Louder Than A Bomb", "Shut Em Down", "Don't Believe The Hype", and "Welcome To The Terrordome". LP, Vinyl record album

Partial matches99
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✨✧ Gary BurtonTime Machine ... LP
RCA, 1966. Sealed ... $18.99
Beautiful sounds from Gary Burton – a seminal 60s session that really has the vibist coming into his own, and finding that new path towards musical expression that would flower even more strongly in the 70s! The album has Burton really strengthening up his sense of chrome – matching the boldness of other important 60s vibes players on the rise – like Karel Velebny or Bobby Hutcherson – but also working this really special magic in the way he lets each note resonate in the air – often with a much longer decay on the sound than the actual moment of its creation! Burton also plays a bit of piano on the record, overdubbed with his vibes – but in a way that's quite different than the vibes/piano combo of earlier acts – like the MJQ, or George Shearing Quintet – thanks to work from Steve Swallow on bass and Larry Bunker on percussion. Tracks include "Six Nix Quix Flix", "The Sunset Bell", "Deluge", "Chega De Saudade", and "Falling Grace". LP, Vinyl record album
(Sealed 70s pressing.)

Partial matches100
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Busta RhymesGenesis ... CD
J Records, 2001. Used ... $1.99
Now that he's seemingly over the apocalypse thing, Busta sounds completely re-energized on Genesis, and even if it's about a half hour longer than it needs to be, some of Busta's dopest work ever can be found here. Hell, even Diddy can't ruin the mega-bouncing "Pass The Courvoisier"! The Tracks include "Everybody Rise Again", "As I Come Back", "Shut Em Down 2002", "Match The Name With The Voice" featuring Flipmode Squad, "Holla", "Betta Stay Up In Your House" featuring Rah Digga, "We Got What You Want", "Truck Volume", "Break Ya Neck", "Bounce (Let Me See Ya Throw It)", "Genesis", "Wife In Law" featuring Jaheim, "A** On Your Shoulders" featuring Kokane, "Make It Hurt", "What It Is" featuring Kelis, "There's Only One" featuring Mary J. Blige, "You Ain't F***in Wit Me", and "Bad Dreams". CD
(Out of print. Case has a cutout hole.)
 
 
 



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