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Trouble Man (original gatefold pressing)

LP (Item 9494) Tamla, 1972 — Condition: Very Good
Gatefold
$14.99 ...

LP

(€13.27 || £11.44 || ¥1510) (approx.)

Marvin Marvin Marvin – just when we thought you couldn't impress us any more, you took it to the next level! Trouble Man is a heck of a wonderful surprise from an artist that most folks really only knew as a singer – a fantastically funky blacksploitation soundtrack, conceived and composed by Marvin himself – and served up with some occasional vocals that work beautifully with the album's cool instrumental grooves! The set's easily one of Gaye's most righteous records ever – almost a second chapter to What's Going On, but more instrumental – and like that classic set, it really shows the whole new range of vision that Marvin was able to work in the studio. Gaye gets a bit of arranging help on some tracks from Gene Page and JJ Johnson – and the album's filled with great cuts – including the landmark "T Plays It Cool", plus other gems like "Don't Mess With Mister T", "Main Theme From Trouble Man", "The Break In", and "T Stands For Trouble". Very funky, very sophisticated, and very soulful! (Original pressing in the gatefold cover.)  © 1996-2016, Dusty Groove, Inc.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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