A sound library tune that really lives up to its title – a De Wolfe library gem that pays tribute to Motown Records, but with a slightly different vibe too! Basil Kirchin's better known for offbeat and moody music – yet here, the tune is certainly a romping groove – but with some unusual fuzz guitar, and even a bit of harmonica used to evoke Little Stevie Wonder! The flipside is another De Wolfe track, but from a few years later – done in this bad-stepping 70s funk mode that feels like it's lifted right off some action soundtrack – cool vibes and fuzz guitar over a groove that also has a bit of conga at the bottom! 7-inch, Vinyl record

20 great tracks pulled from the Motown catalog – specially selected to include some harder to find numbers that were hits issued as singles, but which haven't been properly reissued, and other tracks that have had huge interest in the soul underground scene, especially in the UK! The package is a great look at the lesser-known side of Motown – and tracks include "Jamie" by Eddie Holland, "Whatcha Gonna Do" by Terry Johnson, "I Got A Feeling" by Barbara Randolph, "Cos You Know Me" by Rick Robin & Him, "A Little Bit For Sandy" by Paul Peterson, "Crying In The Night" by The Monitors, "It's Growing" by Bobby Taylor & The Vancouvers, "Steal Away Tonight" by Barbara McNair, "Never Say No To Your Baby" by The Hit Pack, "Day by Day Or Never" by Chris Clark, "It's Been A Long Long Time" by The Elgins, "Can't Stop Looking For My Baby" by The Fantastic Four, "Suzie" by Terry Johnson, and "You Need Me" by The Lewis Sisters. CD

The complete Tamla and Motown singles of The Satintones – the soul, R&B & popular music juggernaut's first male vocal group – and a treasure trove of rare post doo wop from the end of the 50s/beginning of the 60s! It's fascinating for the history herein – the group is hugely under-anthologized in a world of myriad Motown compilations – which is a real shame, as you'll hear in this sweet set – with numbers that rely on the doo wop influences as well as tunes more devoted to lead vocals – with a slew of early Berry Gordy productions and compositions. The set includes the then legally challenged Shirelles knockoff/answer song "Tomorrow and Always" plus "Motor City", "Going To The Hop", "Sugar Daddy", "A Love That Can Never Be", "Foot Stomping Time", My Kind Of Love", "Boogie Woogie Heart", "Because I Love You", "You Can't Beat My Lovin" and many more. 26 tracks in all. CD

Marvin's definitely in the groove on this set – cooking on all burners with a host of late 60s Motown hits – bad-stepping his way towards some of the more mature moments to come in the 70s! The album's probably best remembered for the cut "I Heard It Through The Grapevine" – easily one of Marvin's biggest moments of the 60s, and a track whose popularity led to the album's title change from In The Groove to later incarnations as Heard It Through The Grapevine! Other cuts are equally great, and show Gaye really stretching out with mature, masculine confidence – pushing the envelope nicely on cuts that include "Loving You Is Sweeter Than Ever", "There Goes My Baby", "Change What You Can", "You're What's Happening", "Tear It Down", "You", and "Some Kind Of Wonderful". LP, Vinyl record album

... 7-inch, Vinyl record

One of the few cases in the history of pop music where the record is worth all the hype! Marvin blew everyone's mind when he unleashed this amazing suite of political soul tunes – not only just because he'd moved past the simple love songs of earlier years, but also because he was working with an amazingly complicated approach to soul music, one that would touch the work of others for years to come. David Van DePitte arranged and conducted the whole album – with soaring orchestrations mixed with smooth modern soul, in a style that reminds us a lot of the work of Charles Stepney at Cadet, who'd been doing this sort of thing for years but with less success. In the hands of Marvin Gaye, though, the material has an amazing quality – and all the disparate elements of the album are fused together in one powerful message by Marvin's incredible voice. One that we never tire of, and a record to be listened to all the way through every time. Titles include "What's Goin On", "Save The Children", "Flyin High (In The Friendly Sky)", "Mercy Mercy Me (The Ecology)", and "Inner City Blues (Make Me Wanna Holler)". LP, Vinyl record album

One of the few cases in the history of pop music where the record is worth all the hype! Marvin blew everyone's mind when he unleashed this amazing suite of political soul tunes – not only just because he'd moved past the simple love songs of earlier years, but also because he was working with an amazingly complicated approach to soul music, one that would touch the work of others for years to come. David Van DePitte arranged and conducted the whole album – with soaring orchestrations mixed with smooth modern soul, in a style that reminds us a lot of the work of Charles Stepney at Cadet, who'd been doing this sort of thing for years but with less success. In the hands of Marvin Gaye, though, the material has an amazing quality – and all the disparate elements of the album are fused together in one powerful message by Marvin's incredible voice. One that we never tire of, and a record to be listened to all the way through every time. Titles include "What's Goin On", "Save The Children", "Flyin High (In The Friendly Sky)", "Mercy Mercy Me (The Ecology)", and "Inner City Blues (Make Me Wanna Holler)". This fantastic 50th Anniversary version features new mastering by Kevin Gray from the original master tapes, an essay by Hanif Abdurraqib, and a full record of bonus material that includes "What's Going On (stripped)", "What's Going On (rhythm & strings inst)", "What's Going On (mix 1 with no strings or horns)", "Symphony (demo version)", and original mono single mixes of "What's Going On", "God Is Love", "Mercy Mercy Me", "Sad Tomorrows", "Inner City Blues", and "Wholy Holy". LP, Vinyl record album

One of the few cases in the history of pop music where the record is worth all the hype! Marvin blew everyone's mind when he unleashed this amazing suite of political soul tunes – not only just because he'd moved past the simple love songs of earlier years, but also because he was working with an amazingly complicated approach to soul music, one that would touch the work of others for years to come. David Van DePitte arranged and conducted the whole album – with soaring orchestrations mixed with smooth modern soul, in a style that reminds us a lot of the work of Charles Stepney at Cadet, who'd been doing this sort of thing for years but with less success. In the hands of Marvin Gaye, though, the material has an amazing quality – and all the disparate elements of the album are fused together in one powerful message by Marvin's incredible voice. One that we never tire of, and a record to be listened to all the way through every time. Titles include "What's Goin On", "Save The Children", "Flyin High (In The Friendly Sky)", "Mercy Mercy Me (The Ecology)", and "Inner City Blues (Make Me Wanna Holler)". LP, Vinyl record album

... 7-inch, Vinyl record

A truly amazing album – unlike anything Eddie Kendricks ever did before, or since – and one of those records that really helped shape the sound of soul in the 70s! The music is as rich and powerful as the image on the cover – with some righteous undercurrents that really mark the time and place of the record, yet also help it transcend so many other standard soul modes of the period too! Arrangements are wonderfully complex – as you'll hear on the classic groovers "Girl You Need A Change Of Mind" and "Date With The Rain" – each very different numbers, but both a showcase for Kendricks' wonderful vocal approach. Other titles include the progressive "People Hold On" – plus "I'm On The Sideline", "Day By Day", "If You Let Me", "Let Me Run Into Your Lonely Heart", and "Someday We'll Have A Better World". CD

... 7-inch, Vinyl record

... 7-inch, Vinyl record

Smokey's a little bit off course here – heading into a range of mellow pop soul styles that are clearly inspired by artists who were inspired by Smokey's own majestic solo turn in the 70s – but who never manage to match his quality. And since Smokey's taking inspiration from the uninspired, there's also a quality to this set that feels the weight of that choice. The vocals are fine enough, but perhaps a bit too overly emotive on the ballads – especially for smooth Smokey. The more upbeat numbers have a feel that's trying too hard for a crossover – and even the title (which is a play on Smokey's initials, "SR") is kind of a deal-breaker. Titles include "Train Of Thought", "I Can't Find", "Gone Forever", "Close Encounters of The First Kind", "Little Girl Little Girl", "Girl I'm Standing There", and "Driving Thru Life In The Fast Lane". LP, Vinyl record album

Fantastic solo work from Smokey Robinson – recorded a few years before his monumental Quiet Storm album, but with a very similar high level of quality! Willie Hutch co-produced the album with Smokey, and working with arrangements by Hutch and Gene Page, they transform Smokey's sound into a sophisticated 70s modern one, adding in slight touches of funk, and complicated backings that really let him open up as a singer, both vocally and emotionally. The whole thing's got a wonderful mellow soul groove, and titles include "Wanna Know My Mind", "Baby Come Close", "The Family Song", "Just My Soul Responding", "Holly", "A Silent Partner In A Three-Way Love Affair", and "Will You Love Me Tomorrow?" LP, Vinyl record album

A romping groover from Smokey Robinson & The Miracles – and a record that really has them punching things up, after starting out for Motown as a much more mellow harmony group! Robinson's crackling lead really makes the set sparkle – that warm, honest, earnest quality that Smokey hit strongly at this stage – still managing to inflect a deep sense of soul, while keeping things polished enough to match the rest of 60s Motown! The set features the "Tears Of A Clown", plus the excellent "Soulful Shack", one of a number of great "soul party" tunes from the late 60s – and other cuts include "Dancin's Alright", "You Must Be Love", "It's A Good Feeling", "Don't Think It's Me", and "My Love For You". LP, Vinyl record album

A stone classic from Stevie – one of his first really hard-grooving singles, and a tune that really proves the rule that part 2 is even better than part 1! 7-inch, Vinyl record

A bit smoother than early days, but still very nice and soulful – and did we expect any less from Stevie? The record's got a nicely flanged-out soul groove – with a style that kind of expands on the vocal and keyboard production of the early 70s, taking the groove towards a sound that many other bands would cop in the 80s. Proof of this is the cut "Master Blaster (Jammin)", which many bands would cover at the time – plus lots of nice LP cuts, like "Did I Hear You Say You Love Me", "Cash In Your Face", "All I Do", and "I Ain't Gonna Stand For It". CD

One of the best Stevie Wonder albums ever! Stevie's moving into god-like territory here – handling a multitude of styles, all well, and crafting some of the most sophisticated soul of his generation. The album's got the same jazzy references you'll find on the best work by Donny Hathaway – best heard on the sublime track "Golden Lady", which gets our clear vote for one of the best songs ever! Just about every track is great, though – and the album features the big hits "Living For The City", "All In Love Is Fair", "Higher Ground", and "Don't You Worry 'Bout A Thing" – plus "He's Misstra Know It All", "Jesus Children Of America", and "Too High". CD has digital remastering, with original artwork and lyrics. CD

A pivotal album from Stevie Wonder – one of his first really heady records, and a tremendous little set from start to finish! The Wonder heard here is light years from the simple pop of the early days – really stretching out both as a songwriter and musician – coming up with a richly spiritual sound that's completely amazing. Stevie also produced the record himself – and takes his talents to the next level in the effort – layering sounds together beautifully, and making them come out with a crystal clear realization of his new musical vision. A wonderful place to start digging Stevie Wonder – with the killer classics "Superwoman" and "I Love Every Little Thing About You" – plus "Love Having You Around", "Seems So Long", "Girl Blue", and "Happier Than The Morning Sun". LP, Vinyl record album

A classic testament to the genius of Stevie Wonder – a collection that brings together some of his most important work of the 70s, plus a few new tracks too – all graced with a back cover note that proudly states "written, arranged, and produced by Stevie Wonder"! That note is key to the strength of the set – as it documents Wonder's rise from child soul phenomenon to adult American composer – a voice that was one of the strongest of the 70s in finding a new sense of pride and power for the generation. The whole thing's great – as you'd expect – and even after all these years, the set stands as one of the best ways to jump into Stevie's work of the 70s. Titles include "Living For The City", "Superstition", "Front Line", "You Are The Sunshine Of My Life", "Superwoman", "I Wish", "Sir Duke", "Higher Ground", "Boogie On Reggae Woman", "Do I Do", "Ribbon In The Sky", "Master Blaster (Jammin)", and "Isn't She Lovely". LP, Vinyl record album

A rare promo-only single – featuring a sampling of songs from Stevie Wonder's concept album Secret Life Of Plants! The distillation of tunes is a nice one – showing the perceived singles that Motown thought would break bigger – surprising enough given the subject matter of the set! 12-inch, Vinyl record

A mega-hit for Stevie Wonder – an album that features a killer title cut, plus lots of other wonderful tunes that show the world that a full-formed adult soul star had arrived on the market! There's a depth here that's really great – not the totally heady, righteous sound of Stevie in the early 70s – but still a sensitivity that goes beyond simple Motown pop, and which is also underscored with some great keyboard work as well. Wonder produced the record, and arrangers include Paul Riser, Wade Marcus, and Henry Crosby – and titles include the huge title hit – "Signed Sealed & Delivered" – plus "Heaven Help Us All", "Sugar", "Never Had A Dream Come True", "Don't Wonder Why", and "I Gotta Have A song". LP, Vinyl record album

A sweet little double LP – one that had some folks saying that Stevie should have stayed away from the "2LP syndrome", but for us a real treasure with lots of hidden gems. Besides the hits "Isn't She Lovely" and "Sir Duke", which were more than enough to carry the set in the record shops, the record's got lots of other nice cuts, including many that have that complicated jazzy feel of Stevie's work on the Inner Visions album. Titles include "Ngiculela – Esa Una Historia", "Ordinary Pain", "Black Man", "Village Ghetto Land", and "Love's In Need Of Love Today". LP, Vinyl record album