This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A set of two live dates from the late 30s – from the Hotel Lincoln's Blue Room in 1938, with Les Robinson and Hank Freeman on alto; Tony Pastor, Ronnie Perry, and Georgie Auld on tenor; Chuck Peterson, Johnny Best, and Bernie Privin on trumpet; Geroge Arus, Les Jenkins, and Harry Rodgers on ... LP, Vinyl record album
Norvo plays in two settings – a smaller band with Jimmy Rowles on piano, Bob Carter on bass, Bill Douglass on drums, Ben Webster on tenor, and Harry Edison on trumpet; and a larger band that includes Don Fagerquist, Ed Leddy, Ray Linn, and Don Paladino on trumpets, Ray Sims on trombone, ... LP, Vinyl record album
A great little session of chamber-type jazz – and the only record we've ever seen by drummer Freddy Merkle. The set is very much in the manner of some of the other tightly-arranged RCA sessions from the mid 50s – with a style that's kind of "New York modern", in a similar ... LP, Vinyl record album
Quite an unusual session from Gary Burton – recorded in Nashville, with a mix of jazz and country session players – coming together in an open-ended sound that's got lots of complicated touches. Gary's jazz side is represented by Roy Haynes on drums, Steve Swallow on bass, and Steve ... LP, Vinyl record album
Less of a jazz album than some of Eddie's other records – but that's ok with us! As a soul album, the record's actually pretty darn great – arranged and produced by Richard Evans with a late Chicago soul approach that has Eddie's funky sax stepping amidst some larger orchestrations and ... LP, Vinyl record album
Sublime work from Hal McKusick – one of those mid 50s modernists who offered up such hope for new ideas at the time, and who seemed to all but disappear by the middle of the next decade! This album's one of Hal's finest – an optimistically crafted batch of tunes written by many of the ... LP, Vinyl record album
A very different take on this score than the vocal one – thanks to great work from Victor Feldman on both piano and vibes – in a hip trio with Bob Whitlock on bass, and the great LA drummer Lawrence Marable – who really keeps things great at the bottom! Titles include "Typica ... LP, Vinyl record album
Latiny tracks from Gerald Wilson – but done with his usual tight LA soul jazz groove! Wilson swings, as always, and leads a band of LA players with a fabulous mix of styles. The set's got Harold Land, Anthony Ortega, Laurindo Almeida, Roy Ayers, Teddy Edwards, and Jimmy Woods – to ... LP, Vinyl record album
Blue Note 2-fer that brings together some of Gil Evans' great modernist jazz pieces for the World Pacific label. The material was all recorded in New York in 1958 and 1959, and the groups include crack jazz players like Steve Lacy, Art Blakey, Cannonball Adderley, Johnn Coles, Elvin Jones, and ... LP, Vinyl record album