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Cassiopea (with bonus CD & download)

LP (Item 919613) Jazzaggression (Estonia), 2019 — Condition: New Copy

A group with players that you probably can't pronounce, but a sound that will grab you right away – a fantastic combination of vibes, saxes, and trombone – all set to some really great modal rhythms! The combo is led by Ville Vannemaa, who blows tenor and bass clarinet – but the quintet is clearly a very cohesive lineup, and work together with a very fresh, very individual sense of rhythm and tone! Panu Savolainen plays vibes, Kasperi Sarikoski trombone, and rhythm is from the duo of Heikko Remmel on bass and Jaska Lukkarinen – on a batch of originals by Vannemaa, with titles that include "Hyacinth", "Hurry Up", "Sorrow", "Stars", "Keinuvalssi", and "Ei Mitaan Aavistusta".  © 1996-2020, Dusty Groove, Inc.
(Limited edition of 500 – with bonus CD & download!)

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Jazzaggression (Finland), 2019. New Copy
A contemporary Finnish group, and a great one too – a combo who play with the sharp, soulful tones of a Blue Note lineup from the 60s – but all without ever sounding like they're trying to copy that mode too much! Instead, these guys just have a proud, confident sense of their ... LP, Vinyl record album
Jazzaggression, 2015. New Copy
A beautifully spiritual set of duets between bassist Teemu Akerblom and saxophonist Mike Zenger – playing together here without any other instrumentation at all! Akerblom sets things up in a modal mode on most numbers – but mellower, without any piano or drums – and Zenger then ... LP, Vinyl record album
Da Mon/BBE (UK), 1982. New Copy 2LP Gatefold (reissue)
A really beautiful record from the Ambiance ensemble – a group led by reedman Daoud Abubakar Balewa – a musician with the same underground prominence as Plunky Nakabinde and Idris Ackamoor during the same generation! Like both of those artists, Daoud has a way of moving effortlessly ... LP, Vinyl record album

Walter Bishop Jr

Coral Keys
Black Jazz/Real Gone, 1971. New Copy (reissue)
The keys are coral, and the sound is sublime – one of the greatest albums ever from pianist Walter Bishop Jr, and proof that he can really stretch out, given the right setting! The piano here is all acoustic, but there's an almost-electric vibe to the date – long, open tracks that sway ... LP, Vinyl record album
Strut (UK), 2020. New Copy 2LP Gatefold
One of the most ambitious albums to date from the mighty Greg Foat – a set that's different than some of his more intimate affairs, in that it features key contributions from British jazz giants both young and old – all working with Greg's piano, Fender Rhodes, and vibes in a style that' ... LP, Vinyl record album

Horace Tapscott

Giant Is Awakened
Flying Dutchman/Real Gone, 1969. New Copy Gatefold (reissue)
An incredible album – one of the few rare early sides cut by pianist Horace Tapscott, a seminal figure in the LA underground of the 60s and 70s! The record is as pure Tapscott as you could ever get – experimental, but not too free; spiritual, but never too sappy; progressively ... LP, Vinyl record album

Irreversible Entanglements

Who Sent You
International Anthem/Don Giovanni, 2020. New Copy
Damn incredible work from Irreversible Entanglements – a Philly group, but one who definitely belong in the special, small universe of the International Anthem label from Chicago! This set is even more fierce, more focused than their great debut – burning with righteous energy from a ... LP, Vinyl record album
Meltdown/Modern Harmonic, 1986. New Copy 2LP Gatefold
A legendary meeting of talents from two different sides of the underground – avant composer John Cage and jazz visionary Sun Ra – both performing together at a special one-night event that took place at Coney Island in 1987! The set doesn't really feature Ra jamming with Cage (as if ... LP, Vinyl record album
Modern Harmonic, 1962/1977/1982. New Copy
Sun Ra from three different decades – one classic track, and two never-issued numbers! "Nuclear War" may well be the closest that Ra ever came to a "hit" – although the profanity in the tune certainly kept it away from the mainstream – a fantastic slow-building ... LP, Vinyl record album
Modern Harmonic, 1959/1960/1962. New Copy
Great early work from Sun Ra & The Arkestra – two never-issued tracks, and a classic Saturn Records groove! "Rocket Number Nine" may well be one of the group's strongest early anthems – a propulsive number that's bold enough to soar to the skies – driven by old ... LP, Vinyl record album
Black Focus, 2018. New Copy
The first solo project from Kamaal Williams – and a wonderfully spiritual set that has the keyboardist really blowing us away with his talents! Williams plays plenty of Fender Rhodes on the set, mostly in a trio setting, but one that's far from standard jazz – as the rhythms often ... LP, Vinyl record album
Numero, 1977. New Copy Gatefold
Incredibly beautiful work from Willie Wright – an album of folksy soul with a slight island spirit – one that nicely nestles Willie's music in a space somewhere between the best 70s work of Terry Callier and Jon Lucien! The sound is wonderful – lean, stripped-down, and ... LP, Vinyl record album
 



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