Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Rob (aka Funky Rob Way)

LP (Item 909496) Essiebons/Mr Bongo (UK), 1977 — Condition: New Copy
(reissue)
Just Sold Out!

LP, Vinyl record album

❔
Also available
Rob — Rob (aka Funky Rob Way) ... CD 10.99

The funky Rob way is a massive one at that – a new path into Afro Funk modes for the 70s, with a groove that's made this set a collectors classic for decades! The group is tighter than most, yet more skittish too – percussion rattling alongside basslines that have these echoey qualities that go deep and dark, but with more of a soul-based style than some of the psych-influence work from Zimbabwe and other scenes of the time! Spare electronic bits come into play with the keyboards, guitar, drums, and bass – but at a level that's never overdone – just enough to keep things slightly offbeat and unsettling, while Rob himself grooves away in the lead! It's almost impossible to describe in words what makes this set so unique – but one drop of the needle will have you hooked for life – thanks to cuts that include "Funky Rob Way", "Forgive Us All", "Boogie On", "Just One More Time", "More", and "Your Kiss Stole Me Away".  © 1996-2019, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


Gyedu-Blay Ambolley

Ambolley
Cougar/Mr Bongo (UK), 1982. New Copy (reissue)
A really well-crafted set of funk from the legendary Gyedu-Blay Ambolley – maybe best known for his material in the mid 70s, but sounding equally wonderful here on an album from the start of the 80s! The sound is sharper and more sophisticated than before – recorded in London, with a ... LP, Vinyl record album

Ebo Taylor, Pat Thomas, & Uhuru Yenzu

Hitsville Re-Visited
Mr Bongo (UK), 1982. New Copy (reissue)
Not the Hitsville of Motown fame – but instead a fantastic album of upbeat, hard-grooving highlife – served up by the collaborative efforts of Ebo Taylor, Pat Thomas, and Uhuru Yenzu! Taylor is kind of the guiding force here – as he handles arrangements, and uses his guitar to ... LP, Vinyl record album

Tunde Mabadu

Viva Disco
Afrodisia/Mr Bongo (UK), 1980. New Copy (reissue)
Long live disco, but not the sort that was big on the American scene of the 70s – as Tunde Mabadu serves up a nicely lean version of the music here – filled with Nigerian funk elements, and plenty of his own great work on tenor and alto sax! The tunes are jumpy, jaunty, and plenty darn ... LP, Vinyl record album
Mr Bongo (UK), 1970s/Early 80s. New Copy 2LP Gatefold
Fantastic sounds from the glory days of the Burkina Faso scene – a time when the country's place at the crossroads of West Africa was helping to create some really amazing music! There's no set style here that defines the groove – as some tracks seem to flow from Nigerian funk, while ... LP, Vinyl record album
Soundway (UK), 1983. New Copy (reissue)
Odion Iruoje is billed as the "Sound President" on the cover – a title he definitely deserves, given the amazing sound of this set – which mixes early 80s Nigerian electro sounds with a bit of influence from hip hop too! Iruoje's completely comfortable in both mides – ... LP, Vinyl record album

Hailu Mergia & Dahlak Band

Wede Harer Guzo
Awesome Tapes From Africa, 1978. New Copy 2 LPs (reissue)
Maybe the coolest music we've ever heard from Ethiopian keyboard legend Hailu Mergia – a late 70s session that has his organ lines sounding even groovier than ever, on some sweet tracks that also bring in a fair bit of funk to the grooves! The style is much more in an Ethiopiques vein than ... LP, Vinyl record album

Asnakech Worku

Asnakech
Awesome Tapes From Africa, 1975. New Copy 2LP Gatefold (reissue)
Not just a fantastic album from Ethiopia's legendary Asnakech Worku, but also a great setting for Hailu Mergia too – as he plays organ on the record, and produced the whole thing too! Worku sings and plays the krar – an Ethiopian harp, but one with a very raw sound – almost more ... LP, Vinyl record album
Cree (Germany), 1969. New Copy Gatefold (reissue)
A jazzy combo from the Caribbean – led by a singer who also plays some really wonderful vibes! The rhythms are strong, with a definite dose of calypso in the mix – but the overall sound is much more in the jazz side of the spectrum, thanks to fluidly melodic sounds from Andre Tanker on ... LP, Vinyl record album
PSI/Hot Casa (France), 1971. New Copy (reissue)
An amazing rare chapter in the career of the legendary Manu Dibango – and a darn funky one as well! This early 70s album was recorded in Paris, right before Manu's huge global "Soul Makossa" hit – and although it was done as an obscure sound library release, it really shows ... LP, Vinyl record album
Gila (Indonesia), Late 70s. New Copy
A fantastic flurry of funk from 70s Southeast Asia – music that's quite different than some of the Thai or Cambodian pop that's been oft-compiled in recent years – and which has a definite strong tie to American soul of the time, especially music from the world of cop, crime, and ... LP, Vinyl record album
Habibi Funk (Germany), 1970s/1980s. New Copy 2LP
Get ready to have your mind completely blown – because this compilation is one of those completely rare ear-opening experiences that will let you know that there's a hell of a lot of music in the world that you've never heard before – even if, like us, you've heard plenty of funky music ... LP, Vinyl record album
Sony (Germany), Late 70s/Early 80s. New Copy Gatefold
A much-needed look at the huge legacy of female singers in Turkish music during the 70s – one that stands as a great complement to so much of the recent reissues of male artists from the same time! Much of this music shares qualities with reissues on labels like Pharaway Sounds or Finders ... LP, Vinyl record album
 



⇑ Top