CD, LP, Vinyl record album cover art
Enlarge       Note

Live In New York 1969 (180 gram pressing)

LP (Item 848578) Hi Hat, 1969 — Condition: New Copy
Just Sold Out!

LP, Vinyl record album


Also available
Tony Williams Lifetime featuring John McLaughlin — Live In New York 1969 ... CD 16.99

Stunning sounds from drummer Tony Williams – a rare live date from the end of the 60s, and one that's even more freewheeling than the performance on his classic Emergency album! The group here is the same as that one – the famous trio with John McLaughlin on guitar and Larry Young on organ – both players who could spiritual modes when they want, but who here are pretty darn noisy at most moments – effortlessly blending rock into jazz, and helping to create the sound of fusion in the process! Tracks are long, and completely unbridled – and titles include "A Famous Blues", "Something Spiritual", "Emergency", and "To Whom It May Concern".  © 1996-2017, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


House I Live In (180 gram pressing)
Steeplechase/Modern Silence (Italy), 1963. New Copy (reissue)
A mindblowing little record – one of those jazz meetings you might never have thought possible, and every bit as great as you'd expect! By the time of this set, Lars Gullin had already reached the heights of jazz in Scandinavia – one of the hippest players of the 50s, ready to branch ... LP, Vinyl record album
Prestige/Doxy (Russia), Late 50s. New Copy 2LP
2 of Dorothy Ashby's classic Prestige sessions – back to back on one 2LP set! First up is material from Hip Harp – great stuff by the grooviest artist ever to play a harp! Dorothy Ashby had a unique soul jazz harp sound, and although the instrument she used is probably more thought of ... LP, Vinyl record album
Mode/VAP (Japan), 1957. New Copy (reissue)
An extremely great album from Eddie Costa – one of the best of the all-great Mode sessions from 1957! In what is an odd meeting of players, especially for the label, Eddie's piano and vibes meet up with Art Farmer's trumpet, the alto of Phil Woods, bass of Teddy Kotick, and drums of Paul ... LP, Vinyl record album
I Forgot To Breathe
Trost (Austria), 2017. New Copy
It's easy to forget to breathe with music this intense – a full-on frenzy from a quartet that features Paal Nilssen-Love on drums, Ken Vandermark on saxes, and both Terrie Ex and Andy Moore on guitars! The guitars are spaced out – one in each channel – which only makes the sonic ... LP, Vinyl record album
Doxy, 1963. New Copy
Sublime live material from the classic John Coltrane Quartet of the early Impulse Records years – captured here in Germany, in a concert performance that could easily match any of their classic releases for that legendary label! Coltrane opens up fantastically on both tenor and alto – ... LP, Vinyl record album
Love/Svart (Finland), 1977. New Copy 2LP Gatefold (reissue)
No sonic labyrinth here – just a great set of hard-blown grooves from saxophonist Eero Koivistoinen! The session's a well-focused effort that has Eero working in quartet formation with acoustic piano, bass, and drums – blowing beautiful tones and colors with a slightly angular approach ... LP, Vinyl record album
Prestige, 1956. New Copy (reissue)
Quite possibly THE greatest Sonny Rollins album of the early years – or at least the one that has received the most accolades over the years! The record is a brilliant batch of quartet tracks that reinvents bop through Sonny's complicated, yet seemingly automatic solos – an excellent ... LP, Vinyl record album
Boom Jackie Boom Chick
Vocalion/Spellbound (Germany), 1963. New Copy
Tremendous work from saxophonist Paul Gonsalves – one of his rare UK sessions from the 60s, all of which show that he had a tremendous sound that went way beyond his more famous work with Duke Ellington! The style here is tight, hip, and very grooving – work by a quartet that features ... LP, Vinyl record album
OTOroku (UK), 2017. New Copy
Haunting solo piano work from Pat Thomas – an artist who doesn't seem to just play the keys, but the overall instrument as well – yet all without ever resorting to any sort of sonic tricks or gimmicks! Pat's got this amazing command of the keyboard – able to make the whole ... LP, Vinyl record album
Creation One
Lirs/Everland (Austria), 1973. New Copy (reissue)
That's "Danser", not "dancer" – as in John Danser, who's also best known for a groovy jazz album under his own name! This sweet little set from the early 70s may well be John's best album ever – a wonderful blend of funky grooves and these wonderful raspy vocals ... LP, Vinyl record album
Transition/Delmark, 1956. New Copy (reissue)
Sun Ra's first album as a leader – originally issued on the Transition label, but presented here in its better-known incarnation by Delmark Records! Even at this early point, Ra had a sound unlike any of his contemporaries – large group and modern, but not in a way that showed any ... LP, Vinyl record album
Consequences (180 gram pressing)
Fontana/Modern Silence, 1963. New Copy (reissue)
Searing work from the budding New York avant scene of the 60s – material that was some of the first to explode out of the city's new world of jazz – even though it only saw initial release overseas! The 1963 recording even predates the wave of groundbreaking ESP albums – and ... LP, Vinyl record album
 



⇑ Top