CD, LP, Vinyl record album cover art
Enlarge       Note

Luxury Soul 2017 (3CD set)

CD (Item 827803) Expansion (UK), 2017 — Condition: New Copy
3CD
$14.99 ...

CD

(€12.70 || £11.19 || ¥1675) (approx.)

An excellent edition of this long-running series – one that's put together by the folks at Expansion Records – who've given us years of fantastic soul music – both in the world of reissues, and in the contemporary underground! This package brings together both – with a heavy focus on the label's great ear for the best of the best in the Neo Soul generation – underground artists who are making some excellent music that never gets any radio play or big label release, but which tops most of the mainstream soul on the market. And there's also some classic cuts, pulled from Expansion reissues – nicely balancing out the new work with some 70s soul. 3CD set features 35 tracks in all – and titles include "I Can't Forget About You" by Mather, "Your Love Is All I Need" by Alton McClain, "It's A Beautiful Day " by Fe Fea White with Jimi Morris, "All I Need Is You (5AM Jazzy Jam rework)" by Tom Glide, "I Need Your Love (Drizabone rmx)" by Sargent Tucker with Drizabone, "Don't Judge A Book By Its Cover" by Soulutions, "I Need You For Love" by Kim Tibbs, "Give Of Love" by Breakwater, "That's Love (Joey Nelson mix)" by Hannah White, "Moving On" by Faye B, "Let's Have A Good Time" by Andy Stokes, "Groove With You" by Lovell, "Asking Eyes (Phil Asher's west ten mix)" by Da Lata, "Wish You Mine (Ed The Red's funk soul mix)" by Ed The Red, "Now" by Camera Soul, "Take U Back (DJ mix)" by Joyce Irby, "Why Can't We Be Lovers" by Brandi Wells, "It's Your Love" by Ethel Beatty, "I Want You" by Rose Royce, and "Can't We Just Get Long" by Kashif.  © 1996-2017, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


Kim
Expansion (UK), 2017. New Copy
The debut album from Kim Tibbs – not only a wonderful singer, but also a heck of a keyboardist too – as you'll hear here through her work on Hammond and Fender Rhodes! Kim's got a soaring style of soul – upbeat, positive, and with this flow that moves right along with the ... CD
Free Spirit
Expansion (UK), 2016. New Copy
A fantastic album from trumpeter Kenny Wellington – one that shows us that the 70s spirit of artists like Roy Ayers and the Mizell Brothers is alive and well – as long as you know where to look! The record's contemporary, but has a really classic blend of jazz and soul – one that ... CD
At Welding Bridge
Jazzland (Norway), 2010. New Copy
A beautiful album from Beady Belle – the group and wonderful vessel for the seductive, entrancing voice and songs of Beate S. Lech – possibly their best yet! Beady Belle have made deeply engaging blend of modern jazzy soul and beautiful mood music for most of the outs, taking a step ... CD
Jazzland (Norway), 2017. New Copy Gatefold
Rohey's the name of the band, and the name of the lead singer Rohey Taalah – a really great voice that we're betting we hear from strongly in years to come! The album's definitely a group effort – because although Rohey's lyrics are a big part of the sound, there's also a fantastic ... CD
Starting Now
RSVP, 2017. New Copy
CD...$8.99 13.00
Nice work from Louis Cato – a singer with a style that warmly crackles along with his grooves – partly in a soul-based mode, but with more of the depth of the singer/songwriter world – as Louis is clearly an artist who doesn't care which genre he appeals to the most! That's not ... CD
Spangle Lang Lane
World Galaxy/Alpha Pup, 2017. New Copy
There's a trippy-looking Muppet on the cover, and that gives you part of a feeling of the album – but just a sliver, because the overall sound here is a lot more complex! The album's a masterpiece from west coast arranger Ryan Porter – a mix of deeper jazz with bits of soul and hip hop ... CD
VGVI
Caroline, 2017. New Copy
A fantastic new direction for Vivian Green – and a record that seems to have the singer setting her sound on fire all over again! In the notes, Green credits co-producer Kwame Holland for giving her career all new energy – and that claim definitely comes through in the music, which ... CD
Sol Empowered
Atlanta, 2017. New Copy
CD...$9.99 14.98
The first we've heard from Chantae Cann – a wonderful singer who grabs our ears right with the very first note on this set – and continues to delight all the way through! Chantae's got this really cool style – kind of light and dreamy, but with a rasp around the edges – a ... CD
At Least For Now
Virgin, 2015. New Copy
The fantastic first album from Benjamin Clementine – one of the most unique talents we've heard in years – and a singer with a sound that's as wonderful as it is hard to describe! At some level, there's a bit of jazz in Clementine's music – at least in the way he can croon along ... CD
We Fly
Desmo, 2017. New Copy
Abri is Hamdan Al Abri – the former singer of the excellent Dubai soul group Abri – getting back into his own groove here, at the forefront of a tight little trio! The instrumentation is heavy on warm keyboards and understated beats – often moving with a mellow rhythm that really ... CD
My Love Divine Degree
Hand Written, 2017. New Copy
Divine sounds from the mighty Cody Chestnutt – a singer who's come a long way from both his Headphone Masterpiece album, and the long drought that followed that classic set! Cody's very firmly back in the driver's seat – and he's working strongly to remind folks that fuzzy, abstract ... CD
Reel People (UK), 2017. New Copy
The duo of Phonte and Nicolay have been giving us great music for many years – and here, they serve up a special selection of their favorite tracks from recent years – all with the warm glow and soulful currents we've always loved from the Reel People label! The set features two ... CD
 



⇑ Top