This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
A cool 70s album from the Modern Jazz Quartet – and one that has John Lewis playing a bit of electric piano, in addition to his usual acoustic keys! At some level, it almost feels like the group's working off the lessons learned during their Apple Records years – and are also picking ... CD
A brilliant album through and through – not just a standout from the late 50s years of the Modern Jazz Quartet, but also a compelling soundtrack composed entirely by pianist John Lewis! Lewis' writing was always a key part of the group's sound, but here it really comes into its own – ... CD
Early 50's magic from the Modern Jazz Quartet – John Lewis on piano, Milt Jackson on vibes, Percy Heath on bass, and Kenny Clarke and Connie Kay on drums. Tracks include "Queen's Fancy", "Milano", "Concorde", "One Bass Hit", and "The Stopper" ... CD
A stone classic from the Modern Jazz Quartet – recorded back when the group still featured Kenny Clarke in its membership, but already with some of the more serious, somber tones that would mark the combo's more famous years! Tracks here are from a variety of sessions in 1953, 1954, and 1955 ... CD
A beautiful little album from the young John Coltrane, and one that hides its strong sense of depth behind a familiar jazz standard used as a title! In some way, the record is almost experimental for the time – as side one features the tenor of Coltrane alongside just the bass of Earl May ... CD
A mellow soulful classic by John Coltrane – and one of his best-remembered early albums for Prestige! The session has all the gentle glow that you might guess from the title – a laidback, open-ended approach that has Coltrane blowing long solos over rhythms from the trio of Red Garland ... CD
A really beautiful batch of tracks from Charles McPherson – with a late 60s approach to soul jazz that reminds us of some of the work by Sonny Criss on Prestige, or of some of Cedar Walton's sessions from the same time. McPherson's moved way past his earlier bop roots here – stretching ... CD
As classic an early album by Miles Davis as you can find – truly filled with the "all star" players billed in the title, and a session that has the sharpness of Davis' bop work for Blue Note, yet also lets him stretch out in a slightly more relaxed format! The album features Miles ... CD
Red Garland's piano was certainly humming strong at the time of this session – as Red's trio were one of the key rhythm components of many Prestige albums of the late 50s, but also a real starring act on their own! The album's got a laidback, almost mellow feel that's a bit different from ... CD
One of the gems that Lucky Thompson cut on his return to the US in the mid 60s – and one of the few albums from that time that got wide release! The album's a laidback quartet session that has Lucky blowing both tenor and his new love, soprano sax, with a group that includes Hank Jones on ... CD