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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A jazz vocal masterpiece from Sarah Vaughn – one of her greatest albums ever, and a record that raised the bar for countless vocal sessions in years to come! Sarah's working here in an intimate group arranged by Ernie Wilkins, and featuring some sublime solo work from Clifford Brown, Paul ... LP, Vinyl record album
The cover's a bit goofy, but the album's a standout in the 70s career of Sarah Vaughan – one of those sets in which she tried out newer, more contemporary material – and found that both her voice and the new style of arranging were a surprisingly good fit! Vaughan has help here from ... LP, Vinyl record album
An unusual album for Sarah Vaughan, but a compelling one too – a set recorded in Copehagen with some Danish singers in the background – providing a pillowy cushion behind Sarah's lead, in ways that make for a wonderfully mellow record! Orchestrations are by Robert Farnon, who works ... LP, Vinyl record album
A dozen classics from sassy Sarah Vaughan's Mercury years, including "Misty", "Broken Hearted Melody", "Make Yourself Comfortable", "Autumn In New York", "Moonlight In Vermont", "How Important Can It Be", "Smooth Operator", " ... LP, Vinyl record album
Sarah Vaughan's most stripped-down session – a record that really does just have "plus 2" added to the lady's lovely vocals! Backing here are only by Barney Kessel on guitar and Joe Comfort on bass – accompanying Sarah in a moody, mellow, late nite mode that's far different ... LP, Vinyl record album
The album that really put Sarah Vaughan on the map – a killer set that really showed how sultry jazz vocals could sound in the postwar years – never overtone, nor torchy-cliched – but right on the money, with a sense of grace and poise that few others can match – even after ... LP, Vinyl record album
Sarah Vaughn's looking pretty groovy on the cover of this album, and she's sounding pretty groovy too – thanks to some sweet 70s backings from Ernie Wilkins! The style isn't exactly funky, but it's got some fully soulful sounds, and some great electric moments too – modes that almost ... LP, Vinyl record album
An excellent album of tunes recorded in Brazil – featuring a sweet mellow vibe that works very well with Sarah's vocals, done in a direction that we hardly expected her to take at this point! Most of the tracks have large arrangements with singers that start out the tracks over electric ... LP, Vinyl record album
Genius work from Tony Bennett – a very jazzy album, with a group that features Joe Wilder and Joe Newman on trumpets, Urbie Green on trombone, Joe Soldo on flute, and orchestrations from Marion Evans. LP, Vinyl record album