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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
An early masterpiece from the team of Toshiko Akiyoshi and Lew Tabackin – big band tracks written and arranged by Toshiko, and played to perfection by a group that includes Bobby Shew, Don Rader, Mike Price, Dick Spencer, and the great Gary Foster. Titles include "Opus Number Zero" ... LP, Vinyl record album
The title's compelling – and kind of makes you think that this might be one of the pair's more avant-leaning albums – but the overall groove is heavy big band swing, in the manner that Tabackin and Akiyoshi did best together. The record features 6 longish tracks, all with a strong ... LP, Vinyl record album
Soaring organ work from Brian Auger's Oblivion Express – and arguably the greatest album he ever cut with this post-Trinity group! The sound here is clean and lean – with Brian himself on a mix of organ, piano, and moog – really hitting a nice jazz funk mode that drops some of ... LP, Vinyl record album
One of Blakey's best non-Blue Note sides from the time – and a killer album that sports a late 50's lineup of the Jazz Messengers that included Jackie McLean, Johnny Griffin, and Bill Hardman. The three of them sparkle and shine with the sort of brilliance that Blakey's leadership brings to ... LP, Vinyl record album
One of the best sessions cut by Kai and JJ during the 50's, and a good live session with a lot looser feel than some of their studio sessions – which tend to be a bit restrained. The rhythm section features Dick Katz, Al Harewood, and Peck Morrison – but the main solos are held by Kai ... LP, Vinyl record album
That's "Take Ten", not "Take Five" – a great title cut that echoes Paul Desmond's previous work with Dave Brubeck – but which then gives way quickly to some sweet bossa-styled grooves done with guitar from Jim Hall! The album's one of the strongest of the ... LP, Vinyl record album
A double-length, ultra-cool set from saxophonist Phil Woods – yet another aspect of his great body of work from the 70s, and a live date that features Woods at the head of a sextet! The group here features acoustic piano, electric guitar, bass, drums, and percussion – all used in ways ... LP, Vinyl record album
One of the best records we've ever heard from pianist Lou Levy – a record that steps past the simple format of earlier records, into a style that's slightly modern, and very cool – thanks to the addition of vibes to his usual trio format. Larry Bunker plays vibes on the record, and ... LP, Vinyl record album