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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A smoking live performance from Diana Ross – a double-length set that offers up the lady in all full aspects of her glory! Ross sings not just in the clubby soul mode that made her a huge act at the time, but also brings in echoes of older Motown moments, plus a fair bit of jazz inspiration ... LP, Vinyl record album
A record so big they dropped the "Ross" from Diana's name – just to show how large the lady was living at the end of the 70s! The album was a key set in the solo years of Diana's career – a back to basics dancefloor effort done with impeccable production by Bernard Edwards ... LP, Vinyl record album
On the one hand, our jazz snob side wonders why Diana Ross would be picked to star as Billie Holiday, but on the other, it makes perfect sense, as this soundtrack to the film was made during the early 70s, when she was at the top of her career, and one of the highest profile female soul singers. ... LP, Vinyl record album
A fantastic early demonstration of the solo powers of Diana Ross – a live date from Vegas, and one that has her commanding the stage not just as a singer of soul music, but as a female star ready to rival the talents of any of her contemporaries in the mainstream! Ross shines here with a ... LP, Vinyl record album
An overlooked gem from Diana Ross – a set that's got a great mix of smooth grooves and tight soul numbers – all handled by 70s superproducer Richard Perry – and set to arrangements from Gene Page! Ross has this confident way of serving up the vocals, but an approach that's not ... LP, Vinyl record album
A crossover classic from the late 70s – a record that was born in the clubs, but bred in the mainstream – and the start of a very good relationship between Odyssey and RCA! The album will forever be known for its classic cut "Native New Yorker" – a seminal groover that ... LP, Vinyl record album
Wonderfully smooth soul from Evelyn Champagne King – one of her real standouts from the early days, and a tremendous collaboration with producer/arranger T Life! The sound here is upbeat and catchy, but never too poppy – done with a slight hint of that groove that King would hit more ... LP, Vinyl record album
A mid 60s gem from Brook Benton, produced by Clyde Otis, done in wonderful, more stripped down style than some of his other efforts of the time. Titles include "My Darling My Darling", "Try A Little Tenderness", "Moon River", "The Second Time Around", and ... LP, Vinyl record album