... CD

A record so big they dropped the "Ross" from Diana's name – just to show how large the lady was living at the end of the 70s! The album was a key set in the solo years of Diana's career – a back to basics dancefloor effort done with impeccable production by Bernard Edwards and Nile Rogers – often in that tightly snapping mode that made Chic so great, a sound that really breathed new life into Ross' sound at the time! Roger's fast-riffing guitar touches cook the album up beautifully – pushing a catchy pop groove into the massive hits "Upside Down" and "I'm Coming Out" – both numbers that have aged surprisingly well over the years. Other tracks include "Tenderness", "My Old Piano", "Now That You're Gone", "Friend To Friend", and "Give Up". CD

... 12-inch, Vinyl record

Diana Ross makes a big break with Motown for this debut set on RCA – a set that also has the singer making a nice stylistic break as well! The set's got Diana reinventing herself in so many different modes for the 80s – as Ross herself is sitting at the production helm for the record, and does a surprisingly good job of leading the way through a nicely different blend of styles! The set begins with a reworking of the old Frankie Lymon hit "Why Do Fools Fall In Love" – maybe going more retro than Ross ever did in the past – but things quickly step back into the 80s with a range of mellow groovers and ballads that still show that Diana's at the top of her game, vocally – and album to find ways of moving past any of her older, more familiar modes. Arrangements are by Ray Chew, Leon Pendarvis, Rob Mounsey, and Ron frangipane – and titles include "Why Do Fools Fall In Love", "Endless Love", "It's Never Too Late", "Sweet Nothings", "Two Can Make It", "Work That Body", "Mirror Mirror", and "Sweet Surrender". LP, Vinyl record album

A massive 2CD set that brings together most of the best work recorded by Diana Ross & The Supremes for Motown – done in the lavish style that Motown used in these deep Anthology series in the 70s! Each side of each record has a different theme, and the package also features dates for most of the material – making it a handy way to trace the evolution of the group's style. Titles include "You Send Me", "Love Child", "Reflections", "The Happening", "You Keep Me Hanging On", "My World Is Empty Without You", "Where Did Our Love Go", "Baby Love", "Ask Any Girl", "I Hear A Symphony", "Love Is Here & Now You're Gone", "I'm Livin In Shame", "No Matter What Sign You Are", and "Someday We'll Be Together". CD

Includes 50 tracks on 2 CD's. CD

A great little album from Diana Ross – maybe one of her lesser-known efforts with The Supremes, and a set that really points the way towards the solo years to come! One of the reasons for that is that the set really just features Diana out in the lead, with different backing singers behind – all the great songs from the show, but recast with these sophisticated soul arrangements by Gil Askey – very groovy, very Motown, but also with a lot stronger focus on Ross upfront than usual! In a way, the shift is a fantastic nod to Diana's growing role as a star – really claiming her as the black Streisand, a position that she's clearly confident with, and maybe even beats Barbara on the vocal tip too. Titles include "Funny Girl", "The Music That Makes Me Dance", "Don't Rain On My Parade", "People", "Cornet Man", "His Love Makes Me Beautiful", "Sadie Sadie", and "I'm The Greatest Star" – the last of which would make a nice theme song for Diana's 70s years! This expanded version not only marks the first time the record has been on CD – it also features both the stereo and the mono mixes of the record – plus the original recording of the album, with Mary Wilson and Cindy Birdsong – the real Supremes recording of the set! There's also five more bonus tracks – "Cornet Man (alt)", "His Love Makes Me Beautiful (alt)", "Sadie Sadie (alt)", "I'm The Greatest Star (live TCB outtake)", and "My Man (live)". CD

An overlooked gem from Diana Ross – a set that's got a great mix of smooth grooves and tight soul numbers – all handled by 70s superproducer Richard Perry – and set to arrangements from Gene Page! Ross has this confident way of serving up the vocals, but an approach that's not nearly as diva-centric as some of her other work of the period – this almost relaxed style at times, which is even more captivating than usual, and some of her most compelling material on record from the time. The title track "Baby It's Me" actually is a pretty funky number – almost in the funky Pointer Sisters mode – with heavy bass popping a break on the intro, and some nice Hotel Sheet work by Jack Ashford – and other titles include "Too Shy To Say", "You Got It", "Getting Ready For Love", "Top Of The World", "All Night Lover", and "The Same Love That Made Me Laugh". LP, Vinyl record album

A record so big they dropped the "Ross" from Diana's name – just to show how large the lady was living at the end of the 70s! The album was a key set in the solo years of Diana's career – a back to basics dancefloor effort done with impeccable production by Bernard Edwards and Nile Rogers – often in that tightly snapping mode that made Chic so great, a sound that really breathed new life into Ross' sound at the time! Roger's fast-riffing guitar touches cook the album up beautifully – pushing a catchy pop groove into the massive hits "Upside Down" and "I'm Coming Out" – both numbers that have aged surprisingly well over the years. Other tracks include "Tenderness", "My Old Piano", "Now That You're Gone", "Friend To Friend", and "Give Up". LP, Vinyl record album

A landmark record for Diana – her first solo effort after leaving the Supremes, and a well-conceived batch of tracks produced by Nick Ashford and Valerie Simpson! The album's got a warm, mature approach that really separates the work from Diana's earlier girl group past – as Ashford & Simpson take her into territory that hints at many of the musical changes to come, but which still has a freshness that breathes new life into Ross' vocal approach. Includes the super-bit hit version of "Ain't No Mountain High Enough", plus the tunes "Reach Out & Touch Somebody's Hand", "Now That There's You", "You're All I Need To Get By", "These Things Will Keep Me Loving You", "Dark Side Of The World", and "Where There Was Darkness". Plus, the CD features a huge amount of bonus tracks – including a previously unissued live version of "Something On My Mind", 3 alternate mixes of tracks from the record, and 4 previously unissued tunes produced by Bones Howe, including "Time & Love", "Stoney End", "The Interim", and "Loves Lines Angles & Rhymes". CD

A fantastic early demonstration of the solo powers of Diana Ross – a live date from Vegas, and one that has her commanding the stage not just as a singer of soul music, but as a female star ready to rival the talents of any of her contemporaries in the mainstream! Ross shines here with a brilliant brightness right from the start – working with a large ensemble that echoes all her best Motown roots, but which also pushes things out in fuller, more vibrant modes too – as Diana runs through tracks that include old soul favorites, jazz standards, and even some surprising choices from the charts – at a level that's filled with poise, class, and soul throughout. Titles include a great "Supremes Medley", plus "Don't Rain On My Parade", "Corner Of The Sky", "I Love You Porgy", "My Man", "The Lady Is A Tramp", "Ain't No Mountain High Enough", and a "Lady Sings The Blues Medley" with titles from the Billie Holiday songbook. LP, Vinyl record album

Diana Ross in the sweet clubby 70s – working here in a set of upbeat groovers that really show off her talents as a disco diva! The tunes are mostly upbeat, and surprisingly fresh – not nearly as disco cliched as you might expect, and handled in just the right way to take advantage of Diana's soaring solo vocals. Nothing's ever too overly-postured, and there's no throwaway hits here, either – which makes the album a nice discovery of overlooked Diana Ross gems from the time. Arrangements are by Art Wright, Greg Wright, Jimmie Haskell, Michael Masser, Gene Page, and Paul Riser – and titles include "Lovin Livin & Givin", "Never Say I Don't Love You", "Reach Out I'll Be There", "You Were The One", "To Love Again", and "Together". LP, Vinyl record album

... LP, Vinyl record album

... LP, Vinyl record album

... 7-inch, Vinyl record

... 12-inch, Vinyl record

A smoking live performance from Diana Ross – a double-length set that offers up the lady in all full aspects of her glory! Ross sings not just in the clubby soul mode that made her a huge act at the time, but also brings in echoes of older Motown moments, plus a fair bit of jazz inspiration as well – a nod to her role in the film Lady Sings The Blues, but with a wider range too – a really great illustration of aspects of Diana's strengths that didn't always get their full due on record. Plus, the live backing brings a nice sort of spontaneity to the whole thing – lots of room for Diana's personality to shine through – on tracks that include "Love Hangover", "Girls", "Touch Me In The Morning", "Here I Am/I Wouldn't Change A Thing", and long medleys titled "The Point", "The Working Girls", "The Motown Story", and "One Giant Step". LP, Vinyl record album

... LP, Vinyl record album

Pretty great Christmas sounds from Diana Ross – very different than her famous Motown Holiday work with The Supremes – and instead a record that balances her nicely between jazz styles and more sophisticated vocal sounds! There's relatively full arrangements on most tracks – and a handful even feature the London Symphony Orchestra – but Ross really keeps her charm, and is never overwhelmed by the setting – and instead, really seems to rise to the moment with both a sense of majesty inherent to the season, but also just the right degree of warmth to make things right. Titles include "Wonderful Christmas Time", "His Eye Is On The Sparrow", "Let It Snow", "The Christmas Song", "Overjoyed", "Happy Xmas (War Is Over)", "I Heard The Bells", and "It's Christmas Time". CD

Pretty great Christmas sounds from Diana Ross – very different than her famous Motown Holiday work with The Supremes – and instead a record that balances her nicely between jazz styles and more sophisticated vocal sounds! There's relatively full arrangements on most tracks – and a handful even feature the London Symphony Orchestra – but Ross really keeps her charm, and is never overwhelmed by the setting – and instead, really seems to rise to the moment with both a sense of majesty inherent to the season, but also just the right degree of warmth to make things right. Titles include "Wonderful Christmas Time", "His Eye Is On The Sparrow", "Let It Snow", "The Christmas Song", "Overjoyed", "Happy Xmas (War Is Over)", "I Heard The Bells", and "It's Christmas Time". LP, Vinyl record album

Symphonic soul from The Supremes – a set that still has the trio working with the legendary Holland-Dozier-Holland team, but with a full set of orchestral backings that help them hit even more class and sophistication than before! The ballads have these really lush arrangements – never too pop, but swelling with strings that lift up the young voice of Diana Ross in a really regal way – with a style that helps transform familiar numbers from other singers, and really make them some proud musical statements of her own. These arrangements hang on through most of the record, but are often augmented by these cool vibes that bring in a slight jazzy undercurrent – and titles include the classic "I Hear A Symphony" – plus "Stranger In Paradise", "Unchained Melody", "Without A Song", "A Lover's Concerto", "My World Is Empty Without You", and "He's All I Got". LP, Vinyl record album

Groovy late 60s work from Diana Ross & The Supremes – a record that has them breaking the Motown mold a bit, and hooking up with a nice variety of modder soul and pop modes! Tracks on the set include a few Motown-penned numbers, but the trio also tackle hits like "Everyday People", "Hey Western Union Man", "Let The Music Play", and a great Hair-inspired medley of "Aquarius/Let The Sunshine In"! But the Motown material here is almost even better – and titles include the slightly funky "No Matter What Sign You Are", which has a nice kick in the bottom – as well as "Discover Me", "The Composer", and "What Becomes Of The Brokenhearted". LP, Vinyl record album

A follow-up to 1970s pairing of The Supremes and The Four Tops – titled The Magnificent Seven (hence the title on this one!) – and done in a very similar mode. Back in the Diana Ross days, the Supremes had paired up with The Temptations on 2 great sets – and now, at a time in the 70s when both The Supremes and The Four Tops were a bit less successful on the charts, it's clear that Motown was trying to find some direction for them both. The approach isn't bad, although a bit forcedly "classy" at times, in a mode that hearkens back more to Motown 60s than some of the better directions both of these groups would take in the 70s – especially The Four Tops. Titles include "I'm Glad About It", "Let's Make Love Now", "What Do You Have To Do", "Where Would I Be Without You Baby", "I'll Try Not To Cry", and "Call Me". LP, Vinyl record album

They got the "sizzlers" in the title right – and the set actually goes past just disco – as it brings together a nice range of upbeat and groovy tunes from the 70s – with a few surprises along the way! Titles include "Boogie Nights" by Heatwave, "Soul Makossa" by Manu Dibango, "Car Wash" by Rose Royce, "Adventures In Paradise" by Minnie Riperton, "Love's Theme" by Love Unlimited Orchestra, "You Make Me Feel Mighty Real" by Sylvester, "Fire" by Ohio Players, "Get Up Offa That Thing" by James Brown, "Let's Start The Dance" by Bohannon, "Love Hangover" by Diana Ross, "Don't Leave Me This Way" by Thelma Houston, "I Need A Man" by Grace Jones, "Can You Feel The Force" by The Real Thing, "Casanova" by Coffee, and "Got To Give It Up" by Marvin Gaye. LP, Vinyl record album

A fantastic collection that looks at the relationship between American soul and reggae in a very unique way – not the early crossovers of soul and rocksteady in the 60s, but a big wave of disco-inspired sounds in the 70s! The set brings together some great Jamaican and British versions of American club tracks from the late 70s and early 80s, plus some soul cuts from earlier years – often done with rhythms that are slower and more bad-stepping, in a true reggae mode – but with songs and lyrics that are lifted right from bit hits by artists like Chaka Khan, Michael Jackson, Diana Ross, and others! The mix of modes is wonderful – and maybe comes across even better than on some of the Afro disco records of the period – thanks to a great track selection, in the usual Soul Jazz standard. Titles include "I'm Every Woman" by Latisha, "In The Rain" by rRnest Ranglin, "Reggae Beat Goes On" by Family Choice, "Ring My Bell" by Blood Sisters, "Don't Stop Til You Get Enough" by Derrick Laro & Trinity, "Do It Nice & Easy" by Chariot Riders, "Don't Let It Go To Your Head" by Black Harmony, "Upside Down" by Carol Cool, "Love Don't Live Here Anymore" by Sharon Forrester, "Rappers Delight" by Xanadu & Sweet Lady, "Ain't No Stopping Us Now" by Risco Connection, "Am I The Same Girl" by Charmaine Burnette, and "Be Thankful For What You Got" by One Blood. LP, Vinyl record album

An amazing package – one that comes in a tiny replica of the original home of Motown Records in Detroit! As you'd guess from the title, the 11CD set features every single Motown track that ever hit #1 on the charts – almost 200 classic songs, running from the early 60s right up through the 90s – with work by The Temptations, Four Tops, Diana Ross, Boyz II Men, The Contours, Rockwell, The Originals, Marvin Gaye, The Marvelettes, Stevie Wonder, High Inergy, The Dazz Band, Rick James, Commodores, and lots more! The package also includes a photo book with classic images and notes – but man, what we dig most of all is that tiny house of hits packaging – a really amazing thing! Plus, this version of the set also features a bonus CD that wasn't in the original version – with 12 more tracks whose cover versions charted at #1! CD

A treasure trove of rare Motown from some of legendary label's most classic acts – Smokey Robinson & The Miracles, Four Tops, Brenda Holloway, Martha & The Vandellas, The Supremes, The Originals, Bobby Taylor, The Marvelettes, Marvin Gaye & The Jackson 5 – prime vintage late 60s to early 70s recordings that have barely if ever seen light of day! Motown recording artists put a lot of work into the recording side of their artistry back in the day, so there was a lot classic level material that didn't come out right away, some finding release on later compilations or on box sets, some STILL just now seeing release. Half of this dozen song collection have never come out in any form until now – including "If I Ever Lose This Heaven" by The Originals and stereo mixes of "For Once In My Life" by Diana Ross & The Supremes, "Pretty Little Brown Skin Girl" by The Temptations and "Touched By Love" by Bobby Taylor and more – plus the rarities "You're Walking Out With My Heart" by Brenda Holloway, "Which Way Is The Sky" by the Four Tops, "Let's Have A Party" by the J5, "The Boy From Crosstown" (Version 1) by The Marvelettes and more. LP, Vinyl record album

A unique Motown project from the end of the 70s – an album recorded in tribute to Berry Gordy, Sr – father of Motown owner Berry, Jr – and a key force in the development of the warm spirit and family-like climate at the label. The set's an all-star affair, with contributions from some of the label's biggest stars at the time – a number of whom appear here in exclusive tracks. The set features a remixed version of "God Is Love" by Marvin Gaye, plus "Mother's Son" by Smokey Robinson, "Reach Out & Touch" by Diana Ross, "This Is Your Live" by The Commodores, "You'll Never Rock Alone" by Jermaine Jackson & Tata Vega, "I'll Keep A Light In My Window" by Marvin Gaye & Diana Ross, "Come In Heaven" by Tata Vega, and the title cut "Pops We Love You", in 2 versions, by the team of Diana Ross, Marvin Gaye, Stevie Wonder, and Smokey Robinson. LP, Vinyl record album

A huge disco cash-in moment of the 70s – but a great one too, and a strong illustration of the power that Casablanca Records had in both the clubs and charts at the time! The movie and record were both a bit over-pressed upon release, but they nonetheless stand as a great snapshot of the way that funky soul had taken over the clubs during the disco generation – giving showcase to a whole host of new young artists, and exposing lots of mainstream listeners to soul music at a level they wouldn't have touched a few years before! Donna Summer was one of Casablanca's big acts at the time – and she really dominates the record with her classic rendition of "Last Dance", plus tracks "With Your Love" and a disco remake of "Je T'Aime Moi Non Plus". Both other cuts are strong too – and include "Lovin, Livin, & Givin" by Diana Ross, "Too Hot Ta Trot" by The Commodores, "Disco Queen" by Paul Jabara, "Leatherman's Theme" by Wright Bros Flying Machine, "Floyd's Theme" by Natural Juices, and "Find My Way" by Cameo. LP, Vinyl record album

One of the group's best post-Diana Ross albums – thanks to some wonderful help from Smokey Robinson! Smokey produced the whole set, and contributed a batch of great original tunes – making for a really solid, completely unified approach that was sometimes missing from other Supremes albums. The feel is really wonderful – in the mellow mode that Smokey was approaching in his own work on the best cuts, but still swinging out with a few tracks that hearken back towards the group's older sound at times. Arrangements are by Paul Riser, and tracks include "Over & Over", "Floy Joy", "Your Wonderful Sweet Sweet Love", "The Wisdom Of Time", and "Oh Be My Love". LP, Vinyl record album

Post-Diana Ross work by The Supremes, but a really great little album – and one that possibly even draws more on a harmony style without the famous diva in the lead! The sound here is rich and full – arranged by Jerry Long and David Van DePitte – and produced by Frank Wilson with a nice ear towards the more rhythmic sound of the group's talents – even on the mellower cuts, which still maintain a nice bounce at the bottom. Elton John actually provided the liner notes – and titles include "Nathan Jones", "Johnny Raven", "Love It Came To Me This Time", "Have I Lost You", "Time & Love", "Touch", "Happy Is A Bumpy Road", and "It's So Hard For Me To Say Goodbye". LP, Vinyl record album

A revamped version of the classic Motown set Marvin Gaye & His Girls – expanded here a bit to include some 70s duet work with Diana Ross, as well as all the famous female duo recordings that Marvin did for Motown in the 60s! Right from the start, Marvin Gaye was clearly something different at the Detroit soul powerhouse – a singer who could groove with the rest of them, but who also could bring a huge amount of feeling to his music, especially when the theme was love – a quality that he maybe explored best when the label paired him with female singers. Tammi Terrell was Marvin's first big muse in this respect – and the set is very heavy on numbers sung by the two of them – "What You Gave Me", "Keep On Lovin Me Honey", "Ain't Nothing Like The Real Thing", "The Onion Song", "You're All I Need To Get By", "Ain't No Mountain High Enough", "Good Lovin Ain't Easy To Come By", "California Soul", "Your Precious Love", and "If This World Were Mine". And yes, maybe the other gals get a bit of short shrift, but still get some placement here – on a set that includes "It Takes Two" with Kim Weston, "You're A Special Part Of Me" with Diana Ross, and "Once Upon A Time" and "What's The Matter With You Baby" with Mary Wells. LP, Vinyl record album

Features mellow Motown classics by The Commdores, El Debarge, The Supremes, Diana Ross, Smokey Robinson, Charlene, Billy Preston & Syreeta, and the duo of Lionel Richie and Diana Ross! CD

Funky cuts from the Motown catalog – a set that mixes key classics with a number of overlooked album cuts – all to remind us that the Motor City label could get plenty heavy in the groove! There's a few cuts here you'll know from hip hop samples, a few you'll remember for their own fame, and a number of others that should hopefully come as a new discovery – and which really make the package great! 32 tracks in all – with cuts that include "T Plays It Cool" by Marvin Gaye, "Girl You Need A Change Of Mind" by Eddie Kendricks, "Scratchin" by Magic Disco Machine, "Rapid Fire" by Commodores, "Strung Out" by Gordon Staples, "Lo & Behold" by Jimmy & David Ruffin, "Every Time I See You I Go Wild" by Stevie Wonder, "You Can't Judge A Book By Its Cover" by Yvonne Fair, "Mister Magic" by Grover Washington, "Sun Country" by Frankie Valli & The Four Seasons, "Our Lives Are Shaped By What We Love" by Odyssey, "Gonna Find A True Love" by Bottom & Co, "Give Me Your Love" by Sisters Love, "Psychedelic Shack" by Temptations, "Sing A Simple Song" by Diana Ross & The Temptations & The Four Tops, "Can I Get A Witness" by Barbara Randolph, "Here Comes The Judge" by Shorty Long, "Easin In" by Edwin Starr, and "Smiling Faces Sometimes" by Undisputed Truth. CD

Music from Diana Ross & the Supremes, Billy Preston & Syreeta, the Commodores, Charlene, Diana Ross, Smokey Robinson, Diana Ross & lionel Richie & El DeBarge with DeBarge. CD

17 tracks from Diana Ross & The Supremes, Stevie Wonder, the Temptations, Diana Ross, Marvin Gaye, Commodores, the Supremes, El DeBarge with DeBarge & Diana Ross & Lionel Richie. CD

Great second-chapter work from Lonnie Mack – brought together here with his 1963 debut as well! That album is the first – The Wham Of That Memphis Man – a killer blend of southern soul and rockabilly grit from Lonnie Mack – his first album and a really incredible effort that fuses soul, country, and rock roots in a really brilliant way! Lonnie was later known as more of a country boy-electric bluesman, but the blues on this early LP feels like a blue-eyed Bobby Bland – but maybe with a lot more guitar in the lead! The horns burst, and the organ & bass really steep the overall vibe in the two Steps From The Blues style, but the fiery guitar and vocals keep more of a early rock vibe – twang next to soul, in a really unique mode. Tracks include "Wham!", "Down And Out", "Why", "Down In The Dumps", "Memphis", "I'll Keep You Happy", "Suzie Q", "Satisfied", and "Farther On Down The Road". Glad I'm In The Band is a slow-burning charmer from the great Lonnie Mack – a set that has him in a slightly different setting than his debut, but one that's equally soul-drenched overall! The group here features some especially great work from David Byrd – who plays these organ lines that almost set the whole thing in Muscle Shoals territory – as do the strong horn arrangements from Maxwell Davis, who sounds a lot more southern here than his Cali soul norm. Lonnie's also turned into an even better singer than before – blue-eyed deep soul at its best – on titles that include "Sweat & Tears", "Let Them Talk", "Why", "Old House", "Save Your Money", "Stay Away From My Baby", and "She Don't Come Here Any More". Whatever's Right is a comeback album of sorts for Lonnie Mack, recorded for Elektra with a really down-home sound that's almost verging on southern soul at points! In a way, the set's kind of a nod to the sorts of genres in rock that Mack's music first helped unlock in earlier years – done at a time when it was a bit more acceptable to cross boundaries and reference roots that weren't actually yours in your music! The execution here is surprisingly strong and without hoke – a few notches up from Leon Russell – and Mack's guitar is in fine fine form, supported by a good deal of organ in the backings. Titles include "Gotta Be An Answer", "Untouched By Human Love", "I Found A Love", "Baby What You Want Me To Do", "Mt Healthy Blues", "What Kind Of World Is This", and "Things Have Gone To Pieces". Hills Of Indiana is a real charmer – and the last Elektra album by Lonnie Mack! We don't normally think of Indiana in such poetic terms – but leave it to Lonnie Mack to find the hidden beauty in roughness – a quality that seems to emerge more and more in his music as the 70s moved on! This Elektra album from 1971 is a real overlooked gem – quite different than anything you might have expected from Mack at the start of his career, and a record that really shows him blossoming as much as a singer as he was a guitarist – heartfelt and personal, but still with all the grit that his reputation would entail – with strong currents of both southern soul and rock, but some nice roots elements too. The set was recorded in Nashville, Muscle Shoals, and LA – and titles include "Bicycle Annie", "Asphalt Outlaw Hero", "The Man In Me", "Rings", "She Even Woke Me Up To Say Goodbye", and "Lay It Down". CD

Classier than usual for the girls – as they move over to Broadway for a set of tracks penned by the Rodgers & Hart team, done up in a smooth Motown style that was probably designed to crossover, but which did so less than some of their straighter soul work. Still, even though the idea's flawed, the album gives Diana and the girls a good chance to show off their jazz chops – and tunes include "The Lady Is A Tramp", "Mountain Greenery", "This Can't Be Love", "Lover", "My Romance", "Dancing On The Ceiling", and "Falling In Love With Love". And if that's not enough, the original 12 track album is expanded to a 26 track bonus-heavy package – with a wealth of other tracks from the original sessions, like "Spring Is Here", "Little Girl Blue", "Manhattan", "The Blue Room", "With A Song In My Heart", and "I Could Write A Book" – and a previously unissued live medley of "Lady Is A Tramp" and "Let's Get Away From It All". CD

Classier than usual for the girls – as they move over to Broadway for a set of tracks penned by the Rodgers & Hart team, done up in a smooth Motown style that was probably designed to crossover, but which did so less than some of their straighter soul work. Still, even though the idea's flawed, the album gives Diana and the girls a good chance to show off their jazz chops – and tunes include "The Lady Is A Tramp", "Mountain Greenery", "This Can't Be Love", "Lover", "My Romance", "Dancing On The Ceiling", and "Falling In Love With Love". LP, Vinyl record album