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We use the all-encompassing grade "Used CD" for non-new CDs because we only buy and offer used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can
request a return
for a full refund.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or packaging details,
or an oddity that is the only wrong thing about the CD.
This might include, but isn't limited to, scratches, tracks that skip,
case/insert damage or wear, or strictly cosmetic flaws.
A warm and wonderful set from French tenor genius Barney Wilen – perhaps one of his best of the past 20 years! The record features a stripped-down organ trio, which brings out some of the best tone we've heard from Wilen's horn in a long time. In a way, the record is vaguely similar to Stan ... CD
Beautiful blowing from the great Barney Wilen – an album that's as relaxed as you might guess from the image on the cover, but which has a rock-solid sound all the way through! At this point in his career, Barney's definitely back on top of his game – playing both tenor and soprano sax ... CD
One of the most classic albums ever from tenorist Barney Wilen – recorded at a time when he was making big waves on both sides of the Atlantic! The tracks are longer than on some of Wilen's more tightly-arranged albums – which really gives Barney a chance to show off his tremendous ... CD
A key point in the development of the Miles Davis sound of the 60s – his first album to feature work from Herbie Hancock, Ron Carter, and Tony Williams – augmented by some equally nice work on other tracks from Victor Feldman and Frank Butler! The sound here is beautifully spare – ... CD
A fantastic collection – five seminal years in the recording history of Lester Young – pulled from an assortment of rare 78s for a number of different labels. A huge amount of material – the first-ever clear, complete look at this period! CD
Legendary early live work from Miles Davis – one of the first examples on record of the way that Davis could really stretch out in a concert setting! The music's a bit more straight ahead than later live dates, but still pretty open and exploratory – and in addition to Davis' sparkling ... CD
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers ... CD
A beautiful collaboration between Miles Davis and the great Gil Evans – and perhaps the most perfectly realized of all their projects! The album's got a wonderfully unified feel – as it begins with long compositions that have a distinct Spanish-tinge (and not a Latin-tinge, which is an ... CD
Herbie's still in electro-grooving mode here – not groundbreaking as earlier records, but still handled by Bill Laswell, and with a tackhead groove pretty firmly in place. The tracks are a bit more complicated than before, with vocals by Sugarfoot, and bass by Bootsy Collins. Titles include ... CD