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A nice little promo ep from Jeff Bradshaw, giving his neo classic track "Slide" with Jill Scott the DC funk treatment with some syncopated percussion keeping the mid tempo track moving under her soulful vocals and Bradshaw's trombone. the second side of the ep features 5 edited snippets from his album Bone Deep, showcasing his sweet jazzy funk, but really only giving you a taste of each track, justa minute or two. 12-inch, Vinyl record

Includes the tracks "Oh Susanna", "When It's Sleepy Time Down South", "Little Rock Getaway", "At The Darktown Strutters Ball", "Darling Nellie Gray" & "Southern Scene". CD

One of the lesser-known sets in Dave Brubeck's classic "time" series for Columbia – even more inventive than Time Out! Paul Desmond plays alto – and titles include "Travellin Blues", "He Done Her Wrong", "Cassandra", "40 Days", "Time In", and "Lost Waltz". CD

Dave Digs Disney – and hence, so do we! The album's one of the first to ever pay tribute to the great compositions heard in Disney films – and it features the magical sound of the Brubeck Quartet, turned upon a host of familiar numbers, and transforming them into longer vehicles for jazz improvisation. Given Dave's great sense of play with rhythm and timings, the tunes really get changed up in these versions – in a way that takes best advantage of the modal rhythms and jazz waltz styles that many of them share. Paul Desmond's alto work is as impeccably-handled as ever, and Joe Morello's sprightly drums seem perfectly at home with the tunes – as does Dave's warmly lyrical work on piano. Titles include "Alice In Wonderland", "Give A Little Whistle", "One Song", "Someday My Prince Will Come", and "Very Good Advice". CD

An amazing record – one that stands as one of Chico Buarque's greatest from the 70s! The set was recorded in Italy in 1970 – and features Chico singing lead vocals over backings handled by Ennio Morricone – all in a style that's a perfect blend of MPB with the best elements of the Italian scene of the time! The songs are all originals written by Chico – and have a light and dreamy samba/bossa feel, one that's inflected by the off-beat orchestral style of Morricone, and supported by vocals from I Cantori Moderni. The feel is halfway between Chico's work on RGE and some of the dreamier Morricone soundtracks of the time – and it's a wonderful thing to have a strong male lead vocal over backings from Morricone – a really rare thing for the time, with results that are tremendous. Titles include "Rotativa", "Samba E Amore", "Nicanor", "Tu Sei Una Di Noi", "In Te", "Ed Ora Dico Sul Serio", and "Quete E Quelle". CD

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A beautifully gentle album from vocalist Ann Burton – recorded with sublime accompaniment from the trio of pianist Louis Van Dyke, a fragile and spare talent on the keys – and a perfect match for Burton on the mood of the album! Ann's vocals really come across with the mature grace that's always made us love her so much – and overall, the session's got a strength that goes far beyond most of her indie albums from later years. Most tunes are extremely spare – with bass stepping out first behind Ann's vocals, as Louis' piano lines sneak in with just a few quiet lines that slowly grow as the tune progresses – all in a style that's neither a cliche of older torch, nor the too-adult mode of more pop jazz vocal albums of the time. Piet Noordjik plays alto sax on a few of the tunes on the set – and titles include "You've Changed", "The Good Life", "Go Away Little Boy", "It's Easy To Remember", "But Not For Me", "He Was Too Good To Me", and "Sunny". CD

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More than just a microbe of samba – given the rich, full sound that Adriana Calcanhotto gets in her music – a beautiful blend of timeless roots and some of the fresher, contemporary sounds coming from Brazil – mostly acoustic overall, but with a fluid sensibility that's planted firmly in the 21st Century! There's no electronic trickery here, yet the record also feels like a changed-up take on samba roots – nicely balanced so that even familiar styles come across sounding very fresh, and deeply personal in Adriana's hands. Titles include "Beijo Sem", "Ja Reparo", "Vai Saber", "Vem Ver", "Tao Chic", "Mais Perfumado", and "Eu Vivo A Sorrir". CD

Tracks include "Hey Now, Hey Now", "Are You All Reet?", "Hep Cat's Love Song", "Papa's In Bed With His Britches On", "Chant Of The Jungle", "I Want To Rock", "Boog It', and "Minnie The Moocher" – 22 tracks total. CD

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Features Stanley Clarke on bass, Larry Carlton on guitar, Najee on saxophones, and Deron Johnson on keys, and Billy Cobham on drums and percussion. CD

A great couple of harder-to-find Ornette Coleman records – nicely paired up in a 2CD set! First up is The Music Of Ornette Coleman, from 1967 – which is beautiful record that serves as both a showcase for Ornette's "serious" writing efforts – and his ability to play with a larger ensemble! It kicks off with Ornette playing trumpet solos with The Philadelphia Woodwind Quintet as they perform his "Forms & Sounds" live. That's followed by recordings of Ornette's "Space Flight" and "Saints & Soldiers" performed by The Chamber Symphony of Philadelphia Quartet, a string ensemble that brings a new light to Ornette's compositions! Skies Of America is an ambitious record with full orchestra, in a haunting sound that's light years from any of his smaller group recordings of the 60s and 70s! There's an incredible feel to the strings used here – played by the London Symphony Orchestra, conducted by David Measham – all tied up and dark, with swirling sounds that run up beautifully from the bottom, then take off to the skies promised in the title – opening the door for Ornette to come in and solo freely over the top – in a magical mix that easily makes the record a standout in his long and mighty career! Harmolodic theory is definitely a part of Coleman's conception here – but in very different ways than his quartet or quintet recordings. Lots of tracks on this one, including "Skies Of America", "The Men Who Live In The White House", "Sunday In America", "Dreams", "Native Americans", "Silver Screen", "The Artist In America" and more. CD

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Wonderful stuff – a set that represents a real maturation for Vanessa Da Mata – a stronger link to Brazilian tradition than before, yet still with a vibe that hanks onto the contemporary energy that's always made us love her records! As the title indicates, the set's a batch of classic compositions by Antonio Carlos Jobim – sung by Da Mata in this gently flowing style that's mighty nice – and set to arrangements by Deodato that really have an old-school mode – but not some sort of sleepy retro-bossa, or bossa-remix – instead that kind of airy space that Deodato first helped pioneer back in the 60s, and which sparkles even more here from his own lead work on acoustic piano! The balance is great, and Vanessa really rises to the top in the setting – on titles that include "Fotografia", "Wave", "Correnteza", "Estrada Do Sol", "Sabia", "So Tinha De Ser Com Voce", "Chovendo Na Roseira", "Por Causa De Voce", and "So Danco Samba". CD

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This stunning live set has been hailed by many as one of the finest moments of Miles' mid 60s career – music played with a frenetic energy that even blows away the famous studio sessions of the time! The group here is a landmark lineup – young modernists Wayne Shorter on tenor, Herbie Hancock on piano, and Tony Williams on drums – all reaching out to really increase their craft, and work through new ideas alongside Miles' trumpet. This first volume includes long versions of "Walkin", "Agitation", "So What", and "On Green Dolphin Street", and the material is from December 23, 1965. Pressed up on nice hard Japanese wax, with a weird computer image on the cover! LP, Vinyl record album

Four sides of noisy, funky, stretched-out playing from Miles Davis – recorded at the Fillmore West, but with an intensity that matches some of Miles' crazy electric recordings from Japan during the early 70s! The music is a powerful blast of music that stretches out over the double-length set of the package – with a style that moves from heavy-duty avant playing, then back to more mellow grooving, then kicks it out nice and hard again – a heavy dose of rock mixed in with the fusion, but still plenty jazzy throughout. In all, the record is probably one of the most heavy-duty that the Miles electric group recorded in the 70s – and the lineup on the set features Steve Grossman on saxes, Chick Corea on electric piano, Jack DeJohnette on drums, and Airto on percussion. Tracks include "Spanish Key", "Directions", "Masqualero", "It's About That Time", "I Fall In Love Too Easily", "Bitches Brew", "Willie Nelson", and "Sanctuary". LP, Vinyl record album

A wonderful live set from the Seven Steps-era Miles group – with rhythm by Herbie Hancock, Ron Carter, and Tony Williams – and tunes that are all in that transformative mode that really showed Miles hitting a new voice at the time! Tenorist George Coleman's playing with the group on the set – proving again that he's got a depth that few people ever seem to give him credit for – and that it wasn't just Wayne Shorter who made the 60s Davis quintet so great. Titles include "Autumn Leaves", "All Of You", "Walkin", and "Joshua". CD

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If there's one rule about Brazilian music that seems truer and truer over the years – it's that greats from the 70s never seem to flag at all – and instead just keep getting better and better as time goes on! This album from Djavan is great proof of that rule – as the singer has all the subtle, soulful energy here as on his earliest classics – an understated brilliance that's impossible to describe in words, but which makes the album a charmer right from the very first note. Djavan's still got a strong undercurrent of soul in his music, delivered with a sophistication that never tries to call attention to itself – all with a slight jazzy vibe in all the right places, which works beautifully with the subtle small combo instrumentation. Titles include "Vida Nordestina", "Se Nao Vira Jazz", "Dona Do Horizonte", "Ansia De Viver", "Primazia", "Nao E Um Bolero", "So Pra Ser O Sol", and "Encontrar-Te". CD

With cello solos by Yo-Yo Ma! CD

Titles include "Meet Me In The Morning", "Shelter From The Storm", "Idiot Wind", "You're A Big Girl Now", "If You See Her, Say Hello", "Buckets Of Rain", and "Tangled Up In Blue". CD

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Rare work from a time in Bob Dylan's career when he was maybe giving us too few albums – which makes all the rare material here a great addition to his early 80s run of records on Shot Of Love, Infidels, and Empire Burlesque! The tracks here all come from sessions for those records – which were often stretched out a fair bit, and feature Dylan working through lots of new ideas as he puts the songs together – which you can really hear here on the unreleased material that's presented here for the first time ever! Titles include "Need A Woman (rehearsal)", "Fur Slippers (outtake)", "Jokerman (alt take)", "Don't Fall Apart On Me Tonight (alt take)", "Blind Willie McTell (outtake)", "New Danville Girl (outtake)", "Dark Eyes (alt take)", "Too Late (band version outtake)", "Sweetheart Like You (alt take)", "Seeing The Real You At Last (alt take)", and "Someone's Got Ahold Of My Heart (outtake)". 2LP set features 11 unreleased tracks!) LP, Vinyl record album

Rare work from a time in Bob Dylan's career when he was maybe giving us too few albums – which makes all the rare material here a great addition to his early 80s run of records on Shot Of Love, Infidels, and Empire Burlesque! The tracks here all come from sessions for those records – which were often stretched out a fair bit, and feature Dylan working through lots of new ideas as he puts the songs together – which you can really hear here on the unreleased material that's presented here for the first time ever! Titles include "Need A Woman (rehearsal)", "Fur Slippers (outtake)", "Jokerman (alt take)", "Don't Fall Apart On Me Tonight (alt take)", "Blind Willie McTell (outtake)", "New Danville Girl (outtake)", "Dark Eyes (alt take)", "Too Late (band version outtake)", "Sweetheart Like You (alt take)", "Seeing The Real You At Last (alt take)", and "Someone's Got Ahold Of My Heart (outtake)". 5CD set is a Dylan completist's dream come true – as it features 55 unreleased tracks, including lots of obscure rehearsal tracks on CD1 – with titles that include "Fever", "Let's Keep It Between Us", "Sweet Caroline", "We Just Disagree", "This Night Won't Last Forever", "Need A Woman", and "Jesus Met The Woman At The Well". Also comes with a huge hardcover book – full of rare and unseen photos and other images, plus extensive notes and track by track commentary! CD

Recorded live in New York, and sort of the United Nations of salsa – featuring groups from Puerto Rico, Japan, Venezuela, Columbia, and New York. Include "Jala Jala" and "Sonido Bestial" by Richie Ray & Bobby Cruz, "Salsa De Hoy/El Menu" by El Gran Combo, "Salsa Caliente/Descarga De La Luz" by Orquesta De La Luz, "Cali Aji" and "Sin Sentimientos" by Grupo Niche, "Francisco Guayabal" by Oscar D'Leon, and "Dale Jamon" by Hermanos Moreno. LP, Vinyl record album

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Duke Ellington on piano, Johnny Hodges and Russell Procope on alto saxophone, Paul Gonsalves on tenor saxophone, Harry Carney on baritone saxophone and bass clarinet, Jimmy Hamilton on clarinet and tenor saxophone, Buster Cooper and Lawrence Brown on trombone, Chuck Connors on bass trombone, Cat Anderson, Cootie Williams, Herbie Jones, and Nat Woodard on trumpet, Peck Morrison on bass, and Sam Woodyard on drums. CD

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One of the best records we've heard from Gilberto Gil in many, many years – a stripped-down session that focuses on his voice and guitar work – in a style that takes us back to Gil's earliest days in music! The album feels like some lost session that Gilberto might have recorded in the 60s – before his Louvacao debut – done with mostly just a bit of light percussion from the enigmatic Domenico, plus some help from Moreno Veloso – who also co-produced the record as well, with that great sense of space he always brings to his own music too. A few cuts feature extra touches – a bit of accordion, or some flute from Danilo Caymmi – but the main focus is on Gil, who hasn't sounded this great in years – still able to capture our imagination when he works in a straightforward style like this. Titles include "Milagre", "Um Abraco No Joao", "Tim Tim Por Tim Tim", "Eu Sambo Mesmo", "Aos Pes Da Cruz", and "Desde Que O Samba E Samba". CD

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A beautiful orchestral work from Philip Glass – a set that features the long piece "Itaipu", and the shorter "The Canyon" – both handled with a mix of instrumentation and voices that really gives the music a sense of majesty! Although Robert Shaw recorded some relatively mundane vocal records for RCA back in the postwar years, he's really at his best here – using the voices next to the bold brass, strings, and woodwinds with a sense of formation that often uses the lower end of the sonic spectrum in a great way – maybe a bit reminiscent of Glass' soundtrack recordings for Koyaanisqatsi and Powaqqatsi, with some obvious ties to his 80s opera work too. LP, Vinyl record album

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Includes the songs "Theme for BBS", "Ciao!!!!", "Trela Alegre", "Condolence", "Fair Affection", "Little League Star", "Fade Away", "Megalith", and "Pork". CD

A great return to recording for Son House – a musician who'd stopped playing the guitar in the postwar years, but rose again to fame during the great folk blues revival of the 60s! The style here is every bit as classic as some of Son's earliest music – just recorded a lot better, too – with beautiful focus on the subtle inflections he brings to the strings of his acoustic guitar, and vocals that ring out a lot stronger than they might have on a 78. Titles include "John The Revelator", "Empire State Express", "Preachin Blues", "Sundown", and "Grinnin In Your Face". CD

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Heavy funk from a hip Japanese combo – one that features lots of drums and percussion from leader Akira Ishikawa, plus plenty of guitar, keyboards, and hard-riffing horns! Akira's taking most of his cues here from American funk of the early 70s – work by Incredible Bongo Band, BT Express, and others – but he often serves up the music with a fair bit of conga work at the front of the arrangements, in a way that takes familiar tunes and gives them a much rootsier, earthier kind of groove! The approach is unique, but totally great – and the album's a funk album unlike anything else we can think of – quite unusual even for the experimental Japanese scene of the time. Titles include "Bongo Rock", "Pick Up The Pieces", "Do It Til You're Satisfied", "I've Got To Use My Imagination", "Let's Start", "Love Is The Answer", and "Boogie On Reggae Woman". LP, Vinyl record album

Sweet vocals and some warmly jazzy backings – a nice little collaboration between Japanese singer Kimiko Itoh and keyboardist Masahiko Satoh, who also handles the arrangements on the set! Satoh shifts between Fender Rhodes and Steinway, and the rest of the instrumentation has a mixed electric/acoustic feel – usually quite gentle at points, and supported by fuller strings to give the set a slightly classy sort of feel. The keys dance nicely behind Kimiko's mellow vocals, and most lyrics are in English – with tracks that include "Alone Alone & Alone", "Hey That's No Way To Say Goodbye", "You Were Made For Me", "Ordinary Fool", "The Island", and "Will You Love Me Tomorrow". LP, Vinyl record album

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The soundtrack to This Is It – the celebratory release of the King Of Pop's rehearsal footage from the days before his untimely death – which also serves as sort of a best of Michael's years at Epic/Sony! It does a fine job of touching on the each of the diverse styles Michael handled in his Epic years, the pioneering guitar accented pop soul magic to the more tender numbers, but, the boon for This Is It is the title track. It's a previously unreleased number with backing harmonies by the Jackson's, a fairly gentle and memorable tune, plus some disc 2 demos. Titles include "Wanna Be Startin' Somethin'", "Jam", "They Don't Care About Us", "Human Nature", "Smooth Criminal", "The Way You Make Me Feel", "Beat It", "Black Or White", "Earth Song", "Billie Jean", "Man In The Mirror" and "This Is It" (main and orchestra version). Disc 2 includes demos for "She's Out Of My Life", "Wanna Be Startin Somethin" and a "poem" version of "Planet Earth". CD

A mindblower from Jamiroquai – the album that really broke them out of the box, thanks to an increasingly complicated sense of rhythm! For the set, Jay and the group pulled up some of the more dynamic sounds from the London underground, and wove them together with their increasingly great songwriting – coming up with tunes that played beautifully on the dancefloor, yet also offered deeper listening than on previous Jamiroquai efforts! There's still some great 70s elements here, but there's also a more cosmic, righteous vibe too – a hint at spacey London to come, but sent home with a bit more polish here. Titles include "Virtual Insanity", "Cosmic Girl", "Everyday", "Alright", "High Times", "Travelling Without Moving", "Spend A Lifetime", "Use The Force", and "Didjital Vibrations". CD also features the bonus track "Do You Know Where You're Coming From". CD

One of the hippest jazz groups going in Czechoslovakia during the 70s – the mighty Jazz Q, a cool fusion combo who really knew how to groove! The group's lineup includes a lot of electric keyboards and guitars – and while some tracks have them jamming out in a really rock-inspired way, there's some other tunes that open up with a great jazzy sound. Side two of the album kicks off with an amazing modal groover called "The Wizard" – a cut that builds and builds on riffs of bass, conga, and keyboards – before soaring into a sweet female lead vocal that sounds like Lani Hall at her best! Other tracks include "Lost Soul", "Starbird", "From Dark To Light", and "Epilog". CD features two bonus tracks – "Mlyn" and "Konstelace". CD

Magical work from the lovely Joyce – a set of duets with some of her favorite players and singers – some of our favorites too! The album has Joyce working in a stripped-down and intimate style – vocals and acoustic guitar tripping out over gentle bossa rhythms, joined on various tracks by artists that include Joao Donato, Toninho Horta, Johnny Alf, Wanda Sa, and daughter Ana Martins. Given the presence of the older bossa luminaries, the album's got a sophisticated and mature sound that's quite nice, and in contrast to some of Joyce's other recent recordings – a bit mellower, perhaps, but also more deeply thoughtful, and at many levels, sadder and wiser. Titles include "Lugar Comum", "Voce E Eu", "Yarabela", "Plexus", "London Samba", "O Sapo", "E Vamos La", and "Fa Da Bahia". And just in case you were wondering, all tracks are exclusive to this album – recorded in 2003! CD

Magical work from the lovely Joyce – a set of duets with some of her favorite players and singers – some of our favorites too! The album has Joyce working in a stripped-down and intimate style – vocals and acoustic guitar tripping out over gentle bossa rhythms, joined on various tracks by artists that include Joao Donato, Toninho Horta, Johnny Alf, Wanda Sa, and daughter Ana Martins. Given the presence of the older bossa luminaries, the album's got a sophisticated and mature sound that's quite nice, and in contrast to some of Joyce's other recent recordings – a bit mellower, perhaps, but also more deeply thoughtful, and at many levels, sadder and wiser. Titles include "Lugar Comum", "Voce E Eu", "Yarabela", "Plexus", "London Samba", "O Sapo", "E Vamos La", and "Fa Da Bahia". And just in case you were wondering, all tracks are exclusive to this album – recorded in 2003! CD

Tracks include "Josephine", "Push Cart Serenade", "Goodbye Girls, I'm Through", "September Song", "But Not For Me", and "Perfidia". 24 tracks total. CD

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John Kirby on bass with Charlie Shavers on trumpet, Buster Bailey on clarinet, Russell Procope on alto saxophone, Billy Kyle on piano, O' Neil Spencer on drums & Maxine Sullivan on vocals. CD

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Includes works by Villa-Lobos, Pixinguinha, Antonio Carlos Jobim, Egberto Gismonti, Jaco do Bandolim, Baden Powell, and Guarnieri. CD

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The cello genius of Yo Yo Ma meets the mandolin and violin of Mark O'Connor, and the piano and bass of Edgar Meyer! CD

One of the loveliest singers we've heard from the Brazilian scene in years – working here in a set of gentle tunes with a hell of a lot of charm! Mallu Magalhaes has this raspy little quality in her voice – almost a Brazilian version of Charlotte Gainsbourg, but with a slightly warmer feel overall – one that's perfect for the album's mellow grooving numbers, served up in a blend of playful styles that moves from sonically-sensitive contemporary modes, back to a few with a slight bossa undercurrent. Marcelo Camelo produced the record, and his touch definitely helps guide the whole thing nicely – and titles include "Por Que Voce Faz Assim Comigo", "Sambinha Bom", "Cena", "Velha E Louca", "In The Morning", and "Highly Sensitive". CD

A sweet soulful pairing of talents – the lovely vocals of Marlene and the warm fusion talents of Seawind – coming together here in a way that's mighty nice! You'll know Seawind for their albums on CTI from the mid 70s, and this rare Japanese-only set is equally nice, but in a very different way – as the group soar along nicely with a gently soulful vibe, backing up Marlene's lyrics in a style that's a bit like the sometimes soul cuts on Japanese fusion records from the time. The singer's got an ability to soar high, but also never get too cloying – and the tunes include a great remake of the Leon Ware/Richard Rudolph gem "Let Yourself Go" – plus "Summer Nights", "Try", "Semi Forgotten Movie", "A Love Too Strong", "I Could Dance Tonight", and "My Song". LP, Vinyl record album

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Teddy Pendergrass and crew get a bit more political than on earlier releases, and adopt the righteous bubbling soul groove that had put the O'Jays over the top a few years earlier – with incredible results! The title cut – "Wake Up Everybody" – would prove to be a great example of the political Philly International hit formula applied to socially conscious themes, but the record probably scored even bigger with the club crossover hit "Don't Leave Me This Way". Other tracks include "Keep On Lovin You", "Tell The World How I Feel About Cha Baby", "I'm Searching For A Love", and "You Know How To Make Me Feel So Good" – the latter two of which also feature female vocals by Sharon Paige. Bobby Martin, Norman Harris, and Ronnie Baker did the arrangements – and this was Teddy's last LP with the group. This edition includes the bonus track "Don't Leave Me This Way (Tom Moulton Mix)". CD

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From the Higher Learning soundtrack. 12-inch, Vinyl record

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Solid jamming from Mountain – one of the tightest guitar-based groups of their day, and hard rockers that could serve up a nice dose of soul! Tunes have a great mix of tight rhythms and fierce guitars – a bit dated at times, but with some nice production overall by Felix Pappalardi. Titles include "Don't Look Around", "Taunta", "Nantucket Sleighride", "Tired Angels", "The Great Train Robbery", and "The Animal Trainer & The Toad". CD features a bonus track – "Travellin In The Dark (Live)". CD

Brilliant music from trombonist Shigeharu Mukai – an artist who was not only a hell of a soloist in the 70s, but also a great musical visionary – with an ear that makes records like this a lasting treasure! The album features three long tracks – each a small sort of painting in sound – still with a soulful swing that keeps things moving, but filled with rich ideas that come not just from Mukai's trombone, but from the assemblage of musicians that join him for the date. At a time when records like this could be overindulgent or just too darn loose in some folks' hands, Mukai manages to hold the whole thing together with this lyrical brilliance – in extremely evocative ways that never get old. Titles include "Easten", "Bird To Freedom", and "A Head Wind". CD

A rare session from Astrud Gilberto – recorded in the early 80s as a collaboration with Japanese trombonist Shigeharu Mukai! The set's got a dreamy bossa feel throughout – with arrangements that are a bit modern, but still quite jazzy – and very much in the mode that brings out the best in Astrud's lovely vocals. Only 3 of the album's 8 tracks feature Astrud on vocals – but those are all pretty great – and on the other instrumental numbers, Shigeharu steps out with the band on some great tracks that have a tasy Brazilian jazz approach – one that alternates between electric Brazilian fusion numbers, and others that have an earthier percussive bottom. Titles include the vocal numbers "Champagne & Caviar", "Nos Dois", and "Hold Me" – and the instrumentals "Berimbau", "Miracle Of The Fishes", "Terrafirme", and "Keep On Riding". CD

Solo album from member Os Originais Do Samba. CD

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14 track promotional sampler. CD

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Includes the songs "Driving", "Fire Street", "Virtual Insanity", "Coffee Please", "Afro Runner", "On The Sea", "Off Shore", "The Lily", "Mystic Rites", "Presence", "Feel Like Making Love", "Silver And Orange", "Around The Love", and "By The Way". CD