This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Sublime sounds from the later years of Bill Evans – and a recording that shows just how perfectly his piano talents were finding new heights of timing and tone! Many of the tracks here are relatively mellow, and often somewhat dark as well – moody, but not in a way that's negative at ... CD
The first-ever release of a Bill Evans concert recorded at Ronnie Scotts in London – a place where he cut other work in other years, but maybe not at a level like this! The group is wonderful – Bill's budding relationship with the bassist Eddie Gomez, who was bringing a richness to the ... CD
With Cannonball Adderley, Tony Bennett, Ray Brown, Larry Bunker, Kenny Burrell, Ron Carter, Paul Chambers, Eddie Gomez, Jim Hall, Percy Heath, Freddie Hubbard, Chuck Israels, Philly Joe Jones, Connie Kay, Lee Konitz, Teddy Kotick, Scott LaFaro, Harold Land, Warne Marsh, Marty Morell, Paul Motian, ... CD
Tremendous work from Bill Evans – one of his rare non-trio sides of the 60s – and a stunning batch of tunes with backings from the mighty Claus Ogerman! Most of the tunes here are of classical origin, but they're recast by Evans and Ogerman with almost a soundtrack sensitivity – ... CD
A very hip set from Bill Evans' second trio – the legendary lineup that featured Chuck Israels on bass and Paul Motian on drums! Both players bring Evans' sound to an even greater level of spaciousness – allowing for lyrical interplay that's completely amazing, and even furthers the ... CD
With Pat Martino on guitar, David Kikoski on piano, John Patitucci on bass, Scott Allan Robinson on drums, and Daniel Sadownick on percussion. Tracks include "Four On Six", "Groove Yard", "Road Song", "If I Should Lose You", and "Full House". CD
Beautiful modernist work from Kenton – one of the first albums to cull his genius together as a whole, filled with the kind of tracks that perfectly sum up his unique approach at the time! If you've ever wondered what makes Kenton so great, this is the album to begin with – as it's ... CD