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Exact matches: 24
Exact matches1
CD, LP, Vinyl record album cover art
Tony Bennett/Bill EvansTony Bennett Bill Evans Album ... CD
Fantasy/OJC, 1975. Used ... $2.99
If you've ever doubted the real jazz sensibility of Tony Bennett, then this is an album to change your mind – because Tony's working here in a marvelously unadorned setting – with only the piano of Bill Evans to back him up! The record's a rare gem from years after Bennett was cracking the pop charts, but was willing to pull back to the jazz of his roots – and the session's equally rare for Evans, who rarely worked with vocalists at this point in his career. The simplicity of the album is its strength – and together, the pair really sound tremendous – slightly faltering at times, but in a way that exposes a sense of humanity you might not find in other records, especially those by Bennett. Titles include "When In Rome", "Some Other Time", "The Touch Of Your Lips", "My Foolish Heart", "Waltz For Debby", and "Young & Foolish". CD
(Out of print.)

Exact matches2
CD, LP, Vinyl record album cover art
Bob Brookmeyer & Bill EvansIvory Hunters – Double Barrelled Piano ... CD
United Artists/Universal (Japan), 1959. Used ... $19.99
A compelling album of twin-piano lines – one in which Bill Evans and Bob Brookmeyer play head-to-head, in a spiraling modernist style that brings out the best in each player! Although Brookmeyer's best known as a trombonist, he's pretty great here on piano – and the album's a real treasure from his legendary late 50s years – a time when Bob was really opening up tremendously in his music! The album separates out the players via stereo – with Bill Evans in the right channel and Brookmeyer in the left – and the format usually has one player in a rhythm groove while the other solos over the top. The bass of Percy Heath and drums of Connie Kay complete the group – and titles include longish versions of "As Time Goes By", "I Got Rhythm", "The Man I Love", and "The Way You Look Tonight". CD
(SHMCD pressing, includes obi.)

Exact matches3
CD, LP, Vinyl record album cover art
Bill EvansEverybody Digs Bill Evans (with bonus track) ... CD
Riverside/OJC, 1958. Used ... $5.99
Everybody Digs Bill Evans – or at least it certainly seems that way from the cover endorsements by Miles Davis, Cannonball Adderley, and Ahmad Jamal – but the real proof is in the record, and the set is a great one from Bill's classic years on Riverside! Evans is at the peak of his early powers here – working with a straightforward rhythm combo that features Sam Jones on bass and Philly Joe Jones on drums – but still hitting those beautifully fluid, beautifully spacious lines that set his playing apart from most who'd come before him. Tracks include 3 solo numbers – "Lucky To Be Me", "Peace Piece", and the very short "Epilogue" – plus trio tracks "Night & Day", "Minority", "Tenderly", and "Oleo". Includes the bonus track "Some Other Time". CD
(Out of print.)

Exact matches4
CD, LP, Vinyl record album cover art
Bill EvansHis Last Concert In Germany ... CD
West Wind (Germany), 1980. Used ... $16.99
Late Bill Evans – with Marc Johnson on bass and Joe LaBarbera on drums! CD
(Out of print.)

Exact matches5
CD, LP, Vinyl record album cover art
Bill EvansJazzhouse Bill Evans ... CD
Milestone, 1969. Used ... $11.99
Beautiful live recordings from Bill Evans – recorded with his late 60s trio that included the incredible Eddie Gomez on bass, plus Marty Morell on drums – a lineup that was really taking off with Bill at the time, and learning how to make some wonderful music together! The setting is the Jazzhus Monmartre in Copenhagen, in November of 1969 – and the tracks have a nice compact feel, not as drawn out as other recordings from the venue at the time – still showing Evans to be a master of economy, even when opening up and exploring new ideas. Bill's also got a bit more punch on the piano than a few years later, which mixes the soulful and lyrical sides of his talents nicely – on titles that include "How My Heart Sings", "Autumn Leaves", "Five", "Polka Dots & Moonbeams", "Sleepin Bee", and "Stella By Starlight". CD
(Out of print.)

Exact matches6
CD, LP, Vinyl record album cover art
Bill EvansSome Other Time – The Lost Session From The Black Forest (2 X 180 gram pressing) (2020 Record Store Day Release) ... LP
MPS/Resonance, 1968. New Copy ... On August 29, 2020
Never-heard studio work from the great Bill Evans – not another one of those many (and great) live performances from overseas – but a well-conceived, beautifully recorded set of tracks that were done for MPS Records in their famous studios in the Black Forest! The group here is Evans sublime trio with the great Eddie Gomez on bass and a young Jack DeJohnette on drums – perfect players for completely reworking the sound of the jazz piano trio, with all the new ideas that Bill had bursting forth at the time – and this material is the only studio session by the group, recorded right after their famous live appearance at Montreux in 1968 (documented on a well-known album on Verve.) The set's a double-length outing – recorded with the kind of crisp, clear sound that MPS brought to its other classic piano albums of the time by artists like Hampton Hawes or Tete Montoliu. The whole thing's wonderful – and Gomez has a wonderful presence in the mix – as the trio really shines on titles that include "Wonder Why", "Green Dolphin Street", "These Foolish Things", "Walkin Up", "Turn Out The Stars", "Very Early", "You Go To My Head", "Lover Man", and "Baubles Bangles & Beads". (Note: Record Store Day 2020 has been rescheduled to separate special release days of August 29, September 26 and October 24. The specific release date for each previously announced title is yet to be announced and subject to change. Titles are in limited supply – and will be offered for sale first to customers who visit the Dusty Groove retail outlet in Chicago on August 29, September 26 and October 24 only if it is safe and responsible to open the store, with Covid-19 shelter in place orders no longer in place. Items will not be pre-sold or reserved in any way. However, we will offer up whatever we have left for sale online after 12pm Central on release day.) LP, Vinyl record album

Exact matches7
CD, LP, Vinyl record album cover art
Bill EvansTrio '64 (Japanese paper sleeve edition) ... CD
Verve (Japan), 1964. Used Gatefold ... $24.99
Bill Evans is working with a really wonderful trio here – one that features Gary Peacock on bass and Paul Motian on drums – both budding young modernists who help Evans reach some new sounds on the set! The record starts out with a groove that's perhaps more inside than you'd expect – but it then quickly moves into the sort of sensitively-played numbers that really made Evans a key force in jazz during the early 60s – supported by equally personal work from Peacock and Motian, who both clearly feel free to move beyond common piano trio cliches. Tracks include "Dancing In The Dark", "Always", "Little Lulu", "Santa Claus Is Coming To Town", "Everything Happens To Me", and "For Heaven's Sake". CD
(Out of print. Includes obi!)

Exact matches8
CD, LP, Vinyl record album cover art
Bill EvansTurn Out The Stars – The Final Village Vanguard Recordings – June 1980 (6CD set) ... CD
Nonesuch, 1980. Used 6 CDs ... $84.99
Brilliant late work from Bill Evans – his last set of recordings from the Village Vanguard – recorded in the summer of 1980, nearly two decades after his first famous albums at the club! Evans here is a wealth of imagination – really stretching out in relaxed, fluid formation – gentler than before, but also with a deeper sense of feeling too – and getting some great support from trio members Marc Johnson on bass and Joe Labarbera on drums. Tracks mostly hover around the five minute range – but there's some key longer numbers too – and the whole thing's a perfect example of why live Bill Evans is often some of the best Bill Evans you can find! 58 tracks on 6CDs, packaged with a booklet – and titles include "Nardis", "Knight For Mary F", "Emily", "Minha", "My Romance/Five", "But Not For Me", "Bill's Hit Tune", "I Do It For Your Love", "Quiet Now", "Days Of Wine & Roses", "Your Story", "Tiffany", and "Re Person I Knew". CD
(Out of print, 2009 Nonesuch pressing – still sealed!!!)

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Bill EvansYou Must Believe In Spring ... LP
Warner, 1977. Very Good+ ... $29.99
Nice late work by Evans – recorded in 1977, but not issued until after his death in 1980. The session benefits from the bass work of Eddie Gomez – rich, round, and warm – a perfect accompaniment for Evans' sometimes faltering piano work. Includes a wonderful version of Michel Legrand's "You Must Believe In Spring", plus the tracks "Theme From Mash", "The Peacocks", "Sometime Ago", and "Gary's Theme". LP, Vinyl record album
(Cover has light wear.)

Exact matches10
CD, LP, Vinyl record album cover art
Bill Evans & Eddie GomezIntuition ... LP
Fantasy, 1975. Very Good+ ... $11.99
A great pairing, heard perfectly here – on titles that include "Show Type Tune", "Invitation", "Blue Serge", "Are You All The Things", and "Falling Grace". LP, Vinyl record album
(Cover has some wear.)

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Bill Evans & Eddie GomezMontreux III ... LP
Fantasy, 1975. Sealed ... Just Sold Out!
Spare magic from Bill Evans – an album recorded at the Montreux Jazz Fest in 1975, as a set of sensitive duets with Eddie Gomez – on cuts that feature Bill playing both acoustic and electric piano! Acoustic piano dominates – spun out in spare space that's completely wonderful – ringing tones and that lyrical pulse that always makes Evans' music so inspiring, even at its darkest – and Eddie's round, warm basslines are completely brilliant – even more full of feeling and more deeply developed than his earliest work with Bill. Plus, the set list features lots of under-recorded tunes by Evans, not so many of the oft-heard tunes that always show up on other live albums. Titles include "Elsa", "Milano", "Venutian Rhythm Dance", "The Summer Knows", and "Minha". LP, Vinyl record album

Exact matches12
CD, LP, Vinyl record album cover art
Herbie Mann & The Bill Evans TrioNirvana ... CD
Atlantic (Japan), 1961. Used ... $16.99
A sweet set of tracks that goes way beyond the usual Herbie Mann album! Herbie's playing with Bill Evans' trio that included Chuck Israels on bass and Paul Motian on drums – and the group's got a nice groove that, while not exactly modal, still hits a nice open-ended stretch that works well with Mann's flute – and creates some great exotic-tinged sounds! In a way, the whole album sounds a bit like some sort of 70's soul jazz flute album – nice and airy, a little bit righteous, and very different for both Evans and Mann – and tracks include "Nirvana", "Cashmere", "Gymnopedie", and "I Love You". CD
(Out of print, 2013 pressing with 24-bit mastering – includes obi!)

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Bill EvansBill Evans Album ... LP
Columbia, 1971. Near Mint- ... Temporarily Out Of Stock
A pretty sublime album from Bill Evans – one that has him playing both Fender Rhodes and Steinway, overdubbed together, for an effect that's laidback and completely wonderful! The Fender Rhodes was a natural choice for Evans – given his fluid lyrical style, and on this set (and on his equally great record for MGM) Bill opens up with an approach that really suits him well. Each track features him shifting back and forth between electric and acoustic modes, dancing from one to the other in a way that makes the instruments come together beautifully – supported by some incredibly soulful bass work by Eddie Gomez, and drums by Marty Morrell. Titles include "Sugar Plum", "Funkallero", "Waltz for Debby", "TTT", "Re: Person I Knew", and "Comrade Conrad". LP, Vinyl record album
(Cover has a tracklist sticker, splitting on the top seam, and some wear.)

Exact matches14
CD, LP, Vinyl record album cover art
✨✧ Bill EvansFurther Conversations With Myself ... LP
Verve, 1967. Near Mint- Gatefold ... Temporarily Out Of Stock
A follow up to the similarly-titled Conversations With Myself album recorded several years before – and like that one, a record that has Bill Evans playing "with" himself, via the technology of overdubs! The album's less a solo album, than a duet one – given that most of the numbers feature Evans working between melody and rhythm on overlapping piano lines – creating a mini chorus of pianos that sounds totally great, and wonderfully unique! Titles include "Emily", "Yesterdays", "Santa Claus Is Coming To Town", "Funny Man", "The Shadow Of Your Smile", "Little Lulu" and "Quiet Now". LP, Vinyl record album
(MGM stereo pressing with deep groove. Cover has light wear and a small cutout hole.)

Exact matches15
CD, LP, Vinyl record album cover art
✨✧ Bill EvansI Will Say Goodbye ... LP
Fantasy, 1977. Near Mint- ... Temporarily Out Of Stock
... LP, Vinyl record album
(Cover has a lightly faded spot from sticker removal.)

Exact matches16
CD, LP, Vinyl record album cover art
✨✧ Bill EvansSunday At The Village Vanguard ... LP
Riverside, 1961. Near Mint- ... Temporarily Out Of Stock
One of Bill Evans' landmark sessions with the young bassist Scott LaFaro – a player who made key contributions on every record he touched, then left this earth far too soon in his career! The live session's a perfect demonstration of the way that the Evans trio format not only re-worked the use of the piano in jazz, but also the bass and drums as well – as LaFaro's deeply evocative playing is paired with the equally fresh drum work of Paul Motian – heard here at his youthful early best, before some of his contributions to jazz had become cliche in the hands of other players. The session was caught live at the Village Vanguard on the night of June 25, 1961 – and titles include longish takes on "Solar", "Jade Visions", "Gloria's Step", and "Alice In Wonderland". LP, Vinyl record album
(OJC pressing. Cover has a cut corner.)

Exact matches17
CD, LP, Vinyl record album cover art
✨✧ Stan Getz & Bill EvansStan Getz & Bill Evans (Japanese paper sleeve edition) ... CD
Verve (Japan), 1964. Used ... Temporarily Out Of Stock
Excellent 60s work by Stan Getz – tunes recorded in 1964, but not issued at the time, thanks to a flurry of bossa nova craziness! The pairing of Getz and Bill Evans is a wonderful one here – as both players are at their warmest, and working with a wonderful sense of tone throughout – Stan, slightly lyrical at times – and Bill, with some slight brooding undercurrents that really add some depth to the set. The rest of the group features either Ron Carter or Richard Davis on bass, plus Elvin Jones on drums – and titles include "Funkallero", "Melinda", "Grandfather's Waltz", "My Heart Stood Still", and "Night & Day". CD
(Out of print. Includes obi!)

Exact matches18
CD, LP, Vinyl record album cover art
✨✧ Bill EvansWaltz For Debby ... LP
Riverside, 1961. Near Mint- ... Out Of Stock
An incredible album from Bill Evans – and maybe THE record you need in your collection if you're trying to understand his contribution to jazz! The album's one of Evan's first sides from the Village Vanguard – and features the legendary trio that included Scott LaFaro on bass and Paul Motian on drums – both players who could shake free from conventional rhythmic roles in a piano trio, yet who also support Evans' lyrically modal playing here beautifully! The tracks are a bit longer than Bill's studio sides from the time, allowing for even more magical interplay on the keys – and titles include "My Foolish Heart", "Waltz For Debby", "Detour Ahead", "My Romance", "Some Other Time", and "Milestones". LP, Vinyl record album
(Blue label Riverside/Orpheum pressing. Record and cover are great!)

Exact matches19
CD, LP, Vinyl record album cover art
✨✧ Bill Evans & Jim HallIntermodulation ... LP
Verve, 1966. Near Mint- Gatefold ... Out Of Stock
A magnificent follow up to the Undercurrent album from the team of Bill Evans and Jim Hall – and like that one, a set that features amazing interplay between piano and guitar! Hall's guitar has never sounded better – and in the airy company of Evans, it takes on many of the same qualities as on his famous late 50s recordings in the Jimmy Guiffre trio. Bill's work is great too – almost more tonally focused than before, with perfectly chosen notes that resonate beautifully in this very spare space. Titles include "Jazz Samba", "All Across The City", "Angel Face", and "Turn Out The Stars". LP, Vinyl record album
(Original 60s pressing – MGM/Verve label, with Van Gelder stamp – in textured cover. Cover has a small cutout hole in the corner, but this is a great copy overall.)

Exact matches20
CD, LP, Vinyl record album cover art
✨✧ Bill EvansConversations With Myself ... CD
Verve/Universal (Japan), 1963. Used ... Out Of Stock
Bill Evans meets Bill Evans – in a uniquely-styled session that features overdubbed solo lines from Bill, creating a multi-piano sound that's really great! The approach sounds gimmicky, but it's not – and Evans carries all the sensitivity you might expect from the title and image on the cover – a personal, up-close style that's nicely free from piano solo cliches, given the extra work of the overdubs. There's a nicely rhythmic feel to most numbers, and the piano lines often work in chromatic counterpoint to create a warmly sparkling quality to the set. Titles include "Round About Midnight", "Blue Monk", "Theme From Spartacus", "Stella By Starlight", and "NYC's No Lark". CD
(Out of print, includes obi.)

Exact matches21
CD, LP, Vinyl record album cover art
✨✧ Bill EvansEverybody Digs Bill Evans ... LP
Riverside, 1958. Very Good ... Out Of Stock
Everybody Digs Bill Evans – or at least it certainly seems that way from the cover endorsements by Miles Davis, Cannonball Adderley, and Ahmad Jamal – but the real proof is in the record, and the set is a great one from Bill's classic years on Riverside! Evans is at the peak of his early powers here – working with a straightforward rhythm combo that features Sam Jones on bass and Philly Joe Jones on drums – but still hitting those beautifully fluid, beautifully spacious lines that set his playing apart from most who'd come before him. Tracks include 3 solo numbers – "Lucky To Be Me", "Peace Piece", and the very short "Epilogue" – plus trio tracks "Night & Day", "Minority", "Tenderly", and "Oleo". LP, Vinyl record album
(Small black label stereo Bill Grauer Productions pressing, with microphone logo and deep groove. Cover has some wear, aging, and a name in pen on back.)
Also available Everybody Digs Bill Evans (with bonus track) ... CD 5.99

Exact matches22
CD, LP, Vinyl record album cover art
✨✧ Bill EvansTurn Out The Stars – The Final Village Vanguard Recordings – June 1980 (6CD set) ... CD
Nonesuch, 1980. Used 6 CDs ... Out Of Stock
Brilliant late work from Bill Evans – his last set of recordings from the Village Vanguard – recorded in the summer of 1980, nearly two decades after his first famous albums at the club! Evans here is a wealth of imagination – really stretching out in relaxed, fluid formation – gentler than before, but also with a deeper sense of feeling too – and getting some great support from trio members Marc Johnson on bass and Joe Labarbera on drums. Tracks mostly hover around the five minute range – but there's some key longer numbers too – and the whole thing's a perfect example of why live Bill Evans is often some of the best Bill Evans you can find! 58 tracks on 6CDs, packaged with a booklet – and titles include "Nardis", "Knight For Mary F", "Emily", "Minha", "My Romance/Five", "But Not For Me", "Bill's Hit Tune", "I Do It For Your Love", "Quiet Now", "Days Of Wine & Roses", "Your Story", "Tiffany", and "Re Person I Knew". CD
(Out of print. Limited, numbered edition.)
Also available Turn Out The Stars – The Final Village Vanguard Recordings – June 1980 (6CD set) ... CD 84.99

Exact matches23
CD, LP, Vinyl record album cover art
✨✧ Bill EvansNew Jazz Conceptions ... LP
Riverside, 1956. Very Good+ ... Out Of Stock
Bill Evans' first album as a leader – and a well-titled set that went onto transform the sound of the piano in jazz! The session isn't as lyrically free as some of Evans' later classics, but already has an undeniably fresh approach to the keys – one that's modern, yet never academic – fluid, but never flowery – pure genius of economy and understatement, while also at the same time opening bold new worlds in sound. The trio features drummer Paul Motian and bassist Teddy Kotick, and titles include the classics "Five" and "Waltz For Debby", the latter of which is performed solo by Evans – plus tracks that include "Displacement", "I Love You", "My Romance", "No Cover, No Minimum", and "Our Delight". LP, Vinyl record album
(Mexican pressing on Gamma. Vinyl is in great shape, but cover has some waviness and light stains.)

Exact matches24
CD, LP, Vinyl record album cover art
✨✧ Richie BeirachElegy For Bill Evans ... CD
Trio/Ultra Vybe (Japan), 1981. New Copy ... $22.99
Superb work from pianist Richie Beirach – a set that's dedicated to Bill Evans, and which certainly embraces some of the key numbers in his songbook – but which also has that even more spacious sound that Beirach was bringing to his trio dates in the 70s! Richie's sense of timing and tone are fantastic – doing so much with so little, that Evans would have been pleased – although again, Beirach is hardly borrowing straight from Bill's style. Also fantastic is bassist George Mraz, whose way of inflecting notes and measuring color and mood almost rival the role of Eddie Gomez when playing with Evans – all balanced nicely by the work of Al Foster on drums, who's at his most subtle here. Titles include "Blue In Green", "Nardis", "Peace Pipe", "Spring Is Here", "Solar", and "In Your Own Sweet Way". CD
(Part of the Jazz Legends In Japan series!)
 
Possible matches: 36
Possible matches25
CD, LP, Vinyl record album cover art
Bill PottsJazz Soul Of Porgy & Bess ... LP
United Artists, 1959. Very Good+ Gatefold ... $14.99
A stone cooker – and one of the best versions of Porgy & Bess recorded in a jazz format! It's a slightly-forgotten fact that at the time of the big late 50s film version of Porgy & Bess, there was a bit of trouble with the soundtrack – so the market was flooded with other versions of Gershwin's score in a hope to fill the void. This is one of the best of that bunch – a very well-done set of tunes arranged and conducted by Bill Potts, recorded with a strong set of soloists that include Al Cohn, Gene Quill, Zoot Sims, Art Farmer, Bill Evans, Charlie Shavers, Bob Brookmeyer, and Harry Edison. Tracks are the usual batch of Porgy & Bess numbers – "I Loves You Porgy", "It Ain't Necessarily So", "My Man's Gone Now", "A Woman Is A Sometimes Thing", "Summertime" – all woven together wonderfully in a rich tapestry of sound, with some particularly evocative solos. LP, Vinyl record album
(Deluxe limited edition pressing, #C 242, with booklet. Cover has partially split seams and light surface wear. Vinyl is nice, save for a short click on "Oh Bess, Oh Where's My Bess".)

Possible matches26
CD, LP, Vinyl record album cover art
John Coates JrJazz Piano Of John Coates Jr ... LP
Omni Sound, 1977. Near Mint- ... $2.99
Really lovely work from pianist John Coates – not the biggest name in American jazz in the 70s, but an artist who really reached a wide audience with this excellent live trio session! Coates was a player who mostly worked in eastern Pennsylvania, but was close enough to some of the bigger scenes to draw a lot of praise from critics and other musicians – all very well-earned, too – given his amazing style on this set. Coates is clearly a disciple of the Bill Evans school, but often has more of a punch and flow than Evans too – this way of opening up with a flurry of notes on the keyboard, then sliding into a groove with bassist DeWitt Kay and drummer Glen Davis. Most tunes are originals – filled with color and life – and titles include "Love Is Enough", "A Minor Waltz", "Tune No 4", and "Deep Strings". LP, Vinyl record album
(Cover has some surface wear.)

Possible matches27
CD, LP, Vinyl record album cover art
✨✧ Tadd DameronMagic Touch ... LP
Riverside, 1962. Near Mint- ... Just Sold Out!
One of Tadd Dameron's last true jazz sides – featuring the bop maestro composing, arranging, and conducting for a large group that includes Bill Evans, Johnny Griffin, Joe Wilder, Clark Terry, and Philly Joe Jones. There's a bit of Ellington in the album – with somber washes of mood and color, in a manner that was always one of Dameron's strongest suits – and the quality of the players, especially Evans, really adds a lot to the album. Titles include "On A Misty Night", "Just Plain Talkin", "You're A Joy", "Swift As The Wind", and "Dial B For Beauty". LP, Vinyl record album
(Mono blue label Bill Grauer Productions Inc pressing with microphone logo.)

Possible matches28
CD, LP, Vinyl record album cover art
✨✧ Miles DavisKind Of Blue (mono) ... LP
Columbia, 1959. New Copy (reissue)... Just Sold Out!
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". LP, Vinyl record album
(180 gram vinyl pressing!)
Also available Kind Of Blue (with bonus track) ... CD 1.99

Possible matches29
CD, LP, Vinyl record album cover art
Miles DavisKind Of Blue (with bonus track) ... CD
Columbia, 1959. Used ... $1.99
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". CD

Possible matches30
CD, LP, Vinyl record album cover art
✨✧ Miles DavisWe Want Miles ... LP
Columbia, 1982. Near Mint- 2LP Gatefold ... $13.99
Well, it's not the Plugged Nickel or electric Japan in the 70s – but this is a surprisingly great 2LP set of live work by Miles from the early 80s – recorded in New York and Boston, with a lively full-on concert sort of feel! The group features Marcus Miller on bass, Bill Evans on soprano sax, Al Foster on drums, Mike Stern on guitar, and Mino Cinelu on percussion – and the tracks are long tunes, done with a bit of electricity, and sort of a joyous approach overall. Titles include "Kix", "My Man's Gone Now", "Jean Pierre", "Fast Track", and "Back Seat Betty". LP, Vinyl record album

Possible matches31
CD, LP, Vinyl record album cover art
Miles Davis & John ColtraneMiles Davis & John Coltrane – Live In New York ... CD
Jazz Door, 1958/1959. Used ... $11.99
Rare live material from Miles – featuring his great quintet with John Coltrane, recorded in New York on 2 different dates! The bulk of the record is from a 1958 performance – with the pair backed by a trio that features Bill Evans, Paul Chambers, and Philly Joe Jones on tracks that include "Bye Bye Blackbird", "Milestones", "Walkin", "Four", and "It Never Entered My Mind". The remainder of the album features one track – "So What" – done by Miles and Coltrane with the Wynton Kelly Trio, in July of 1959. CD
(Out of print.)

Possible matches32
CD, LP, Vinyl record album cover art
Marco Di Marco TrioUn Autunno A Parigi (Autumn In Paris) ... LP
Modern Jazz (Italy), 1970. Near Mint- Gatefold ... $49.99
The kind of an album that proves why Marco Di Marco is one of our favorite pianists ever – a sublime Paris session from 1970, recorded in an expansively expressive style! Di Marco has a way of penning tunes and handling the keys that's like few other players we can think of – a post-Bill Evans sense of freedom and grace, but one that's also always inflected by a strong sense of soul – one that keeps Marco's work from just being flights of fancy, and always directs the tunes with some sense of a groove, however subtle. As with some of his best trio sides, he's working here with the rhythm team of Jacky Sampson and Charles Saudrais – both borrowed from the trio of Georges Arvanitas, but giving the record a round, warm tone that they hardly ever brought to any of Georges' records! Tracks are all originals, and include "Fontainebleau", "Un Autunno A Parigi", "Le Chat Qui Peche", "Valse Pour Quatre Amis", and "Boul Mich". LP, Vinyl record album
(Japanese pressing, with obi! Tam/Cam, non-gatefold cover. Cover has some very light wear, but this is a nice copy.)

Possible matches33
CD, LP, Vinyl record album cover art
Joao GilbertoAmoroso (180 gram pressing) ... LP
Warner/Polysom (Brazil), 1977. New Copy (reissue)... Just Sold Out!
A warmly intimate album from Joao Gilberto – one that has the singer and guitarist in the same special space as his wonderful albums from the early 70s - a bit more sophisticated than the bossa years, but equally personal throughout! The set was co-produced by Helen Keane – who was bringing real magic to the records of pianist Bill Evans at the time – and music is by a core combo that includes American jazz musicians Ralph Grierson on keyboards and Grady Tate on drums – with some additional larger arrangements from Claus Ogerman, but used in a way that never clutters up the sound at all. Instead, Joao sounds beautiful right up front in the mix – with those sublime raspy vocals, and perfectly-placed lines on acoustic guitar – on titles that include a fabulous reading of "Estate", plus Jobim's "Wave" and "Zingaro", and the tracks "Caminha Cruzados", "Tin Tin Por Tin Tin", and "Besame Mucho". LP, Vinyl record album
(Limited edition!)

Possible matches34
CD, LP, Vinyl record album cover art
Eddie GomezDown Stretch ... CD
Trio/Ultra Vybe (Japan), 1976. New Copy ... $22.99
Bassist Eddie Gomez hardly ever has a down stretch – especially given all the creative combinations he's worked in over the years – and this rare 70s album from Japan is more of a high point than anything "down" at all! The record's a trio date, with killer work on Fender Rhodes and piano from Takehiro Honda – who's easily one of our favorite Japanese pianists of the time, and a musician who really brings a different sort of energy to the record than some of Gomez's other sessions with piano players, especially Bill Evans. Drummer Elliot Zigmund is also nicely creative, too – really working the kit in unusual ways, and often staying back a bit so that Eddie can get some wonderful space in the lead, especially at the start of some of the songs. The whole thing's great – an overlooked moment of genius from Gomez – and titles include "Caprice", "Half Life", "Blues E", "Dream Passage", and "Down Stretch". CD
(Part of the Jazz Legends In Japan series!)

Possible matches35
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Jackson Harrison TrioSintering ... CD
Hat Art (Switzerland), 2013. Used ... $12.99
A hell of a record from pianist Jackson Harrison – an artist we don't know well at all, but who's really blowing our mind with the sounds on this trio date! Harrison's got a way of blocking out sound that flows back to the years of Bill Evans – but he's also got a way of making things darker, more complex, and never fully finding a point to be at rest with some of the sounds – in a way that can make his music as restless as it is contemplative – in a mode that's perfectly echoed by the work of Ben Waples on bass and James Waples on drums. The trio have really found something new in working with Harrison – a sound that's darkly beautiful, and very individual – on original compositions that include "Preludial", "Charcoal Chorale", "Day For Night", "River Dolphin", and "Sintering". CD

Possible matches36
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✨✧ Ahmad JamalAwakening ... LP
Impulse/Be With (UK), 1970. New Copy Gatefold (reissue)... $29.99 35.99
A mindblowing album from Ahmad Jamal – a fantastic start to the 70s, and a set of music that shows just how far the pianist had come in just a few short years! The album's all acoustic, but has some of that spacious flow that Jamal would bring to his work on Fender Rhodes – with an approach that's even more open in terms of song structure than his earlier trio material – as if Jamal's choosing to omit more notes than he's including – but all with a quality that still keeps the music very full and rhythmic – pulsating with a special sort of energy that's neither Bill Evans, nor McCoy Tyner – but instead this really amazing sound that's all Ahmad's own. The trio features equally wonderful work from Jamil Nasser on bass and Frank Gant on drums – and titles include "The Awakening", "I Love Music", "Patterns", "Wave", and "Dolphin Dance". LP, Vinyl record album

Possible matches37
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Mieczyslaw KoszMieczyslaw Kosz – Polish Radio Jazz Archives Vol 10 ... CD
Polskie Radio (Poland), Late 60s. New Copy ... $6.99
Here's a pianist you probably don't know at all – and one you definitely can't pronounce – but we bet you'll really be loving the music of Mieczyslaw Kosz after you've heard this set of solo performances for Polish radio from the late 60s! Kosz has a style that's somewhat conventional, but also hints at some of the new lyricism that was opening in the music of late 60s American players like Steve Kuhn or the young Keith Jarrett – kind of the immediate influence of Bill Evans, but already going somewhere else – especially with the sense of many vectors of music that seem to flow effortlessly from Mieczyslaw's hands. There's a number of original tunes in the set, but even the familiar tunes are very fresh – and the recording quality is excellent throughout. Titles include "Rosemary's Baby", "Les Parapluies De Cherbourg", "Illusion", "Before The Storm", "It's Late", "Question", "Yesterday", "Laura", and "Departure". CD

Possible matches38
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Paul MotianConception Vessel ... LP
ECM, 1973. Near Mint- ... $19.99
Paul Motian didn't always record that much as a leader, but the dates under his own name are always compelling ones – and quite a change from his more famous work with Bill Evans! This set is a sparkling showcase of original tunes by Motian – played by a shifting array of players that includes Charlie Haden on bass, Sam Brown on guitar, Keith Jarrett on piano and flute, and Leroy Jenkins on violin – all with a much freer, more out sound than you might expect to hear on ECM in later years. The set's one of the standouts from the time when the label was nodding more in the free jazz directions of some of their European contemporaries – and Motion proves to be a surprisingly great choice for the session. Titles include "Georgian Bay", "Ch'I Energy", "Rebica", "Conception Vessel", and "American Indian Song Of Sitting Bull". LP, Vinyl record album
(German pressing.)

Possible matches39
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✨✧ Joe PumaJoe Puma – Quartet & Trio – Jazz ... CD
Jubilee/Warner (Japan), 1957. Used ... $16.99
Mellow modernism from Joe Puma – one of those guitarists who appeared on countless 50s sessions, then really seemed to disappear from records as the 60s wore on. This album's one of Puma's best – an easily swinging session that flows with warm group interplay, and which never seems to get bogged down in the traps that sometimes plagued sessions of this nature. Side one features a trio with Puma on guitar, Eddie Costa on vibes, and Oscar Pettiford on bass – a very good choice to accompany the other two – and side two features Puma and Pettiford, plus Bill Evans on piano and Paul Motian on drums. Titles include "Mother Of Earl", "Stablemates", "Ubas", and "Blues For Midge". CD
(SHMCD pressing, includes obi.)

Possible matches40
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George RussellJazz In The Space Age ... CD
Decca/GRP, Mid 50s. Used ... $9.99
Although issued with a title and cover that might make you think it's a record of bachelor pad music, this set by modernist George Russell is one of his finest recordings of the 50s, and it features some wonderful work in odd tones and scales, executed by players like Bill Evans, Paul Bley, Hal McKusick, Bob Brookmeyer, and David Young. An essential chapter in Russell's career, and nice to have in any form. Titles include "Chromatic Universe (parts 1, 2, & 3)", "Dimensions", "Waltz From Outer Space", and "The Lydiot". CD
(Out of print.)

Possible matches41
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George RussellJazz Workshop ... LP
RCA, 1957. Very Good- ... $19.99
Very hip early work from George Russell – a set that's maybe not as high-concept as some of his later records, but which still has a strikingly modern vibe! Russell's trying out some of his new tonal ideas here – and has a group that's very well-chosen for the project – with Art Farmer on trumpet, Hal McKusick on alto, Bill Evans on piano, and Barry Galbraith on guitar – all players with just the right sort of color in their tone, able to illustrate George's ideas but still bring a bit of personality to the mix as well. Titles are mostly originals, written with slight touches of whimsy, but less of the indulgence on that front as you'd hear on west coast material – and tracks include "Witch Hunt", "The Sad Sargeant", "Ballad Of Hix Blewitt", "Knights of The Steamtable", "Jack's Blues", and "Night Sound". LP, Vinyl record album
(Black label mono pressing, in a red tinted cover. 1S/1S stampers. Cover has some wear.)

Possible matches42
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George RussellNew York, New York ... CD
Decca/GRP, Late 50s. Used ... $4.99
A wonderful album from George Russell – and a refreshing change from his overly-academic modernist work! The session's an unusual one – a musical portrait of New York City, performed with an all-star cast that includes John Coltrane, Art Farmer, Bill Evans, Phil Woods, Benny Golson, Max Roach, and Hal McKusick – all working together to paint tones on the tunes that George has crafted to set up his scene of New York in the 50s. Most importantly, though, Jon Hendricks acts as the narrator of the album – talking and scatting in hipster mode, laying out a bit of beat rapportage about the Big Apple, all done in a very cool 50s style that's a bit different from his own vocal work. Titles include "Manhattan", "Big City Blues", "Manhattan-Rico", and "A Helluva Town". CD
(Out of print.)

Possible matches43
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School DaysIn Our Times ... CD
Okka Disk, 2002. New Copy ... $9.99
A fantastic slice of dialogue between the important millennial Chicago and Swedish avant garde scenes! The School Days quartet is further augmented by another member this go 'round, Kjell Nordeson on vibes, as they continue to explore themes inspired by and written by modernists of a different period in improvised music, like Bobby Hutcherson, Bill Evans, and Larry Young – a great example of the inspirations that move the genius of group leader, reedman Ken Vandermark. Kjell can be heard elsewhere as the drummer for Mats Gustafson's AALY trio, and is joined by his bandmate from that group here on bass, Ingebrit Haker-Flaten, with another Swede, Paal Nilssen Love on drums, while Chicagoan Ken Vandermark is joined by one of our city's other hidden gems on the frontline, Jeb Bishop on trombone. Recorded live in Norway, titles include "Shift", "Octopus", "Loose Blues" and "Another Double". CD

Possible matches44
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Tony ScottI'll Remember ... LP
Muse, 1959. Very Good+ ... $7.99
An 80s issue of amazing early work from the hip team of Tony Scott and Bill Evans – Scott blowing modernist clarinet, with great piano from Bill – and rhythm from Jimmy Garrison on bass and Pete LaRoca on drums. Titles include "Garrison's Raiders", "Stella By Starlight", "I'll Remember April", and "Night In Tunisia". LP, Vinyl record album
(Cover has light wear.)

Possible matches45
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Tony ScottI'll Remember (Japanese pressing) ... LP
Muse (Japan), 1959. Near Mint- ... $11.99
An 80s issue of amazing early work from the hip team of Tony Scott and Bill Evans – Scott blowing modernist clarinet, with great piano from Bill – and rhythm from Jimmy Garrison on bass and Pete LaRoca on drums. Titles include "Garrison's Raiders", "Stella By Starlight", "I'll Remember April", and "Night In Tunisia". LP, Vinyl record album
(Japanese pressing, with obi! Back cover has some very light aging, but is nice overall.)

Possible matches46
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Takashi Sugawa Banksia TrioTime Remembered ... CD
Days Of Delight (Japan), 2020. New Copy ... $28.99
A trio with beautifully slow-burning sense of urgency – one that comes from the round, spacious, well-placed basslines of leader Takashi Sugawa, and which really comes through in the clear, bold piano lines of Masaki Hayashi! The album's titled after a Bill Evans classic, and has an energy that might be inspired in part by Evans – at least in the way the group allows for plenty of space between the notes – yet the approach is very much their own, much darker and moodier, maybe more contemporary but without ever overstating that quality too much. The group's completed by drummer Shun Ishiwaka – and titles include "Nigella", "Banksia", "Under The Spell", "Lamento", "Yoshi", and "Yoko No Waltz". CD

Possible matches47
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Hiromasa SuzukiPrimrose ... LP
Union/Le Tres Jazz Club (France), 1978. New Copy (reissue)... $29.99
Warm and wonderful work from pianist Hiromasa Suzuki – a real leading light in the Japanese trio scene of the 70s! The album's got a really wonderful vibe throughout – modes initially informed by a bit of Bill Evans, and maybe some Tommy Flanagan too – recorded with warm tones and a nice sort of sparkle – yet never in a commercial way, just with that clear, clean sound that makes so many Japanese trio dates from this time so great. Suzuki takes off nicely on some tunes, but never goes too far outside – and a few others have a slightly straighter feel – showing his balanced emotion on the keys, as well as his strong compositional abilities, as all tunes here appear to be originals. The trio features Nobuyoshi Ino on bass and Steve Jackson on drums – the latter of whom is especially nice – and titles include "Hornet", "Primrose", "Dis-Charge", "Pincer Attack", "Early Summer", and "Knick Knacks". LP, Vinyl record album

Possible matches48
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VariousBuzzsaw Joint Cuts 5 & 6 – Sophisticated Savage/Dusty Stylus ... CD
Stag O Lee (Germany), Late 50s/Early 60s. New Copy ... $15.99
Rare, raw tracks in the best sort of mode we've come to expect from the Stag-O-Lee label – the kind of sounds we've really been digging on their 10" vinyl compilations, but presented here in support of the Buzzsaw Joint club night in London! The tracks are all from the start of the 60s, and all from rare pieces of 45rpm vinyl – work by artists working in a rough blend of blues, R&B, swamp rock, and other rough-edged styles from the time. This CD set brings together material from the LP volumes 5 and 6 – and titles include "Jungle Love" by Bill Springer, "Look What You Do To Me" by Stick Evans, "Desert Caravan" by The Starfires, "Zei Gezunt" by Don Schraier Rocktet, "Toot Over" by Blues Blenders, "Get Lost" by The Metallics, "Hawaiian People Eater" by Jimmy Uke & His Islanders, "Certingly I Do" by Doodie Woo, "El Lobo" by The Demons, "Screw Driver" by Rhythmaires, "Further Up The Road" by Jolly Jax, "Come On" by Dennis Roberts, "Poison Ivy" by Two Crows & The Diggers, "I'm Traveling" by Piney Brown, "Lulu Brown" by Grade Wicker, "Everyday" by Margo, "Please Pretty Please" by Leo Baxter, "Talkin About Me" by Moose John, and "Made It Up In Your Mind" by Big Jack Reynolds. CD

Possible matches49
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✨✧ Miles DavisJazz At The Plaza Vol 1 ... LP
Columbia, 1958. Near Mint- ... Temporarily Out Of Stock
A great lost live set – recorded in 1958 during that pivotal time when Miles was working with Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, and Philly Joe Jones. The whole thing's a great example of how the group could hold up the perfection of Kind Of Blue in a live setting – and the long tracks include "Jazz At The Plaza", "If I Were A Bell", and "Oleo". LP, Vinyl record album
(70s pressing. Cover has some surface wear, mostly on the back.)

Possible matches50
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✨✧ Miles DavisKind Of Blue ... LP
Columbia, 1959. Very Good ... Temporarily Out Of Stock
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". LP, Vinyl record album
(Mono 360 Sound pressing. Cover has some staining and splitting along the bottom seam.)
Also available Kind Of Blue (with bonus track) ... CD 1.99

Possible matches51
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✨✧ Miles DavisMiles Davis Quintet & Sextet – Radio Broadcasts 1958 to 1959 ... CD
RLR (Spain), 1958/1959. Used ... Temporarily Out Of Stock
It must have been a great thing to hear Miles Davis on the radio – especially when you could pluck performances this great for free out of the ether! The CD's a nice contrast to some of the older bop Miles radio sets – in that it features four late 50s performances with quintet and sextet lineups that include John Coltrane on tenor sax on all numbers – plus Cannonball Adderley on alto, either Bill Evans or Red Garland on piano, Paul Chambers on bass, and either Philly Joe Jones or Jimmy Cobb on drums. Most of the material here comes through with a good deal of clarity, and the CD features 12 tracks that include "Four", "Walkin", "Two Bass Hit", "All Of You", "Round Midnight", "Sid's Ahead", "Bye Bye Blackbird", "Straight No Chaser", and "Bag's Groove". CD

Possible matches52
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✨✧ Miles DavisStar People ... LP
Columbia, 1983. Near Mint- ... Temporarily Out Of Stock
Miles Davis in the early 80s – but still sounding pretty darn great, and somehow managing to take some of his best elements from the 70s and refine them into a slightly more focused groove! The tracks here are shorter than before – no side-long jams at all – but they definitely bristle with slight undercurrents of noise, and have some unbridled rhythms that make for a good sense of energy. Added to these are a few more (then) contemporary touches – a very slight update of Miles' older funk, but never in a slick or commercial way – and still cerebral enough to show the world that Davis wasn't selling out late in the day. Miles plays a bit of keyboards in addition to trumpet – and other players include Bill Evans on saxophones, John Scofield on guitar, Marcus Miller on bass, and Al Foster on drums. Titles include "Come Get It", "It Gets Better", "Speak", "Star People", "U N I", and "Star On Cicely". LP, Vinyl record album
(Cover has a Factory Sealed sticker on back.)

Possible matches53
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✨✧ Jack DeJohnetteNew Directions ... LP
ECM, 1978. Near Mint- ... Temporarily Out Of Stock
A seminal statement from drummer Jack DeJohnette – a musician who'd already made a pretty big impact in the years before this set – but who really seemed to take off with his New Directions group on ECM! Every player in the lineup is a key sonic pioneer on their instrument – John Abercrombie on guitar, with his great sense of color and tone – Eddie Gomez on bass, with that soundshaping ability he developed with Bill Evans – trumpeter Lester Bowie, really finding a voice here away from the Art Ensemble Of Chicago – and drummer DeJohnette, beautifully set free in territory far beyond standard rhythm! The mix of all four musicians is wonderful – and still quite fresh after all these years, despite how many folks might have tried to copy the approach – on titles that include "Dream Stalker", "Where Or Wayne", "Silver Hollow", "One Handed Woman", and "Bayou Fever". LP, Vinyl record album
(US pressing.)

Possible matches54
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✨✧ Art FarmerModern Art ... CD
Blue Note, 1958. Used ... Temporarily Out Of Stock
A seminal session as a leader by the young Art Farmer – recorded for United Artists, and a great set of tight lyrical tunes, played by Farmer in his sparkling style – in a group along with Benny Golson on tenor and Bill Evans on piano. Evans is a special treat here, as the 1958 session was recorded at a time when he was making a fair bit of appearances in various rhythm sections for horn players (like Miles Davis) – and although this role in Evans' career was a short one, it yielded some amazingly beautiful moments, as you'll hear on this album. Art's brother Addison plays bass, and Dave Bailey rounds out the group on drums. Tracks include "Cold Breeze", "Mox Nix", "Jubilation", and "Fair Weather". Originally recorded for United Artists, but reissued here by Blue Note. CD
(Out of print. Please note the tray card is missing one spine and has some clear tape on one side.)

Possible matches55
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✨✧ Eddie HarrisThat Is Why You're Overweight ... LP
Atlantic, 1976. Very Good+ ... Temporarily Out Of Stock
Eddie continues the funky groove begun on Instant Funk, and smoothed out over albums like I Need Some Money – and although jazz fans probably gave him hell for going this way, we think this is actually a pretty darn great album! The record takes all of Eddie's experimentation with groovy styles from the early 70s, and filters it through some tighter playing that actually makes the groove a lot more compelling than before. A number of the tracks have vocals, almost in a humorous Bill Cosby mode – but in a way that also preserves the party feel of the cuts. Players include Bobby Lyle, Paul Humphrey, Buck Clarke, and Bradley Bobo – and one Chicago-recorded track features a great assortment from older years that includes Muhal Abrams, Odell Brown, Marshapp Thompson, Willie Henderson, and Richard Evans. Titles include "Tryin Ain't Dyin", "Ooh", "Exempt", "Live Again", "Flowers", "Why Do You Hurt Me", and "It's All Right Now". LP, Vinyl record album
(Cover has a hint of light wear.)

Possible matches56
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✨✧ Oliver NelsonBlues & The Abstract Truth ... CD
Impulse, 1961. Used ... Temporarily Out Of Stock
One of the all-time classics of early 60's mainstream jazz – and a beautiful record that showcases writing and arranging talents of Oliver Nelson! Nelson had been bumping around a variety of sessions before this one – as a leader, sideman, and arranger – but it was with this album that his true talents really unfolded – sparkling with a depth of imagination and expression that marked him as one of the greatest artists in 60s American jazz! The group on the set is an all-star sextet – featuring Paul Chambers, Eric Dolphy, Bill Evans, Roy Haynes, and Freddie Hubbard – a disparate group of players who manage to come together with Nelson and find a unique voice that's rarely been duplicated again! The album features 6 fantastic compositions by Nelson, including "Stolen Moments", "Hoe Down", and "Yearnin". A fantastic record – and one that you can't go wrong with! CD
(Out of print.)

Possible matches57
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✨✧ Cannonball AdderleyKnow What I Mean? (SACD – with bonus tracks) ... CD
Riverside/Analogue Productions, 1961. Used ... Out Of Stock
Beautiful early work from Cannonball Adderley – and a record that's quite different than most of his better known sets from the time! The album's more spare and stripped-down than usual – with Cannon's alto in a quartet alongside Bill Evans on piano, Percy Heath on bass, and Connie Kay on drums. The style is almost more that of Evans than it is Cannonball – lightly lyrical, with a good sense of space – in a way that has Adderley playing out front very strongly, cutting some beautiful lines with his solos, in a really unfettered way! Titles include versions of two of Evans' tracks – "Waltz For Debby" and "Know What I Mean?" – plus nice moody takes on other material, like John Lewis' "Venice", Clifford Jordan's "Toy", and Gordon Jenkins' "Goodbye". Remastered edition with 2 bonus tracks: "Who Cares (Take 4)" and "Know What I Mean? (Take 12)". CD
(Out of print SACD Hybrid pressing.)

Possible matches58
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✨✧ Dick Garcia (Richie Garcia)Message From Garcia (red cover) ... LP
Dawn, Late 50s. Near Mint- ... Out Of Stock
One of the few sides ever cut as a leader by guitarist Dick Garcia – and a record that's maybe as noteworthy for the work of its leader as it is for the presence of some very hip sidemen! The album's one of those late 50s outings that features Bill Evans on piano, from a time when he wasn't just leading his own groups – and other musicians include the great Gene Quill on alto sax, whose breathy talents always completely win us over – as well as pianist Terry Pollard, a female musician from Detroit who's most famously worked with Dorothy Ashby. Garcia gets plenty of space upfront to do his thing, and also contributed some nice originals to the record – which also features shifting instrumentation on just about every track. Titles include "The Deacon", "Potatoes", "Like Someone In Love", "If I'm Lucky", and "Kimona My House". LP, Vinyl record album
(Beautiful original deep groove pressing – both record and cover!)

Possible matches59
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✨✧ Tony ScottModern Art Of Jazz ... LP
Seeco, Late 50s. Very Good+ ... Out Of Stock
One of Tony Scott's best straight jazz sessions of the 50s – a wonderfully done small combo set that shows Scott beginning to move from straight bop into more modern modes! The album features Tony on baritone sax and clarinet – blowing with a well-chosen group of fresh modern talents that include Sahib Shihab, Bill Evans, Henry Grimes, and Paul Motian. Clark Terry also plays a bit of trumpet, but it's the Evans/Motian combination that seems to work the most magic – opening up the rhythms a lot, and really pulling some spacious sounds out of Scott's horn. Titles include "Five", "She's Different", "Blues For 3 Horns", "Lullaby Of The Leaves", and "Tenderly". LP, Vinyl record album
(Blue label stereo pressing with deep groove. Cover has a stereo sticker, a center split and some tape remnants at the top seam, and a small peeled spot on back.)

Possible matches60
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✨✧ VariousVerve Elite Edition – Collectors' Disc 1954 to 1965 ... CD
Verve, 1950s/1960s. Used ... Out Of Stock
Music from Louis Armstrong & Oscar Peterson, Bill Evans, Coleman Hawkins & Ben Webster, Harry "Sweets" Edison & Buck Clayton, Roy Eldridge & Benny Carter, Oscar Peterson, Johnny Hodges & Dizzy Gillespie, Ella Fitzgerald & Duke Ellington, Louis Armstrong & Oscar Peterson, Tal Farlow & Jimmy Smith. CD
(Out of print, mark through digipack barcode.)
 
Partial matches: 6
Partial matches61
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Gil EvansLive At The Public Theater (New York 1980) (Japanese pressing) ... LP
Trio (Japan), 1980. Near Mint- ... $4.99
Gil Evans plays an electric grand piano and is joined by a rather large set of musicians who include Masabumi Kikuchi on a variety of synthesizers, Billy Cobham on drums, Lou Soloff on trumpet, George Lewis on trombone and many others. Tracks include some Evans originals – "Anita's Dance", "Jelly Rolls", "Alyrio", and "Variations On The Misery" plus others like Gershwin's "Gone, Gone, Gone" and Jimi Hendrix's "Up From The Skies". LP, Vinyl record album
(Includes insert.)

Partial matches62
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✨✧ Gil EvansLive At The Public Theater (New York 1980) Vol II ... LP
Trio (Japan), 1980. Near Mint- ... Out Of Stock
Gil Evans plays an electric grand piano and is joined by a rather large set of musicians who include Masabumi Kikuchi on a variety of synthesizers, Billy Cobham on drums, Lou Soloff on trumpet, George Lewis on trombone and many others. Tracks include two Evans originals – "Copenhagen Sight" and "Zee Zee" plus others like "Sirhan's Blues", a Jimi Hendrix song "Stone Free", and Mingus' "Orange Was The Color Of Her Dress". LP, Vinyl record album
(US pressing.)

Partial matches63
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✨✧ Gil EvansLive At The Public Theater (New York 1980) Vol I ... LP
Trio/Blackhawk, 1980. Near Mint- ... Out Of Stock
Gil Evans plays an electric grand piano and is joined by a rather large set of musicians who include Masabumi Kikuchi on a variety of synthesizers, Billy Cobham on drums, Lou Soloff on trumpet, George Lewis on trombone and many others. Tracks include some Evans originals – "Anita's Dance", "Jelly Rolls", "Alyrio", and "Variations On The Misery" plus others like Gershwin's "Gone, Gone, Gone" and Jimi Hendrix's "Up From The Skies". LP, Vinyl record album
(US pressing on BlackHawk.)

Partial matches64
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VariousSun Gospel ... CD
Sun/Bear Family (Germany), 1950s/Early 60s. New Copy ... $13.99 24.99
Gospel genius from the legendary Sun Records – an imprint usually associated with the earliest roots of rockabilly, but also a Memphis powerhouse that managed to capture a number of different styles surprisingly well during the 50s! Sun had one of its big early hits with The Prisonaires – a group of convicts who could harmonize beautifully – and many of these tracks follow a similar vibe, with that up-close, uncluttered style of recording that Sam Phillips did so well – which really lets the vocals of the groups come through! But there's also some surprising crossover moments going on here too – as some tracks feature more familiar Sun artists singing spiritual tunes – showing just how much the gospel side of the market was during these formative years of country, pop, and rock. The set's got 32 tracks in all – a huge amount of overlooked material from Sun – and titles include "Softly & Tenderly" by The Prisonaires, "Forgive Me Lord" by Southern Jubilee Singers, "I Need Jesus" by Song Fellows, "Amazing Grace" by Jones Brothers, "House Of God" by an Unknown Female Trio, "Nobody's Looking Back" by Wally Fowler, "Rainbow Of Love" by Evans Family Singers, "Until I Pray For You" by Rudi Richardson, "Where Shall I Be" by Brewsteraires, "My Heart Is A Chapel" by Mary Johnson, "My God Is Real" by Prisonaires, "All My Sins Been Taken Away" by Sonny Burgess, "Round Up In Glory" by Sun Spot Quartet" – and the tracks "Just A Little Talk With Jesus" by the Million Dollar Quartet, and even a "Sermon" by Jerry Lee Lewis. CD

Partial matches65
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✨✧ Gil EvansWhere Flamingos Fly ... CD
Artists House, 1981. Used ... Out Of Stock
An excellent set that was recorded in 1971, but not issued until 10 years later – by the small Artists House label, home to groundbreaking work by Ornette Coleman and James Blood Ulmer. Evans' record earns the same tag here – as it's a moody mix of electric and acoustic playing, featuring a group that includes Joe Beck, Billy Harper, Johnny Coles, Lenny White, Airto, and Hannibal Peterson. Titles include "Zee Zee", "Where Flamingos Fly", "Nana", and "El Matador". CD
(Out of print, A&M digipack pressing.)

Partial matches66
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✨✧ VariousMod Jazz Rides Again ... CD
Kent (UK), Mid 60s. New Copy ... Out Of Stock
Sammy Davis Jr is looking pretty darn hip on the cover – and all the artists inside are sounding pretty darn hip as well – coming together during the glory days of soul jazz, at a time when blues, vocals, and R&B were also criss-crossing into other styles too! There's an upbeat, soul-drenched, ultra-cool vibe to the whole thing – not too-familiar retro jazz numbers, but instead a wealth of rare cuts that often come from the sort of 7" singles that change hands for big money in the funky 45 underground, next to obscure album cuts too – mixed with the kind of unreleased material that the Ace/Kent label has always done such a good job of digging up! The package explodes with groovy musical delights – and titles include "What Is love" by Bobby Jenkins, "Out House" by Eddie Bridges & His Lowriders, "Empire City" by Gene Walker & The Combo, "Pushin The Button Of Soul" by Hank Jacobs, "Fat Man" by Montego Joe, "The Bold" by Russell Evans & The Nite Hawks, "Hey Mrs Jones" by Jimmy Witherspoon, "Poppa Nickel" by The Tempo Rhythms, "Sherry's Party" by Ray Johnson, "Hot Tamale Man" by Harold Betters, "Shank & Grits" by Ray Shanklin, "Pluckin" by Jimmy Mayes & The Soul Breed, "East 24th Ave" by Billy Graham & The Escalators, and "Do The Thing" by Gate Wesley. CD
 
 
 



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