This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A really great funky moment from guitarist John Scofield – kind of a bridge between the chromatic hues of his music from the 80s, and the tighter, sharper direction he'd take in years to come! The set has some classic-styled soul jazz elements at the core, really living up to the cover image ... CD
A real standout from trumpeter Terence Blanchard – and a record that arguably helped set the tone for lots of Blue Note albums in years to come by a variety of younger artists! The album's produced by Herbie Hancock – who still really lets Blanchard's horn and musical vision take the ... CD
An obscure little groover from Curtis Fuller – and one of his hardest blowing sessions for Blue Note! Unlike some of the other Fuller sessions, which can have a slightly softer, rounder sound overall – this one's a much more in-the-pocket sort of Blue Note hardbop date – one that ... CD
A great return to form for Hammond giant Jimmy Smith – heard here on an early 90s date for Blue Note, done in the same style as Jimmy's classic work for the label! The set's a live one, recorded in Japan – and the tracks have this open flow that's mighty nice – proof that Smith's ... CD
An early 60s killer from Lou Donaldson – one that more than lives up to the promise of its great cover and compelling title! The lineup has Lou blowing in an easy, soulful style – working with a combo that includes Herman Foster on piano, Ben Tucker on bass, and Dave Bailey on drums ... CD
If you've ever needed a definition of hardbop, this is it! The set's a crack quartet session for Blue Note, recorded in the mid 50s by a young Johnny Griffin – fresh in from Chicago, and playing with tons of fire and loads of imagination! Wynton Kelly's on piano and Max Roach is on drums ... CD
An overlooked late 60s treasure on Blue Note – 2 rare albums by Kenny Cox & The Contemporary Jazz Quintet – one of the few new groups to work on the label at the time, and an up-and-coming modern combo from Detroit! The first album's quite unique for a number of reasons – not ... CD
One of the few American releases cut by the legendary British trumpeter Dizzy Reece – and a great one! The album was strange for Blue Note, in that it was a joint US/UK session – featuring American players Donald Byrd and Art Taylor, along with great Brit players Reece, Tubby Hayes, ... CD