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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A great little live set from the glory days of the Toshiko Akiyoshi/Lew Tabackin Big Band – a series of performances from Japan, recorded in 1976, all featuring the ensemble at its best! The double-length nature of the record takes the group even farther than usual – really letting ... LP, Vinyl record album
A great little album from Eddie Harris – post-Atlantic, but done in a way that showed that Harris was still consistently inventive! The title track alone is worth the price of the record – so much so that you can almost forgive it for its silly little in-joke of "Playin With ... LP, Vinyl record album
Paul Desmond doesn't get any better than this – blowing his icy cool alto next to warm guitar lines from the mighty Jim Hall – a classic RCA Records pairing in jazz, heard to great effect on this classic album! There's a slight bossa groove to some of the rhythms, which is great for ... LP, Vinyl record album
One of a few key efforts done by Michel Legrand for RCA in the 70s – sessions that stand out as some of his best jazz work from the decade, and which present Legrand in unfettered brilliance, both as a player and arranger! This live date still has the original compositions and sense of ... LP, Vinyl record album
Brian Auger's first album with The Oblivion Express – a harder-rocking ensemble than his initial Trinity trio, but one who also really pushed things with a really jazzy edge! Like many of Auger's contemporaries on the UK scene, Brian was making the shift from Brit beat group jazz and soul, ... LP, Vinyl record album
A great set, and one of the few obscure sides of west coast jazz from Jack Montrose (not to be confused with east coast player JR Montrose). Shorty Rogers supervised the session, and the album features some open-ended tracks done in quintet format that are similar to some of Shorty's best work for ... LP, Vinyl record album
In the early 70s, pianist Chris McGregor was one of the leading lights of the British jazz scene – an expatriot South African living in London, whose work with the legendary group The Blue Notes was steeped in an African rhythmic traditions! This seminal work from 1971 shows how much ... LP, Vinyl record album
A bit of an obscure session, but the first of John Lewis' works for a larger jazz orchestra – recorded with a lineup that includes larger strings and woodwinds next to rhythm backing by Percy Heath and Connie Kay of the MJQ! The tracks are all longer originals arranged by Lewis – ... LP, Vinyl record album
A smoking set from Phineas Newborn – recorded in 3 different modes for the record – solo, trio, and quartet! The quartet and trio sides feature some nice guitar from his brother Calvin Newborn – whose bluesier tones really help give the record a deeper feel than usual for Phineas ... LP, Vinyl record album