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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A great later sleeper from Brian Auger – a record that's much deeper and more soulful than some of his earlier work – and done in a soaring style that's really great! Alex Lighterwood sings as much as Auger plays the keys here, but that's ok with us – because he fuses his voice ... LP, Vinyl record album
Soaring organ work from Brian Auger's Oblivion Express – and arguably the greatest album he ever cut with this post-Trinity group! The sound here is clean and lean – with Brian himself on a mix of organ, piano, and moog – really hitting a nice jazz funk mode that drops some of ... LP, Vinyl record album
A wonderful album of Latin grooves from Shorty! The record is one of his best, and features a whopping array of percussionists – including Carlos Vidal, Modesto Duran, and Mike Pacheco all coming into play with Shorty's west coast style of arrangements, tweaked greatly here to pick up an ... LP, Vinyl record album
Tight west coast jazz, arranged and led by Pell on tenor, and featuring work by Don Fagerquist, Marty Paich, Ray Sims, and Tommy Tedesco. Shorty Rogers supervised the session, and it's got a very similar feel to some of his RCA sides at the time. As you might guess from the title, the tracks are ... LP, Vinyl record album
A double-length, ultra-cool set from saxophonist Phil Woods – yet another aspect of his great body of work from the 70s, and a live date that features Woods at the head of a sextet! The group here features acoustic piano, electric guitar, bass, drums, and percussion – all used in ways ... LP, Vinyl record album
A compelling octet recording – with arrangements by Ernie Wilkins, Al Cohn, and Manny Albam – with a lineup that includes Cohn on tenor, Gene Quill on alto, Urbie Green on trombone, and Freddie Green on guitar! Nice Andy Warhol cover, too! LP, Vinyl record album
Quite an unusual session from Gary Burton – recorded in Nashville, with a mix of jazz and country session players – coming together in an open-ended sound that's got lots of complicated touches. Gary's jazz side is represented by Roy Haynes on drums, Steve Swallow on bass, and Steve ... LP, Vinyl record album
One of the best records we've ever heard from pianist Lou Levy – a record that steps past the simple format of earlier records, into a style that's slightly modern, and very cool – thanks to the addition of vibes to his usual trio format. Larry Bunker plays vibes on the record, and ... LP, Vinyl record album
One of the best sessions cut by Kai and JJ during the 50's, and a good live session with a lot looser feel than some of their studio sessions – which tend to be a bit restrained. The rhythm section features Dick Katz, Al Harewood, and Peck Morrison – but the main solos are held by Kai ... LP, Vinyl record album