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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Hank Crawford takes a decidedly mellower approach on this set – working with warm and wonderful arrangements by Marty Paich, in a series of soulful readings of familiar ballads and love songs – all of which come out in a dreamy late night mode! There's still a fair bit of Ray Charles ... LP, Vinyl record album
Warm and laidback soul jazz from the great Hank Crawford – cut in a relaxed mode that makes the set feel like some of the late nite smokers on the Prestige label at the time! Hank's alto work is perfectly placed on the set, and he's working with fellow Ray Charles bandmember David Fathead ... LP, Vinyl record album
Sweet soulful jazz from reedman Hank Crawford – one of his killer Kudu sessions from the 70s – all of which really helped Hank redefine his sound! The setting here is large and full – put together beautifully by Bob James, with that sense of space for the soloist that makes his ... LP, Vinyl record album
One of Hank Crawford's first big records of the 70s – a really great set that helps him shake off some of his stock modes of the 60s and find a very different groove! A big part of the album is arranger Don Sebesky, who gives Hank a backdrop that's sophisticated and smooth, yet still pretty ... LP, Vinyl record album
70's 2LP set that reissues some of the classic tenor material from Griff and Lockjaw recorded for the Jazzland label in the early 60's. The set's got some great gutsy hardbop material, plus a number of excellent Monk interpretations. Titles include "Epistrophy", "Camp Meeting" ... LP, Vinyl record album
Brian Auger's first album with The Oblivion Express – a harder-rocking ensemble than his initial Trinity trio, but one who also really pushed things with a really jazzy edge! Like many of Auger's contemporaries on the UK scene, Brian was making the shift from Brit beat group jazz and soul, ... LP, Vinyl record album
Forget the "brass" in the title, because this is a great set – not hokey at all, not a big band session, but a wonderfully well-developed expression of jazz from the great James Moody – recorded during an extremely fruitful time in his career! About half the tunes on the set ... LP, Vinyl record album
A nice double LP expanding on Cannonball's swingin' Japanese concert set issued as Nippon Soul, adding dates from the same concert tour. Featuring one of Cannonball's best groups from the 60's, with Joe Zawinul on piano, brother Nat on cornet, Sam Jones on bass, and Louis Hayes on drums, and ... LP, Vinyl record album
A sweet electric set from Sonny Rollins – and maybe the closest he ever came to cutting a funk record! The set's got that mellow electric funk approach that Prestige was using often in the mid 70s – Sonny's tenor lines getting some great Bay Area studio support from George Duke on ... LP, Vinyl record album
Freddie Hubbard at the peak of his 70s powers – and one of his finest albums of the decade! The record follows strongly in the tone that Freddie set at CTI on his mighty Red Clay and Sky Dive sets – long, drawn out tracks – done with lots of electricity in the rhythms, and a very ... LP, Vinyl record album
A landmark album of vocal jazz – and one of the few sessions that John Coltrane ever cut with a singer! In a way, the album's more Hartman's than it is Coltrane's – given that Johnny's warm, mellow style of singing isn't as free and open as Trane at his most adventurous – but at ... LP, Vinyl record album